DOCSLIB.ORG

P21-Feb24-FF-March10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
P21-Feb24-FF-March10 Classes for Adults and Kids SPRING 2021 newton community education newtoncommunityed.org In person summer kids page 42 notes Spring 2021 Adult Classes From the Executive Director: Art & Photography ..................................3 It’s no secret; 2020 was a tough year. Many of us are fatigued by our collective and individual Business & Career ..................................29 struggles; anxious about health, work, and the future. Computers & Technology .......................30 The time-honored tradition of turning the page from one year to reveal the opportunities Crafts.....................................................26 of the next was punctuated by the recent presidential inauguration. We viewers were Dance & Fitness .....................................17 riveted as a diminutive young poet seized our attention, gracefully—through her words English Language Learners (ELL) ...........31 and gestures — echoing the (presidential) themes of unity and hope. Amanda Gorman’s Food & Drink .........................................10 words were powerful indeed, but equally impressive to me was learning that community- based education helped hone her craft. While struggling to overcome a serious speech GED & HiSET® ........................................31 impediment, Gorman participated in writing workshops at a Los Angeles community-based Home & Garden .....................................27 education center. So there it is… Community Education opens doors, including ones leading Languages ..............................................7 to the White House! We’re committed to opening doors for all members of our community. Lifetime Learning ..................................31 To that end, you’ll notice that we have added an option to donate to our scholarship fund when you register for a class. If you can, please contribute and help make our programs Mind, Body, & Soul ................................19 accessible to all. Money & Real Estate .............................28 Music & Theatre Arts .............................23 In addition, we are grasping all aspects of this historic moment by hosting the first annual NCE Catalog Cover Art Contest. Neighbors and friends are invited to submit art under the Recreation .............................................15 theme: “What does struggle, hope, and finding joy look like to you?” Selected works from Writing & Literature ..............................26 the contest will be used as NCE catalog covers for 2021-2022. Along with the featured work, there will be a write up in each catalog about the artists and their inspiration. For more Kids Classes details on submissions, please see page 11. Spring Classes .......................................32 While true joy may feel hard in the current environment, I want to offer the opportunity for Spring Sports ........................................34 you to find it in the adventurous spirit of community ed: intellectual classes, artistic classes, Spring Classes for High Schoolers ..........41 gastronomic classes—have a look in our catalog; it has joyful offerings for all ages! Summer Programs ................................42 I am closing this note with words excerpted from the inaugural poem by our fellow Summer Programs for High Schoolers ...58 “community ed-er,” as a source of inspiration along our collective path forward: Summer At a Glance ........................ 60-61 In every known nook of our nation, in every corner called our country, Nuts & Bolts our people, diverse and beautiful, will emerge, battered and beautiful. When day comes, we step out of the shade, aflame and unafraid. Policies & Info .......................................62 The new dawn blooms as we free it. Registration Form .................................63 For there is always light, if only we’re brave enough to see it. If only we’re brave enough to be it. With Hope and Joy, Register online at Cate newtoncommunityed.org Contact Us Cover Artist: Reenie Murphy Our Mission Phone: 617-559-6999 Hard to find without a crowd around it, the HOPE sculpture sits at W 53 St. and 7th Ave. in New Newton Community Education is a self- Email: [email protected] York City. This picture was taken in the winter of 2019, when everyone was out and the city was sustaining arm of the Newton Public Schools. bustling with energy. Coincidentally, artist Robert Indiana, had died just 8 months before. It is a We are dedicated to your lifelong learning. Mailing address: lasting remembrance that whatever is going on in your life, or in the world, there is always hope. We offer programs for everyone eager to Newton North High School I took my first photography class at Newton Community Education in the spring of 2013 with explore—from toddlers to seniors—from 457 Walnut Street, Room 101 the intention of improving my skills for an upcoming family event. The teacher was superb and Newton and beyond. We aim to inspire or Newtonville, MA 02460 nurture your passion with quality programs opened my eyes to the myriad of possibilities when using a DSLR camera. I’ve continued taking (see back of catalog for registration form) classes and keep an eye out each session for something new at Newton Community Ed. provided at a reasonable cost. Photography starts with capturing a moment in time, but the creative possibilities are endless. Business hours: Mon-Fri 8:30am-5pm Follow me on Instagram @reenie.murphy. 