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VRIENDENWANDELING 29 MEI 2016 M.Hollenkamp VRIENDENWANDELING AMSTERDAMSE SCHOOL EN ICONEN & SYMBOLEN Welkom Bij De Jaarlijkse Vriendenwandeling Van Stadsherstel
VRIENDENWANDELING 29 MEI 2016 M.Hollenkamp VRIENDENWANDELING AMSTERDAMSE SCHOOL EN ICONEN & SYMBOLEN Welkom bij de jaarlijkse Vriendenwandeling van Stadsherstel. Graag laten we u zien wat Stadsherstel onder andere met uw hulp heeft gerealiseerd. U kunt bijzondere en historische panden niet alleen aan de buitenkant be- wonderen, maar ook binnen een kijkje nemen. THEMA AMSTERDAMSE SCHOOL Vandaag brengen we een ode aan ‘100 jaar Amsterdamse School’. In Amsterdam-Zuid, West maar ook in het centrum van Amsterdam zijn prachtige Amsterdamse School voorbeelden te bewon- deren. Daarnaast sluit deze wandeling aan bij het thema van de landelijke Open Monumentendag: ‘Iconen en Symbolen’. Met deze wandeling is onder andere het restauratieproject Spinhuissteeg 12 te bezichtigen, het Hodshon-Dedelhofje en het Amsterdamse Schoolmonument Rioolgemaal F. PANDEN OP DE ROUTE Alle Stadsherstelpanden zijn te herkennen aan het blauwe Stadsherstellogo op het pand. In dit boekje zijn de panden als volgt te herkennen: 1 Panden geopend voor bezoek 3 Stadsherstel panden op de route 2 Panden op de route WANDELING EN BORREL Om teleurstelling te voorkomen is het goed te weten dat het laatste pand op de route is geopend tot 17.00 uur. Het drankje is zoals aangekondigd niet bij Rioolgemaal F maar bij De Duif. Daar bieden we u een hapje en een drankje aan. Projectleider Paul Morel geeft om 13.30, 14.30 en om 15.30 uur in De Duif een korte lezing over Stadsherstel. We wensen u veel wandelplezier toe en danken u voor uw bijdrage als Vriend. Uw steun en betrok- kenheid zijn van groot belang voor Stadsherstel. Niet alleen omdat u de projecten van Stadsher- stel ondersteunt maar u draagt ook letterlijk bij aan het bewaren van gebouwd erfgoed in en om Amsterdam voor nu en de toekomst. -
SIGNIFICANCE and RESTORATION of HET SCHIP, AMSTERDAM Design Movement Known Today As the an ICON of SOCIAL HOUSING and ARCHITECTURE, 1919-1921 Amsterdam School
Het Schip A WORK OF ART IN BRICK Amsterdam 1919-1921 Up-and-coming architect Michel de Klerk designed an urban block of 102 apartments and one post office, envel- A WORK OF oping an existing primary school. The patron of this prominent project was the visionary housing society, Eigen Haard. This “workers’ palace” is now ART IN BRICK the acknowledged culmination of the SIGNIFICANCE AND RESTORATION OF HET SCHIP, AMSTERDAM design movement known today as the AN ICON OF SOCIAL HOUSING AND ARCHITECTURE, 1919-1921 Amsterdam School. One hundred years later, the restoration of this complex has again come to the fore. The histories and controversies con- cerning the Amsterdam School are PETRA VAN DIEMEN uncovered and reinterpreted, and the TON HEIJDRA genesis and life cycle of the building are NIKO KOERS brought into focus. The book describes CISCA VAN DER LEEDEN the choices that were made for mate- RAMON PATER rials and working methods during the RICHELLE WANSING restoration of 2015-2018. Recipes used are described in meticulous detail, from brick to leaded glass and from “lion head” to “cigar”. Few compromises have been made in restoring the integrity of the original image of this complete work of art, an icon of social housing and architecture. This book is abun- dantly illustrated and written by the very specialists who were leading in this restoration. Oostzaanstraat 45 MUSEUM 1013 WG Amsterdam HET SCHIP www.hetschip.nl A WORK OF ART IN BRICK SIGNIFICANCE AND RESTORATION OF HET SCHIP, AMSTERDAM AN ICON OF SOCIAL HOUSING AND ARCHITECTURE, 1919-1921 PETRA VAN DIEMEN TON HEIJDRA NIKO KOERS CISCA VAN DER LEEDEN RAMON PATER RICHELLE WANSING WEBSITE VERSION This PDF is the website version of the book A WORK OF ART IN BRICK. -
'Hyper-Modern Yet Curiously Medieval' Edwin Heathcote on the Amsterdam School
