Amsterdam 2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annu Al Rep Ort of Artez Masters in F Ashion 2015-2016
At ArtEZ Fashion Masters we aim to interrogate the current fashion system and seek out the boundaries of prevailing fashion discourses through research and design. With this annual report, we give an overview of the various ways in which we have sought out to do so in this past academic year. Through research projects, workshops, exchanges and an extensive list of guest lecturers from ArtEZ Fashion Masters annual reportArtEZ Masters annual Fashion the fashion, art and design world we prepare our Design and Strategy students to become Masters in Fashion. ArtEZ Fashion Masters Kortestraat 27 6811 EP Arnhem, The Netherlands 0031 (0)26 35 30 910 [email protected] www.artez.nl/fashionmasters www.facebook.com/ArtEZFashionMasters www.instagram.com/artez.fashion.masters Annual report of ArtEZ Masters in Fashion 2015-2016 Fashion in Masters ArtEZ of report Annual Annual report of ArtEZ Masters in Fashion 2015-2016 Fashion in Masters ArtEZ of report Annual MASTERS Stop Motion, Radical Compassion Public Presentations 94 an introduction Klara Valkova 46 Mark van Vorstenbos About ArtEZ and Hanka van der Voet 02 Cite Fashion Masters 95 A hint toward The 100-Year plan emotional durability Alumni ArtEZ for a sustainable model Esmee Peterse, mfs 50 Fashion Masters 97 of growth in the fashion industry Scape Lecturers, Manon Randin, Janneke van Rooijen, mfs 54 guest lecturers and Mor Schwartz, team 2015-2016 99 Maximilian Schmidt, Jake of all trades Larissa Rosvaenge, Asu Aksu 58 Colophon 100 Harriet Mbonjani and Anna Jacobs 06 Joie de Vivre Hee Kim, -
Parmentier. Jaargang 16
Parmentier. Jaargang 16 bron Parmentier. Jaargang 16. Stichting Parmentier, Nijmegen 2007 Zie voor verantwoording: http://www.dbnl.org/tekst/_par012200701_01/colofon.php © 2016 dbnl 4 [Nummer 1/2] Van de redactie Het komt vaker voor dat bastaards en hybriden weinig licht vangen. Dat is spijtig. Juist deze tussensoorten plegen onze wetten te ontmaskeren als artificiële constructies. Door hun overschrijden van genregrenzen leggen zij het voorlopige karakter van iedere doctrine bloot, logenstraffen zij de modieuze aard van onze paradigma's. Het zal onder andere om die reden zijn dat een literair tijdschrift als Parmentier zich graag ophoudt in buitengewesten en grensstreken. Daar waait het goed door. De fotoroman is zo'n mengvorm die pakweg de laatste decennia niet of nauwelijks aandacht kreeg. Deze geringe belangstelling valt in ieder geval historisch te verklaren: van oudsher kampt de fotoroman met een nefast imagoprobleem. Allerlei sociale en culturele vooroordelen blijven het genre tot op de dag van vandaag links- en rechtsom inhalen. In het door hen samengestelde en ingeleide dossier ‘Lichtschrijven’ adstrueren Jan Baetens en Arnoud van Adrichem waarom het wel degelijk de moeite loont om het fotoromaneske universum te betreden. Giovanni Fiorentino, Peter Verstraten, Ine Lamers, Penny Allen, Johan Sonnenschein, Saskia de Jong, Ernst van Alphen, Els Vanden Meersch, Jan Baetens zelf en Sandrine Willems & Marie-Françoise Plissart laten zien wat de fotoroman, in al zijn veelvormigheid, vermag. En daarbuiten? Het met alcohol overgoten verhaal ‘De hoogte’ van dubbeltalent D. Hooijer sluit alvast goed aan op het dossier over de fotoroman. Zij kiest echter niet voor de camera om beeld en tekst met elkaar te confronteren, maar voor het programma Fotopaint waarmee ze tekeningen maakt die een alternatieve benaderingswijze van haar verhaal voorstaan. -
Booklet Amsterdam 2011
Organisation of European Cancer Institutes 33 ORGANISATION OF EUROPEAN CANCER INSTITUTES AMSTERDAMEUROPEAN E2011CONOMIC INTEREST GROUPING GENERAL ASSEMBLY AND SCIENTIFIC CONFERENCE June 17th OECI 2011 OrganizationScientific of Comprehensiveness: Conference comparisonOrganising between Personalised EU and US Medicine in Oncology June 18th OECI 2011 General Assembly W R I te T H E FU T U re T H R OUGH CO M P re H E N S IV E N ess www.oeci-amsterdam2011.com OECI - GENERAL ASSEMBLY AND SCIENTIFIC CONFERENCE OECI33 GENERAL ASSEMBLY AND SCIENTIFIC CONFERENCE OECI Welcome The 2011 General Assembly and Scientific Meeting in Amsterdam is a unique opportunity for members to learn about the progress made by OECI in the last three years. Together with the governing bodies and the management of the Grouping, we tried to achieve a better definition of the precise role of OECI among the European oncology associations, perform a better dissemination of our initiatives and their results, and implement all the organisational changes deemed necessary to the growth of the Grouping. Formal relations with all the main cancer organisations in Europe - such as ECCO, ESMO and EACR - have been pursued to coordinate and rationalise the respective efforts towards the creation of a European oncopolicy. From 2009, OECI has decided to participate more visibly and actively in the ECCO and ESMO conferences: the investment paid off, as our booth at these events became a crucial hub of new contacts with oncology institutes and organisations from all over the world. A new collaboration with EACR has been launched in 2010 and, as a result, a first European course in Molecular Pathology has recently been given in Amsterdam: over 120 researchers enrolled, ten of which were sponsored by an OECI award. -
