Creepy Presents Steve Ditko Free

Total Page:16

File Type:pdf, Size:1020Kb

Creepy Presents Steve Ditko Free FREE CREEPY PRESENTS STEVE DITKO PDF Steve Ditko,Philip Simon,Archie Goodwin | 128 pages | 06 Aug 2013 | DARK HORSE COMICS | 9781616552169 | English | Milwaukee, United States Creepy Presents Steve Ditko by Steve Ditko, Various | NOOK Book (eBook) | Barnes & Noble® JavaScript must be enabled to use this site. Please enable JavaScript in your browser and refresh the page. We are shipping all orders on time, but please expect possible delays in transit. The post office and other shippers are overwhelmed and some shipments may experience significant delays. Some international orders have seen delays as large as weeks. Auction in progress, bid now! Weekly Auction ends Creepy Presents Steve Ditko October 26! When the Comics Code Authority cracked down on the comic book industry inhorror comics all but faded from the scene. Enter Creepy magazine, publisher James Warren's tribute after a fashion to EC's vaunted horror comics line, which couldn't survive the Code's strong arm censorship tactics. Magazines weren't subject to the same rules, giving Warren the freedom to publish more Creepy Presents Steve Ditko content. Eerie, Vampirella, and other Warren publications followed. Krenkel; Vampires fly at Dusk! Features Creepy Presents Steve Ditko first appearance of Uncle Creepy. Cover art by Jack Davis. Cover by Eric Powell. What's black and white and clawing its way onto your reading list? It's the newly resurrected Creepy, of course! Now, don't fret, my putrid pets-these new terror tales are cut from the same cursed cloth as the outlandish originals, telling contemporary horror stories with gorgeously ghoulish art from a lineup that'll make you lose your head! Plus Bernie Wrightson, the return of 'Loathsome Lore,' and more. All this, plus one classic story from Uncle Creepy's dank dungeon, and you've got 48 freakish pages of terror to bring home to mummy! Limited 1 for 5 Variant Cover by Eric Powell. This item is not in stock. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available. Volume 1 - 1st printing. Collects Creepy Magazine Cover by Frank Frazetta. Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. Dark Horse Comics further corners the market Creepy Presents Steve Ditko high quality horror storytelling with one of the most anticipated releases of the decade, a Creepy Presents Steve Ditko archive collection of legendary Creepy Magazine. This groundbreaking material turned the world of graphic storytelling on its head in the early s, as phenomenal young artists like Bernie Wrightson and Neal Adams reached new artistic heights with their fascinating explorations of classic and modern horror stories. Brilliant, classic Creepy stories from raised from the dead after twenty-five years. Archive editions of Creepy will be the cornerstone of any comic- book library. Volume 1 - 2nd and later printings. Painted cover art by Tom Sutton. Reprints Mystic Atlas Glossy cover Newsprint interior; 7. Distributed by Dark Horse Comics and published under the Harris label. Volume 1 - 1st pritning. Written by Joe R. Creepy Comics Volume 1 gathers all of the new material from the first two years of Dark Horse's celebrated new Creepy series and collects it into one gargantuan book! This Creepy Presents Steve Ditko monstrosity features a spellbinding assortment of gory stories about all your favorite terror-inducing topics, including cannibals, lurking demons, werewolves, zombies, and psychotic murderers, illustrated in glorious black and white, following the great tradition of classic Creepy, with twenty bonus pages in full color! Painted cover by Brereton. Story by Peter David with art by Paquette. Time-trip back to the frightening era ofwhen monsters stomped into the American mainstream! It features interviews with James Warren, Forrest J. A brilliant storyteller who wielded a dynamic, minimalist style, Alex Toth is considered a master in the fields of comic book storytelling, animation, and design. With Creepy Presents Alex Toth, all of his vibrant stories from Creepy and Eerie are collected in a deluxe hardcover for the first time Creepy Presents Steve Ditko Hardcover, 8-in. Story Art and Cover by Richard Corben. Over pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben's legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! Reprints early stories from the Creepy Illustrated Horror Magazine. French reprint series. Reprints the original Warren Magazine publication in French. Creepy Presents Steve Ditko and art by Drew Weing. Charles just moved to Echo City, and some of his new neighbors give him the creeps. They sneak into his room, steal his toys, and occasionally, they try to eat him. The place is teeming with monsters! No matter who's