The Microtype Package an Interface to the Micro-Typographic Extensions of Pdftex
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THE DELL COMPUTER GAMES SERIES Alastair Gourlay
THE DELL COMPUTER GAMES SERIES MORE THAN 25 FASCINATING, ORIGINAL PROGRAMS FOR ARCADE-STYLE GAMES, BRAIN TEASERS, WORD GAMES, PUZZLES, AND MUSIC TO CHALLENGE AND ENTERTAIN YOU Alastair Gourlay I .1 , II I· GAMES I FOR YOUR Vle20 I I I I I I I I I I I I ·1 I I I I I I I I I I I I I I THE DELL COMPUTER GAMES SERIES GAMES FOR YOUR TIMEX-SINCLAIR 1000 GAMES FOR YOUR TIMEX-SINCLAIR 2000 I GAMES FOR YOUR VIC20 GAMES FOR YOUR ATARI COMPUTER I I I I I I I I I II I I I I I I I I I I I I I I I !I THE DElL COMPUTER I GAMES II SERIES II I GAMES FOR YOUR I VIC20 I I Alastair Gourlay I Series editor: Tim Hartnell I I A DELL TRADE PAPERBACK I I I A DELL TRADE PAPERBACK I Published by Dell Publishing Co., Inc. 1 Dag Hammarskjold Plaza New York, New York 10017 I GAMES FOR YOUR VIC 20 was first published in Great Britain by I Virgin Books Ltd. as part of the Virgin Computer Games Series. I Copyright © 1983 by InterfaceNirgin Books I All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or I mechanical, including photocopying, recording or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law. Dell ® TM 681510, Dell Publishing Co., Inc. I Printed in the United States of America First U.S.A. -
A Notation and Definitions
A Notation and Definitions All notation used in this work is “standard”. I have opted for simple nota- tion, which, of course, results in a one-to-many map of notation to object classes. Within a given context, however, the overloaded notation is generally unambiguous. I have endeavored to use notation consistently. This appendix is not intended to be a comprehensive listing of definitions. The Index, beginning on page 519, is a more reliable set of pointers to defini- tions, except for symbols that are not words. A.1 General Notation Uppercase italic Latin and Greek letters, such as A, B, E, Λ, etc., are generally used to represent either matrices or random variables. Random variables are usually denoted by letters nearer the end of the Latin alphabet, such X, Y ,and Z, and by the Greek letter E. Parameters in models (that is, unobservables in the models), whether or not they are considered to be random variables, are generally represented by lowercase Greek letters. Uppercase Latin and Greek letters are also used to represent cumulative distribution functions. Also, uppercase Latin letters are used to denote sets. Lowercase Latin and Greek letters are used to represent ordinary scalar or vector variables and functions. No distinction in the notation is made between scalars and vectors;thus,β may represent a vector and βi may represent the ith element of the vector β. In another context, however, β may represent a scalar. All vectors are considered to be column vectors, although we may write a vector as x =(x1,x2,...,xn). Transposition of a vector or a matrix is denoted by the superscript “T”. -
The Kerntest Package
The kerntest package Harald Harders [email protected] Version v1.32 (2004/04/14), printed 14th April 2004 Abstract This class makes it easy to generate tables that show many different kerning pairs of an arbitrary font, usable by LATEX. It shows the kerning values that are used by the the font by default. In addition, this class enables the user to alternate the kernings and to observe the results. Kerning pairs can be defined for groups of similar glyphs at once. Automatically, an mtx file is generated that can be loaded by fontinst to introduce the user-made kernings into the virtual font for LATEX. Contents 1 Introduction 2 2 Usage of the class 3 2.1 Introduction . 3 2.2 Most features by example . 5 2.3 Encoding-dependent parameters . 8 2.4 Advanced features . 9 3 Configuration file 10 4 Kerning pairs that are often missing 10 4.1 Character combinations . 11 4.2 Quotation marks . 11 5 An example of how to optimize a font 12 6 The implementation 16 6.1 Class file . 17 6.1.1 Glyph classes . 33 6.1.2 Extra commands for special encodings . 40 6.2 Footer of mtx file . 40 6.3 Class option files . 41 6.3.1 T1 encoding . 41 6.3.2 TS1 encoding . 47 6.3.3 OT1 encoding . 52 6.3.4 T2A encoding . 58 1 6.3.5 T2A encoding . 63 6.3.6 LY1 encoding . 68 6.4 Templates . 72 6.4.1 T1 encoding . 73 6.4.2 TS1 encoding . -
Expressionist 3.2 User's Guide