ARCHITECTURE 1. The museum of Het Schip (‘The Ship), in Amsterdam, designed by Michel de Klerk (1884–1923) and built in 1917–21 entire neighbourhoods, huge new chunks of city, in a style that was coherent without ‘Hyper-modern yet being monotonous or repetitive: brilliantly planned, beautifully executed and elegant quarters which stand remarkably intact and curiously medieval’ work as well today as they did a century ago. The Netherlands never really succumbed to art nouveau, as neighbouring Belgium did. Instead architects looked to England, to the Edwin Heathcote on simplicity and craftsmanship of Arts and Crafts, to the national romanticism emerging in the Scandinavian countries, and to their own the Amsterdam School traditions of quirky brick construction. The Amsterdam School’s first great monument was the Scheepvaarthuis (‘Shipping House’; ost architectural styles are pioneered The Amsterdam School embodies several Fig. 3) of 1913–16, a great brick cliff of a build- by the wealthy. The villa, the man- contradictions. It is an architecture that is ing on Amsterdam’s waterfront, designed to Msion, the upmarket apartment block, instantly recognisable yet difficult to define. house a number of shipping companies. It the blockbuster cultural centre, these have It celebrates the communal and the social displays the exuberant explosion of formal been the vehicles for new architectures. The yet gives almost infinite room for individual ideas and decorative motifs that would come Amsterdam School was different, driven by expression. It can look hyper-modern yet curi- to characterise the school, but they are still the imperatives of social housing, municipal ously medieval. -
Amsterdam School
PRESS FEATURE Amsterdam School In 2016 we are celebrating 100 years of the Amsterdam School. Though the name may suggest otherwise, this architectural style in fact refers to a period in which several architects pursued new ideals regarding architecture, design and building a better society. The pioneers were three befriended architects: Joan van der Mey, Michel de Klerk and Piet Kramer. They came to international prominence with buildings such as Het Schip and the Scheepvaarthuis. The style also spread to other parts of the Netherlands, with notable examples including Park Meerwijk in Bergen, Hilversum Town Hall, and the former Radio Kootwijk transmitter park in the Veluwe region. The Amsterdam School is most renowned for its construction of high- quality working class dwellings, with a style characterised by extensive and creative use of brickwork, decorated facades and cast iron details. Bridges and churches were also built in this style. Hildo Krop, the principal sculptor of the Amsterdam School movement, created sculptures for countless bridges and public buildings in Amsterdam. These can still be admired throughout the entire Amsterdam region. The movement was not only manifested in architecture but also in interior objects such as lamps, clocks, mirrors, doorknobs, textiles and furniture, for example by furniture makers Harry Dreesen and Louis Deen. The Amsterdam School architectural style was applied widely in the 1910s and 1920s, but was to be overshadowed in Amsterdam by the Bauhaus and De Stijl movements following the Second World War. A renewed interest in the style emerged towards the end of the 1960s, however, and a whole century later we are now celebrating the 100th anniversary of the Amsterdam School. -
88 Herenhuis
88 Herenhuis | september/oktober 2010 Villa Oud Walenburg teruggebracht in originele staat NOSTALGIE ALS STIJLFIGUUR Ruim honderd jaar oud is de villa, maar hij oogt alsof hij gisteren is opgeleverd. Aan de hand van archiefmateriaal en oude foto’s kon het verloederde gebouw weer in oude luister worden hersteld. De vertrekken zijn precies zoals architect Eduard Cuypers ze wilde: in stijl van de Franse Zonnekoning. Tekst | Theo van Oeffelt Fotografie | BURGY Bouwbedrijf | Robert Jan Stokman | Arjen Veldt Er was veel voor nodig om villa Oud Walenburg aan de de beroemde Pierre Cuypers die onder meer het Amsterdamse Rotterdamse Walenburgerweg in zijn oude luister te Centraal Station en het Rijksmuseum ontwierp, voldeed herstellen. De fundering verkeerde in een beroerde staat, het aan het verzoek om een villa te bouwen in een achttiende- balkon