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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
Ettore Scola, Humanist Des Italienischen Kinos ) 2 7 9 1 (
Ettore Scola, Humanist des italienischen Kinos ) 2 7 9 1 ( A T I V A I M A l l e D A T A r e S A l l e B ù I P A l u z n e t i e b r a h a e l r o D c n e S d i e e r b o a t l t o c E S e r o t t 47 e Ettore Scola (1931 –2016) ist einer der großen Meister Manfredi, Vittorio Gassmann, Stefania Sandrelli, Alberto des italienischen Films. Er gilt als legitimer Erbe von Sordi und Marcello Mastroianni. Sie verkörpern italieni - Roberto Rossellini, Vittorio de Sica und Federico Fellini sche Charaktertypen mit ihren typischen Merkmalen: und als wichtiger Impulsgeber für die nächste Genera - Der Kunst, sich in jeder Situation zu behelfen (arte di ar - tion. In Deutschland ist er jedoch bis heute weitgehend rangiarsi) sowie markanten Kontrasten zwischen unbekannt geblieben. Schein (Selbstsicherheit, Geltungsdrang, Hochmut) und Obwohl Ettore Scola ein juristisches Studium absolviert Sein (Schüchternheit, Engstirnigkeit, Opportunismus, hat, faszinierte ihn früh die Kinowelt. Bevor er eigene Feigheit). Ein menschliches Panoptikum aus gescheiter - Filme drehte, verfasste er mehr als fünfzig Drehbücher ten Angestellten, komplexbeladenen Strebern, Schnor - für Regisseure wie Luigi Zampa, Nanni Loy oder Mario rern, Schmarotzern, Träumern und Emanzen, die sich in Monicelli. Den Durchbruch als Regisseur mit einer sehr der neu entstehenden Welt der Freizeitangebote, der persönlichen Filmsprache und einer Vorliebe für sozial - freieren Sitten, des Wohlstands und des Konsums kritische Themen gelang ihm in den 1970er Jahren. bewegen – eine bunte comédie humaine, geprägt Über sein Konzept sagte Scola: »Mein Kino war nie ein durch das anekdotische, fragmentarische Erzählen und Kino der Phantasie, sondern immer eines der Beobach - das Zusammenspiel von dramatischen und grotesken tung«. -
A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
Ferzan Özpetek Se Traslada a Italia En 1976 Para Estudiar Historia Del Cine En La Universidad De Roma
SALA FERNANDO REY 25, 26 y 27 de junio FERZAN MINE VAGANTI ÖZPETEK (TENGO ALGO QUE DECIROS) SOBRE EL DIRECTOR Nacido en Estambul, Ferzan Özpetek se traslada a Italia en 1976 para estudiar Historia del Cine en la Universidad de Roma. Realiza cursos de Historia del Arte y del Vestido en la Academia Navona, y cursos de Dirección en la Escuela de Arte Dramático "Silvio D´Amico". Es ciudadano italiano. Después de su colaboración con Julian Beck y el Living Theatre, comienza en 1982 su actividad como ayudante de dirección, primero con Massimo Troisi y posteriormente con Maurizio Ponzi. Como Director: Ferzan Özpetek ayudante de dirección ha trabajado además al Intérpretes: Lunetta Savino, Riccardo Scamarcio lado de otros directores como Ricky Tognazzi, Italia, 201 0- 11 7 min Lamberto Bava, Francesco Nuti, Sergio Citti, (V. O. S en castellano) - Formato: 35mm Giovanni Veronesi y Marco Risi. TODOS LOS PÚBLICOS * PREMIOS DAVID DI DONATELLO 2009: MEJOR ACTOR SECUNDARIO Y ACTRIZ SECUNDARIA. En 1996 coproduce y dirige su primera película, Hamam, el Baño Turco, seleccionada en el Las películas de Özpetek, cada vez más específicamente Quincena de Realizadores del Festival de italianas y menos interculturalistas, son en general suaves, Cannes. En 1999 Tilde Corsi y Gianni Romoli ternuristas, pero es su misma ligereza lo que les da un toque producen su segunda película, El Último personal, además de esa empatía emocional que se produce Harén, éxito de público y crítica y presentada cuando un personaje aparece aureolado de cierta verdad: en la Sección Una Cierta Mirada del Festival de Margherita Buy en El hada ignorante (2001), Giovanna Cannes. -