DESIGNERS AGAINST AIDS I Gladly Accepted to Write the Introduction INTRO to This Book Because I Admire the Positive Spirit and Unique Vision of Ninette Murk
DESIGNERS AGAINST AIDS I gladly accepted to write the introduction INTRO to this book because I admire the positive spirit and unique vision of Ninette Murk. Ninette is a pioneer in her own way, by using art and pop culture to increase global awareness of AIDS among young people. About 10 years ago, Ninette worked as a freelance fashion editor. Back then, she lost her best friend to AIDS and decided to turn a dramatic story into a positive one. As a single mother of two children she took up a huge challenge and launched a unique idea: Designers Against Aids. The very first DAA projects were small in scale and were located in Antwerp, the city of fashion. Very soon however, DAA attracted the interest of big international names such as Yoko Ono, Dita Von Teese, Estelle, Tokio Hotel and Robert Smith (singer of The Cure), who got involved because they connected both to the cause and the project. Even France’s First Lady Carla Bruni Sarkozy - as Ambassador for The Global Fund to fight AIDS, TB and malaria - recently wrote a letter in which she expressed her admiration for the good work delivered by DAA. Today, DAA is creating global awareness not only through fashion, but also via all sorts of pop art expressions such as the fantastic pictures you will see in this book. DAA has indeed grown into a unique international story. Many companies have shown great interest in the project and are getting involved through their corporate responsibility programs. The Public Private Partnership between DAA and the Swedish fashion company H&M for instance, going into its 4th year in 2012, sets a perfect example for other companies around the world to care about the subject and to financially support organizations such as DAA. -
Master Thesis: MA Cultural Economics & Cultural Entrepreneurship Title: When Creativity Stops and Reality Kicks In: an Evolu
Master thesis: MA Cultural economics & Cultural entrepreneurship Title: When creativity stops and reality kicks in: an evolutionary view on fashion entrepreneurship in the Netherlands and Belgium. Student: Eve-Marie Kuijstermans Studentnumber: 285889 Supervisor: MA. C. Handke Second reader: D. Noordman Date: August, 2008. 1 Preface I would like to thank the designers and key figures who helped me. Without them this would not have been possible. Special thanks goes out to Mariette Hoitink for introducing me to interesting people in the field of Dutch fashion. Thank you, Annick Geenen, Raf Simons, Tinne van Asbroeck and Robbie Snelders, for getting me in touch with relevant Belgian keyfigures and designers. Thanks to: Jessica Joyce, Monique van Heist, Sander Lak, Marcha Hüskes, Marieke den Mulder, Edwin Oudshoorn, Sjaak Hullekes, Sebastiaan Kramer, Sanne Schrijver, Iris van Herpen, Orpheo Jungst, Daryl van Wouw, Catta Donkersloot, Conny Groenewegen (I enjoyed our correspondation), Maartje Dijkstra, Antoine Peters (for having me over 2 times), Geert-Jan Renzen, Mada van Gaans, Mattijs van Bergen, Delia Drel, Eva van Overbeeke, Jan Taminiau, Suzan Jacobs, Joline Jolink, Nick Rosenboom, Djovrie Krüs, Famke de Ruiter, Wieteke van Riet, Melanie Rozema, Kelly Konings, Francisco van Benthum, Ankie Winkelman-de Groot, Lily Houben, Marga Weimans (for our correspondation too), Demna Gvasalia, Sophie Pillen, Carolin Lerch (Pelican Avenue), Daisy Plas, Tom de Poortere, Keith Hioco, Aline Walther, Astrid van Damme, Julie de Taeye, Marko Galovich, Peter Pilotto, Christopher de Vos, Marisa Leipert, Marion Michel, Marijke de Cock, Alexandra Mein, Christian Wijnants, Tom Notte, Bart Vandebosch, Jessie Lecomte, Tim Coppens, Kanya Miki, Lucas and Aaron Mäthger (LA Mäthger), Veronique Branquinho (Ann Claes), Nele Feyen, Kentroy Yearwood, Evelien DeCeuninck, Bob van Opstal, Christophe Mollet, David Flamée, Matthijs Boelee (for introducing me to Angelique Westerhof), H.J.