stond op instorten, het interieur was door lekkages eeuwse classicistische stijl. Opdrachtgever J.P. Helmers, een ernstig beschadigd, originele wandschilderingen waren Rotterdamse houthandelaar, was zeer gecharmeerd van overgeschilderd en het behang verdwenen. En dat terwijl het in de nostalgische Um 1800-stijl: een nieuw historiserende 1909 nog zo kleurrijk was. Architect Eduard Cuypers, neef van stijl, die de Lodewijk XV- en XVI- stijl en het Neoclassicisme Links en boven | Uitgebreid kleurenonderzoek was nodig om onder meer de luiken en deuren van Villa Oud Walenburg in de oorspronkelijke stijl terug te kunnen brengen. september/oktober 2010 | Herenhuis 89 E Het parket is plank voor plank verwijderd en genummerd als uitgangspunten nam. De stijl was een reactie op de bovenste etage, die in verbinding staat met het klooster, bevat moderne Art Nouveau. -
Design and Architecture— —Design and Architecture
Amsterdam Amsterdam Design and architecture— —Design and architecture Amphibious architecture High and dry Silodam, Centrum Design and Housing block Silodam was inspired by the 19th architecture and 20th-century grain silos on the — Sites to docks of Oude Houthaven just to the northwest of Centraal station. behold In 1995 Rotterdam-based studio mvrdv – also responsible for the Chanel shop (see page 80) and Tennisclub IJburg (see page 124) – was commissioned to design a dense living complex in the empty port. Finished in 2003, the monumental building looks like a stack of shipping containers Amsterdam’s architecture servicing the surrounding silos. Steigereiland, IJburg dates back to the 14th The site houses 165 commercial Floating houses century and when you and residential units of varying imagine the city it’s hard sizes, occupied by a cross-section With the city’s housing shortage, not to think solely in terms of financial categories (and also, architects have been looking to of canals, bridges and therefore, of Amsterdam’s society). the water, developing practical mvrdv created internal streets and but good-looking floating homes. windmills. But the scope central shared spaces, including Nearly 75 of them now dot the of design in the Dutch a restaurant, library and viewing artificial island cluster of IJburg capital is wider and more deck. There’s also a small harbour in the city’s east. A network of diverse than the postcards for residents to moor their boats. aluminium-surfaced jetties work as might have you believe. Tours can be booked in advance. footpaths and create a link between The brick-heavy work Silodam, 1013 AW the two and three-storey dwellings, of the Amsterdam School, silodam.org which range from social housing to cha high-end abodes. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Holanďan bludný - Bludný Holanďan holandská architektúra - http://nl.wikipedia.org/wiki/Categorie:Architectuur_in_Nederland http://en.wikipedia.org/wiki/Category:Dutch_architecture holandská bieloba - bieloba holandská/bieloba kremžská holandská história - http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland holandská história podľa obdobia - http://en.wikipedia.org/wiki/Category:History_of_the_Netherlands_by_period http://nl.wikipedia.org/wiki/Categorie:Geschiedenis_van_Nederland_naar_periode holandská renesancia - (1500-1584); http://en.wikipedia.org/wiki/Category:Dutch_Renaissance holandská škola (maľby) - maliari v Holandsku od ranej renesancie do baroka; to zahŕňa rané obdobie holandského maliarstva (pozri holandskí maliari raní, flámski primitívi), ktoré spadá do obdobia 1400-1500, a holandskú renesanciu (1500-1584), čo boli umelci činní v severných nížinách, a neskôr do holandskej školy bol zaraďovaný aj holandský zlatý vek maľby (pozri holandskí maliari zlatého veku), čo bola maľba v zjednotených provinciách; mnoho maliarov, sochárov a architektov zo 17.st. je nazývaných „holandskí majstri“, zatiaľ čo skorší umelci sú všeobecne označovaní ako súčasť „holandskej“ tradície; Hieronymus Bosch a Geertgena tot Sint Jans sú dobre známe príklady holandských maliarov 15. a 16.st.; Rembrandt van Rijn, Frans Hals, Johannes Vermeer, Jacob van Ruisdael a Jan Steen zastupujú holandské umenie 17.st.; individuálne diela, ktorých umelca nemožno zistiť, sú označované alebo -
