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A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
King of the Half Hour : Nat Hiken and the Golden Age of Comedy Pdf Free Download
KING OF THE HALF HOUR : NAT HIKEN AND THE GOLDEN AGE OF COMEDY PDF, EPUB, EBOOK David Everitt | 248 pages | 01 Mar 2001 | Syracuse University Press | 9780815606765 | English | New York, United States King of the Half Hour : Nat Hiken and the Golden Age of Comedy PDF Book Nat Hiken June 13, — December 7, was an American television writer, producer, and songwriter who rose to prominence in the s. The New York Times. All translations of Nat Hiken. This page uses Creative Commons Licensed content from Wikipedia view authors. Despite her many personal problems, there was at least one aspect of Martha Raye's life in which she found fulfillment. Introduction Broadcasting Modernity, Spectacles, and Television. He was 5'2" and weighed over pounds and had once told TV writer Bert Resnik that he was "too ugly to get married". Thread Tools. Blum, Daniel ed. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [6] Silvers continued: "He began to have delusions. Phil Silvers visits the set of Car 54, nat Hiken on the right. Ro synonym - definition - dictionary - define - translation - translate - translator - conjugation - anagram. Following the show, Martha's understudy Vicki Carlson was also bitten. In fact, he had to go through a lot of struggles with the people over and under him. Bilko and Car 54, Where Are You? If anyone can add any more information to this, please do. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [4] adding, "He began to have delusions. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
2009–Senior Seminar, Ives, Blues, Porter
James Hepokoski Spring 2009 Music 458: Ives, Blues, Porter Visions of America: Competing concepts of musical style and purpose in the United States in the first half of the twentieth century. We examine some stylistic and cultural bases of both “art” and “popular” music and their often uneasy interrelationships. This is neither a survey course nor one concerned with mastering a body of facts. Nor is it preoccupied with coming to aesthetic value judgments. Instead, it is a course in applying critical thinking and analysis to some familiar musical styles basic to the American experience: asking hard questions of differing early- and mid-twentieth-century repertories. Areas to be examined include: 1) Ives (selected songs, Concord Sonata, Second Symphony); 2) early blues (Bessie Smith, Charley Patton, Robert Johnson, and others), including samples of African-American recorded precedents and related genres; 3) Broadway and popular song—including a brief look at Jerome Kern (selected numbers from Show Boat) followed by a closer study of Cole Porter (Anything Goes). Some main questions to be faced are: What aesthetic/contextual/analytical tools do we need to think more deeply about differing pieces of music that spring from or respond to markedly differing/diverse American subcultures? What are our presuppositions in listening to any of these musics, and to what extent might we profit by examining these presuppositions critically? The course will also make use of resources in Yale’s music collection—most notably the Charles Ives Papers and The Cole Porter Collection. We shall also be concerned with original recordings from the 1920s and 1930s. -
The Shakespeare Theatre Company's Prosecast. (MUSIC) DREW
(MUSIC) ANDREW SMITH: Welcome to the Shakespeare Theatre Company’s Prosecast. (MUSIC) DREW LICHTENBERG: Hello, and welcome to the Prosecast of the Shakespeare Theater Company for “A Funny Thing Happened on the Way to the Forum.” This is Episode Two of the 2013‐14 Season. This is your chance to explore the upcoming show on your own free time. I am Drew Lichtenberg, the Literary Associate at the Shakespeare Theatre Company, and the, I guess, the Production Dramaturge on this production of “Forum,” and I am joined not by Hannah Hessel, our beloved, dearly missed, uh, Audience Enrichment Manager, who is sick today, but I am joined instead by Garrett Anderson. GARRETT ANDERSON: Hi there. LICHTENBERG: Say hi to people, Garrett. ANDERSON: Hi to the people. (laughs) LICHTENBERG: Garrett, do you wanna introduce yourself? ANDERSON: Yeah, well, you already introduced Garrett Anderson, so, uh, I am the Artistic Fellow here at Shakespeare Theatre this season; done quite a bit of work dramaturgically with, with you, Drew, and, yeah, excited to be here, excited to do the Prosecast. LICHTENBERG: Okay, so normally how this works is Hannah interviews me— ANDERSON: Uh huh. LICHTENBERG: —and I talk sort of about the show, so, you know, I’m gonna try to host, but also have Garrett interview me— ANDERSON: Yeah. LICHTENBERG: —and Andy Smith, our beloved tech, can interject— SMITH: Hi, everyone. LICHTENBERG: —if we’re getting off of track. ANDERSON: There you go. LICHTENBERG: Hannah wants me to reassure our listeners that she will be back for the next episode. She's also getting married on Sunday— ANDERSON: Woo hoo! LICHTENBERG: —so she will be Hannah Hessel Ratner, I think, officially. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Week 1 Cast Lists
REEL ROMANS Week 1 - Movie Cast Lists A Funny Thing Happened on the Way to the Forum 1966 Director: Richard Lester Zero Mostel ... Pseudolus Phil Silvers ... Marcus Lycus Buster Keaton ... Erronius Michael Crawford ... Hero Jack Gilford ... Hysterium Annette Andre ... Philia Michael Hordern ... Senex Patricia Jessel ... Domina History of the World Pt 1 Director/Writer: Mel Brooks Mel Brooks ... Comicus Dom DeLuise ... Emperor Nero Madeline Kahn ... Empress Nympho Gregory Hines ... Josephus Ben Hur 1925 Director: Fred Niblo Ramon Novarro ... Judah Ben-Hur Francis X. Bushman ... Messala Quo Vadis 1951 Director: Mervyn Leroy Robert Taylor ... Marcus Vinicius Deborah Kerr ... Lygia Leo Genn ... Petronius Peter Ustinov ... Nero Patricia Laffan ... Poppaea The Sign of the Cross 1932 Director: Cecil B DeMille Fredric March ... Marcus Superbus Elissa Landi ... Mercia Claudette Colbert ... Empress Poppaea Charles Laughton ... Emperor Nero The Life of Brian 1979 Director: Terry Jones Graham Chapman ... Wise Man #2 / Brian Cohen / Biggus Dickus John Cleese ... Wise Man #1 / Reg / Jewish Official / Centurion / Deadly Dirk Terry Gilliam ... Man Even Further Forward / Revolutionary / Jailer Eric Idle ... Mr. Cheeky / Stan (Loretta) / Harry the Haggler / Culprit Woman Terry Jones ... Mandy Cohen / Colin / Simon the Holy Man/Bob Hoskins Michael Palin ... Wise Man #3 / Mr. Big Nose / Francis / Mrs. A / Ex-Leper Spartacus Director: Stanley Kubrick Kirk Douglas... Spartacus Laurence Olivier... Marcus Licinius Crassus Jean Simmons... Varinia Charles Laughton ...Sempronius Gracchus Peter Ustinov... Lentulus Batiatus Week 1 Cast Lists . -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
MSNC 732 Richard Guy Walton Collection
Richard Guy Walton Collection, MS/NC 732 1 Catalog, with Annotated Index of Names & Genealogical Addendum prepared by Anthony Shafton, 2018–21 Catalog Introduction Richard Guy Walton (1914–2005) was an artist, photographer and writer. He experimented with many styles of painting over a long career, and is considered Nevada’s preeminent abstract artist of the twentieth century. Walton was born in San Francisco, grew up in Fresno and Stockton, and came to Reno in 1929 to live with his briefly remarried mother. He gained the better part of his art education at Chouinard Art Institute in Los Angeles before returning to Reno to join the Federal Art Project (FAP) of the Works Progress Administration (WPA) under Robert Cole Caples, who became a friend. In 1938 he married Marie Jeanne Etcheberry, daughter of John P. Etcheberry, Basque sheepman, and Louise Larralde Etcheberry, proprietors of Reno’s Santa Fe Hotel. When Walton and Marie Jeanne separated in 1958, Walton moved to Virginia City. He married his second wife Vivian Diane Washburn, daughter of his friend Mary VanderHoeven, in 1963. They lived in Virginia City until 2003 when they were forced by his illnesses to move down the “hill.” The Nevada Historical Society’s Richard Guy Walton Collection, MS/NC 732, comprises 30 boxes of materials plus 2 artworks. The first 12 boxes and the artworks were gifted by the artist to the NHS by a deed dated December 22, 2000. Of these boxes, Boxes 1 through 3 hold voice recordings by Walton, while Boxes 4 through 12 hold documents, letters, manuscripts (typescripts), clippings, photographs, catalogs, magazines, books and miscellaneous objects. -
Alvin Theatre a Funny Thing Happened on the Way to the Forum
