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Berkeley Madonna User's Guide
Berkeley Madonna User’s Guide Version 8.0 March 23, 2000 Robert Macey George Oster Tim Zahnley University of California Department of Molecular and Cellular Biology Berkeley, CA 94720 http://www.berkeleymadonna.com Table of Contents INTRODUCTION .............................................................................................................5 SYSTEM REQUIREMENTS ...............................................................................................5 BERKELEY MADONNA WINDOWS ...............................................................................5 THE EQUATION WINDOW ...............................................................................................5 THE FLOWCHART WINDOW ............................................................................................7 THE PARAMETER WINDOW.............................................................................................8 THE GRAPH WINDOW ....................................................................................................9 Creating Multiple Graph Windows ........................................................................9 Specifying Which Variables to View......................................................................9 Changing Axis Settings.......................................................................................10 Creating Multiple Pages [Windows only].............................................................11 Using Graph Buttons...........................................................................................11 -
The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle
The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle I had called upon my friend, Mr. Sherlock Holmes, one day in the autumn of last year and found him in deep conversation with a very stout, florid-faced, elderly gentleman with fiery red hair. With an apology for my intrusion, I was about to withdraw when Holmes pulled me abruptly into the room and closed the door behind me. "You could not possibly have come at a better time, my dear Watson," he said cordially. "I was afraid that you were engaged." "So I am. Very much so." "Then I can wait in the next room." "Not at all. This gentleman, Mr. Wilson, has been my partner and helper in many of my most successful cases, and I have no doubt that he will be of the utmost use to me in yours also." The stout gentleman half rose from his chair and gave a bob of greeting, with a quick little questioning glance from his small fat-encircled eyes. "Try the settee," said Holmes, relapsing into his armchair and putting his fingertips together, as was his custom when in judicial moods. "I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life. You have shown your relish for it by the enthusiasm which has prompted you to chronicle, and, if you will excuse my saying so, somewhat to embellish so many of my own little adventures." "Your cases have indeed been of the greatest interest to me," I observed. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
April 27- MA Y 3, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • TICKETS on SALE NOW!
APRIL 27- MAY 3, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM TICKETS ON SALE NOW! TICKETS ON SALE NOW! MORE COWBELL! FROM GRAND FUNK RAILROAD 2 ----------------------------------------------------------------------------------- www.whatzup.com ---------------------------------------------------------------- April 27, 2017 whatzup Volume 21, Number 37 e’ve only got room for two full features on upcoming shows, but both of them are shows most of our readers are going to want to see. Both, as it happens, are at C2G Music Hall which is not just a great room for Wmusic but is easy to get to as well. Located on the south edge of downtown, all you’ve got to do is turn east from Fairfield or west from Calhoun or Lafayette (or whatever) and you can’t miss it. Even the parking situation is a breeze. So, if your appetite has been sufficiently whetted, we encourage you to read up on Toronzo Cannon, the headliner for The League’s annual Blues Bash benefit, and those other lads from Liverpool, the Mersey Beatles, on pages four and five, respectively. Mark Hunter and Deborah Kennedy wrote the features, so you’ll find these stories nearly (but not quite) as entertaining as the shows themselves. As we like to say, there’s more, including reviews and previews of several com- munity theater productions, a preview of the Embassy’s upcoming Under the SUNDAY, MAY 7 Streetlamp show, Nick Braun’s Out and About column, Chris Hupe’s Road Notez column, a couple of record reviews and the best, most extensive art and entertain- Friday, May 5 • 7:30pm • $30-$50 8-11PM ment calendars you’re ever going to find. -