1 Willie Gurner ARTH 234 of Utopias 5/17/2017 Het Schip: Michel De Klerk
Willie Gurner ARTH 234 Of Utopias 5/17/2017 Het Schip: Michel De Klerk’s Eigen Haard Project Despite taking up an entire block with its red brick exterior, there is nothing monolithic or monotonous about the façade of Michel de Klerk’s Het Schip. The building’s varied sculptural embellishments and swelling undulations constantly yield up new delights to the roving eye. Ranging from one to five stories high, the building employs a wide variety of rooflines, windows, doors, and expressive motifs. The building contains such diverse forms and architectural details that the different sides of its triangular block might very well belong to three different buildings. Yet at the same time there is a cohesive unity and rhythm –an organic wholeness- to this idiosyncratic building. It is not excessive or baroque, and even almost one hundred years after its completion it still manages to feel decidedly modern. This building is not some palace of culture, museum, or commercial attraction, but one of Amsterdam’s oldest social housing projects. In the wake of the nineteenth century’s rapid industrialization and urbanization, housing for the working classes came to prominence as a pressing social issue in Amsterdam. At the turn of the century, state and municipal governments faced pressures to address the overcrowded and unhygienic tenement housing that housed most of Amsterdam’s poor and working class residents. One result was the Dutch Housing Act of 1901, which compelled local government to address these problems, and provided financial resources to create new housing stock for the poor, (to this day, the Netherlands retains the highest percentage of public housing stock of any EU 1 country). -
BACKGROUND 0 30 Miles
© Lonely Planet Publications lonelyplanet.com DUTCH REPUBLIC c 1610 050 km BACKGROUND 0 30 miles Leeuwarden Groningen Afsluitdijk F R I E S L A N D HISTORY 1847 (1932) D R E N T E FROM THE BEGINNING 1599 Originally, the region that spawned a giant trading community was an inhospitable patchwork 1930 D Enkhuizen of lakes, swamps and peat, at or below sea level; its contours shifted with the autumn storms N 1631 N O R T H S E A Alkmaar Hoorn and floods. The oldest archaeological finds here date from Roman times, when the IJ river lay A 1612 1635 Zwolle along the northern border of the Roman Empire. Too busy elsewhere, and no doubt put off by Zuiderzee Haarlem 1852 Het IJ the mushy conditions, the Romans left practically no evidence of settlement. O V E R I J S S E L Isolated farming communities tamed the marshlands with ditches and dykes. Between Amsterdam H O L L 1150 and 1300 the south bank of the IJ was dyked from the Zuiderzee westwards to Haarlem. Utrecht Den Haag Leiden G E L D E R L A N D Around 1200, a fishing community known as Aemstelredamme – ‘the dam built across the U T R E C H T Delft Amstel’ – emerged at what is now the Dam. On 27 October 1275, the count of Holland waived Rotterdam Dordrecht tolls for those who lived around the Amstel dam, allowing locals to pass the locks and bridges 1635 – Year of land creation (polder) R h BACKGROUND BACKGROUND of Holland free of charge, and the town of Amsterdam was born. -
Cuypers, EGHH
Nummer Toegang: CUYZ Cuypers, E.G.H.H. (Eduard Gerardus Hendricus Hubertus) / Archief Het Nieuwe Instituut (c) 2000 This finding aid is written in Dutch. 2 Cuypers, E.G.H.H. (Eduard Gerardus Hendricus CUYZ Hubertus) / Archief CUYZ Cuypers, E.G.H.H. (Eduard Gerardus Hendricus 3 Hubertus) / Archief INHOUDSOPGAVE BESCHRIJVING VAN HET ARCHIEF......................................................................5 Aanwijzingen voor de gebruiker.......................................................................6 Citeerinstructie............................................................................................6 Openbaarheidsbeperkingen.........................................................................6 Archiefvorming.................................................................................................7 