Alvin Theatre the weekly magazine for theatregoers A FUNNY THING HAPPENED ON THE WAY TO THE FORUM ! ! t Now I don’t need the moon . or stars ... or anything. .’cause the best thing in life is me ! ! Why not be a blonde and see! Just Your hairdresser will tell you a switch to bewitch with the ultra- blonde’s best friend is Lady Clairol. blonde magic of New Ultra-Blue Call your favorite beauty salon now Lady Clairol. That quicker- cooler- to book your new blonde look—and gentler-creamier-softer-toned-dream- outlook. Ask for ULTRA-BLUE® ier Ultra-Blue! You’ll love how it LADY CLAIROL® Cremogenized® cares for your hair. Try it alone—or hair lightener and Clairol Creme with a Clairol® Creme Toner. t The Toner— your choice of 32 delicate glamour you’ll feel is for real blonde shades. ©1961 Clairol Ijtcorporated, Stamford, Conn. \Trademark I RARE COMBINATION... Elegance \A/ith a eporty flair! Sophisticated luxury with exciting sports car appeal — the all-new Ninety-Eight Custom Sports Coupe! There’s a rich elegance to its long, lean look. And inside, bucket- seat beauty . soft sheared carpeting . a full-length sports console. The quality is Oldsmobile through and through. Hydra- Matic, power steering, brakes, windows and seat are standard equipment, of course. Isn’t it time you discovered that exciting ''something extra” about owning an Olds? ^^C^^^OLDSMOBILE SEE YOUR LOCAL AUTHORIZED OLDSMOBILE QUALITY DEALER rwIcSi BRONO'NM recording uuniiL uni\i j GIVE THIS r .cl —J LAD A HOME! " OLIVER! TAKE OLIVER !” AND DAVID MERRICK'S CLIVE GEORGIA REVILL BROWN WHOLE WONDERFUL CAST HOME WITH YOU ON THE OLIVER! ORIGINAL CAST ALBUM Booli. -
A FUNNY THING HAPPENED on the WAY to the FORUM Book by BURT SHEVELOVE and LARRY GELBART Music and Lyrics by STEPHEN SONDHEIM
Dural Musical Society presents A FUNNY THING HAPPENED ON THE WAY TO THE FORUM Book by BURT SHEVELOVE and LARRY GELBART Music and Lyrics by STEPHEN SONDHEIM Originally Produced on Broadway by Harold S. Prince Licensed exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia A Funny Thing Happened on the Way to the Forum is a delightfully funny musical. Inspired by the farces of the ancient Roman playwright Plautus (251–183 BC), this musical tells the story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door. The plot displays many classic elements of farce, including puns, the slamming of doors, cases of mistaken identity (frequently involving characters disguising themselves as one another), and satirical comments on social class. The musical's original 1962 Broadway run won several Tony Awards, including Best Musical and Best Author (Musical). A Funny Thing… has enjoyed several Broadway and West End revivals and was made into a successful film starring the original lead of the musical, Zero Mostel. The 2012 Australian revival saw Geoffrey Rush following in the footsteps of musical theatre greats who have played the lead role of Pseudolus - Zero Mostel, Phil Silvers and Nathan Lane in the USA, and Frankie Howerd in the UK. In the case of Frankie Howerd, he followed up his role in “Forum” with a very similar character in the British TV series “Up Pompeii!” which went on to become a successful movie of the same name. This show doesn’t age – it is as popular now as it was when it first hit Broadway. -
Comedy Tonight! by Joshua S
Comedy Tonight! By Joshua S. Ritter, Goodspeed Musicals Education Director We can trace the roots of the musical A Funny Thing Happened on the Way to the Forum to the esteemed ancient Roman playwright Titus Maccius Plautus, born in Sarsina, Umbria around 254 B.C. It is difficult to determine Plautus's personal contribution, as all of his plays were adaptations of Greek productions that did not survive the ages. There is evidence, however, that he derived his works from plays belonging to the Greek New Comedy style. Plays of this genre portrayed the carefree life of the prosperous youth of Athens and their ceaseless desire for riches to purchase the company of concubines. Greeks considered plays of that style "clean" compared to those from the Old Comedy genre, which were often full of obscene gags and expressions. Surely, Plautus could never have conceived that three of his plays (Pseudolus, Miles Gloriosus, and Mostellaria) would transform into one of the most hilarious and rollicking musicals ever produced. Yet Burt Shevelove and Larry Gelbart did a remarkable job taking Plautus’s ancient works and weaving them into what some consider the best book associated with any Stephen Sondheim (Composer and Lyricist) collaboration. More than two thousand years after Plautus, A Funny Thing Happened on the Way to the Forum continues to receive wide spread acclaim from critics and audiences throughout the world. Stephen Sondheim made his Broadway debut as a composer/lyricist working with Gelbart and Shevelove on the original Broadway production and commented on their work as follows: “The book is vastly underrated.