Ken Mccormick Collection of Doubleday and Company, Inc
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Notes on Contributors 7 6 7
NOTES ON CONTRIBUTORS 7 6 7 NOTES ON CONTRIBUTORS ALLEN, Walter. Novelist and Literary Critic. Author of six novels (the most recent being All in a Lifetime, 1959); several critical works, including Arnold Bennett, 1948; Reading a Novel, 1949 (revised, 1956); Joyce Cary, 1953 (revised, 1971); The English Novel, 1954; Six Great Novelists, 1955; The Novel Today, 1955 (revised, 1966); George Eliot, 1964; and The Modern Novel in Britain and the United States, 1964; and of travel books, social history, and books for children. Editor of Writers on Writing, 1948, and of The Roaring Queen by Wyndham Lewis, 1973. Has taught at several universities in Britain, the United States, and Canada, and been an editor of the New Statesman. Essays: Richard Hughes; Ring Lardner; Dorothy Richardson; H. G. Wells. ANDERSON, David D. Professor of American Thought and Language, Michigan State University, East Lansing; Editor of University College Quarterly and Midamerica. Author of Louis Bromfield, 1964; Critical Studies in American Literature, 1964; Sherwood Anderson, 1967; Anderson's "Winesburg, Ohio," 1967; Brand Whitlock, 1968; Abraham Lincoln, 1970; Robert Ingersoll, 1972; Woodrow Wilson, 1975. Editor or Co-Editor of The Black Experience, 1969; The Literary Works of Lincoln, 1970; The Dark and Tangled Path, 1971 ; Sunshine and Smoke, 1971. Essay: Louis Bromfield. ANGLE, James. Assistant Professor of English, Eastern Michigan University, Ypsilanti. Author of verse and fiction in periodicals, and of an article on Edward Lewis Wallant in Kansas Quarterly, Fall 1975. Essay: Edward Lewis Wallant. ASHLEY, Leonard R.N. Professor of English, Brooklyn College, City University of New York. Author of Colley Cibber, 1965; 19th-Century British Drama, 1967; Authorship and Evidence: A Study of Attribution and the Renaissance Drama, 1968; History of the Short Story, 1968; George Peele: The Man and His Work, 1970. -
The Nelson Doubleday, Jr. Collection
THE NELSON DOUBLEDAY, JR. COLLECTION Wednesday, January 11, 2017 NEW YORK THE COLLECTION AUCTION Wednesday, January 11, 2017 at 10am EXHIBITION Friday, January 6, 10am – 5pm Saturday, January 7, 10am – 5pm Sunday, January 8, Noon – 5pm Monday, January 9, 10am – 6pm ?? ????????? ??????????????????????????????? LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com wwwwww.Doyle.com/BidLive.DoyleNewYork.com/BidLive Catalogue: $35 CONTENTS Paintings, Watercolor & Sculpture 1-140 Jewelry & Memoribilia 41-58 The Library of Nelson Doubleday, Jr. 59-139 Furniture & Decorations 140-158 Silver & Silver Plate 159-179 Furniture & Decorations 180-271 Carpets 272-273 Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Absentee Bid Form XII The publishing house was known for bringing the living A fixture in the owner's box, Nelson Doubleday, Jr. stood by masters of English literature to America, and Nelson the team through thick and thin in subsequent years, and Doubleday, Jr.'s library contains many of the special New York City was electrified again by the Mets vs. Yankees presentation copies of the books his grandfather published Subway Series of 2000, represented in this collection by the under the family imprint. Those authors became personal owner's National League Championship Series gold ring. friends and were a frequent presence in both the publishing house in Garden City and at the family estate in Oyster Bay. Nelson Doubleday, Jr. was an avid yachtsmen and the owner Nelson Doubleday, Jr. (1933-2015) lived for much of his life in Oyster Bay Doubleday Publishing brought the World War I poetry of of an important world class yacht, the 125-foot Palmer and Locust Valley on Long Island’s storied North Shore. -
Accommodation in a Wilderness Borderland During the American Invasion of Quebec, 1775
Maine History Volume 47 Number 1 The Maine Borderlands Article 4 1-1-2013 “News of Provisions Ahead”: Accommodation in a Wilderness Borderland during the American Invasion of Quebec, 1775 Daniel S. Soucier Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the Geography Commons, Military History Commons, and the United States History Commons Recommended Citation Soucier, Daniel S.. "“News of Provisions Ahead”: Accommodation in a Wilderness Borderland during the American Invasion of Quebec, 1775." Maine History 47, 1 (2013): 42-67. https://digitalcommons.library.umaine.edu/mainehistoryjournal/vol47/iss1/4 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Benedict Arnold led an invasion of Quebec during the first year of the Revolu - tionary War. Arnold was an ardent Patriot in the early years of the war, but later became the most famous American turncoat of the era. Maine Historical Soci - ety Collections. “NEWS OF PROVISIONS AHEAD”: ACCOMMODATION IN A WILDERNESS BORDERLAND DURING THE AMERICAN INVASION OF QUEBEC, 1775 1 BY DANIEL S. S OUCIER Soon after the American Revolutionary War began, Colonel Benedict Arnold led an American invasion force from Maine into Quebec in an ef - fort to capture the British province. The trek through the wilderness of western Maine did not go smoothly. This territory was a unique border - land area that was not inhabited by colonists as a frontier society, but in - stead remained a largely unsettled region still under the control of the Wabanakis. -
