Chapter 6: Tourism and Recreational Development
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Mapguide for Slieve Bloom Way & Offaly
Slieve Bloom Way Slí Sliabh Bladhma Siúl tamall, fan tamall fan tamall, Siúl Walk a while, stay a while a stay while, a Walk The Slieve Blooms Walking the Slieve Bloom Way Directions to Slieve Bloom Trailheads Situated close to the geographical centre of Ireland, the Slieve Bloom Region is made up of forests, The Slieve Bloom Way is best accessed at one of six key trailheads which provide car parking and are Trailhead 1 Glenbarrow Trailhead 4 Kinnitty Forest Entrance blanket bog of a type which is unique to Ireland, interspersed with hidden valleys of great character, reasonably close to services such as shops, restaurants and accommodation. They are located at; Start from Rosenallis village on the R422 Kinnitty village is located on the R421 between and interest to lovers of archaeology and nature. It is an extremely peaceful area which permits the between the towns of Mountmellick and Birr. At the towns of Mountmellick and Birr. Take the opportunity to be close to nature. The wild and mysterious Slieve Bloom Mountains form a link between Trailhead 1 - Glenbarrow Carpark N 367 081 the sharp bend opposite the Church take the R421 following the signposts for Cadamstown but the counties of Laois and Offaly and boast hidden valleys and rocks ranging in age from 300 to 450 Trailhead 2 - Brittas Woods Entrance at Clonaslee Village N 317 106 minor road signposted Glenbarrow. After 2.5Km after only 200m veer right onto the R440 & Offaly Way Offaly & turn right at a 3-way junction, and after a signposted Mountrath. [The trailhead is million years. -
Download the Report…
Contents Chairman's Introduction and Overview...................................................... .....3 Summary....................................................................................................... .....9 1. Introduction & Background..................................................................... ...23 2. Update on Strategic Success Drivers.................................................... ...27 2.1 Business Environment............................................................................ ...27 2.2 Competitiveness and Value for Money................................................... ...29 2.3 Access Transport.................................................................................... ...32 2.4 Communication and Information Technologies....................................... ...35 2.5 Product Development and Innovation..................................................... ...38 2.6 Marketing and Promotion........................................................................ ...42 2.7 The People in Tourism............................................................................ ...44 2.8 Government Leadership......................................................................... ...47 2.9 Information, Intelligence and Research.................................................. ...49 2.10 Implementation Arrangements.............................................................. ...50 3. New Emerging Issues.............................................................................. ...51 4. -
A Preliminary Report on Areas of Scientific Interest in County Offaly
An Foras CONSERVATION AND AMENITY Forbartha ADVISORY SERVICE Teoranta The National Institute for Physical Planning and Construction Research PRELIMINARY REPORT ON AREAS OF SCIENTIFIC INTEREST IN n C)TTNTY C)FFAT V L ig i6 n Lynne Farrell December, 1972 i n Teach hairttn Bothar Waterloo Ath Cllath 4 Telefan 6 4211 St. Martin's House Waterloo Road Dublin 4 J J 7 7 Li An Foras CONSERVATION AND AMENITY Forbartha ADVISORY SERVICE Teoranta The National Institute for Physical Planning and 7 Construction J Research PRELIMINARY REPORT ON AREAS OF SCIENTIFIC INTEREST IN COTTNTY (FFAT.Y 11 Lynne Farrell December, 1972 7 Li i s Teachhairtin J Bother Waterloo Ath Math 4 Teiefcn 64211 St. Martin's House Waterloo Road Dublin 4 w 7 LJ CONTENTS SECTION PAGE NO. Preface 1 B Vulnerability of Habitats 3. C General Introduction 6. D Explanation of Criteria Used in 9. Rating Areas and Deciding on Their Priority E Table Summarising the Sites 11. Visited J Detailed Reports on the Sites 16. Table Summarising the Priority of 119. the Sites and Recommendations for Their Protection J 7 U FOREWORD L1 7 jJ This report is based on data abstracted from the filesof the Conservation and Amenity Advisory Section, Planning Division, An Foras Forbartha; from J published and unpublished sources; and from several periods of fieldwork undertaken during August 1971 and September - November 1972.It is a J preliminary survey upon which, it is hoped, further research willbe based. The help of Miss Scannell of the National Herbarium, FatherMoore of U.C.D. Botany Department, Dr. -
Midlands-Our-Past-Our-Pleasure.Pdf
Guide The MidlandsIreland.ie brand promotes awareness of the Midland Region across four pillars of Living, Learning, Tourism and Enterprise. MidlandsIreland.ie Gateway to Tourism has produced this digital guide to the Midland Region, as part of suite of initiatives in line with the adopted Brand Management Strategy 2011- 2016. The guide has been produced in collaboration with public and private service providers based in the region. MidlandsIreland.ie would like to acknowledge and thank those that helped with research, experiences and images. The guide contains 11 sections which cover, Angling, Festivals, Golf, Walking, Creative Community, Our Past – Our Pleasure, Active Midlands, Towns and Villages, Driving Tours, Eating Out and Accommodation. The guide showcases the wonderful natural assets of the Midlands, celebrates our culture and heritage and invites you to discover our beautiful region. All sections are available for download on the MidlandsIreland.ie Content: Images and text have been provided courtesy of Áras an Mhuilinn, Athlone Art & Heritage Limited, Athlone, Institute of Technology, Ballyfin Demense, Belvedere House, Gardens & Park, Bord na Mona, CORE, Failte Ireland, Lakelands & Inland Waterways, Laois Local Authorities, Laois Sports Partnership, Laois Tourism, Longford Local Authorities, Longford Tourism, Mullingar Arts Centre, Offaly Local Authorities, Westmeath Local Authorities, Inland Fisheries Ireland, Kilbeggan Distillery, Kilbeggan Racecourse, Office of Public Works, Swan Creations, The Gardens at Ballintubbert, The Heritage at Killenard, Waterways Ireland and the Wineport Lodge. Individual contributions include the work of James Fraher, Kevin Byrne, Andy Mason, Kevin Monaghan, John McCauley and Tommy Reynolds. Disclaimer: While every effort has been made to ensure accuracy in the information supplied no responsibility can be accepted for any error, omission or misinterpretation of this information. -
Interior Decorating and Finishes.Pdf
Conservation Guidelines Interior Decoration & Finishes Forew ord Summary of Conservation This series of booklets has been produced by Principles the Department of the Environment to • Research prior to planning work increase awareness of the value of our • Minimum intervention - repair rather architectural heritage and to provide than replace information on the basic principles and • Respect the setting. methods of conservation and restoration. The titles in the series are listed on the back Summary of Conservation of each booklet. Procedur e • Research and analyse history of building These texts are not intended to be • Survey building and identify original comprehensive technical or legal guides. The material main aim is to assist architects, builders, • Plan work according to conservation owners and others,in understanding the principles guiding principles of conservation and • Use experts where necessary restoration. They will facilitate the • Record all work identification of the most common problems • Install maintenance procedures. encountered in heritage buildings,and indicate the best solutions. It should be appreciated that specialised aspects of conservation and restoration will require professional expertise and more detailed information. The Department acknowledges,with appreciation,the efforts of the authors of the individual booklets,the Irish Georgian Society who coordinated their production,the Conservation Advisory Panel established under the Operational Programme for Local Urban and Rural Development and all others involved. 1 Conservation Guidelines Interior Decoration & Finishes Introduction subservient to the overall scheme and This booklet deals with the interior complemented the architecture of the room. decoration,normally found in rooms from 1700 - 1900,both in public and domestic Whereas relatively few rooms from this er a buildings,in Ireland. -
Eoghán Rua Ó Suilleabháin: a True Exponent of the Bardic Legacy
134 Eoghán Rua Ó Suilleabháin: A True Exponent of the Bardic Legacy endowed university. The Bardic schools and the monastic schools were the universities of their day; they bestowed privileges and Barra Ó Donnabháin Symposium: status on their students and teachers, much as the modern university awards degrees and titles to recipients to practice certain professions. There are few descriptions of the structure and operation of Eoghán Rua Ó Suilleabháin: A the Bardic schools, but an account contained in the early eighteenth century Memoirs of the Marquis of Clanricarde claims that admission True Exponent of the Bardic WR %DUGLF VFKRROV ZDV FRQÀQHG WR WKRVH ZKR ZHUH GHVFHQGHG from poets and had within their tribe “The Reputation” for poetic Legacy OHDUQLQJ DQG WDOHQW ´7KH TXDOLÀFDWLRQV ÀUVW UHTXLUHG VLF ZHUH Pádraig Ó Cearúill reading well, writing the Mother-tongue, and a strong memory,” according to Clanricarde. With regard to the location of the schools, he asserts that it was necessary that the place should “be in the solitary access of a garden” or “within a set or enclosure far out of the reach of any noise.” The structure containing the Bardic school, we are told, “was snug, low, hot and beds in it at convenient distances, each within a small apartment without much furniture of any kind, save only a table, some seats and a conveniency for he poetry of Eoghan Rua Ó Súilleabháin (1748-1784)— cloaths (sic) to hang upon. No windows to let in the day, nor any Tregarded as one of Ireland’s great eighteenth century light at all used but that of candles” according to Clanricarde,2 poets—has endured because of it’s extraordinary metrical whose account is given credence by Bergin3 and Corkery. -
Nomination of the Monastic City of Clonmacnoise and Its Cultural Landscape for Inclusion in the WORLD HERITAGE LIST