La Nascita Dell'eroe
Programma del CORSO 1) PARTE GENERALE - “Slide del Corso” - Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, pp. 127-303 (si trova su Feltrinelli a 8,99 e in ebook) 2) APPROFONDIMENTO (A SCELTA) DI DUE TRAI SEGUENTI LIBRI: - Mariapia Comand, Commedia all'italiana, Il Castoro - Ilaria A. De Pascalis, Commedia nell’Italia contemporanea, Il Castoro - Simone Isola, Cinegomorra. Luci e ombre sul nuovo cinema italiano, Sovera - Franco Montini/Vito Zagarrio, Istantanee sul cinema italiano, Rubbettino - Alberto Pezzotta, Il western italiano, Il Castoro - Alfredo Rossi, Elio Petri e il cinema politico italiano, Mimesis Edizioni - Giovanni Spagnoletti/Antonio V. Spera, Risate all'italiana. Il cinema di commedia dal secondo dopoguerra ad oggi, UniversItalia 3) CONOSCENZA DI 15 FILM RIGUARDANTI L’ARGOMENTO DEL CORSO Sugli autori o gli argomenti portati, possono (non devono) essere fatte delle tesine di circa 10.000 caratteri (spazi esclusi) che vanno consegnate SU CARTA (e non via email) IMPROROGABILMENTE ALMENO UNA SETTIMANA PRIMA DELL’ ESAME Previo accordo con il docente, si possono portare dei testi alternativi rispetto a quelli indicati INDIRIZZO SUL SITO: http://www.lettere.uniroma2.it/it/insegnamento/storia-del- cinema-italiano-2017-2018-laurea-triennale ELENCO DEI FILM PER L’ESAME (1) 1) Indagine su un cittadino al di sopra di ogni sospetto (1970) o Todo Modo (1976) di Elio Petri 2) Il conformista (1970) o L’ultimo imperatore (1987) di Bernardo Bertolucci 3) Cadaveri eccellenti (1976) di Francesco Rosi 4) Amici miei (1975) di Mario Monicelli 5) C’eravamo tanto amati (1974) o Una giornata particolare (1977) di Ettore Scola 6) Borotalco (1982) o Compagni di scuola (1984) di Carlo Verdone 7) Nuovo Cinema Paradiso (1988) o Una pura formalità (1994) di Giuseppe Tornatore. -
Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni. -
Bon Baisers De Sicile / Splendor De Ettore Scola / Cinema Paradiso De Guiseppe Tornatore]
Document generated on 09/29/2021 7:07 p.m. 24 images Bon baisers de Sicile Splendor de Ettore Scola Cinema Paradiso de Guiseppe Tornatore Gérard Grugeau Denys Arcand Number 44-45, Fall 1989 URI: https://id.erudit.org/iderudit/23135ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Grugeau, G. (1989). Review of [Bon baisers de Sicile / Splendor de Ettore Scola / Cinema Paradiso de Guiseppe Tornatore]. 24 images, (44-45), 22–23. Tous droits réservés © 24 images inc., 1989 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ SPLENDOR CINEMA PARADISO DE ETTORE SCOLA DE GUISEPPE TORNATORE Splendor de Ettore Scola BON BAISERS DE SICILE par Gérard Grugeau es chiffres parlent d'eux-mêmes: de nos émotions collectives face à un d'un cinéma italien qui refuse de déclarer rien qu'en Italie, 7000 salles de monde d'images s'ouvrant à l'infini sur de forfait. L cinéma ont baissé le rideau en dix vastes horizons insoupçonnés. Hélas, les héros sont fatigués et à bout ans. Triste état des lieux d'un art qu'on ne Le Splendor dresse sa façade de tem de souffle. -
