Charmed: Reset Reality
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Everquest Guide to Raiding Theater of Blood
Everquest guide Theater of Blood Watch out for the bats as they cast silence. Ancient sentinel cast <Stone Face> Bellowing banshee cast <Chimes of Rage> Bloodbonded archimage cast <Blood Drinker's Torment> Bloodbonded elementalist cast <Blood Drinker's Torment> Bloodbonded firestarter cast <Vampiric Curse> Bloodbonded spellslinger cast <Vampiric Curse> Bloodstorm dervish cast <Bloodstorm> Carnivorous plant cast <Rolling Vines>, <Thorny Vines> Cursed willow cast <Creeping Oak>, <Direbranch Touch> Erratic bat cast <Screech of Pain> Gothic watcher cast <Stone Face> Moaning banshee cast <Banshee Soothing> Nightmare cast <Nightmare's Embrace> Rapacious plant cast <Rolling Vines>, <Thorny Vines> Screeching bat cast <Screech of Pain> Screaming banshee cast <Chimes of Rage> Shaded steed casts <Nightmare's Embrace> Shadowmane feralist cast <Brood of Blood> Truefaith coercer cast <Charmed Bite> Truefaith deathcaster cast <Maiden's Bite> Truefaith deathdealer cast <Maiden's Bite> Truefaith enticer cast <Charmed Bite> Twisted steed cast <Deadbone Trample> Vicious shadowmane cast <Brood of Blood> Wandering steed cast <Deadbone Trample> Wailing banshee cast <Banshee Soothing> Wretched willow cast <Creeping Oak>, <Direbranch Touch> Trash summary Name Level Max Enrage? Flurry? Rampage? Wild Caster? Stunable? Charmable? Mezzable? hit Rampage? ancient sentinel 74-75 1966 No No No No Yes Yes bellowing banshee 74-75 2029 No No No No Yes Yes bloodbonded 74-75 2065 No No No No Yes Yes archimage bloodbonded 73 1736 No No No No Yes Yes elementalist bloodbonded -
Before the Labor Commissioner State Of
STATE OF CALIFORNIA Department ofindus~rial Relations 2 Division of Labor.Standards Enforcement BY: DAVID L. GURLEY, Bar No. 194298 3 320 W. 4th Street, Suite 430 Los Angeles, California 90013 4 Tel.: (213) 897-1511 5 Attorney for the Labor Commissioner 6 7 8 BEFORE THE-LABOR COMMISSIONER 9 STATE OF CALIFORNIA . 10 11 THE ENDEAVOR AGENCY, LLC, a ) CASE NO. TAC 10-05 Delaware Limited Liability Company, ) 12 ) Petitioner, ) 13 ) .vs. ) . 14 . ) DETERMINATION OF CONTROVERSY - --------- -ALYSS:AMI.t-A:NO:-:A:n-Individual-A.JM--- -.)-·- -- ------------------ ----.---·------------ -··- ---- -- ·-------------- . ' ' 15 PRODUCTIONS, INC., a California . ) corporation, and DOES 1 through 10,, ) 16 ) Respondents. ) 17 ·---------"--------) 18 19 . I. INTRODUCTION 20 The above-captioned petition was filed on February 15, 2005, by THE ENDEAVOR 21 AGENCY LLC, a Delaware limite)d liability company, (hereinafter "Petitioner'' or "ENDEAVOR"), 22 alleging 'that ALYSSA MILANO an individual, AJM Productions, Inc., a California corporation, 23 (he1;einafter "Respondent" or "Milano"), failed to pay commissions to Endeavor for work allegedly 24 negotiated by Endeavor on Milano's behalf. Petitioner seeks $1,125,160.00 in unpaid commissions· 25 and interest. 2_6 27 28 DETERMINATION OF CONTROVERSY • , ... .. Respondent filed its answer onMarch 14,2005. A hearing was scheduledbefore the 2 undersigned attorney, specially designated bythe LaborCommissioner to hear this matter. The 3 hearing was continued multipletimes at the request of bothparties. The hearing commenced 4 November 1,2006 throughDecember 1,2006, in Los Angeles, California. Petitioner was' 5 represented by Mark L. Block of Christensen, Miller, Fink, Jacobs.Glazer, Weil & Shapiro, LLP. 6 Respondent was represented by Arsine B. Phillips and Richard Robins of Parker, Milliken, Clark, 7 O'Hara & Samuelian, A Professional Corporation. -
DEUTSCHES ELEKTRONEN-SYNCHROTRON F £*^ in Der HELMHOLTZ-GEMEINSCHAFT DESY 06-102 Hep-Ph/0607306 July 2006
DE06FA338 DEUTSCHES ELEKTRONEN-SYNCHROTRON f £*^ in der HELMHOLTZ-GEMEINSCHAFT DESY 06-102 hep-ph/0607306 July 2006 Charmed-Hadron Fragmentation Functions from CERN LEP1 Revisited B. A. Kniehl, G. Kramer IL Institut für Theoretische Physik, Universität Hamburg ISSN 0418-9833 NOTKESTRASSE 85 - 22607 HAMBURG DESY behält sich alle Rechte für den Fall der Schutzrechtserteilung und für die wirtschaftliche Verwertung der in diesem Bericht enthaltenen Informationen vor. DESY reserves all rights for commercial use of information included in this report, especially in case of filing application for or grant of patents. To be sure that your reports and preprints are promptly included in the HEP literature database send them to (if possible by air mail): DESY DESY Zentralbibliothek Bibliothek Notkestraße 85 Platanenallee 6 22607 Hamburg 15738 Zeuthen Germany Germany DESY 06-102 ISSN 0418-9833 July 2006 Charmed-Hadron Fragmentation Functions from CERN LEP1 Revisited Bernd A. Kniehl∗ and Gustav Kramer† II. Institut f¨ur Theoretische Physik, Universit¨at Hamburg, Luruper Chaussee 149, 22761 Hamburg, Germany (Dated: July 28, 2006) Abstract In Phys. Rev. D 58, 014014 (1998) and 71, 094013 (2005), we determined non-perturbative D0, + ∗+ + + D , D , Ds , and Λc fragmentation functions, both at leading and next-to-leading order in the MS factorization scheme, by fitting e+e− data taken by the OPAL Collaboration at CERN LEP1. The starting points for the evolution in the factorization scale µ were taken to be µ0 = 2mQ, where Q = c, b. For the reader’s convenience, in this Addendum, we repeat this analysis for µ0 = mQ, where the flavor thresholds of modern sets of parton density functions are located. -
Curtis Kheel Scripts, 1990-2007 (Bulk 2000-2005)
http://oac.cdlib.org/findaid/ark:/13030/kt4b69r9wq No online items Curtis Kheel scripts, 1990-2007 (bulk 2000-2005) Finding aid prepared by Elizabeth Graney and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2011 The Regents of the University of California. All rights reserved. Curtis Kheel scripts, 1990-2007 PASC 343 1 (bulk 2000-2005) Title: Curtis Kheel scripts Collection number: PASC 343 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 8.5 linear ft.(17 boxes) Date (bulk): Bulk, 2000-2005 Date (inclusive): 1990-2007 (bulk 2000-2005) Abstract: Curtis Kheel is a television writer and supervising producer. The collection consists of scripts for the television series, most prominently the series, Charmed. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kheel, Curtis Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Charmed Eloquence: Lhéritier's Representation of Female Literary
Charmed Eloquence: Lhéritier’s Representation of Female Literary Creativity in Late Seventeenth-Century France by Allison Stedman In 1690 when Marie-Catherine le Jumel de Barneville, comtesse d'Aulnoy decided to interpolate a fairy tale, "L'île de la félicité," into her first historical novel, L'histoire d'Hypolite, comte de Duglas, she did more than publish the first literary fairy tale of the French tradition.1 Hypolite not only provided a framework for introducing the fairy tale as a literary genre; it also launched a new hybrid publication strategy that would soon sweep printing houses all over Paris. This unprecedented literary trend—which I have chosen to call the novel/fairy-tale hybrid—involved the combination of fairy tales and novels by means of interpolation, framing, layering or juxtaposition. More than thirteen authors developed the genre between 1690 and 1715, and they produced a total of twenty-seven original works, sometimes at the rapid rate of two to three per year.2 In the late seventeenth and early eighteenth centuries, novel/fairy-tale hybrids were incredibly popular, frequently reprinted and widely circulated, with translations of some appearing as far away as England, Spain and Czecesolvakia.3 D'Aulnoy's Histoire d'Hypolite, for example, achieved more editions over the course of the eighteenth century than any other seventeenth-century literary work, with the exception of La Princesse de Clèves.4 In fact, the genre was so popular that it even experienced a brief revival between 1747 and 1759 when six new examples appeared. During the final decades of the eighteenth century, however, anthologists began pillaging the original editions of these works. -
Saints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S
Saints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S. Film and Television by Megan E. Biddinger A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Professor Susan J. Douglas, Chair Professor Gerald P. Scannell Associate Professor Amanda D. Lotz Associate Professor Bambi L. Haggins, Arizona State University © Megan E. Biddinger 2012 To My Family, With Love and Gratitude ii Acknowledgments Of all of the many things I have to be grateful for right now, the opportunity to take this space to thank the many, many people who have helped me through this process is at the top of the list. For years, I have kept a running list of people who have made me a better scholar and a better human being. At times when this process has been difficult, that list and the act of adding to it have served as powerful reminders of my good fortune. Looking at that list now I see an embarrassment of human riches. I am so grateful for the vast amounts and many kinds of support, encouragement, intellectual stimulation, camaraderie, and love I have received. I want to first thank my advisor and my committee without whom this project would have been impossible. First, I was incredibly fortunate to have Susan Douglas as an advisor and chair. She has been patient but persistent with me from the very beginning and my work is so much the better for learning from her. Her work inspired me to pursue my own investigations into gender, media, and culture and it has been an honor to be her student. -
A Charmed Death Ebook, Epub
A CHARMED DEATH PDF, EPUB, EBOOK Madelyn Alt | 289 pages | 05 Dec 2006 | Penguin Publishing Group | 9780425213179 | English | New York, NY, United States A Charmed Death PDF Book Paige wasn't Phoebe. Just when Piper thought Paige would completely fall into pieces, she straightened her shoulders, gathered herself and looked Piper straight in the eye. Piper banished any further thoughts from her conscious, subconscious and any other part of her mind. I like the characters Damsgaard has created and I will definitely continue to read this series. Easier said than done! The whole trip for evidence was just hokey and unnecessary. Very excellent descriptions of settings without boring one with minute details. Just apparently lose sleep because of her. Why did you leave? She's alive. I finished the book bc Damsgaard got me caring enough about her characters to want to get some resolution for them, but I'm not sure it's enough to get me to pick up another. She pines after a guy with no redeemable qualities - seriously we I really wanted to like this book. View all Cars Sites. Holly rated it liked it Jan 16, Were you surprised by what a dark turn he ends up taking? In this or any other reality or any time period. If she possessed Paige's powers, she probably would've orbed to the next continent. It's just a matter of when. She thought you were dead. And yet I couldn't stop reading this book even after I knew I was right about who done it. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
The Charmed Ones and Resumed Their Destiny Introduction
Charmed RPG Netbook Written by Jeff Slick Written by Jeff Slick Photos by the many great photographers and camera people of Charmed. This work is dedicated to all the Unisystem fans; CJ Carella and Eden Studios; and the cast, crew and writers of Charmed. With special thanks to Jason Vey for the use of his Sorcery Quality concept and his great advice. Please check out his various Unisystem Net Books at www.grey-elf.com This netbook requires the use of the Buffy the Vampire Slayer ® RPG core rule book and The Magic Box supplement. All non-proprietary material in this document is Copyright © Jeff Slick, 2003. This work is in the public domain and may be distributed freely, so long as all copyright info (i.e. this page) remains intact. The Unisystem is Copyright © and Trademark ™ CJ Carella and Eden Studios, 2003, published under exclusive licence by Eden Studios. The Unisystem trademark is used without Mr. Carella's or Eden Studios' permission and neither of those parties are responsible for the content of this publication. BUFFY THE VAMPIRE SLAYER © 2003 Twentieth Century Fox Film Corporation. All Rights Reserved. The BUFFY THE VAMPIRE SLAYER Trademark is used wi thout expressed permission of Fox. CHARMED © 2003 Spelling Television Inc. All Rights Reserved The CHARMED trademark is used without expressed permission for Spelling Television Inc. They fought demons, warlocks, . monsters and the Source of all Evil; along Charmed side Prue's on-again-off-again boyfriend Andy Trudeau, the girls Whitelighter Leo Hear now the words of the witches, Wyatt and Phoebe's future husband, the half- the secrets we hid in the night. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Cannibalism in Contact Narratives and the Evolution of the Wendigo Michelle Lietz
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 3-1-2016 Cannibalism in contact narratives and the evolution of the wendigo Michelle Lietz Follow this and additional works at: http://commons.emich.edu/theses Part of the English Language and Literature Commons Recommended Citation Lietz, Michelle, "Cannibalism in contact narratives and the evolution of the wendigo" (2016). Master's Theses and Doctoral Dissertations. 671. http://commons.emich.edu/theses/671 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Cannibalism in Contact Narratives and the Evolution of the Wendigo by Michelle Lietz Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Literature Thesis Committee: Abby Coykendall, Ph.D., First Reader Lori Burlingame, Ph.D., Second Reader March 1, 2016 Ypsilanti, Michigan ii Dedication I dedicate this thesis to my kind and caring sisters, and my grounding father. For my mother: thank you for beginning my love of words and for every time reading “one more chapter.” And for every person who has reminded me to guard my spirit during long winters. iii Acknowledgments I am deeply indebted to Dr. Lori Burlingame, for reading all of my papers over and over again, for always letting me take up her office hours with long talks about Alexie, Erdrich, Harjo, Silko and Ortiz, and supporting everything I’ve done with unwavering confidence. -
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