DRAFT Nomination of The Monastic City of Clonmacnoise and its Cultural Landscape For inclusion in the WORLD HERITAGE LIST Clonmacnoise World Heritage Site Draft Nomination Form Contents EXECUTIVE SUMMARY .................................................................................................III 1. IDENTIFICATION OF THE PROPERTY ......................................................................1 1.a Country:..................................................................................................1 1.b State, Province or Region:......................................................................1 1.c Name of Property: ..................................................................................1 1.d Geographical co-ordinates to the nearest second ..................................1 1.e Maps and plans, showing the boundaries of the nominated property and buffer zone ........................................................................................................2 1.f Area of nominated property (ha.) and proposed buffer zone (ha.)..........3 2. DESCRIPTION..............................................................................................................4 2.a Description of Property ..........................................................................4 2.b History and development......................................................................31 3. JUSTIFICATION FOR INSCRIPTION ........................................................................38 3.a Criteria under which inscription -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
08-Eatingout-Midlandsireland.Ie.Pdf
Guide The MidlandsIreland.ie brand promotes awareness of the Midland Region across four pillars of Living, Learning, Tourism and Enterprise. MidlandsIreland.ie Gateway to Tourism has produced this digital guide to the Midland Region, as part of suite of initiatives in line with the adopted Brand Management Strategy 2011- 2016. The guide has been produced in collaboration with public and private service providers based in the region. MidlandsIreland.ie would like to acknowledge and thank those that helped with research, experiences and images. The guide contains 11 sections which cover, Angling, Festivals, Golf, Walking, Creative Community, Our Past – Our Pleasure, Active Midlands, Towns and Villages, Driving Tours, Eating Out and Accommodation. The guide showcases the wonderful natural assets of the Midlands, celebrates our culture and heritage and invites you to discover our beautiful region. All sections are available for download on the MidlandsIreland.ie Content: Images and text have been provided courtesy of Áras an Mhuilinn, Athlone Art & Heritage Limited, Athlone, Institute of Technology, Ballyfin Demense, Belvedere House, Gardens & Park, Bord na Mona, CORE, Failte Ireland, Lakelands & Inland Waterways, Laois Local Authorities, Laois Sports Partnership, Laois Tourism, Longford Local Authorities, Longford Tourism, Mullingar Arts Centre, Offaly Local Authorities, Westmeath Local Authorities, Inland Fisheries Ireland, Kilbeggan Distillery, Kilbeggan Racecourse, Office of Public Works, Swan Creations, The Gardens at Ballintubbert, The Heritage at Killenard, Waterways Ireland and the Wineport Lodge. Individual contributions include the work of James Fraher, Kevin Byrne, Andy Mason, Kevin Monaghan, John McCauley and Tommy Reynolds. Disclaimer: While every effort has been made to ensure accuracy in the information supplied no responsibility can be accepted for any error, omission or misinterpretation of this information. -
Chapter 4: Biodiversity and Landscape
Offaly County Development Plan 2021-2027: Draft Stage Chapter 4 Biodiversity and Landscape Chapter 4: Biodiversity and Landscape 4.1 Introduction Biodiversity or biological diversity simply refers to all living things on earth; people, plants, animals, fungi and micro-organisms, the ecosystems and habitats which they form part of and their interdependence and interconnectedness with each other. The conservation of biodiversity is an integral part of good environmental management. Natural capital is the earths stock of natural assets which include geology, soil, air, water and all living things. It is from this natural capital that people derive a wide range of services often called ecosystem, services which make human life possible. In line with Regional Policy Objective (RPO) 3.4 of the Eastern and Midland Regional Spatial and Economic Strategy, the Council promotes an ecosystems services approach in the preparation of this County Development Plan. The four main types of ecosystem services are provisioning, regulating, habitat and cultural, each of which are defined in Table 4.1 below; Table 4.1 Definition of Each Type of Ecosystem Service Type of Ecosystem Services Definition Provisioning services Products obtained from ecosystems such as food, fresh water, wood, fibre, genetic resources and medicines. Regulating services Benefits obtained from the regulation of ecosystem processes such as climate regulation, natural hazard regulation, water purification, waste management, pollination and pest control. Habitat services Provision of habitats for migratory species and to maintain the viability of gene-pools. Cultural services Non-material benefits that people obtain from ecosystems such as spiritual enrichment, intellectual development, recreation and aesthetic values. -
River Barrow Green Tourism – Fad Or Fact?
River Barrow Green Tourism – Fad or Fact? t Gearóid *Co. Kilkenny *Photography *Computing *Film Making Jack * Co. Laois * Music * Football * Reading Map Map Map Map Symbols of Ireland Flag Irish Flag 3 vertical strips of green, white and orange First used in 1848 Green represents Catholics Orange was the colour of the Protestant population White symbolises a hope of unity between the two Shamrock Shamrock A single-stemmed plant with three leaves growing from that single stem. Made famous by St. Patrick, the Patron Saint of Ireland. Remains a strong symbol of his life in our yearly St. Patrick's Day celebrations, on the 17th of March. Harp Harp The harp has long been the traditional symbol of Ireland Seen on coins, the presidential flag, uniforms, state seals and so on. The Celtic harp is said to stand for immortality of the soul. Leprechaun Leprechaun Type of fairy in Irish folklore Leprechauns spend their time making shoes They store all their coins in a hidden pot of gold at the end of the rainbow. No taller than a small child. Celtic Cross Celtic Cross Combines a cross with a ring surrounding the intersection. Made of stone Introduced by Saint Patrick during his time converting the pagan Irish Emblem of the Gaelic Athletic Association (GAA) Famous People of Ireland St. Patrick St. Patrick Most recognised patron saint of Ireland. Said to have gotten rid of all the snakes from Ireland Used shamrock to teach Irish pagans about Christianity St. Patrick's day celebrated worldwide on March 17th annually. Famous People Daniel O’Connell Michael Collins Famous People Bob Geldof Bono Famous People Colin Farrell Pierce Brosnan Irish Tourist Attractions Cliffs of Moher, Co. -
List of Irish Mountain Passes
List of Irish Mountain Passes The following document is a list of mountain passes and similar features extracted from the gazetteer, Irish Landscape Names. Please consult the full document (also available at Mountain Views) for the abbreviations of sources, symbols and conventions adopted. The list was compiled during the month of June 2020 and comprises more than eighty Irish passes and cols, including both vehicular passes and pedestrian saddles. There were thousands of features that could have been included, but since I intended this as part of a gazetteer of place-names in the Irish mountain landscape, I had to be selective and decided to focus on those which have names and are of importance to walkers, either as a starting point for a route or as a way of accessing summits. Some heights are approximate due to the lack of a spot height on maps. Certain features have not been categorised as passes, such as Barnesmore Gap, Doo Lough Pass and Ballaghaneary because they did not fulfil geographical criteria for various reasons which are explained under the entry for the individual feature. They have, however, been included in the list as important features in the mountain landscape. Paul Tempan, July 2020 Anglicised Name Irish Name Irish Name, Source and Notes on Feature and Place-Name Range / County Grid Ref. Heig OSI Meaning Region ht Disco very Map Sheet Ballaghbeama Bealach Béime Ir. Bealach Béime Ballaghbeama is one of Ireland’s wildest passes. It is Dunkerron Kerry V754 781 260 78 (pass, motor) [logainm.ie], ‘pass of the extremely steep on both sides, with barely any level Mountains ground to park a car at the summit.