15X21 DICEMBRE:Layout 1
dicembre gennaio QUINapoli 2010/11 Infopoint Azienda Autonoma di Indice / Contents Soggiorno Cura e Turismo di Napoli: Monumenti . .3 via San Carlo 9 Monuments tel. 081 402394 Eventi del mese . .41 [email protected] Events of the month Piazza del Gesù, 7 Alberghi . .56 tel. 081 5512701 Hotels 081 5523328 Affittacamere . .63 [email protected] Rent Rooms via Santa Lucia, 107 B&B . .64 tel. 081 2457475 Ostelli / Hostels . .67 081 7647064 Ristoranti . .68 fax 081 2452458 Napoli Restaurants QUI Pizzerie . .70 EPT - sede Centrale Pizza restaurants Piazza dei Martiri 58 è una pubblicazione dell’Azienda Autonoma Cucina Etnica . .71 Napoli Soggiorno, Cura e Turismo di Napoli Ethnic Food tel. 081 4107211 Aut. Trib. Napoli n. 3102 del 7/4/1982 UnicoCampania . .73 fax 081 401961 Dicembre 2010 - Gennaio 2011 Treni . .76 Trains Comune di Napoli Direttore Responsabile Osservatorio Turistico Autolinee . .78 Buses Roberta D’Agostino Culturale Piazza del Plebiscito Aliscafi . .79 In redazione Colonnato della Chiesa Hydrofoils Fabiana Calemma, Raffaella Capozzi, di San Francesco di Paola Traghetti / Navi . .80 Maurizio Cerullo, Domenico Guida tel. 081 7956161/62 Ferries / Ships foto di copertina: Enzo Barbieri Collegamenti da e per URP Comune di Napoli l’aereoporto . .83 Transport from/ to airport traduzioni testi: Laura Caliendo Piazza Municipio Palazzo San Giacomo ArteCard . .84 Azienda Autonoma di Soggiorno tel. 081 7955000 CitySightseeing . .85 Cura e Turismo di Napoli www.comune.napoli.it Autonoleggi . .86 Palazzo Reale Car Rental Piazza del Plebiscito 1 per informazioni e 80132 Napoli Mezzi di trasporto aggiornamenti consultare per i Musei . .87 tel. 081 2525711 il sito: www.inaples.it Transport to Museums fax 081 418619 Consolati . -
Trastevere (Map P. 702, A3–B4) Is the Area Across the Tiber
400 TRASTEVERE 401 TRASTEVERE rastevere (map p. 702, A3–B4) is the area across the Tiber (trans Tiberim), lying below the Janiculum hill. Since ancient times there have been numerous artisans’ Thouses and workshops here and the inhabitants of this essentially popular district were known for their proud and independent character. It is still a distinctive district and remains in some ways a local neighbourhood, where the inhabitants greet each other in the streets, chat in the cafés or simply pass the time of day in the grocery shops. It has always been known for its restaurants but today the menus are often provided in English before Italian. Cars are banned from some of the streets by the simple (but unobtrusive) method of laying large travertine blocks at their entrances, so it is a pleasant place to stroll. Some highlights of Trastevere ª The beautiful and ancient basilica of Santa Maria in Trastevere with a wonderful 12th-century interior and mosaics in the apse; ª Palazzo Corsini, part of the Gallerie Nazionali, with a collection of mainly 17th- and 18th-century paintings; ª The Orto Botanico (botanic gardens); ª The Renaissance Villa Farnesina, still surrounded by a garden on the Tiber, built in the early 16th century as the residence of Agostino Chigi, famous for its delightful frescoed decoration by Raphael and his school, and other works by Sienese artists, all commissioned by Chigi himself; HISTORY OF TRASTEVERE ª The peaceful church of San Crisogono, with a venerable interior and This was the ‘Etruscan side’ of the river, and only after the destruction of Veii by remains of the original early church beneath it; Rome in 396 bc (see p. -
Step + Don Do Rome
Step + Don do Rome February 2, 2018 - February 5, 2018 Friday ColosseumB8 • Piazza del Colosseo, 00184 February 2, 2018 Rome Ciampino Airport F11 • Roma Ciampino Airport (Giovan Battista Pastine Airport), Via Appia Nuova B&B La Terrazza sul Colosseo 1651, 00040 Rome Ciampino, Italy B9 • Via Ruggero Bonghi 13/b, 00184 Rome Basilica of Saint Mary Major B9 • Piazza di S. Maria Maggiore, 42, 00100 Roma RM, Italy Palazzo delle Esposizioni B8 • Via Nazionale 194, Rome, Latium, 00184, Italy Church of St Andrea della Valle B8 • Corso del Rinascimento Rome, Italy 00186 Trevi Fountain B8 • Piazza di Trevi, 00187 Roma, Italy Caffè Tazza d'Oro B8 • 84 Via degli Orfani, 00186 Pantheon B8 • Piazza della Rotonda, 00186 Roma, Italy Freni e Frizioni B8 • Rome Trastevere B8 • Rome Area sacra dell'Argentina B8 • Rome Venice Square B8 • Rome Monument to Vittorio Emanuele II B8 • Piazza Venezia, 00187 Roma, Italy Trajan's Column B8 • Via dei Fori Imperiali, Roma, Italy Imperial Forums B8 • Largo della Salara Vecchia 5/6, 9 00184 Roma, Italy Forum of Augustus B8 • Via dei Fori Imperiali, Rome, Latium, 00186, Italy Forum of Trajan B8 • Via IV Novembre 94, 00187 Roma, Italy Saturday Sunday February 3, 2018 February 4, 2018 B&B La Terrazza sul Colosseo B&B La Terrazza sul Colosseo B9 • Via Ruggero Bonghi 13/b, 00184 Rome B9 • Via Ruggero Bonghi 13/b, 00184 Rome Colosseum Navona Square B8 • Piazza del Colosseo, 00184 B8 • Piazza Navona, 00186 Rome, Italy Imperial Forums Pantheon B8 • Largo della Salara Vecchia 5/6, 9 00184 Roma, Italy B8 • Piazza della Rotonda, -
WALK ONE Campo Dei Fiori; Small Lanes; Chiesa Nuova; Piazza Navona
WALK ONE Campo dei Fiori; small lanes; Chiesa Nuova; Piazza Navona. CAMPO DEI FIORI Begin your first morning in the center of Rome at Campo dei Fiori, the best outdoor fruit and vegetable market. Then spend the rest of the day on a walking tour through some of the most fascinating and historic neighborhoods within the curve of the Tiber River. Campo dei Fiori is teeming with friendly people, tasty fruits, vibrant colors, animated conversations, varieties of vegetables, sweet smells, energetic vendors, local shoppers, and atmo- sphere galore. This setting is perfect, surrounded by very old buildings with cobbled pedestrian lanes leading off in all direc- tions into a great neighborhood we shall explore next. This friendly and lively piazza is one of the major focal points of the city, just three blocks south of Piazza Navona (coming up later in this walk) and an easy walk if your hotel is in the historic center. If you’re staying further away, take a taxi. Arriving any time in the morning is good, but earlier is better. Campo dei Fiori makes a great startfor our walk: it is the only main attraction opening by 6am and it is simply a wonderful morning scene. This magical Campo has multiple personali- ties, changing character throughout the day: Rome’s main veg- gie market in the morning, a ring of busy restaurants at lunch, peaceful in the afternoon, and a party scene at night. Campo dei Fiori’s produce stands are very popular with the nearby residents and chefs seeking fresh items on their daily shopping rounds.