Wine List Intro.Docx
Supplement to Wine & Gastronomy Catalogues This book list, together with my Wine & Gastronomy Catalogues (1996-2002) represents, to the best of my reconstructive ability, the complete collection built over a roughly twenty-year period ending in 1982. The Wine & Gastronomy Catalogues had been drawn from books that suffered fire and water torture in 1979. The present list also includes books acquired before and after that event, while we were living in Italy, and before I reluctantly rejected the idea of rebuilding the collection. A few of these later acquisitions were offered for sale in the catalogues, but most of them remain in my possession. They are identified here with the note “[**++].” The following additional identifiers are used in this list: [**ici] – “incomplete cataloguing information” available – “short title” detail at best. All of these books were lost or discarded. [**sold] – books sold prior to the Wine & Gastronomy series, including from my Catalogue 1, issued March 1990. [**kept] – includes bibliographies, reference books, and books on coffee, tea and chocolate, and a few others which escaped inclusion in the catalogues. All items not otherwise identified were lost or discarded. The list includes a number of wine maps, but there were a few others for which there wasn’t enough information available to justify inclusion. To the list of wine bibliographies consulted for the Wine & Gastronomy catalogues, I would like to add the extensive German bibliography by Renate Schoene, first published in 1978 as Bibliographie zur Geschichte des Weines (Mannheim, 1976), followed by three supplements (1978, 1982, 1984), and the second edition (München, 1988). -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
The Work of Kenneth Roberts
Colby Quarterly Volume 6 Issue 3 September Article 4 September 1962 The Work of Kenneth Roberts Herbert Faulkner West Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 6, no.3, September 1962, p.89-99 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. West: The Work of Kenneth Roberts Colby Library Quarterly 89 launched the 'Peon Corporation' among the Abercrombies and the Fitches in New York; or the triumphant afternoon in Nas sau when we persuaded a colored boy to teach you and me the trick of sculling a boat; and, most particularly of course, the adventures without number in Rocky Pasture itself, whose door has always been open ... and still is ... and through which, obviously, you constantly come walking in again ... One is very much aware of you, Ken. Yours ever, Arthur THE WORK O'F KENNETH ROBERTS By HERBERT FAULKNER WEST I T is difficult to assess an author's real worth until several years after his death, and even then it is not an easy task. Quite frequently (and often wrongly) an author's reputation drops considerably after his death, as was the case, for instance, with Arnold Bennett, H. G. Wells, and even as good a writer as John Galsworthy. Time, however, ultimately seems to win now the wheat from the chaff. Kenneth Roberts, born in 1885, died about five years ago, in 1957. -
Why American History Is Not What They Say
WHY AMERICAN HISTORY IS NOT WHAT THEY SAY: AN INTRODUCTION TO REVISIONISM also by jeff riggenbach In Praise of Decadence WHY AMERICAN HISTORY IS NOT WHAT THEY SAY: AN INTRODUCTION TO REVISIONISM Jeff Riggenbach Ludwig von Mises Institute, 518 West Magnolia Avenue, Auburn, Alabama 36832; mises.org. Copyright 2009 © by Jeff Riggenbach Published under Creative Commons attribution license 3.0 ISBN: 978-1-933550-49-7 History, n. An account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools. —ambrose bierce The Devil’s Dictionary (1906) This book is for Suzanne, who made it possible. ACKNOWLEDGEMENTS Portions of Chapter Three and Chapter Five appeared earlier, in somewhat different form, in Liberty magazine, on RationalReview. com, and on Antiwar.com. David J. Theroux of the Independent Institute, Andrea Millen Rich of the Center for Independent Thought, and Alexia Gilmore of the Randolph Bourne Institute were generous with their assistance during the researching and writing stages of this project. Ellen Stuttle was her usual indispensable self. And, of course, responsibility for any errors of fact, usage, or judgment in these pages is entirely my own. CONTENTS preface 15 one The Art of History 19 i. Objectivity in History 19 ii. History and Fiction 25 iii. Th e Historical Fiction of Kenneth Roberts 36 iv. Th e Historical Fiction of John Dos Passos 41 two The Historical Fiction of Gore Vidal: The “American Chronicle” Novels 49 i. Burr and Lincoln 49 ii. 1876, Empire, and Hollywood 59 iii. Hollywood and Th e Golden Age 65 three The Story of American Revisionism 71 i. -
Decreto Del Direttore Amministrativo N
Master’s Degree programme – Second Cycle (D.M. 270/2004) In European, American and Postcolonial Language and Literature Final Thesis The Creative Impulse: Narrator as Device in W. Somerset Maugham’s Short Fiction Supervisor Ch. Prof. Flavio Gregori Graduand Francesca Massarenti Matriculation Number 832090 Academic Year 2015 / 2016 The Creative Impulse: Narrator as Device in W. Somerset Maugham’s Short Fiction Introduction…………………………………………………………….…………………..5 1. Critical Reception, Past and Present……………………………………………….11 1.1. The Critics and the Readers……………………………………………....……12 1.2. Current Appreciation……………………………………….……………………24 2. The Ashenden Stories……………………………………………………………….29 2.1. Maugham’s Declaration of Intents………………..……………..…………….31 2.2. “Miss King”: the “Uneventful” Spy Story……………………………..…….....36 2.3. Ashenden, from a Distance: “Giulia Lazzari”………………..……...……….46 3. The European Stories…………………………..……………………………………61 3.1. “The Creative Impulse”: the Potboiler…………………………………………65 3.2. “The Colonel’s Lady”: the Philistines……………..…………………………...69 3.3. “Daisy”: the Artist as a Young Woman.…………………...………………......74 3.4. “The Alien Corn”; or, the Talentless Artist ……………………………………80 3.5. “Gigolo and Gigolette”: Art, Superseded…………………………………......88 Conclusion………………………………………………………………………………..95 Works Cited…………………………………………………………………………..…101 Introduction Maugham’s texts are easy reads: they look unpretentious and understandable, they keep the informal reader blandly amused since they appear to prioritize entertainment over edification or critical observation. Nevertheless, Maugham’s texts are deceptively transparent: although their “meaning”, or moral implications are seldom concealed, their naïveté looks feigned, and sarcasm eventually becomes Maugham’s predominant tone. It is debatable whether his fiction expresses authentic disillusionment or purely points out, or rather mocks, bits of reality that are ludicrous, incongruous and ultimately faulty. Maugham notably favours linear, chronological structures, an unadorned syntax and a plain language. -
Research Paper Refereed Monthly Journal Impact Factor
Research Paper Refereed Monthly Journal AIJRRR Impact Factor: 5.002 ISSN :2456-205X TREATMENT OF LOVE IN SELECT SHORT STORIES OF SOMERSET MAUGHAM AND AKILAN: A BRIEF NOTE Dr. S.Chelliah Professor, Head & Chairperson, School of English & Foreign Languages, Department of English & Comparative Literature, Madurai Kamaraj University, Madurai . Abstract This paper seeks to explore the theme of love and to what extent these short story writers Somerset Maugham and Akilan succeeded in discussing the theme of love in these short stories. This paper also shows how both the writers used their experiences to portray people and place, their love and hates, deepest thoughts and their passing fancies. Both William Somerset Maugham born in 1874 and Akilan in 1922 are popular novelists of the earlier twentieth century and known for their simple and limpid prose style in the field of short story writing too. During the years from 1919 to 1945 at the time of world wars, both the writers continued to write plays but their interest gradually got shifted to the writing of short stories. Born in Paris, first educated at kings school and later at Heidelberg University and became a medical practitioner at St. Thomas Hospital, London. He gave up his medical profession after his immediate success as a novelist through the publication of his first novel Liza of Lambeth and took to writing novels, plays and short stories. He delighted his readers in every literary form as he had a detached view of life and wrote in a simple, racy style. Having travelled widely he had been able to depict modern life in its several perspectives in a dispassionate manner. -
Catalogue of New Plays 2016–2017
PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents. -
Download 2012–2013 Catalogue of New Plays
Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY. -
Download 2018–2019 Catalogue of New Plays
Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart.