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Bangor University to Cut £5M
Bangor Remembrance 2018 100 Years On - Bangor Remembers The Fallen FREE Page AU Match 9 Reports Inside AU Focus Fixture: Ultimate Frisbee Page 53 November Issue 2018 Issue No. 273 seren.bangor.ac.uk @SerenBangor Y Bangor University Students’ Union English Language Newspaper Bangor University To Cut £5m VICE-CHANCELLOR EXCLUSIVE INTERVIEW “Protect the student experience at all costs,” says Vice-Chancellor John G. Hughes FULL by FINNIAN SHARDLOW also mentioned as a reason for these However, Hughes says further cuts unions. Plaid Cymru’s Sian Gwenllian cuts. will need to be made to secure Bangor’s AM expressed “huge concern,” INTERVIEW angor University are aiming to 50 jobs are at risk as compulsory long-term future. maintaining that the university must make savings of £5m. redundancies are not ruled out. “What we’re doing is taking prudent avoid compulsory redundancies. Sta received a letter from Vice- In the letter, seen by Newyddion steps to make sure we don’t get into a In an exclusive interview with Seren, INSIDE BChancellor, John G. Hughes, warning 9, Prof. Hughes said: “Voluntary serious situation.” Hughes said that students should of impending “ nancial challenges” redundancy terms will be considered Hughes added: “ ere was a headline not feel the e ects of cuts, and that facing the institution. in speci c areas, but unfortunately, in e Times about three English instructions have been given to “protect PAGE 4-5 e letter cites the demographic the need for compulsory redundancies universities being close to bankruptcy. the student experience at all costs,” decline in 18-20 year-olds which has cannot be ruled out at this stage.” An important point is that Bangor is especially in “student facing areas.” impacted tuition fee revenues as a is letter comes 18 months a er nowhere near that. -
Bead Tapestry Patterns Peyote Cedar Waxwing on Target Pdf, Epub, Ebook
BEAD TAPESTRY PATTERNS PEYOTE CEDAR WAXWING ON TARGET PDF, EPUB, EBOOK Georgia Grisolia | 148 pages | 26 May 2016 | Createspace Independent Publishing Platform | 9781533462015 | English | none Bead Tapestry Patterns Peyote Cedar Waxwing On Target PDF Book His voice ringing with a holy zeal, the stranger stirred them to their very souls. Germain had been raised for some time by the powerful occult- family of Medici. Mol Biol Evol. It is by attention to this point that I can foresee who is likely to win or lose. Craigie EH. Effects of optic primordium removal on the development of the isthmo-optic nucleus in the duck. Did you read the post regarding him two days ago on Patriots Cave? If the trails are numerous and their direction is toward high ground, an old settler with an optimistic turn of mind might go out and buy a herd of cattle on the prospect for rain. Centrifugal pathways to the retina: influence of the optic tectum. God gave each part amnesia. ION cells numbers and cells density variation among birds. Tags: panda, music, flute, stars, galaxy, aurora, nature, humming, bird, animals, universe. It is twice the size of parrots and waterfowl and more than 7 times that of diurnal raptors and owls. My apologies sistren and brethren, I know the Cave has been relatively inactive lately. Klipsch Heritage Wireless Three Stereo. Not only does relative ION size vary among orders but also among our categories of cytoarchitectonic organization. Perfect for tote bags, storage boxes, and everything that needs stay-in-place firmness. Select letters adjacent to currently selected letter. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Ourerie Is Our Home. That’S Why We Take Investing Local Share Gaming Funds So Seriously