FOREWARD Equation typesetting has traditionally been a difficult task. Besides the unorthodox symbols and arrangements, there almost always needs to be some ad-hoc fine-tuning, deviating at times from whatever typesetting rules may seem to apply. Until recently, computers have been heavily oriented toward linear text. Equation structures, which evolved on two dimensional surfaces that were marked with human hands with perfect freedom, did not carry over well. Expressionist grew out of a need for an intuitive equation typesetting method. Besides displaying the expression being edited, it allows easy editing of that expression in an obvious way, as modern word processors allow easy, intuitive modification of documents. This user’s manual consists mainly of tutorial and reference sections, referred to as the Guided Tour and the Encyclopedia, respectively. If you are like most people, you may want to put down the manual and start using the software right away. Fortunately, you do not need to read the entire manual to use Expressionist if you are familiar with Windows and some general applications. Just follow the instructions in the Getting Started section and start using the program. To learn Expressionist, start with the Quick Tour, take the Guided Tour, work through the tutorials, and by the time you hit the Cookbook you’ll be proficient enough with the program to create equations with a minimum of assistance from the documentation. If you wish to become a power user of Expressionist and master all of its useful features, you can look up items of interest in the Encyclopedia, which is an alphabetized reference section. -
Using Glyph Transformations in High-Logic® Fontcreator Professional the Transform Feature Is Useful for Making New Type Styles from Existing Fonts
Using Glyph Transformations In High-Logic® FontCreator Professional The transform feature is useful for making new type styles from existing fonts. It is not available in the Home Edition, but only in the Standard or Professional Editions or in the thirty-day Free Trial. Please see this » Comparison Chart « and the » Registration Page « for details. General Advice for Working With Transformations Because transformations cannot be undone, copy the glyphs that are going to be transformed, and leave them selected. After running the transformation, paste the clipboard contents back into the same glyphs, and undo the paste operation. The paste operation can then be undone to try different values. From the Tools menu, select Glyph Transformer and from the Transform Wizard dialogue click the folder icon to open one of several predefined scripts. User-defined scripts can be created by adding any of the available features from the left panel, and saved for later reuse. 1. Small Capitals Before running this transformation, copy the Capital Letters of the font to the lowercase positions, and select them. The Small Capitals transformation scales the uppercase by about 75%. To compensate for the scaling the stroke weight needs to be increased with a bold transformation. To add Small Capitals for OpenType Features use the Small Capitals Private Use script or the Petite Capitals script. Script: Small Capitals.xml Scale (75.00, 78.00) (0, 0) Bold (20,12) preserve bearings Move (0,12) The bold transformation is not perfect. Thin strokes and serifs are made thicker by the same amount as thick strokes. After applying the transformation one needs to make some corrections. -
Latin Pc Name for Downloading Files Directory Fonts/Lm
latin pc name for downloading files Directory fonts/lm. Download the contents of this package in one zip archive (17.8M). lm – Latin modern fonts in outline formats. The Latin Modern family of fonts consists of 72 text fonts and 20 mathematics fonts, and is based on the Computer Modern fonts released into public domain by AMS (copyright © 1997 AMS). The lm font set contains a lot of additional characters, mainly accented ones, but not exclusively. There is one set of fonts, available both in Adobe Type 1 format (*.pfb) and in OpenType format (*.otf). There are five sets of T e X Font Metric files, corresponding to: Cork encoding (cork-*.tfm); QX encoding (qx-*.tfm); T e X ’n’ANSI aka LY1 encoding (texnansi-*.tfm); T5 (Vietnamese) encoding (t5-*.tfm); and Text Companion for EC fonts aka TS1 (ts1-*.tfm). Student Datafile. Review the following updates with your IT/operations staff and/or student information system vendor to see if your institution needs to take additional steps to be ready to interpret the student datafile in July: New Irregularity Code Valid Values —New code values have been added for indicating delayed or canceled scores. These include 07, 08, 09, 12, 13, 16, 17, 18, and 19. Please refer to the layout specification linked below for full descriptions. Note that there is no change to the layout of the file, only the addition of new valid values. The Student Datafile contains score report data for each AP student at your school or district who tested during the selected exam administration. -
Micro-Typographic Extensions to the TEX Typesetting System
