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George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
0 Well, That Didn't Go to Plan. General Election
0 Well, that didn’t go to plan. General election reflections: Simon Hughes, Nick Harvey, Liz Barker, Tony Greaves and more 0 All the presidents’ answers - Mark Pack 0 How we did Unite to Remain - Peter Dunphy Issue 399 - February 2020 £ 4 Issue 399 February 2020 SUBSCRIBE! CONTENTS Liberator magazine is published six/seven times per year. Subscribe for only £25 (£30 overseas) per year. Commentary.............................................................................................3 You can subscribe or renew online using PayPal at Radical Bulletin .........................................................................................4..7 our website: www.liberator.org.uk THE HORROR SHOW SEEN FROM OUTSIDE ..................................8..9 Professional roles meant Simon Hughes had to spend the general election campaign on Or send a cheque (UK banks only), payable to the sidelines for the first time in decades. What he saw of the Lib Dems alarmed him “Liberator Publications”, together with your name and full postal address, to: EIGHT ERRORS AND COUNTING ....................................................10..11 The Liberal Democrats got a lot wrong in the 2019 general election, many of them repeated mistakes never learnt from, says Nick Harvey Liberator Publications Flat 1, 24 Alexandra Grove LED BY DONKEYS ................................................................................12..13 London N4 2LF The general election saw the Liberal Democrats fail to find messages that resonated England with voters, and the campaign -
Circus Magazine/Shure Modern Circus/ 31 Music Makers Awards 1981
disappointing after the rasping " Evil Walks" and the infectious, Stones-like riffs of "COD." While the band's current approach is well-suited to its arena level of popularity, its calculation has replaced the edge of maniacism and sense of humor that by John Swenson the group once stood for. Even though they've progressed individually as musicians, it may well be that ACIDC have lost the identity AC/DC salute the British blues with which the late lead singer Bon Scott infused them. Stewart returns to classic form Rush - Exit... Stage Left (Mercury) At first glance this album may seem like just another Christmas-time live two-record package. But Exit .. Stage Left represents the coming of age of Canada's greatest band and one of the finest heavy-metal outfits to come out of the '70s proliferation of that style. The difference between this record and the first Rush live LP , All the World's a Stage, shows just how far the band has come in the last few years. Stage was an energetic but somewhat leaden account of the band's live strengths at a time when the members of Rush will now freely admit they were struggling. The sound quality of that first live record disappointed them, but the record consolidated their audience at a crucial point and gave them breathing space to come up with a fresh approach to their sound, which proved to be the turning point in A C/DC bang out quivering blues that serve as vehicles for Angus Young's Rush's career. -
Read an Extract
1964 FIRED by his live experiences with The Konrads and searching for an escape from his ad agency job, David resolves to make a go of music with George Underwood. David is the focal point on vocals and saxophone when they form The King Bees with three older musicians, playing hard-edged R&B. A cheeky appeal for financial backing to magnate John Bloom results in contact with agent/manager Leslie Conn, who also handles another unknown, Marc Bolan. Conn signs a deal with Decca for a single, ‘Liza Jane’, with ‘Louie, Louie Go Home’ on the B-side. David leaves his day job and becomes a fully fledged professional musician. Promotion for the single includes an appearance on Ready Steady Go! and BBC TV’s The Beat Room, with David also playing saxophone. The failure of ‘Liza Jane’ to chart leads to the disbandment of The King Bees. Conn has already hooked David up with The Manish Boys from Kent, though tensions arise over billing and David finds himself shuttling between Bromley and their base in Maidstone. Davie Jones & The Manish Boys play R&B venues all over south-east England but struggle to make an impact. David makes his first appearance at Soho club the Marquee, which will become a significant venue in his life. He also meets girlfriend Dana Gillespie there. In an attempt to create a stir, David forms The Society ANY DAY NOW l DAVID BOWIE l THE LONDON YEARS NOW l DAVID ANY DAY For The Prevention Of Cruelty To Long-Haired Men, again appearing on national TV. -
JÖRGEN ANGEL Doesn't Need to Tell You Stories to Earn Your Respect. All
CLASSIC ROCK ROCK OF AGES JÖRGEN ANGEL doesn’t need to tell you stories to earn your respect. All he needs to do is show you 50,000 photographs of the biggest rock acts the world has ever known. The Dane, who photographed Led Zeppelin’s first ever jam, talks to Jaideep V.G. about classic rock and the time Angus Young dropped his pants. eptember 7, 1968 was a Saturday and Jörgen Angel was a Jaideep V.G.: Your first pictures were of Sonny and Cher. You were disappointed 17-year-old kid. As on most Saturday nights, Jörgen just 14 when you took those pictures, what was it like? Shad landed up at the Gladsaxe Teen Club in Copenhagen with his Jörgen Angel: It was not at a concert. It was a press reception that mother’s holiday camera and father’s old flash. He’d been told The somebody took me along to and I took pictures with my Kodak Yardbirds would be jamming at the Gladsaxe that night, but when he Instamatic. They (the pictures) were not very good. This was at an saw a little sign at the club announcing some band called The New outdoor thing at the Tivoli Garden. I got to meet the both of them and Yardbirds, he was sure no one from the supergroup he worshipped Cher’s younger sister. They signed some of my records. would be on stage. He was right, there was just Jimmy Page at the club that night. J.V.G.: Did you talk to them at all? The other three musicians were called Robert Plant, John Bonham and J.A.: I didn’t talk very much. -
Bonham-Article.Pdf
COVER FEATURE 28 TRAPS TRAPSMAGAZINE.COM THE JOHN BONHAM STORY ManCityCity BoyCountry Country BY CHRIS WELCH WITH ANDY DOERSCHUK JON COHAN JARED COBB & KAREN STACKPOLE autum 2007 TRAPS 29 30-49 Bonham 7/19/07 3:29 PM Page 30 JOHN BONHAM PREFACE A SLOW NIGHT AT THE MARQUEE As a Melody Maker reporter during the 1960s, I vividly remember the moment when a review copy of Led Zeppelin’s eponymous debut album arrived at the office. My colleague and fellow scribe Tony Wilson had secured the precious black vinyl LP and dropped it onto the turntable, awaiting my reaction. We were immediately transfixed by the brash, bold sounds that fought their way out of the lo- fi speakers – Robert Plant’s screaming vocals, the eerie Hammond organ sounds of John Paul Jones, and Jimmy Page’s supreme guitar mastery. But amid the kaleidoscope of impressions, the drums were the primary element that set pulses racing. We marveled at the sheer audacity, the sense of authority, the spatial awareness present on every track. Within moments, John Bonham’s cataclysmic bass drum triplets and roaring snare rolls had signaled a new era of rock drumming. The first time I saw Bonham up close was in December 1968, at The Marquee Club on Soho’s Wardour Street. While The Marquee has long held a mythical status in the rich history of the London rock scene – hosting early appearances by such legendary bands as The Who and The Rolling Stones – it was actually a dark and rather cramped facility with a tiny stage that fronted an even stuffier dressing room. -
BOOKS Are Paperback Unless Stated Otherwise. Postage Extra Please Ask Before Ordering. Spiders
All BOOKS are paperback unless stated otherwise. Postage extra please ask before ordering. Spiders - 45rpm Record adapters plastic B675- bag of 100 M £3.00 B220 BOOK: RICK NELSON - Bear Family book from Last Time Around box set 140ppHB £15.00 BOOK: LOTTE LENYA - Bear Family book from box set 140pp £10.00 BOOK: BUDDY HOLLY -Remembering Buddy HB signed by Crickets, authors + photo & CD Ltd ed # 32 £75.00 BOOK: Six More From BUDDY HOLLY - 1960s sheet music 6 songs £15.00 BOOK: Rockabilly Heaven by Side Holmes - Story of The Cavaliers Grourp 1956-1964 PB with free CD of music £16.00 BOOK: Rock Handbook - various authors A4+ format with biogs of just about everyone up to 80s £10.00 BOOK: Little Richard Life and Times -Charles White. Crazy singer, crazy author, perfect match! Autographed to Giselle £15.00 BOOK: Big Bill Broonzy - I Feel So Good by Rob Riseman - University of Chicago £20.00 BOOK: Restless Generation by Pete Frame - Great summary of 50s Britain £20.00 BOOK: Crickets Fact File: Personnel, Tour dates, Songwriter Credits, Recordings sessions Great stuff, photocopy A4 £10.00 BOOK: Screaming Lord Sutch: LIFE AS SUTCH Offiocial Autobiography of a Monster Raving Loony HB 1991 £12.00 BOOK: ELVIS IN HIS OWN WORDS - Quotes and pictures - Mick Farren & Pearce Marchbank Omnibus PB £8 BOOK: AS SUTCH - The political manifesto of the Official Monster Raving Loony Party. Fun/serious stuff. PB Ex £5.00 Baseball cap MICKEY LEE LANE Hemsby, Norfolk May 1997 Black M £5.00 B216 BOOK: A Guide to collecting his Master's voice 'NIPPER' Souvenirs 0 9509293 1 X EDGE & PETTS EMI M £20.00 B019 BOOK: A TWIST OF LENNON 0 352 30196 1 LENNON, Cynthia Star M £4.00 B189 BOOK: ABBEY ROAD - Official history of the studio 0 85059 810 9 SOUTHALL, Brian PSL M £10.00 B051 BOOK: Alan Mann's A-Z BUDDY HOLLY (1st edition) none MANN, Alan Mann M £5.00 B008 BOOK: ALEXIS KORNER, The biography 0 7475 3163 3 SHAPIRO, Harry Bloomsbury M £9.00 B072/F BOOK: AS TIME GOES BY (Beatles) 0 70667 0027 9 TAYLOR, Derek Davis-Poynter M £3.00 B192 BOOK: Beatles An Illustrated Diary 0 85965 070 7 FULPEN, H.V. -
The Gateless Gate of Home Education Discovery
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository THE GATELESS GATE OF HOME EDUCATION DISCOVERY: WHAT HAPPENS TO THE SELF OF ADULTS UPON DISCOVERY OF THE POSSIBILITY AND POSSIBILITIES OF AN EDUCATIONAL ALTERNATIVE? By HELEN E. LEES A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Education College of Social Sciences The University of Birmingham October 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis investigates the moment of discovery of educational alternatives and in particular contemporary discovery of elective home education by parents and other adults in England. The discussion highlights an empirical and theoretical context for this discovery. Questions involve whether there is a moment of ontological conversion in the self of people discovering another way of educating from mainstream authoritarian schooling. The research data presented suggests that a moment of ‘gestalt switch’ conversion exists between what can be called different ‘worlds’ of education, following Thomas S. Kuhn’s framework of scientific discovery. -
Gliderdrome Bands 1960
Gliderdrome Bands 1960 - 1973 Notes on Main Act Support Acts General Notes Day Date Main Act / Events Wed 27-Jan-60 Opening Night Wed 27-Jan-60 Bob Miller and his Millermen The Gaiety Band Admission 5/- (subsequently) Sat 30-Jan-60 Lloyd Hughes and his Music The Embassy Band Sat 6-Feb-60 Frank Charles and his All Stars Sextet Cuddly Duddly / The Gaiety Band Sat 13-Feb-60 The Jukes Sammy Williams Quintet Sat 20-Feb-60 Cherry Wainer (with Don Wainer) The Embassy Band Sat 27-Feb-60 Jim Power And His Band Sat 5-Mar-60 The Echoes The Gaiety Band Sat 12-Mar-60 Andre Rico and his Fourteen Cha-Chaleros The Rebel Rousers "Peterborough's leading band" Sat 19-Mar-60 Ronnie Aldrich and the Squadronaires The