Anglo-American Songs and Ballads AFS
Recording Laboratory AFS L20 Anglo-American Songs and Ballads From the Archive of Folk Song Edited by DUNCAN EMRICH , LIBRARY OF CoNGRESS WASHINGTON 1947 Library ofCongress Catalog Card Number R53-580 rev Avai/Qble from the Library ofCongress Music Division, Recorded Sound Section Washington, D.C. 20540 ANGLO-AMERICAN SONGS AND BALLADS AI-A3-CRIPPLE CREEK, GIT ALONG DOWN TO Her head looked like a coffee pot, TOWN, and KICKING MULE. Sung with five Her nose looked like the spout, string banjo by Henry King accompanied by the Her mouth looked like the fire place King family on guitar, mandolin, and bass, at With the ashes all raked out. Chorus. Visalia, Calif., 1941. Recorded by Charles Todd and Robert Sonkin. I wouldn't have a yaller gal, Now here's the reason why, Her neck's so long and scrangy The three songs on this record, played and sung She'd make them biscuits fly. Chorus. by the King family, belong to the broad group of native songs from the southern mountains. They are Boss he had an old gray mare, without any European antecedents and in subject He rode her down in town, matter are purely American. The mandolin and Before he got his trading done, guitar accompaniment, and the very tempo of the The buzzards had her down. Chorus. pieces, again are distinctive of the pure strain of American folk music. Originating in the South, they Boss he had an old gray mare, have spread widely throughout the United States. Her name was Brindly Brown, Every tooth in that mare's head CRIPPLE CREEK Had sixteen inches 'round. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
10 Top Picks APRIL 2021
10 Top Picks APRIL 2021 For the latest ratings and information, visit These are the most exceptional new cars on the road today. They all shine in CR’s tests and surveys, and each comes standard with key advanced safety features. BY JEFF S. BARTLETT ach year more way onto our list through outstanding Consumer Reports. “That means we than 250 models performance in more than 50 tests at care more about how your next car or compete for the CR’s Auto Test Center, as well as having SUV performs when it comes to safety, hearts, minds, solid marks for reliability and owner comfort, and fuel efficiency than how and driveways satisfaction in our member surveys. All quickly it can circle a race track.” of American car have also scored well in dynamic safety Each Top Pick has an Overall Score shoppers. At tests, such as our challenging accident that’s among the highest in its category. Consumer Reports, we rank the new maneuver, and, if tested, earned And it must come standard with models we buy and evaluate based passing grades in crash assessments forward collision warning (FCW) and on regimented performance tests and conducted by the federal government automatic emergency braking (AEB) survey results from our members. Here, and the insurance industry. with pedestrian detection—proven we highlight the best of the best in our “We put thousands of miles on features that prevent injuries and save annual Top Picks, standouts in popular each test car and evaluate them for lives by reducing collisions. price categories and types. -
Top500 Final
1. MICHAEL JACKSON Billie Jean 2. EAGLES Hotel California 3. BON JOVI Livin’ On A Prayer 4. ROLLING STONES Satisfaction 5. POLICE Every Breath You Take 6. ARETHA FRANKIN Respect 7. JOURNEY Don’t Stop Believin’ 8. BEATLES Hey Jude 9. GUESS WHO American Woman 10. QUEEN Bohemian Rhapsody 11. MARVIN GAYE I Heard It Through The Grapevine 12. JOAN JETT I Love Rock And Roll 13. BEE GEES Night Fever 14. BEACH BOYS Good Vibrations 15. BLONDIE Call Me 16. FOUR SEASONS December 1963 (Oh, What A Night) 17. BRYAN ADAMS Summer Of 69 18. SURVIVOR Eye Of The Tiger 19. LED ZEPPELIN Stairway To Heaven 20. ROY ORBISON Pretty Woman 21. OLIVIA NEWTON JOHN Physical 22. B.T.O. Takin’ Care Of Business 23. NEIL DIAMOND Sweet Caroline 24. DON McLEAN American Pie 25. TOM COCHRANE Life Is A Highway 26. BOSTON More Than A Feeling 27. MICHAEL JACKSON Rock With You 28. ROD STEWART Maggie May 29. VAN HALEN Jump 30. ELTON JOHN/ KIKI DEE Don’t Go Breaking My Heart 31. FOUR SEASONS Big Girls Don’t Cry 32. FLEETWOOD MAC Dreams 33. FIFTH DIMENSION Aquarius/Let The Sunshine In 34. HALL AND OATES Maneater 35. NEIL YOUNG Heart Of Gold 36. PRINCE When Doves Cry 37. EAGLES Lyin’ Eyes 38. ARCHIES Sugar, Sugar 39. THE KNACK My Sharona 40. BEE GEES Stayin’ Alive 41. BOB DYLAN Like A Rolling Stone 42. AMERICA Sister Golden Hair 43. ALANNAH MYLES Black Velvet 44. FRANKI VALLI Grease 45. PAT BENATAR Hit Me With Your Best Shot 46. EMOTIONS Best Of My Love 47. -