TUGBoat, Volume 21 (2000), No. 4 317 Micro-typographic extensions to the TEX typesetting system Han` Theˆ´ Thanh` Dissertation Masaryk University Brno Faculty of Informatics October 2000 Micro-typographic extensions to the TEX typesetting system 1 318 TUGBoat, Volume 21 (2000), No. 4 2 Micro-typographic extensions to the TEX typesetting system TUGBoat, Volume 21 (2000), No. 4 319 This thesis is dedicated to my parents and my sister who have been always hoping in me. Micro-typographic extensions to the TEX typesetting system 3 320 TUGBoat, Volume 21 (2000), No. 4 4 Micro-typographic extensions to the TEX typesetting system TUGBoat, Volume 21 (2000), No. 4 321 Acknowledgments In the first place, my work could have never been done without TEX and META- FONT. I am thankful to professor Donald Knuth for the wonderful work he has done on digital typography, as well as for his comments and suggestions for my work. I would like to thank my supervisor, professor Jirˇ´ı Zlatuska,ˇ for his original idea of extending TEX to pdfTEX, for his guidance during the development and for his support not only related to scientific research. I am also thankful to professor Hermann Zapf for his interest and remarks on my work. His encouragement was extremely important for me to get my work up to this point. My special thank belongs to Hans Hagen, who did an enormous amount of work for the pdfTEX project. His experiments, comments and and suggestions for further de- velopment as well as his assistance during writing the thesis are invaluable to me. -
Fontcreator Help
FontCreator 5.5 © 1997 - 2006 by High-Logic Software, all rights reserved. FontCreator Manual © 1997 - 2006 by High-Logic Software, all rights reserved. All rights reserved. No parts of this work may be reproduced in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems - without the written permission of the publisher. FontCreator is a trademark of High-Logic. Microsoft, Windows and OpenType are either trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. Apple, the Apple Logo and Macintosh are registered trademarks and TrueType is a trademark of Apple Computer, Inc. registered in the United States and other countries. Adobe and PostScript are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. All other trademarks and registered trademarks are the sole property of their respective owners. The Unicode Character Database is provided as is by Unicode, Inc. While every precaution has been taken in the preparation of this document, the publisher and the author assume no responsibility for errors or omissions, or for damages resulting from the use of information contained in this document or from the use of programs and source code that may accompany it. In no event shall the publisher and the author be liable for any loss of profit or any other commercial damage caused or alleged to have been caused directly or indirectly by this document. May 2006 Contents I Table of Contents Part I Getting Started 1 Welcome to FontCreator................................................................................................................................... 5.5 2 2 What's New in.................................................................................................................................. -
Indesign Type Book
ptg From the Library of Wow! eBook IIInnnDDDeeesssiiigggnnn Professional Typography with Adobe® InDesign® CS2 SECOND EDI T ION TTTyyyppp eee ptg Nigel French From the Library of Wow! eBook InDesign Type: Professional Typography with Adobe® InDesign®, Second Edition Nigel French Copyright © 2010 Nigel French Adobe Press books are published by Peachpit, a division of Pearson Education. For the latest on Adobe Press books, go to www.adobepress.com. To report errors, please send a note to [email protected]. Acquisitions Editor: Karen Reichstein Project Editor: Rebecca Freed Development Editor: Kim Saccio-Kent Production Editor: Lisa Brazieal Technical Editor: Kate Godfrey Copyeditor: Susan Festa Compositor: Kim Scott, Bumpy Design Indexer: Karin Arrigoni Cover Design: Aren Howell Interior Design: Charlene Charles-Will and Kim Scott Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. ptg Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Adobe, the Adobe logo, and InDesign are registered trademarks of Adobe Systems Incorporated in the United States and/or other countries. -
Using the Mathtımeprofessional Fonts with LATEX∗
