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  • •Š : a Care-Focused Feminist Analysis of Undertale
    Augustana College Augustana Digital Commons Women's and Gender Studies: Student Scholarship Women's and Gender Studies & Creative Works Spring 2017 “Don’t You Have Anything Better to Do?” : A Care- Focused Feminist Analysis of Undertale Evan Marzahn Augustana College, Rock Island Illinois Follow this and additional works at: https://digitalcommons.augustana.edu/wgststudent Part of the Feminist, Gender, and Sexuality Studies Commons, Feminist Philosophy Commons, and the Other Film and Media Studies Commons Augustana Digital Commons Citation Marzahn, Evan. "“Don’t You Have Anything Better to Do?” : A Care-Focused Feminist Analysis of Undertale" (2017). Women's and Gender Studies: Student Scholarship & Creative Works. https://digitalcommons.augustana.edu/wgststudent/1 This Student Paper is brought to you for free and open access by the Women's and Gender Studies at Augustana Digital Commons. It has been accepted for inclusion in Women's and Gender Studies: Student Scholarship & Creative Works by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Marzahn 1 Evan Marzahn Professor Jane Simonsen WGST 420 Seminar 16 May 2017 “Don’t You Have Anything Better to Do?” A Care-Focused Feminist Analysis of Undertale ​ Warning: Major spoilers for the video game Undertale ensue immediately. ​ ​ Sans the skeleton, my favorite character, told me shortly after the start of my third playthrough of Undertale that I was “gonna have a bad time.” I had 147 bad times, actually, tallied ​ ​ on a index card in real life. That is, I attempted the difficult final boss fight of Undertale’s “genocide” ​ ​ route 147 times over one week and lost every time, but I improved with each attempt.
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  • Undertale Judgment Hall Theme
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  • Recapture in Contemporary Games: Undertale, Oneshot
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  • The Ralphie Reporter
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  • An Interdisciplinary Analysis of Decision-Making in Video Games and Its Effect On
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  • Retraumatization, Video Game Trauma Theory, and Player Response in Â
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    Game Narrative Review Your name: Kristian Skistad ​ Your school: Dakota State University ​ Your email: [email protected] ​ ​ Month/Year you submitted this review: December 2015 ​ Game Title: Undertale ​ Platform: PC ​ Genre: RPG ​ Release Date: September 15, 2015 ​ Developer: Toby Fox ​ Publisher: Toby Fox ​ Game Writer/Creative Director/Narrative Designer: Toby Fox ​ Overview Undertale is the story of a human child who falls into the underground, which has become the home and prison of the monster race ever since humans drove them from the surface. Monsters have set up a life in this new place, but long to return to the surface. You are given the ability to spare or kill almost every one of these monsters on your own journey to return to the surface. Undertale turns the medium itself into a critical piece of the narrative. Elements such as saving, loading, restarting, and the UI are all apart of the game’s world. The very nature of a game and the control a player has over it is tied into the outcome of the player’s actions. These actions persist through subsequent playthroughs, previous saves, and even erased saves, resulting in them permanently impacting the player’s experience. Characters ● The Protagonist (Frisk) ­ The player character. The protagonist originally takes ​ 1 up the name you input at the beginning of the game, but the protagonist’s true name is later revealed to be Frisk. Frisk is a human child of ambiguous gender that holds the key to saving and loading: Determination. Being a human, their soul is extremely powerful when compared to that of a monster’s soul.
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