JOURNEY with PRETENDERS FIRST PAVILION ANNOUNCEMENT of BETHEL WOODS 2020 SEASON Tickets on Sale Friday, November 8Th at 10 AM
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] JOURNEY WITH PRETENDERS FIRST PAVILION ANNOUNCEMENT OF BETHEL WOODS 2020 SEASON Tickets On Sale Friday, November 8th at 10 AM October 31, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the historic site of the 1969 Woodstock festival in Bethel, N.Y., today announced that Journey will perform on the Pavilion Stage on Saturday, September 12th with the Pretenders, serving as the final performance during an extensive North American tour, featuring over 60 performances. Tickets will go on sale to the public on Friday, November 8th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1-800-653-8000. Fans can expect to hear iconic Journey classics performed by Neal Schon (founding member and lead guitarist), Ross Valory (co-founding member and bassist), longtime members Jonathan Cain (keyboardist) & Steve Smith (drummer), and Arnel Pineda (lead singer) such as “Lights,” “Faithfully,” “Any Way You Want It,” “Open Arms,” “Wheel In The Sky,” “Separate Ways (Worlds Apart),” and the seminal “Don’t Stop Believin’,” which is the top-selling digital catalog track in history. The Pretenders will feature all new production and hits from start to finish such as “I’ll Stand By You,” “Back On The Chain Gang,” “Brass In Pocket,” “Don’t Get Me Wrong,” “2000 Miles,” “My City Was Gone,” “Middle of the Road,” and many more. Pretenders cross the bridge between punk, new wave and pop music like no other band, with genre-defining songs like “I'll Stand By You,” “Back On The Chain Gang” and “Don't Get Me Wrong.” The band has sold over 25 million albums and founder & leader Chrissie Hynde is one of contemporary music's greatest songwriters. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Journey the Las Vegas Residency Coming to the Colosseum at Caesars Palace October 9 - 26, 2019
April 15, 2019 Journey The Las Vegas Residency Coming To The Colosseum At Caesars Palace October 9 - 26, 2019 TICKETS ON SALE FRIDAY, APRIL 19 AT 10 A.M. PT LAS VEGAS, April 15, 2019 /PRNewswire/ -- One of the world's greatest rock bands, Journey, is taking over the Las Vegas Strip this fall with a limited engagement insideT he Colosseum at Caesars Palace October 9 – 26, 2019. Tickets will go on sale to the public Friday, April 19 at 10 a.m. PT. American Express® Card Members can purchase tickets before the general public beginning Tuesday, April 16 at 10 a.m. PT through Thursday, April 18 at 10 p.m. PT.A JourneyMusic.com fan presale will be available starting Wednesday, April 17 at 10 a.m. PT through Thursday, April 18 at 10 p.m. PT. In addition, Caesars Rewards members, Caesars Entertainment's loyalty program, as well as Live Nation, Ticketmaster and SiriusXM customers will have access to a presale running Thursday, April 18 from 10 a.m. PT to 10 p.m. PT. The nine performances going on sale are: October 2019: 9, 11, 12, 16, 18, 19, 23, 25 and 26 General ticket prices begin at $69, plus applicable tax and fees, and may be purchased online at www.ticketmaster.com/journey or in-person at The Colosseum at Caesars Palace box office. All shows begin at 8 p.m. A limited number of LaneOne Premium Packages will also be available, including amazing seats, transportation, preferred entrance and more. Check LaneOne for details. JOURNEY – Neal Schon (founding member and lead guitarist), Ross Valory (co-founding member and bassist), and longtime members Jonathan Cain (keyboardist), Steve Smith (drummer) and Arnel Pineda (lead singer) - is one of the most popular American rock bands of all time, creating some of the best-known songs in modern music, with iconic hits such as "Lights," "Faithfully," "Any Way You Want It," "Wheel In The Sky," "Separate Ways," "Who's Crying Now," and the seminal "Don't Stop Believin'," which is the top-selling digital catalog track in history. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland