Curley on Ray, 'Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550-1850'
H-Asia Curley on Ray, 'Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550-1850' Review published on Wednesday, March 25, 2020 Sugata Ray. Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550-1850. Seattle: University of Washington Press, 2019. 264 pp. $70.00 (cloth), ISBN 978-0-295-74537-4. Reviewed by David Curley (Western Washington University) Published on H-Asia (March, 2020) Commissioned by Sumit Guha (The University of Texas at Austin) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=54359 Curley on Ray, Climate Change Sugata Ray’s brilliant book, Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, proposes new questions for the discipline of art history. Using concepts and methods taken from material culture studies as well as from art history, Ray proposes reciprocal relations among the earth’s changing environment, ecological transformations brought about by the ways humans have lived upon the land and sea, and “theology, art practice, and an aesthetics of the natural world” (p. 20). As a case study, Ray has chosen the region of Braj in north India, first, because of repeated, disastrous droughts and famines in north India that seem to have been particularly severe from the mid-sixteenth century to the early eighteenth century, and second, because in the same period Gaudiya Vaishnavas made the whole region of Braj a sacred landscape. In the 1540s, about a decade earlier than the first severe recorded famine of the Little Ice Age, Gaudiya Vaishnava scholars residing in Braj began producing theologies of what Barbara Holdrege has called Krishna’s “mesocosmic embodiment” in the locality as a whole.
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