Learn to Play Introduction “You Have Done Well to Come,” Said Elrond
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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
JRR Tolkien's Sub-Creations of Evil
Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R. -
Middle-Earth: the Wizards Characters(Hero) Resources(Hero
Middle-earth: The Wizards Card-list (484 cards) Sold in starters and boosters (no cards from other sets needed to play). A booster (15 cards, 36 boosters per display) holds 1 rare, 3 uncommons, and 11 commons. A starter holds a fixed set (at random), 3 rares, 9 uncommons, and 40 commons. R: rare; U: uncommon; CA1: once on general common sheet; CA2: twice on general common sheet; CB1: once on booster-only common sheet; CB2: twice on booster-only common sheet; F#: in # different fixed sets (out of 5). Look at the Fixed pack specs to see what cards are in in which fixed set. Characters (hero) Thorin II R Gwaihir R Risky Blow CA Thranduil F1 Halfling Stealth CB2 Roäc the Raven R Adrazar F1 Vôteli CB Halfling Strength CB2 Sacrifice of Form R Alatar F2 Vygavril R Hauberk of Bright Mail CA Sapling of the White Tree U Anborn U Wacho U Healing Herbs CA2 Scroll of Isildur U Annalena F2 Hiding R Secret Entrance R Aragorn II F1 Resources (hero) Hillmen U Secret Passage CA Arinmîr U A Chance Meeting CB Hobbits R Shadowfax R Arwen R A Friend or Three CB2 Horn of Anor CB Shield of Iron-bound Ash CA2 Balin U Align Palantir U Horses CA Skinbark R Bard Bowman F2 Anduin River CB2 Iron Hill Dwarves F1 Southrons R Barliman Butterbur U Anduril R Kindling of the Spirit CA Star-glass U Beorn F1 Army of the Dead R Knights of Dol Amroth U Stars U Beregond F1 Ash Mountains CB Lapse of Will U Stealth CA Beretar U Athelas U Leaflock U Sting U Bergil U Beautiful Gold Ring CA2 Lesser Ring U Stone of Erech R Bifur CB Beornings F1 Lordly Presence CB2 Sun U Bilbo R Bill -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Oromë • Uldor Algund Adanedhel • A member of the Guar-waith. • Túrin Almarian Adurant • The daughter of Vëantur, husband of • A tributary of Gelion. Meneldur, and mother of Anardil, Ailinel, and Almiel. Aegnor • Elvish son of Finarfin. Almiel • Called: Egnor • A daughter of Meneldur and Almarian. Aelin-uial Alqualondë • The Twilight Meres • The mansions of Olwë in Aman. • Called: The Haven of Swans. Aerandir • A mariner who sailed with Eärendil to Aman Aman. • Home of the Valar. Across the Outer Sea from Arda Aerin • Called: The Land of Aman, the Blessed • A relative of Húrin. The wife of Brodda, an Realm, the Guarded Realm Easterling. The daughter of Indor. Amlach The After-born • The son of Imlach. • Men Amon Ereb The Aftercomers • A hill in Ossiriand where Denethor died • Men during the First Battle of the Wars of Beleriand. Agarwaen • Túrin Amon Ethir • A hill raised by Finrod in front of Aglon Nargothrond. • Himlad • Called: The Spyhill Ailinel Amon Gwareth • A daughter of Meneldur and Almarian, the • A mountain in Tumladen. wife of Orchaldor, and mother of Soronto. Amon Obel Ainairos • A mountain in Brethil. • An Elf of Alqualondë who stirred up the Valar against Melkor. Amon Rûdh • Mîm’s home in the west of Doriath. The Ainu of Evil • Called: Sharbhund, the Bald Hill, Bar-en- • Melkor Danwedh, the House of Ransom, Echad i Sedryn, Camp of the Faithful Alcarinquë and Elemmírë • Stars Amras • Elvish son of Fëanor. Aldarion • Anardil Amrod • Elvish son of Fëanor. Aldaron Tolkien Encyclopedia Anadûnê Anduin the Great • Andor • A river in Arda Anardil Andúnië • The son of Meneldur and Almarian. -
Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R. -
Tolkien's Women: the Medieval Modern in the Lord of the Rings
Tolkien’s Women: The Medieval Modern in The Lord of the Rings Jon Michael Darga Tolkien’s Women: The Medieval Modern in The Lord of the Rings by Jon Michael Darga A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © 2014 Jon Michael Darga For my cohort, for the support and for the laughter Acknowledgements My thanks go, first and foremost, to my advisor Andrea Zemgulys. She took a risk agreeing to work with a student she had never met on a book she had no academic experience in, and in doing so she gave me the opportunity of my undergraduate career. Andrea knew exactly when to provide her input and when it was best to prod and encourage me and then step out of the way; yet she was always there if I needed her, and every book that she recommended opened up a significant new argument that changed my thesis for the better. The independence and guidance she gave me has resulted in a project I am so, so proud of, and so grateful to her for. I feel so lucky to have had an advisor who could make me laugh while telling me how badly my thesis needed work, who didn’t judge me when I came to her sleep-deprived or couldn’t express myself, and who shared my passion through her willingness to join and guide me on this ride. Her constant encouragement kept me going. I also owe a distinct debt of gratitude to Gillian White, who led my cohort during the fall semester. -
Frequently Asked Questions
