Rca Records Releases Music from the Hbo® Original Series Insecure and It’S Wavy Af!

Total Page:16

File Type:pdf, Size:1020Kb

Rca Records Releases Music from the Hbo® Original Series Insecure and It’S Wavy Af! RCA RECORDS RELEASES MUSIC FROM THE HBO® ORIGINAL SERIES INSECURE AND IT’S WAVY AF! AVAILABLE NOW AT ALL DIGITAL MUSIC PROVIDERS FEATURES MUSIC FROM SHOW CREATOR AND STAR ISSA RAE, D’ANGELO AND THE VANGUARD, THUNDERCAT, GOLDLINK, THE INTERNET, GUORDAN BANKS, KING AND MORE [New York, NY – December 16, 2016] Today, RCA Records, in partnership with HBO Global Licensing, releases Music From The HBO Original Series Insecure, available now at all digital music providers. Click here to listen or visit www.insecuremusic.com for more information. From the hysterical “Broken Pussy,” performed by the show’s creator and Golden Globe-nominated star Issa Rae, featuring Kelis, to Thundercat’s “Heartbreaks + Setbacks,” the collection of music from both indie and established artists touches on a variety of social and relationship issues highlighted in the series. “Music is such a huge part of Issa’s life on the show," said Insecure creator and star Issa Rae. “She uses it to channel her emotions and work through her insecurities – and we worked hard to make sure the music on the soundtrack reflected Issa’s story and the stories of all of our characters. I’m so excited to get this soundtrack in the hands of viewers who have responded so enthusiastically to the music and the show." MUSIC FROM THE HBO ORIGINAL SERIES INSECURE TRACKLISTING: 1. Kari Faux - No Small Talk 2. Issa Rae/Kelis - Broken Pussy 3. TT The Artist - Lavish 4. Problem feat. Bad Lucc & The Homegirl - D2B (Dick 2 Bomb) 5. Kari Faux feat. Leikeli 47- Top Down 6. GoldLink - Palm Trees 7. 1500 Or Nothin’ - Girl 8. Guordan Banks - Keep You In Mind 9. KING - In The Meantime 10. D'Angelo And The Vanguard - Sugah Daddy 11. The Internet - Just Sayin' / I Tried 12. ERIMAJ - Conflict Of A Man 13. SBTRKT feat. Sampha - Hold On 14. Thundercat - Heartbreaks + Setbacks 15. St. Beauty - Borders 16. Moses Sumney - Plastic Insecure follows best friends Issa (Rae) and Molly (Yvonne Orji) as they navigate the tricky professional and personal terrain of Los Angeles, while facing the challenges of being two black women who defy all stereotypes. The series explores the black female experience in a subtle, witty and authentic way, as Issa and Molly stumble their way towards pulling their lives together, while trying their hardest to never settle for less. Created by Issa Rae and Larry Wilmore, the comedy series INSECURE launched exclusively on HBO in October to rave reviews. Issa Rae, Prentice Penny, Melina Matsoukas, Michael Rotenberg, Dave Becky and Jonathan Berry serve as the series’ executive producers; Larry Wilmore serves as a consultant. PURCHASE/STREAM MUSIC FROM THE HBO ORIGINAL SERIES INSECURE: Apple Music: http://smarturl.it/iInsecure Spotify: http://smarturl.it/sInsecure Amazon: http://smarturl.it/aInsecure Google Play: http://smarturl.it/gInsecure FOLLOW INSECURE: Facebook: https://www.facebook.com/InsecureHBO Twitter: https://twitter.com/insecurehbo Instagram: https://www.instagram.com/insecurehbo/ About RCA Records RCA Records is a Division of Sony Music Entertainment. RCA includes a diverse roster of internationally renowned artists representing all genres of music, including Justin Timberlake, P!nk, Alicia Keys, Miley Cyrus, Foo Fighters, Sia, Usher, D'Angelo, A$AP Rocky, Kings Of Leon, Britney Spears, Pitbull, Chris Brown, Christina Aguilera, Dave Matthews Band, ZAYN, Shakira, R. Kelly, Charlie Wilson, Daughtry, Pentatonix, Enrique Iglesias, Kesha, Fantasia, Buddy Guy, Three Days Grace, Tool, T-Pain, Kirk Franklin, and Fred Hammond, among others; critically acclaimed and chart topping artists including Mark Ronson, Miguel, Ray LaMontagne, Bryson Tiller, Cam, Cage The Elephant, Prince Royce, MAGIC!, Bleachers, G-Eazy, Jazmine Sullivan, Tinashe, A$AP Ferg, Anthony Hamilton, Gavin DeGraw, WALK THE MOON, Kid Ink and Elle King; burgeoning artists MUNA, Wolf Alice, MØ, Kygo, Ro James, Grace, Parson James, Tom Odell, Becky G., Rob $tone, Sam Dew, and many more. RCA Records has key partnerships with Polo Grounds Music, Baz Luhrmann’s House of Iona Records, ByStorm Entertainment, BPG Music, Latium Entertainment and more. About HBO Global Licensing HBO Global Licensing officially licenses the HBO® brand for the development and merchandising of innovative product lines inspired by the network's award-winning programming. With products created around hit series like Game of Thrones® and Silicon Valley® as well as classic series like The Sopranos®, Sex and the City®, True Blood® and Entourage, items include fashion apparel, figures, jewelry, digital and CD soundtracks, prop and costume replicas, games, books, and beverages, as well as exclusive, premium collections in partnership with upscale, designer brands. Merchandise can be purchased in retail stores nationwide, at http://store.hbo.com, and at the groundbreaking HBO retail hub, the HBO Shop®, located at 42nd and 6th Avenue in New York City. HBO Global Licensing products are also sold internationally across Europe (www.hboshopeu.com), Asia and Australia. ### .
Recommended publications
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Final Nominations List the National Academy of Recording Arts & Sciences, Inc
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8.
    [Show full text]
  • Jon Theodore
    12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZh͹EWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities.
    [Show full text]
  • P21-Feb24-FF-March10