2 [email protected] Art & Photography IME yT A New D Sign up for a class: Sketching Life Outdoors THINGS TO NOTE ABOUT Pay by credit card online at Josh Reisz, Instructor OUR SPRING CLASSES www.newtoncommunityed.org or Step outdoors and capture what you see! • Spring classes are running online over the phone (617-559-6999). Sketching is the act of drawing while on except where noted otherwise. location to document the world around you. • Check your course listing online in Join us to learn the essential skills you’ll need case dates, times, or any other de- to quickly and accurately keep pace with your Art & Photography tails have changed since this catalog surroundings. We will take our sketchbooks went to press. into the field, capturing moments as they For most art classes you will need to purchase ma- happen. There’s no better way to form a • Online classes will run in terials before the start of class. Check your course deep connection to your environment than inclement weather. For outdoor listing on our website for specifics. Some classes in by taking the time to draw. You can sketch classes, call NCE’s weather this category are outdoors in-person; masks and anywhere, anytime, so keep your sketchbook hotline at 617-559-6993 to find out social distancing are required. handy, and be ready to practice at any if your class is running. moment during your day. • Class descriptions list any required New You will need a sketchbook. Location and a materials. Register early and give Beginner Drawing detailed materials list will be emailed. yourself enough time to acquire any Josh Reisz, Instructor A170-P21 $149 supplies you need. Great works of art start with pencil and pa- 7 Thursdays @ Outdoors (Newton) 10:30am–12pm • We are using Zoom for most of our per! Drawing is the foundation of all visual April 29–June 10 online classes. If you are unfamiliar art and an essential skill for every visual artist. with Zoom, consider taking our Learn core ideas and exercises that will help Beyond Basic Drawing Learn to Zoom class (p. 30). strengthen your techniques and conceptual • Instructors will use the “waiting flow. Through the practice of drawing, you’ll Paola Page, Instructor room” function and only students learn to see the world around you and in- If you’ve taken our beginner drawing classes listed on the roster will be admitted terpret it your own way. Our instructor will or have beyond basic experience and would to the class. provide demonstrations and exercises in basic like to continue your practice, please join us! design as well as, mark-making, contour, Through instruction, critique and exercises • Be on time for your online class! shape, texture, composition, and contrast. you will develop a confident understanding It’s difficult for instructors to both Together we’ll create projects such as still lifes, of line, shape, form, composition and tonal monitor the waiting room and teach landscapes, portraiture, and figure drawing. value. Each week you’ll focus on a different the class. element and progress from observing single Class will also include optional homework • Check your email. Meeting links forms to completing a still life. In addi- assignments and weekly critiques. Get ready supply lists, and other important tion, there will be group discussions and to discover your drawing prowess—you’ll be class information are sent by email skill-building homework assignments. amazed at what you can do! before the start of class. Check your A177-P21 $175 A materials list will be emailed. registration receipt, as well as your 7 Thursdays @ Online 7–8:30pm A756-P21 $259 Spam and Promotions folders if you April 29–June 10 8 Wednesdays @ Online 6:30–8pm believe you have not received this April 14–June 9 (No class April 21) information from us. • Test your meeting platform in advance. We will not be offering refunds for last-minute technical difficulties or late arrivals. See Zoom Support under Quick Links on our website for help with this. www.newtoncommunityed.org 3 Art & Photography wash that looks just like watercolor paint. New ime Perfect for the beginner artist, watercolor
Load more

Recommended publications
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Final Nominations List the National Academy of Recording Arts & Sciences, Inc
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8.
    [Show full text]
  • Jon Theodore
    12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZh͹EWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities.
    [Show full text]
  • An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess
    Sonic Scope: New Approaches to Audiovisual Culture DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess Galina Juritz Published on: Feb 15, 2021 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing Sonic Scope: New Approaches to Audiovisual Culture in the Abject and Embracing the Perpetual Post-Digital Mess ABSTRACT DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing in the Abject and Embracing the Perpetual Post-Digital Mess Galina Juritz, Goldsmiths, University of London This commentary discusses the themes, influences and the process of making Dionysus Dies, a 30 minute musical film created during the initial months of the pandemic. The film is broadly situated in the remit of autoethnographic audiovisual research, and existing discourse on post digital aesthetics, collage, found material and music video, as ways to engage with various contemporary themes. Experimenting with non- linear narrative building, different musical genres and scales of media, I explore three sites for grief: technology, temporality and nature. I intend to work much of the music of the film into a standalone album in 2021. The research process has led me to explore further creative intersections between fact and fiction, with my upcoming PhD in 2021 looking at methodologies for distributed authorship within the music of documentary film. 0:00 Dionysus Dies You don’t know what you’re doing sometimes. You just begin.1 2 DIONYSUS DIES: An Autoethnographic Exploration of Tensions in the Anthropocene, Rejoicing Sonic Scope: New Approaches to Audiovisual Culture in the Abject and Embracing the Perpetual Post-Digital Mess Heartache is a shape-shifting, non-linear monster.
