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Introduction 1 INTRODUCTION Sacral works of goldsmiths in Warmia dominium from mid-14th until the end of 18th c. is the second exhibition after In gloriam et decorem. Old liturgical vestments and textiles from Warmia dominium” (1999), presenting and documenting the works of craftsmen, preserved for centuries in treasuries of churches in Warmia. This time it is the presentation of the noblest of crafts – goldsmithery – sacral goldsmithery as works of that craft only, with just a few exceptions, survived until our times representing exceptionally valuable, because the only available, material for studies on goldsmithery in Warmia dominium. This time it is the presentation of the noblest of crafts, goldsmithery. These examples of sacral goldsmithery have only just survived into our times and, as such, these pieces, all the more valuable for their rarity, represent extremely precious material for the study of goldsmithery in the Warmia dominium. Silver vessels carefully preserved for centuries in churches of Warmia are presented for the first time to the general public outside the sacral context – in the former castle of Warmia chapter in Olsztyn – the premises of the Museum of Warmia and Mazury. Some of those objects are not here for the first time. During 16th and 17th c., the castle of Olsztyn was the best-protected property of the chapter of Warmia. During wars or invasions the most previous objects, books and documents evacuated from Frombork cathedral were kept in that castle. The exhibition and the catalogue are linked to a region that is special with concern to the political and legal aspects – Warmia dominium – the territory in which the bishops, in parallel to the sacral power, also exercised the secular might, including legislative and judicial power. That region was the property of 2 the bishops and chapter of Warmia, providing the means of their support. This was the only diocese in Poland excluded from metropolitan jurisdiction and responsible directly to the Holy See – the Pope. Three names were used for designation of that area: the Dominium of Warmia, Warmia proper and Duchy of Bishops. For the first time the word „princeps” was used among the titles of the bishop of Warmia by Emperor Charles IV in 1357. Since mid-17th c. bishops of Warmia commonly used the title of dukes and Ignacy Krasicki holding the position during the years 1767 – 1795 was the last of them to use the title. Functioning and development of crafts in Warmia, including goldsmithery, depended on bishops and the chapter. The charter written by the guild seniors in consultation with masters was the basic document governing the internal system of each guild. In the area of Warmia in the domain of the bishop the bishop approved the statutes and charters, while the chapter approved them in its own domain. Only Braniewo, based on numerous privileges, had, as of 14th c the town statutes and guild charters approved by its town council. They were confirmed in 1722 by bishop Teodor Potocki and later again by bishop Adam Stanisław Grabowski. The privileges of Braniewo had their major source in its establishment according to the Lubeck law and including it into the union of hanseatic towns in 1361 as the only town of Warmia. Later the town also belonged to the Prussian Union and, after 1454, to the Prussian Council. Braniewo was among six so-called „great cities‟ of Royal Prussia, ranked the last among them after Gdańsk, Królewiec, Elbląg, Toruń and Chełmno. In addition to town charters and statutes, the issues related to principles of operation of guilds were governed by national ordinances issued by bishops and, during the earliest period, additionally, by the decisions of assemblies of Prussian states at which Braniewo represented the towns of Warmia. Braniewo was responsible for presenting those decisions to the bishop as those that must be observed in Warmia (Sztum, 03. 01. 1394). The above undoubtedly is 3 evidence of a lack of complete sovereignty of Warmia and its dependence from (on??) the Grand Masters of the Teutonic Order. One of the acts concerning goldsmiths approved by the assembly of states in Malbork in 1395 and renewed in Elbląg in 1408, was at the same time presented to the bishop of Warmia: “Firstly, what goldsmiths make should be marked with a master‟s marks. In case of a different marking of the piece, such a piece should be confiscated from the craftsman and passed to the Church” (quote after Kolberg). The earliest source materials concerning goldsmiths working in Warmia (1346) refer to Braniewo. The material mentions that a goldsmith of unknown name settled there. During the second half of 14th c. there were already seven goldsmiths working in the area known by name. The position of Braniewo is confirmed by its inclusion in the group of towns (Gdańsk, Królewiec, Elbląg, Toruń and Chełmno) enjoying the privilege of melting and burning silver, granted during the assembly of Malbork in 1412. The oldest known charter of the guild of goldsmiths from Braniewo dates back to 1581. Joseph Kolberg, after analysis of archival sources concerning goldsmiths of Braniewo, assumes that an earlier charter must have existed dating back at least to late 1560s. It should be pointed out here that from the second half of 14th to the 16th c. Braniewo was second only to Gdańsk among Prussian towns with regards to the number of goldsmiths known by name and confirmed by source materials. While during 14th c. the differences in the number of known names were small, during the 15th and 16th c (the paramount time for that town) Braniewo was completely left behind by Gdańsk in that respect. The statutes of Bishop Maurycy Ferber enacted after the secularization of the Teutonic Order on September 22, 1526, were the most important collection of laws in Warmia. They also contained regulations applicable to goldsmiths including those “On measure and weight” referring to the resolution of the states assembly held in Elbląg in 1408. Also the decisions applicable to goldsmiths 4 approved during the assembly of Bartoszyce held in 1528 (including those on application of 14 x ½ ounce silver, that gold should not be subjected to sulphur treatment or painted with golden paint, but fire treated, that gold should not be treated by repoussè work but shaped in fire) were accepted for application in Warmia by envoys of Bishop Ferber. The provisions of 1528 were included, among others, in the town charter of Lidzbark Warmiński in the chapter “On Goldsmiths”. In smaller towns of Warmia, when the number of goldsmiths was lower than three, they were usually associated with the guild of blacksmiths. An example of this is the charter of blacksmiths from Orneta, article 4 of which contains the provision: “Anybody who practising his craft in this town, works using a hammer becomes a member of our guild, our companion and leads his spiritual life together with us. That can be a blacksmith of large objects, a blacksmith of small objects, a goldsmith, a smith working with copper, manufacturer of knives, armourer, bell-founder, maker of jugs, maker of saws, maker of belts, leather straps, maker of vessels, saddler, founder or glass maker” (quoted after Kolberg). The statutes of Ferber remained in force until 1766, when they were replaced by the act issued by Bishop Adam Stanisław Grabowski that, among other things, banned involvement of sons of peasants in activities of craftsmen, facilitating obtaining the diplomas of masters by journeymen, abolishing the custom of costly guild feasts and unified the system of remuneration across the entire Warmia. The separate status of Warmia resulted in a very strong position for the chapter of Warmia. Appointment for it was reserved for people with a higher university education (does this mean higher than a first degree?). The nature of artistic patronage in Warmia was a consequence of the role and importance of clergy. The history of arts in Warmia is mainly the history of projects implemented on the initiative of bishops and the chapter. That nature of 5 patronage, as well as the abovementioned specific elements typical for the dominium of Warmia, differentiated it in the European scale. A very high percentage of sacral goldsmithery works represents donations confirmed by inscriptions or coats of arms. Unfortunately, what we can marvel at nowadays is only a small percentage of what originally could be found in this territory. This applies in particular to very numerous and exceptionally rich donations by bishops known only from source materials and literature, which have been preserved in tiny fragments and do not reflect either the scale or the quality of those projects. They were lost not only as a result of war, theft or imposed contributions but also as a result of melting “old and unfashionable” altar vessels to produce new ones, which is confirmed not only in source materials but also in inscriptions on objects. On the monstrance from Nowe Kawkowo (Z-142-AW) of 1742 by Anton Krieger we find the following inscriptions: In the year 1742 it was remodelled from an old form used during ancient times into a better one, used in present times. ... (translated after translation from Latin by Rev. Bishop Prof. Dr. hab. Julian Wojtkowski). The actions taken by the chapter of Frombork during the years 1752 – 1756 for the purpose of making the altar set (6 candlesticks and a cross by J.G. Schlaubitz) for the new main altar donated by Bishop Adam Stanisław Grabowski for the cathedral church of Frombork, consecrated in 1751, were a spectacular example of such melting of old silverware and sale of precious stones that decorated the melted pieces. More than 91 pounds (around 42 kilograms!) of silver was obtained from objects and liturgical vessels melted at that time.
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