causing trouble, Margo knows exactly what to do-the neighborhood kids say monsters are afraid of her. It's a good thing, because Echo City's trolls, ogres, and ghosts all have one thing in common: they Creepy Presents Steve Ditko like Charles very much. Softcover, 6-in. In the first volume of this new middle-grade series, Drew Weing delivers a fresh and funny take on the age-old battle between kids and closet-dwelling monsters. Charles wasn't too crazy about moving to a dilapidated apartment building in Echo City, Creepy Presents Steve Ditko that was before he learned that it was teeming with monsters! It's a good thing the kids of Echo City have Margo Maloo, monster mediator. Using her expertise with trolls, ghosts, and vampires, Margo brokers a fragile peace between the monsters and kids. An avid blogger, Charles has stumbled onto the story of the century! Creepy Presents Steve Ditko has sworn him to secrecy, but she doesn't mind him tagging along on her latest assignment. Hardcover, 6-in. Cover by Bernie Wrightson. Horror legend Bernie Wrightson's Creepy and Eerie short stories, color illustrations, and frontispieces are finally collected in Creepy Presents Steve Ditko deluxe hardcover! These classic tales from the s and early s include collaborations with fellow superstars and Warren Creepy Presents Steve Ditko alumni Bruce Jones, Carmine Creepy Presents Steve Ditko, Howard Chaykin, and others, as well as several adaptations and original stories written and drawn by Wrightson during one of the most fruitful periods of his career! The infamous "Jenifer" is included, as well as Wrightson's full-color "Muck Monster" and adaptations of Poe and Lovecraft classics. Harcover, 8- in. Written by Archie Goodwin. Art and Cover by Steve Ditko. Making a lasting mark on comics as the co-creator of Spider-Man, Steve Ditko veered away from the mainstream and into darker territories at the end of the sixties, especially with his work in Creepy and Eerie! Warring wizards, paranoid goons, persistent heroes, and otherworldly domains dominate the diverse tales in this handsome hardcover collection- with fifteen of Creepy Presents Steve Ditko sixteen stories written by fellow comics icon Archie Goodwin! By Angus Oblong. Fiendishly funny and brilliantly bizarre, this collection of warped and wickedly hilarious cartoon tales by Angus Oblong features a maniacal menagerie of twisted children including Emily Amputee, Narcoleptic Scottie, the Siamese Quadruplets, Creepy Presents Steve Ditko Rosie's Crazy Mother. Softcover, 5-in. Cover by Michael Kaluta. Edited by Richard Howell. Reprints from the early years of the influential horror comics magazine. A woman realizes her new husband is the wife- killer Bluebeard; an adaptation of the Washington Irving story The German Student; the origin of Uncle Creepy revealed. Mature readers. Story and art by Caitlin Rose Boyle. Frankie Fairy loves to learn about creepy crawly critters in her own backyard! Now that she's at a new school, she's excited to learn even more about them! Instead, she learns that the other fairy kids in class think she's the creepy one. Is Frankie really that scary? And if she is-is that really a bad thing? Maybe her creepy crawly friends can help her figure it out! Story and art by Richard Corben. A collection of some of the best work from Corben. NOTE: Limited to 5, copies. Beware all ye who open this book! The creatures contained within, are some of the most bizarre, hilarious and hideous ever to haunt the pages of a comic! Tremble at the sight of Terry the Tellible! And much more besides! Creepy Presents Steve Ditko by Steve Ditko It was a brief stopover, with this collection reprinting all sixteen stories he produced in just under a year. In the original magazines his stories were generally printed alongside masters of figurative art, and Ditko took the polar opposite approach, accentuating the unreal, the other-worldy and the uncanny. He also relished the freedom to experiment unrestricted by the Comics Code strictures that applied to his colour comics work. He could show forbidden horrors such as werewolves and demons, but the true artistry is in his depiction of human terror. Later noted SF and fantasy author Terry Bitton supplies one story in collaboration with Clark Dimond, but all other scripts are the work of Archie Creepy Presents Steve Ditko, whose exploration of horror is characterised by a superb variety and an excellent sense of staging. His terrors encompass traditional monsters and the other-worldly, but also vivisection, barbarians, mental illness and allegory, the best of the latter category being a killer haunted by a fly.
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Arthur Suydam: “Heroes Are What We Aspire to Be”
    Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics.
    [Show full text]
  • By JOHN WELLS a M E R I C a N C H R O N I C L E S
    AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of
    [Show full text]
  • A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
    AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated
    [Show full text]
  • JIM SHOOTER! JIM GO BACK to the to BACK GO ComicsBY Legionnaires! Finding FATE of FATE 1960 1 S 8 2 6 5 8 2 7 7 6 3 in the USA the in $ 5 8.95 1 2
    LEGiONNAiRES! GO BACK TO THE 1960s AND ALTER THE FATE OF No.137 COMiCSBY FiNDiNG January 2016 JIM SHOOTER! $8.95 In the USA 1 2 Characters TM & © DC Comics 1 82658 27763 5 Vol. 3, No. 137 / January 2016 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck If you’re viewing a Digital J.T. Go (Assoc. Editor) Edition of this publication, Comic Crypt Editor PLEASE READ THIS: Michael T. Gilbert This is copyrighted material, NOT intended for downloading anywhere except our Editorial Honor Roll website or Apps. If you downloaded it from another website or torrent, go ahead and Jerry G. Bails (founder) read it, and if you decide to keep it, DO THE RIGHT THING and buy a legal down- Ronn Foss, Biljo White load, or a printed copy. Otherwise, DELETE Mike Friedrich IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT Proofreader ANYWHERE. If you enjoy our publications enough to download them, please pay for William J. Dowlding them so we can keep producing ones like this. Our digital editions should ONLY be Cover Artists downloaded within our Apps and at www.twomorrows.com Curt Swan & George Klein Cover Colorist Unknown With Special Thanks to: Paul Allen Paul Levitz Heidi Amash Mark Lewis Ger Apeldoorn Alan Light Contents Richard J. Arndt Doug Martin Bob Bailey Robert Menzies Writer/Editorial: “It Was 50 Years Ago Today…”. 2 Steven Barry Dusty Miller Alberto Becattini Will Murray “The Kid Who Wrote Comic Books” Speaks Out .
    [Show full text]
  • Star Wars © 2012 Lucasfilm Ltd
    THE RETRO COMICS EXPERIENCE! 1 2 A pril 20 .55 No 5 $ 8 . 9 l l l l A A . 2 2 ™ ™ 1 1 0 0 & & 2 2 . d d © © t t L L s s r r m m a a l l i i f f W W s s a a r r c c a a t t u u L L S S STARat D arWk HorAse CRomiScs! 3 0 8 2 6 7 7 2 8 5 6 LICENSED COMICS ISSUE: Indiana Jones • Edgar Rice Burroughs—Beyond Tarzan • Man from Atlantis 2 8 and an interview with Carol Serling, wife of “Twilight Zone” creator Rod Serling 1 Volume 1, Number 55 April 2012 Celebrating the Best The Retro Comics Experience! Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Brian Koschack COVER COLORIST Dan Jackson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Allie Karl Kesel . BACK SEAT DRIVER: Editorial by Michael Eury . .2 ™ Kevin J. Anderson Dave Land & Michael Aushenker Rick Leonardi . d FLASHBACK: Edgar Rice Burroughs’ Weird Worlds . .3 t L Jeremy Barlow Lucasfilm m l i Wolfman, Kaluta, and Weiss recall their DC Comics journeys to Barsoom, Venus, and beyond f Mike Baron Pop Mahn s a c Mike W. Barr Ron Marz u L BEYOND CAPES: John Carter Lives! . .11 2 Haden Blackman Bob McLeod 1 0 Monthly adventures on Barsoom in Marvel Comics’ John Carter, Warlord of Mars 2 Eliot R. Brown David Michelinie © . Jarrod and Allen Milgrom s n BACKSTAGE PASS: Who Shot Down Man from Atlantis ? .