    [Show full text]
  • Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
    Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis Abstract: The rise of jazz-R&B-hip hop fusions in contemporary Los Angeles offers an opportunity to Downloaded from http://direct.mit.edu/daed/article-pdf/148/2/23/1831401/daed_a_01740.pdf by guest on 02 October 2021 reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theo- ry as well as on Amiri Baraka’s analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing ca- pacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich con- tinuum of African American musical expression. We are, it seems, in an age of Afrofuturism. The release of the Black Panther feature film in Febru- ary 2018 was greeted with a spate of think pieces across a range of media, explaining the term Afro- futurism for an unfamiliar audience. “T’Challa, also known as the Black Panther, the title character of the blockbuster movie, wasn’t the first person to land a spaceship (or something like it) in down- town Oakland, Calif.,” starts one such article.1 Such pieces point back to bandleaders Sun Ra and George Clinton (and sometimes to Jamaican dub artist Lee “Scratch” Perry) to provide background for the film’s mix of the old and the new, technolo- gy and the spirit, space-age Africa, and, eventually, a sense of diasporic culture that travels in both di- rections across the Black Atlantic–in ships in the gabriel solis is Professor of sky rather than the sea–suturing the fissures rent Musicology at the University of by the middle passage, by war, and by colonial mo- Illinois at Urbana-Champaign.
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:06 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Morgan and I wanted to kick off 2020, and the 2020s in general, with a look back at the decade we just left behind, and to do so the two of us have compiled our favorite ten of the 2010s. 00:00:24 Music Music [The following songs play in rapid succession, crossfading into each other with no gap between them] “Fall in Love (Your Funeral)” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Up-tempo, grooving R&B/soul. You don't wanna fall in love [Fades into…] 00:00:28 Music Music “See You Again” off the album Flower Boy by Tyler, the Creator. A short instrumental section with soaring horns. Fades into… 00:00:35 Music Music “Ah Yeah” off the album Black Radio by Robert Glasper Experiment. Slow, harmonized vocalizing over snaps. Fades into… 00:00:44 Music Music “Momma” off the album To Pimp a Butterfly by Kendrick Lamar. Mid-tempo rap. Sun beaming on his beady beads exhausted Tossing footballs with his ashy black ankles [Fades into…] 00:00:50 Music Music “Drunk in Love” off the album Beyoncé by Beyoncé. Poppy hip-hop. Surfboard, surfboard Graining on that wood, graining, graining on that wood [Fades into…] 00:00:56 Music Music “Nights” off the album Blond by Frank Ocean.
    [Show full text]
  • Billboard Magazine
    Lamar photographed Dec. 30, 2015, in downtown Los Angeles. GRAMMYPREVIEW2016 KENDRICK’S February 13, 2016 SWEET | billboard.com REVENGE No, Lamar doesn’t care about those past snubs. Because the Compton rapper with 11 nominations knows this is his best work ever: ‘I want to win them all’ ‘IT’S STILL TOO WHITE, TOO MALE AND TOO OLD’ Grammy voters speak out! ‘THE SECRET IS… TALENT’ How Chris Stapleton conquered country WE PROUDLY CONGRATULATE OUR GRAMMY® THE RECORDING ACADEMY® SONG OF THE YEAR BEST DANCE/ELECTRONIC ALBUM LIFETIME ACHIEVEMENT AWARD ED SHEERAN CARIBOU HERBIE HANCOCK “THINKING OUT LOUD” OUR LOVE RECORD OF THE YEAR BEST NEW ARTIST BEST DANCE/ELECTRONIC ALBUM ED SHEERAN COURTNEY BARNETT DISCLOSURE “THINKING OUT LOUD” CARACAL BEST POP SOLO PERFORMANCE RECORD OF THE YEAR ED SHEERAN BEST DANCE/ELECTRONIC ALBUM MARK RONSON* “THINKING OUT LOUD” SKRILLEX & DIPLO “UPTOWN FUNK” SKRILLEX AND DIPLO PRESENT JACK Ü BEST POP SOLO PERFORMANCE ALBUM OF THE YEAR ELLIE GOULDING* BEST DANCE/ELECTRONIC ALBUM ED SHEERAN “LOVE ME LIKE YOU DO” JAMIE XX BEAUTY BEHIND THE MADNESS IN COLOUR BY THE WEEKND BEST POP DUO/GROUP PERFORMANCE (featured artist) MARK RONSON* BEST ROCK PERFORMANCE ALBUM OF THE YEAR “UPTOWN FUNK” ELLE KING “EX’S & OH’S” FLYING LOTUS BEST POP VOCAL ALBUM TO PIMP A BUTTERFLY MARK RONSON* BEST ROCK PERFORMANCE BY KENDRICK LAMAR UPTOWN SPECIAL WOLF ALICE (producer) “MOANING LISA SMILE” BEST DANCE RECORDING ALBUM OF THE YEAR BEST ROCK SONG JACK ANTONOFF ABOVE & BEYOND “WE’RE ALL WE NEED” ELLE KING (OF FUN. AND BLEACHERS) “EX’S & OH’S”
    [Show full text]