Photos by Mark Fainstein #OurErie is our home. That’s why we take investing local share gaming funds so seriously. At the Erie County Gaming Revenue Authority, we’ve not only put $46 million of gaming funds to work in the community, but strategically partner with local organizations to fight blight, reinvigorate neighborhood blocks, reconnect neighbors, preserve anchor buildings, bring new life to main streets, and boost buy-local eorts countywide. Our sta and board of directors care deeply about the people, places, and projects that make Erie County great. Investing local share gaming funds is not just our job. It’s our mission and our privilege because Erie is our home. This is our Erie. Erie County Gaming Revenue Authority P: 814.897.2690 ECGRA - Erie County Gaming Revenue Authority 5340 Fryling Road, Suite 201 F: 814.897.2691 @ErieCountyGamingRevenueAuthority Erie, PA 16510 ECGRA.org @ECGRA814 Paid for using gaming funds. CONTENTS: From the Editors The only local voice for news, arts, and culture. June 20, 2018 Risk, innovation, and tenacity: Editors-in-Chief: Erie’s 40 Under 40, Class of 2018 Brian Graham & Adam Welsh nce again, we’re extremely honored to Managing Editor: Ready for EMTA’s Challenge? – 5 Nick Warren present this year’s class of “40 Under 40” honorees. This will mark our sixth year Copy Editor: Riding the bus is easier than you think O Matt Swanseger for this feature, and as far as worthy candidates, Contributing Editors: we believe we’ve just begun to scratch the surface. Ben Speggen As Erie finds itself in an ongoing shift toward re- Jim Wertz Erie’s 2018 ‘40 Under 40’ – 9 vitalization, we must look to our future now more Contributors: Sixth class shows no shortage of dedication, talent than ever. -
Inside the October 2018 Issue... Horrorscopes, Homecoming Superlatives, Spooky Singles, a Mac Miller Tribute
October 2018 Issue Inside the october 2018 issue... Horrorscopes, Homecoming Superlatives, Spooky Singles, a Mac Miller Tribute, The Arrowhead and so much more! page 1 The Arrowhead OPINION LETTER FROM THE EDITOR: ARROWHEAD STAFF EDITOR-IN-CHIEF THIS IS OUR YEAR! Gianna DiPaolo BY GIANNA DIPAOLO It’s finally the time where we can walk with our heads held high because we’re the COPY EDITOR oldest in the school. Although we’re about two months into school, the senior year hype Jess Kappeler is still alive. The student section couldn’t be more fun, we just finished our last home- coming, and early action for college is about to expire. We have a lot to figure out this PHOTO EDITOR year, but we should probably make this the best year to remember. (Que “We’re All in Bri Mikeska This Together”). Being as this is our last ever year of high school, I think that we should go out with a SPORTS EDITORS bang. No more petty drama or looking back wishing we did things differently- this is the Justin Hawkins year that we put that all to the side and come together. We have one year before we part Sean Nolan our ways and start our lives, so I think we should give North Hills something to reminisce on. WEBSITE EDITOR It is our responsibility now to leave this school in better shape than we found it. Rebekah Froelich Alumni are coming back saying, “this school is going downhill,” but we are going to be the class that saves it. -
Chang Can Dunk V.1D
CHANG CAN DUNK Written by Jingyi Shao Based on countless true stories CARD OVER BLACK: THE “SLAM DUNK” NO FRILLS OLD SCHOOL EDUCATIONAL VIDEO Standing under a hoop in an indoor basketball court, an OLD- SCHOOL BASKETBALL COACH (50s) in high-waisted slacks and a polo shirt. Next to him, an OLD-SCHOOL BASKETBALL PLAYER in short shorts and tall socks. BASKETBALL COACH (to camera) This next move is called the “slam dunk”. It’s when a player jumps and throws the ball directly into the hoop from close range. Often using a “dunking” motion. The Player jumps and dunks with two hands. No flair. BASKETBALL COACH (CONT'D) Well done. How did that feel? PLAYER Pretty good coach. BASKETBALL COACH (to camera) It may look simple but when it happens in a game, it can sure be exciting. MUSIC UP: a very hype track SMASH CUT TO: MONTAGE - HISTORY OF THE SLAM DUNK - Wilt Chamberlain dunking on film. - Dr. J rocking the cradle. - Jordan, tongue out, double clutch. - Stadium fans screaming in delight. - Iconic facials: Kemp on Lister, Pippen on Ewing, Starks on Jordan, Vince Carter OVER Fredric Weis, Kobe on Howard. - Teammates on the bench erupting in awe. - Zion Williamson annihilating high school children. 2. - High school crowds going insane. - cellphone footage of randoms dunking in pickup games - TikToks, IG stories of kids dunking in their backyard. Dunks happening EVERYWHERE. Everybody. Wants. To. DUNK. CUT TO: INT. CHANG’S BEDROOM - MORNING INSERT ON: A TOY HOOP hanging on a closet door frame, weathered by years of abuse. CHANG (O.S.) Chang with the rock. -