    [Show full text]
  • Breaking Down Marvel's Star Wars Comics
    Breaking Down Marvel's Star Wars Comics: The UK Series Marvel UK Issue UK Cover Date UK Title Adapted Original US Issue US Cover Date US Title Notes About UK Series Star Wars Weekly Star Wars Weekly 1 Feb. 8, 1978 (untitled) Star Wars 1 July 1977 (untitled) Star Wars Weekly 2 Feb. 15, 1978 Attack of the Tusken Raiders Star Wars Weekly 3 Feb. 22, 1978 On to Alderaan Star Wars 2 August 1977 Six Against the Galaxy Star Wars Weekly 4 Feb. 29, 1978 Enter: Han Solo, Space Pirate Star Wars Weekly 5 Mar. 8, 1978 Death Star Star Wars 3 September 1977 Death Star Star Wars Weekly 6 Mar. 15, 1978 To Rescue a Princess ANH Star Wars Weekly 7 Mar. 22, 1978 Trapped in the Death Star Star Wars 4 October 1977 In Battle With Darth Vader Star Wars Weekly 8 Mar. 29, 1978 In Battle With Darth Vader Star Wars Weekly 9 Apr. 5, 1978 Baptism of Star-Fire Star Wars 5 November 1977 Lo, the Moons of Yavin Star Wars Weekly 10 Apr. 12, 1978 The Final Fight for Freedom Star Wars Weekly 11 Apr. 19, 1978 Death Run Star Wars 6 December 1977 Is This the Final Chapter? Star Wars Weekly 12 Apr. 26, 1978 The Final Chapter Star Wars Weekly 100 names Star Wars Weekly 13 May 3, 1978 New Planets, New Perils story arc in UK issues 13-20 Star Wars 7 January 1978 New Planets, New Perils "New Planets, New Perils" Star Wars Weekly 14 May 10, 1978 No Way to Treat an Outlaw Star Wars Weekly 15 May 17, 1978 Eight for Aduba-3 Star Wars 8 February 1978 Eight for Aduba-3 Star Wars Weekly 16 May 24, 1978 If This Be an Army Star Wars Weekly 17 May 31, 1978 Showdown on a Wasteland World Star
    [Show full text]
  • Adapting the Graphic Novel Format for Undergraduate Level Textbooks
    ADAPTING THE GRAPHIC NOVEL FORMAT FOR UNDERGRADUATE LEVEL TEXTBOOKS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian M. Kane, M.A. Graduate Program in Arts Administration, Education, and Policy The Ohio State University 2013 Dissertation Committee: Professor Candace Stout, Advisor Professor Clayton Funk Professor Shari Savage Professor Arthur Efland Copyright by Brian M. Kane 2013 i ABSTRACT This dissertation explores ways in which the graphic narrative (graphic novel) format for storytelling, known as sequential art, can be adapted for undergraduate-level introductory textbooks across disciplines. Currently, very few graphic textbooks exist, and many of them lack the academic rigor needed to give them credibility. My goal in this dissertation is to examine critically both the strengths and weaknesses of this art form and formulate a set of standards and procedures necessary for developing new graphic textbooks that are scholastically viable for use in college-level instruction across disciplines. To the ends of establishing these standards, I have developed a four-pronged information-gathering approach. First I read as much pre factum qualitative and quantitative data from books, articles, and Internet sources as possible in order to establish my base of inquiry. Second, I created a twelve-part dissertation blog (graphictextbooks.blogspot.com) where I was able to post my findings and establish my integrity for my research among potential interviewees. Third, I interviewed 16 professional graphic novel/graphic textbook publishers, editors, writers, artists, and scholars as well as college professors and librarians. Finally, I sent out an online survey consisting of a sample chapter of an existing graphic textbook to college professors and asked if the content of the source material was potentially effective for their own instruction in undergraduate teaching.
    [Show full text]
  • JIM SHOOTER! JIM GO BACK to the to BACK GO ComicsBY Legionnaires! Finding FATE of FATE 1960 1 S 8 2 6 5 8 2 7 7 6 3 in the USA the in $ 5 8.95 1 2 Vol
    LEGiONNAiRES! GO BACK TO THE 1960s AND ALTER THE FATE OF No.137 COMiCSBY FiNDiNG January 2016 JIM SHOOTER! $8.95 In the USA 1 2 Characters TM & © DC Comics 1 82658 27763 5 Vol. 3, No. 137 / January 2016 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck If you’re viewing a Digital J.T. Go (Assoc. Editor) Edition of this publication, Comic Crypt Editor PLEASE READ THIS: Michael T. Gilbert This is copyrighted material, NOT intended for downloading anywhere except our Editorial Honor Roll website or Apps. If you downloaded it from another website or torrent, go ahead and Jerry G. Bails (founder) read it, and if you decide to keep it, DO THE RIGHT THING and buy a legal down- Ronn Foss, Biljo White load, or a printed copy. Otherwise, DELETE Mike Friedrich IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT Proofreader ANYWHERE. If you enjoy our publications enough to download them, please pay for William J. Dowlding them so we can keep producing ones like this. Our digital editions should ONLY be Cover Artists downloaded within our Apps and at www.twomorrows.com Curt Swan & George Klein Cover Colorist Unknown With Special Thanks to: Paul Allen Paul Levitz Heidi Amash Mark Lewis Ger Apeldoorn Alan Light Contents Richard J. Arndt Doug Martin Bob Bailey Robert Menzies Writer/Editorial: “It Was 50 Years Ago Today…”. 2 Steven Barry Dusty Miller Alberto Becattini Will Murray “The Kid Who Wrote Comic Books” Speaks Out .