    Classes for Adults and Kids SPRING 2021 newton community education newtoncommunityed.org In person summer kids page 42 notes Spring 2021 Adult Classes From the Executive Director: Art & Photography ..................................3 It’s no secret; 2020 was a tough year. Many of us are fatigued by our collective and individual Business & Career ..................................29 struggles; anxious about health, work, and the future. Computers & Technology .......................30 The time-honored tradition of turning the page from one year to reveal the opportunities Crafts.....................................................26 of the next was punctuated by the recent presidential inauguration. We viewers were Dance & Fitness .....................................17 riveted as a diminutive young poet seized our attention, gracefully—through her words English Language Learners (ELL) ...........31 and gestures — echoing the (presidential) themes of unity and hope. Amanda Gorman’s Food & Drink .........................................10 words were powerful indeed, but equally impressive to me was learning that community- based education helped hone her craft. While struggling to overcome a serious speech GED & HiSET® ........................................31 impediment, Gorman participated in writing workshops at a Los Angeles community-based Home & Garden .....................................27 education center. So there it is… Community Education opens doors, including ones leading Languages ..............................................7
    [Show full text]
  • An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess
    Sonic Scope: New Approaches to Audiovisual Culture DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess Galina Juritz Published on: Feb 15, 2021 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing Sonic Scope: New Approaches to Audiovisual Culture in the Abject and Embracing the Perpetual Post-Digital Mess ABSTRACT DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess Galina Juritz, Goldsmiths, University of London This commentary discusses the themes, influences and the process of making Dionysus Dies, a 30 minute musical film created during the initial months of the pandemic. The film is broadly situated in the remit of autoethnographic audiovisual research, and existing discourse on post digital aesthetics, collage, found material and music video, as ways to engage with various contemporary themes. Experimenting with non- linear narrative building, different musical genres and scales of media, I explore three sites for grief: technology, temporality and nature. I intend to work much of the music of the film into a standalone album in 2021. The research process has led me to explore further creative intersections between fact and fiction, with my upcoming PhD in 2021 looking at methodologies for distributed authorship within the music of documentary film. 0:00 Dionysus Dies You don’t know what you’re doing sometimes. You just begin.1 2 DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing Sonic Scope: New Approaches to Audiovisual Culture in the Abject and Embracing the Perpetual Post-Digital Mess Heartache is a shape-shifting, non-linear monster.
    [Show full text]
  • Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
    Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis Abstract: The rise of jazz-R&B-hip hop fusions in contemporary Los Angeles offers an opportunity to Downloaded from http://direct.mit.edu/daed/article-pdf/148/2/23/1831401/daed_a_01740.pdf by guest on 02 October 2021 reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theo- ry as well as on Amiri Baraka’s analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing ca- pacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich con- tinuum of African American musical expression. We are, it seems, in an age of Afrofuturism. The release of the Black Panther feature film in Febru- ary 2018 was greeted with a spate of think pieces across a range of media, explaining the term Afro- futurism for an unfamiliar audience. “T’Challa, also known as the Black Panther, the title character of the blockbuster movie, wasn’t the first person to land a spaceship (or something like it) in down- town Oakland, Calif.,” starts one such article.1 Such pieces point back to bandleaders Sun Ra and George Clinton (and sometimes to Jamaican dub artist Lee “Scratch” Perry) to provide background for the film’s mix of the old and the new, technolo- gy and the spirit, space-age Africa, and, eventually, a sense of diasporic culture that travels in both di- rections across the Black Atlantic–in ships in the gabriel solis is Professor of sky rather than the sea–suturing the fissures rent Musicology at the University of by the middle passage, by war, and by colonial mo- Illinois at Urbana-Champaign.
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:06 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Morgan and I wanted to kick off 2020, and the 2020s in general, with a look back at the decade we just left behind, and to do so the two of us have compiled our favorite ten of the 2010s. 00:00:24 Music Music [The following songs play in rapid succession, crossfading into each other with no gap between them] “Fall in Love (Your Funeral)” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Up-tempo, grooving R&B/soul. You don't wanna fall in love [Fades into…] 00:00:28 Music Music “See You Again” off the album Flower Boy by Tyler, the Creator. A short instrumental section with soaring horns. Fades into… 00:00:35 Music Music “Ah Yeah” off the album Black Radio by Robert Glasper Experiment. Slow, harmonized vocalizing over snaps. Fades into… 00:00:44 Music Music “Momma” off the album To Pimp a Butterfly by Kendrick Lamar. Mid-tempo rap. Sun beaming on his beady beads exhausted Tossing footballs with his ashy black ankles [Fades into…] 00:00:50 Music Music “Drunk in Love” off the album Beyoncé by Beyoncé. Poppy hip-hop. Surfboard, surfboard Graining on that wood, graining, graining on that wood [Fades into…] 00:00:56 Music Music “Nights” off the album Blond by Frank Ocean.
    [Show full text]