PLACES to GO, PEOPLE to SEE THURSDAY, DECEMBER 10 FRIDAY, DECEMBER 11 SATURDAY, DECEMBER 12 the Regulars
INSIDE EXCLUSIVE: Free Adderall! VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s DECEMBER 9—DECEMBER 15, 2009 VOL. 47, NO. 28 THE FINAL COUNTDOWN Looking for motivation, stress relief, baked goods and study spots? We’ve got you covered on page 9. Flip to pages 6 and 7 for the best of everything musical from 2009. Sequins, fl annel and Blair Waldorf are all on page 8. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 10 FRIDAY, DECEMBER 11 SATURDAY, DECEMBER 12 The Regulars Ghostland Observatory – Cannery Ballroom Works Progress Administration – Exit/In Corey Chisel and Brendan Benson – Exit/In THE RUTLEDGE The Austin, TX based electro-punk duo Ghostland Observatory hits the stage The supergroup Works Progress Administration (or WPA for short), featuring Glen Singer-songwriter Brendan Benson will return home to Nashville this Saturday 410 Fourth Ave. South 37201 782-6858 at the Cannery Ballroom for a night of upbeat electronic grooves and extreme Philips (of Toad the Wet Sprocket), Sean Watkins (of Nickel Creek), and Luke Bulla (of night for a show at the nearby Exit/In. Benson, a Nashville transplant Lyle Lovett), takes its name from FDR’s New Deal program of the same title. Unlike and musician of all trades is best known for his work with Jack White in The lights. Ghostland draws on influences like Daft Punk, David Bowie, and Prince the 1939 group, this WPA “was born out of the musical community surrounding the Raconteurs but is a fantastic solo musician in his own right. With a style that is THE MERCY LOUNGE/CANNERY but certainly puts their own spin on it. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Strangers in a Strange Land
—————————————————— Acknowledgments —————————————————— STRANGERS IN A STRANGE LAND — 1 — —————————————————— Acknowledgments —————————————————— Cultural Revolutions: Russia in the Twentieth Century Editorial Board: Anthony Anemone (The New School) Robert Bird (The University of Chicago) Eliot Borenstein (New York University) Angela Brintlinger (The Ohio State University) Karen Evans-Romaine (Ohio University) Jochen Hellbeck (Rutgers University) Lilya Kaganovsky (University of Illinois, Urbana-Champaign) Christina Kiaer (Northwestern University) Alaina Lemon (University of Michigan) Simon Morrison (Princeton University) Eric Naiman (University of California, Berkeley) Joan Neuberger (University of Texas, Austin) Ludmila Parts (McGill University) Ethan Pollock (Brown University) Cathy Popkin (Columbia University) Stephanie Sandler (Harvard University) Boris Wolfson (Amherst College), Series Editor — 2 — —————————————————— Acknowledgments —————————————————— STRANGERS IN A STRANGE LAND Occidentalist Publics and Orientalist Geographies in Nineteenth-Century Georgian Imaginaries Paul MANNING Boston 2012 — 3 — —————————————————— Acknowledgments —————————————————— Library of Congress Cataloging-in-Publication Data: A catalog record for this title is available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved ISBN 978-1-936235-76-6 Book design by Adell Medovoy On the cover: Photo by Vasil Roinashvili (1879–1958). 1912. Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com — 4 — Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
Satoma First Issue.Indb
F N 16, 2018 The B G A HS V 49 O T L N 1 SSatomaatoma E, N J 08820 NNewsmagazineewsmagazine SEERVINGRVING LLOVEOVE AANDND JJOYOY AATT SSPAGHETTIPAGHETTI DDINNERINNER IēēĘĎĉĊĘĎĉĊ...... KKIDSIDS SSEEE GGHOSTSHOSTS RĊĊěĎĊĜěĎĊĜ PP.5.5 GđđĔćĆđĔćĆđ TččĆēĐĘČĎěĎēČĆēĐĘČĎěĎēČ P.P. 9 SĕĕĔėęĘĔėęĘ ĘĘĕĔęđĎČčęĕĔęđĎČčę PP.. 1133 Aččėė ĘĘęĆėęĆė DĎĎēēĊėēēĊė PP.. 3 NĊĊĜĜ FĆĆĈĚđęĞĈĚđęĞ PP.. 6 BđđĔĔĉĔĔĉ DėėĎěĊĎěĊ PP.. 1100 CččĊĊėđĊĆĉĎēČĊĊėđĊĆĉĎēČ PP.. 1144 EĉĉĎęĔėĎĆđĎęĔėĎĆđ P.P. 2 TččĊĆęĊėĊĆęĊė PP.. 7 HĔĔĒĊĈĔĒĎēČĒĊĈĔĒĎēČ ĆĆęę BGABGA PP.. 1111 FĔĔĔęćĆđđĔęćĆđđ ĕ. 1155 VVenomenom RRevieweview PP.4.4 GđđĔćĆđĔćĆđ TččĆēĐĘČĎěĎēČĆēĐĘČĎěĎēČ PP.8.8 PėėĔĔ SĕĕĔėęĘĔėęĘ UĕĉĆęĊĘĕĉĆęĊĘ ĕ. 1122 AĉĉěĊėęĎĘĊĒĊēęĘěĊėęĎĘĊĒĊēęĘ PP.16.16 2 PERSPECTIVE The Satoma Newsmagazine • Tuesday • November 13• 2018 Coming soon: the death of cinemas sue with the introduction of panies like Netflix, Hulu, Obi-Wan Kenobi may