    [Show full text]
  • Free Catalog
    Featured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing.
    [Show full text]
  • B Otto Binder
    Vol. 3, No. 143 / November 2016 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck If you’re viewing a Digital J.T. Go (Assoc. Editor) Edition of this publication, Comic Crypt Editor PLEASE READ THIS: Michael T. Gilbert This is copyrighted material, NOT intended for downloading anywhere except our Editorial Honor Roll website or Apps. If you downloaded it from another website or torrent, go ahead and Jerry G. Bails (founder) read it, and if you decide to keep it, DO Ronn Foss, Biljo White THE RIGHT THING and buy a legal down- load, or a printed copy. Otherwise, DELETE Mike Friedrich IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT Proofreaders ANYWHERE. If you enjoy our publications Rob Smentek enough to download them, please pay for them so we can keep producing ones like William J. Dowlding this. Our digital editions should ONLY be downloaded within our Apps and at Cover Artists & Colorists: www.twomorrows.com George Wilson, Jesse Santos, et al. With Special Thanks to: Contents Heidi Amash Ernesto Guevara Writer/Editorial: That “Seventies” Issue! . 2 Sal Amendola Adam Haney Ger Apeldoorn Jim Kealy “[Gold Key] Didn’t Follow What Marvel Or DC Was Doing” . 3 Richard J. Arndt Al Kracalik An interview with Dr. Spektor creator “Dinosaur Don” Glut, conducted by Richard Arndt. Bob Bailey Mark Lewis ACBA—The Academy Of Comic Book Arts . 37 Bernie Bubnis Art Lortie A very informal history of comics creators’ 1970s professional association by Sal Amendola.
    [Show full text]
  • ATLAS COMICS / INDEX — Tristan Lapoussière —
    ATLAS COMICS / INDEX — Tristan Lapoussière — Pour plus de facilité, la production Seaboard / Atlas a été divisée ici en deux grandes catégories, les comic- books couleurs et les magazines noir et blanc. Nous avons ajouté une troisième catégorie, celle des titres an- noncés mais qui n'ont jamais paru ; la liste en a été dressée en compulsant les colonnes éditoriales rédigées par Larry Lieber, les annonces faites dans les pages de courrier, et les annonces en dernière page du dernier numéro de certaines séries. Cet index est le plus complet jamais paru ; il corrige certaines erreurs ou imprécisions commises dans les bi- bliographies précédentes, et comprend les publications omises dans l'ouvrage Tous les comics Atlas. Ordre des crédits : dessinateur, encreur, scénariste. Abréviations : [c] couverture ; [pc] couverture peinte ; [nt] histoire non titrée ; FR: parution en France. A/ COMIC-BOOKS The Barbarians 1 (06/75) [c] Iron Jaw Rich Buckler Jack Abel Iron Jaw The Mountain of Mutants Pablo Marcos Pablo Marcos Gary Friedrich 10p Andrax [nt] Jordi Bernet Jordi Bernet Miquel Cussó 9p FR: album Andrax [Ed. Peplum, 1990 ; par le biais de la réédition espagnole publiée chez Toutain] 27 Blazing Battle Tales 1 (07/75) [c] Sgt Hawk Frank Thorne Frank Thorne Sgt Hawk The One-Armed Beast Pat Broderick Jack Sparling John Albano 12p [NB: le personnage du Sgt Hawk devait au départ s'appeler Sgt Stone] The Sky Demon Al McWilliams Al McWilliams John Albano 6p BBT Salutes Bronze Star Winner Pvt William Swanson John Severin John Severin John Albano 2p The Brute 1 (02/75) [c] The Brute Dick Giordano Dick Giordano The Brute Night of the Brute Mike Sekowsky Pablo Marcos Mike Fleisher 20p The Brute 2 (04/75) [c] The Brute Dick Giordano Dick Giordano The Brute Attack of the Reptile-Man Mike Sekowsky Pablo Marcos Mike Fleisher 20p The Brute 3 (07/75) [c] The Brute Pablo Marcos Pablo Marcos The Brute Live Or Let Die Alan Weiss Jack Abel Gary Friedrich 20p The Cougar 1 (04/75) [c] The Cougar Frank Thorne Frank Thorne The Cougar Vampires and Cougars Don't Mix Dan Adkins & F.
    [Show full text]