Geschiedenis van het archiefbeheer............................................................7 Geschiedenis van de archiefvormer.............................................................7 Cuypers, Eduard Gerardus Hendricus Hubertus.......................................7 Fermont, Arthur Amandus........................................................................8 Hulswit, Marius Jan...................................................................................8 Manier van ordenen.........................................................................................9 Bronnen.........................................................................................................10 BESCHRIJVING VAN DE SERIES -
Expertmeeting 2015 Getty Foundation Grant Application Museum Het Schip
Expertmeeting 2015 Getty Foundation Grant application Museum Het Schip TABLE OF CONTENTS 1. Introduction 2. Project proposal 3. Images Museum Het Schip is in februari 2015 uitgenodigd door Project Description i. Bureau Monumenten en de Getty Foundation om een voorstel te doen voor een a. Building Archeologie, City of grant in het kader van de de Foundation’s Keeping b. Significance of the building Amsterdam it Modern Initiative. Hierbij was het nodig om alle c. Current condition of the building ii. Rijksdienst Cultureel Erfgoed argumenten vóór het belang van het stedelijk blok Het d. Owner of the building c. Scientific Advisory Committee Schip weer eens op een rijtje te zetten. Work Plan Appendices to the project description Juist ook in het kader van Unesco werelderfgoed is a. Conservation planning (of the 1. Proposal for Research on Symbolism het de vraag of dit icoon van de volkshuisvesting in parts for which the grant is requested) and Meaning of Artefacts of Het Schip Nederland én van de Amsterdamse School niet opnieuw b. Data collection from research complex; list of literature als kandidaat voor deze Unesco-status zou moeten and analyses; responsible person 2. Book, proposal worden bezien. c. Previous conservation(s) (past ten 3. Executive Summary of Feasibility years) Study 2013 De belangrijkste onderdelen van deze aanvraag Activities proposed for Getty Foundation 4. Executive Summary of Report on (inmiddels toegekend!) worden in dit document additional funding: Construction History 2014 weergegeven. d. Conservation parts: i. Masonry ii. Roof and wall tiles iii. Entrance doors and staircases iv. Architectural and artistic details v. Missing leaded glass windows e. -
KLER Klerk, M. (Michel) De / Archief 3
Nummer Toegang: KLER Klerk, M. (Michel) de / Archief Het Nieuwe Instituut (c) 2000 This finding aid is written in Dutch. 2 Klerk, M. (Michel) de / Archief KLER KLER Klerk, M. (Michel) de / Archief 3 INHOUDSOPGAVE BESCHRIJVING VAN HET ARCHIEF......................................................................5 Aanwijzingen voor de gebruiker.......................................................................6 Citeerinstructie............................................................................................6 Openbaarheidsbeperkingen.........................................................................6 Archiefvorming.................................................................................................7 Geschiedenis van het archiefbeheer............................................................7 Geschiedenis van de archiefvormer.............................................................8 Klerk, Michel de........................................................................................8 Bereik en inhoud............................................................................................10 Manier van ordenen.......................................................................................11 Bronnen.........................................................................................................12 BESCHRIJVING VAN DE SERIES EN ARCHIEFBESTANDDELEN........................................15 KLER.110275089 Projecten en documentatie projecten................................15 KLER.110275220