Squadcats Sat 26-Mar-60 The Collegians The Embassy Band Sat 2-Apr-60 The Atomites (Mansfield) The Gaiety Band Sat 9-Apr-60 The Terry Lightfoot Band Ron Burton Hammond Organ Group Sat 16-Apr-60 Bob Miller and his Millermen Easter Saturday Mon 18-Apr-60 The Skymasters (Spalding) The Atomites Easter Monday Sat 23-Apr-60 The Rebel Rousers The Embassy Band Sat 30-Apr-60 Jimmy Aldred and his Music The Offbeats Sat 7-May-60 The Atomites The Gaiety Band Sat 14-May-60 Dick Charlesworth and his City Gents The Hep Cats Sat 21-May-60 The Vibratones & The Rebel Rousers The Carlton 6 (House Band) Sat 28-May-60 The Johnny Theakstone Group The Atomites / The Embassy Band Sat 4-Jun-60 Johnny Dark Rhythm Group The Gaiety Band Whit Saturday Mon 6-Jun-60 The Midnighters / The Keystone Boys The Rocking Senators / The Carlton 6 Whit Monday Sat 11-Jun-60 The Vibratones -
Led Zeppelin
For Linda, Evie, Mollie and Michael – always. Author’s Note While I have been fortunate over the years to have enjoyed the company of various ex-members and/or former employees of Led Zeppelin, it should be born in mind at all times that this is an unauthorised biography, written objectively and with no undue pressure from any outside influence to do anything other than tell the story as I honestly see it. It should also be clearly understood that the italicised ‘flashback’ passages of the text are not the actual words of Jimmy Page, Robert Plant, John Bonham, John Paul Jones and Peter Grant, nor are they actual quotes. Whilst they are all based on thorough biographical research, the facts of which can be found in the Notes & Sources section at the end of this book, the words themselves are the product of my imagination. Contents Prologue – Heaven Part One: Ascension! 1. The Dawn of Now 2. Daze of My Youth 3. Light and Shade 4. Going To California 5. High in the Sky 6. Cannons! 7. Cracking the Whip 8. A Bustle in Your Hedgerow Part Two: The Curse of King Midas 9. So Mote It Be 10. All That Glitters 11. We Are Your Overlords 12. The Golden Gods 13. The Devil in His Hole 14. Caesar’s Chariot 15. The Outhouse 16. To Be A Rock… Epilogue – Gone, Gone, Gone… Notes and Sources Index Acknowledgements Prologue Heaven It could happen anywhere but it always happened best in America. Land of milk and honey, world of infinite possibility. -
Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar DOKTORI
Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar DOKTORI DISSZERTÁCIÓ Pál István HAROLD WILSON, a PRAGMATISTA MUNKÁSPÁRTI REFORMER „Új és Jelenkori Egyetemes Történeti Doktori Iskola”, a Doktori Iskola vezetője, „Dr. Székely Gábor” „Jelenkori Történeti Program”, a program vezetője „Dr. Székely Gábor” A bizottság tagjai és tudományos fokozatuk: A bizottság elnöke: Dr. Majoros István DSc. , egyetemi tanár Hivatalosan felkért bírálók: Dr. Egedy Gergely CSc., habil. egyetemi docens. Dr. Surányi Róbert CSc., habil. egyetemi docens A bizottság titkára: Dr. Búr Gábor, egyetemi docens A bizottság további tagjai: Dr. Meszerics Tamás PhD. Dr. Lugossy Győző (póttag) Dr. Maruzsa Zoltán (póttag) Témavezető: Dr. Székely Gábor DSc. , egyetemi tanár Budapest 2008. KÖSZÖNETNYILVÁNÍTÁS Ez úton szeretném megköszönni mindazok áldozatos munkáját és segítségét, akik lehetővé tették a disszertációm megírását. Szeretnék köszönetet mondani témavezetőmnek, Dr. Székely Gábornak, hivatalosan felkért bírálóimnak, Dr. Surányi Róbertnek, a Pécsi Tudományegyetem Bölcsészettudományi Kar Modernkori Történeti Tanszéke habilitált egyetemi docensének, Dr. Egedy Gergelynek, az Eötvös Loránd Tudományegyetem habilitált egyetemi docensének, Dr. Majoros István habilitált egyetemi docensnek, az Eötvös Loránd Tudományegyetem Új és Jelenkori Egyetemes Történeti Tanszék vezetőjének, és Dr. Lugosi Győzőnek a szakmai vita alatt és után adott, építő jellegű kritikai észrevételeikért. Ezzel egy időben ugyanígy szeretnék köszönetet mondani Lázár Györgynek, a Magyar Országos Levéltár