TVs. Consequently, the in- and Amazon Prime can get have been Princess Leia’s dustry went through a brief new movies as fast as two to only hope, but is there any dry spell but bounced back by six months after they are re- hope for the classic movie the 1970s. The industry then leased. Illegal streaming can theater? Many believe that took two more blows. In the get movies even before they theaters can make a come- late 70’s VHS players came come out in the U.S. The back just as they have many into existence and in the late quick turnover time, cheaper times before. Movie theaters 90’s CD/DVD players were prices, and original content need to adapt to compete popular. These innovations of online streaming services with online streaming by in- worried the cinema but the are drawing consumers away corporating new features. -
Artist A-Z, Triple J's 2016 Voting List
2016 VOTING LIST, ARTIST A-Z 360 - My Favourite Downfall {Ft. JOY.} ALTA - Unbelievable A Day To Remember - Paranoia AlunaGeorge - I'm In Control {Ft. Popcaan} A Day To Remember - Bad Vibrations AlunaGeorge - I Remember A Day To Remember - Bullfight AlunaGeorge - Mean What I Mean {Ft. Leikeli47/Dreezy} A Tribe Called Quest - We The People.... AlunaGeorge - Not Above Love A Tribe Called Quest - Whateva Will Be Alyss - Motherland A Tribe Called Quest - Solid Wall Of Sound Alyss - T S I E R A Tribe Called Quest - Dis Generation Amazons, The - Nightdriving A Tribe Called Quest - Melatonin Amber Arcades - Fading Lines A Tribe Called Quest - Black Spasmodic Amber Mark - Monsoon {Ft. Mia Mark} A Tribe Called Quest - The Space Program Amber Mark - Way Back A-Trak - Parallel Lines {Ft. Phantogram} Amber Run - Stranger A.B. Original - 2 Black 2 Strong Aminé - Caroline A.B. Original - Dead In A Minute {Ft. Caiti Baker} Amity Affliction, The - I Bring The Weather With Me A.B. Original - Firing Squad {Ft. Hau} Amity Affliction, The - This Could Be Heartbreak A.B. Original - Take Me Home {Ft. Gurrumul} Amity Affliction, The - Nightmare A.B. Original - January 26 {Ft. Dan Sultan} Amity Affliction, The - O.M.G.I.M.Y. A.B. Original - Dumb Things {Ft. Paul Kelly/Dan Sultan} Amity Affliction, The - All Fucked Up {Live A Version 2016} Amity Affliction, The - Fight My Regret A$AP Ferg - New Level {Ft. Future} Amity Affliction, The - Tearing Me Apart A$AP Ferg - Let It Bang {Ft. ScHoolboy Q} Amy Shark - Adore A$AP Mob - Crazy Brazy {Ft. -
Martin Ku 0099D 16797 DATA
Stages of Whiteness: Marking Power and Privilege in U.S. and German Popular Performance © 2019 By Christopher Martin M.F.A, University of Arkansas, 2007 B.A., Oral Roberts University, 2004 Submitted to the graduate degree program in the Department of Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements of the degree of Doctor of Philosophy. ! Chair: Nicole Hodges Persley ! Jane Barnette ! Henry Bial ! David Roediger ! Rebecca Rovit Date defended: June 18, 2019 !ii The dissertation committee for Christopher Martin certifies that this is the approved version of the following dissertation: Stages of Whiteness: Marking Power and Privilege in U.S. and German Popular Performance ! Chair: Nicole Hodges Persley Date approved: August 14, 2019 !iii Abstract Stages of Whiteness: Marking Power and Privilege in U.S. and German Popular Performance examines white, male playwrights, television evangelists, and game show hosts and producers on what I am defining as three “performance stages” found within 21st century American and German popular theatre and entertainment. These performances have remained unmarked as white to white people; they remain opaque to them and have persisted into this century as spaces not affected by constructions of race. They remain “just performances.” The dissertation explains how everyday people— audiences— learn to see, hear, and protect whiteness as a universal subject position, as represented through the patterns of storytelling, narrative structure, and binaries of winning and losing. Each “performance stage” has specific audiences that encapsulate lower, middle and upper-class white consumers. These stages, I contend, are used to distribute narratives that warn new audiences against the changing racial, economic, and socio-cultural conditions that have challenged white male patriarchy.