Using the MathTımeProfessional fonts with LATEX∗ Walter Schmidt 2001/04/20 Abstract This document describes the macro package mtpro, which serves for using the MathTımeProfessional fonts with LATEX. The package code was partially adopted from the mathtime package written by Frank Mittelbach and David Carlisle. Contents 1 The MathTımeProfessional fonts 1 2 The mtpro package 2 2.1 Text fonts ................................. 2 2.2 Text fonts in math ............................. 3 2.3 Numbers and punctuation in math mode ................ 3 2.4 Greek letters ............................... 3 2.5 Calligraphic and script alphabets .................... 3 2.6 Blackboard bold ............................. 4 2.7 Bold math fonts .............................. 4 2.8 Positioning of subscripts ......................... 4 2.9 Large delimiters and roots ........................ 5 2.10 Accents in math .............................. 5 2.11 Additional symbols ............................ 6 2.12 Symbols missing from the MathTımeProfessional fonts ......... 6 2.13 Known problems ............................. 6 A Option summary 7 1 The MathTımeProfessional fonts MathTımeProfessional is a set of math fonts particularly designed for use with TEX or LATEX. They come with a licensed copy of the corresponding text fonts ‘Times New Roman’ from Monotype. ∗ This document refers to version v2.0.14 of the mtpro package. Development of this pack- age was commissioned by Y&Y. 1 Separate fonts for text size, superscripts, and second order superscripts are provided, allowing -
P-System Users' Manual Supplement Versi'on Iv
8 UCSD P-SYSTEM USERS' MANUAL SUPPLEMENT VERSI'ON IV April 1982 SofTech Microsystems, Inc. San Diego, California. Copyright © 1982 by SofTech Microsystems, Inc. All rights reserved. No part of this work may be reproduced in any form or by any means or used to make a derivative work (such as a translation, transformation, or adaptation) without the permission in writing of SofTech Microsystems, Inc. DISCLAIMER: These documents and the software they describe are subject to change without notice. No warranty expressed or implied covers their use. Neither the manufacturer nor the seller is responsible or liable for any consequences of their ·use. ACKNOWLEDEGMENTS: This document was edited at SofTech Microsystems by Paula Johnson and Stan Stringfellow. UCSD 9 , UCSD Pascal S, and UCSD p-System are all trademarks of the Regents of the University of Califomia. Use thereof in conjunction with any goods or services is authorized by specific license only, and any unauthorized use is contrary to the laws 01 the State of California. XenoFileS is a trademark of SofTech Microsystems, Inc. CP/M@ is. a registered trademark of Digital Research, Inc. TABLE OF CONTENTS Section Page I INTRODUCTION. • 1-1 1.1 New and Upgraded Standard Facilities • •••• I-I 1.2 New Optional F acili ties •••••••• • 1-3 1.3 Installation Guide Supplement ••••• ., ••• 1-4 II NEW AND UPGRADED STANDARD FACILITIES • • II-I II.I The Symbolic Debugger •••••••••• ~ . • • I1-1 II.I.I Entering and E xi ting the Debugger • • II-I II.I.2 Using Breakpoints ••••••••••• • • II-2 IJ.l.3 Viewing and Altering Variables •• • ••• II-3 II.l.4 Viewing Text Files from the DeblJgger ••••••• • ••• I1-4 H.l.S Displaying Useful Information • • • • • • • 11-5 II.l.6 Disassembling P-code • • • • • II-6 II.l.7 Example of Debugger Usage • • ••••• 11-6 II.~.8 Symbolic Debugging •••••• • ••• I1-7 II.l.9 Symbolic Debugging Example. -
The TX Fonts∗
The TX Fonts∗ Young Ryu December 15, 2000 Contents 1 Introduction 2 2 Changes 2 3AProblem:DVIPS Partial Font Downloading 3 4 Installation 4 5UsingtheTX Fonts with LATEX4 6 Additional Symbols in the TX Math Fonts 5 7Remarks 8 7.1SomeFontDesignIssues.................................... 8 7.2Timesvs.TimesNewRoman.................................. 9 7.3 PDFTEX/PDFLATEXandStandardPostscriptFonts....................... 9 7.4GlyphHinting.......................................... 10 7.5 Glyphs in Low Positions . 10 8FontCharts 10 8.1OT1(CM)EncodingTextFonts................................ 11 8.2T1(EC)CorkEncodingTextFonts............................... 15 8.3 LY1 TEX-and-ANSIEncodingTextFonts........................... 21 8.4TS1(TC)EncodingTextCompanionFonts.......................... 25 8.5MathFonts........................................... 29 ∗Special thanks to those who reported problems of TX fonts and provided suggestions! 1 1 Introduction The TX fonts consist of 1. virtual text roman fonts using Adobe Times (or URW NimbusRomNo9L) with some modified and additional text symbols in OT1, T1, TS1, and LY1 encodings 2. virtual text sans serif fonts using Adobe Helvetica (or URW NimbusSanL) with additional text symbols in OT1, T1, TS1, and LY1 encodings 3. monospaced typewriter fonts in OT1, T1, TS1, and LY1 encodings 4. math alphabets using Adobe Times (or URW NimbusRomNo9L) with modified metrics 5. math fonts of all symbols corresponding to those of Computer Modern math fonts (CMSY, CMMI, CMEX, and Greek letters of CMR) 6. math fonts of all symbols corresponding to those of AMS fonts (MSAM and MSBM) 7. additional math fonts of various symbols All fonts are in the Type 1 format (in afm and pfb files). Necessary tfm and vf files together with LATEX2ε package files and font map files for dvips are provided. The TX fonts and related files are distributed without any guaranty or warranty.