last updated 11/23/09 ® KED S S A TION S TM UE UENTLY Q Q RE F FRE Q UENTLY AS KED QUE S TION S The stance meter is a tool that provides the player characters with ORE ET UE S TION S additional context and risk management for their actions, and can C S Q give heroes an idea of how to approach the situation while provid- ing a visual and tactile element to their decision making. The party sheets help provide additional flavour for the party, and act as a Q: IS WARHAMMER FANTA S Y handy tool for party cohesion and a centre of focus. ROLEPLAY REALLY A ROLEPLAYING GAME , OR I S IT A BOARDGAME ? Q: WHAT C OME S IN THE C ORE S ET ? The new edition is very much a roleplaying game. The Game The large boxed core set includes the following: Master (or “GM”) and the players representing the adventurers work together to develop the stories that their player characters (or 4 Rulebooks, 36 custom dice, 152 action cards (which include “PCs”) will be moving through. The classic elements that make up spells and blessings, as well as special combat and social actions), a traditional roleplaying experience are still present, though they 70 wound cards, 45 talent cards, 30 condition cards, 30 insanity may now have an exciting new twist. cards, 30 career ability cards, 19 miscast cards, 12 location cards, 1 item card, 30 career sheets, 5 party sheets, 1 pad of character Q: SO HO W DO THE S E C OMPONENT S & sheets, 3 character keeper boxes, 48 tracking tokens, 6 stance rings, 6 activation tokens, 2 large standups, 47 medium standups, 12 C ARD S F IT INTO A ROLEPLAYING GAME ? plastic bases, 39 fatigue & stress tokens, 40 puzzle-fit stance pieces, These components were designed to help players immerse them- and 5 puzzle-fit centre pieces selves in their adventures, to allow them to focus on the story and their characters, and to add an exciting new dimension to the Q: HO W MU C H I S THE C ORE S ET ? roleplaying experience. -
Med20 Character Creation Rules
MIDDLE -EARTH D20 CHARACTER CREATION RULES To create characters for this campaign, o +4 racial bonus on any Craft skill of the players will use 25 points to purchase abilities player's choice — it should be noted that according to the Purchase rules on pages 15-16 Ñoldor were legendary for their work with of the Pathfinder Roleplaying Game Core precious metals and jewelry. Rulebook . Then, character creation proceeds as o +2 racial bonus on any Perform (Sing) described in the Pathfinder Roleplaying Game checks. Core Rulebook . Additionally, players will create o +2 racial bonus on saves vs. fire. a 2 nd -level character, but the 1 st -level must be a o +2 racial bonus on saves vs. poison. basic NPC class ! Players may use the Pathfinder o Immune to Aging: Ñoldor Elves are Roleplaying Game Advanced Player’s Guide , immortal unless killed. Pathfinder Roleplaying Game Ultimate Combat , o Ñoldor Elves do not sleep, meditating and Pathfinder Roleplaying Game Ultimate Magic instead for about three hours every day. to create their characters. For all sources, use o Immune to natural cold. the following rules modifications. In addition, o Immune to disease, mundane or magical. the Variant Rules for Armor as Damage o Immune to scarring. Reduction, Called Shots, Piecemeal Armor, o Movement unimpeded by snow or wooded and Wounds and Vigor from Pathfinder terrain. Roleplaying Game Ultimate Combat (pp. 191-207) o Immune to any fear effects caused by are being utilized. Please note that these rules undead. are subject to change at any time without prior o Cannot be turned into undead. -
Atomic Mass Games Takes Its First Steps Into the Star Wars™ Miniatures Games Galaxy
November 16, 2020 FOR IMMEDIATE RELEASE Atomic Mass Games Takes Its First Steps Into The Star Wars™ Miniatures Games Galaxy Development of Star Wars X-Wing, Star Wars Armada, and Star Wars Legion Moving from Fantasy Flight Games to Asmodee’s Miniatures Games-Focused Studio SEATTLE, WA, November 16, 2020 – In a strategic reorganization of its Star Wars miniatures titles, Asmodee is announcing today that oversight of its three Star Wars miniatures titles will be moving to their dedicated miniatures games studio, Atomic Mass Games. Development of all future miniatures games will be handled by Atomic Mass as well. The move to a specialty studio positions Asmodee’s miniatures titles for even greater success in the future. “Atomic Mass is committed to bringing people together through fun games, and Star Wars has been bringing people together through the power of myth and story for over 40 years,” Steve Horvath, Head of US Publishing, said. “Combing their talent with the strength of our current Star Wars miniatures games and the limitless possibilities of a galaxy far, far away is going to lead to incredible new experiences for tabletop gamers and Star Wars fans to enjoy.” Simone Elliott, who has shepherded Fantasy Flight’s relationship with Lucasfilm Licensing since 2015, will lead Atomic Mass Games during this time of expansion as Head of Studio. Will Shick assumes primary creative oversight as Head of Product Development. Joining them will be key members of the teams involved in the creation and evolution of Fantasy Flight’s current Star Wars miniatures games, Star Wars X-Wing, Star Wars Legion, and Star Wars Armada. -
Dagor Buzzollach: J. R. R. Tolkien Questions for the 2020 Internet Charity Tournament by Stephen Eltinge
Dagor Buzzollach: J. R. R. Tolkien questions for the 2020 Internet Charity Tournament By Stephen Eltinge Note to moderators: I tried to provide pronunciation guides for difficult non-English words, which you should use if you feel comfortable with them. If not, a phonetic English pronunciation will get the idea across. In non-English words, you should trill the letter ‘r’ if you can. Moderators, please read the following notes to your players: Notes to players: 1. Throughout this packet, the word “person” could indicate any type of humanoid character, including but not limited to humans, Elves, Dwarves, Hobbits, Ainur, and Orcs. The words “man” and “woman” are used specifically for humans. 2. For the sake of consistency, this packet uses the past tense wherever possible, at odds with standard practice for describing fictional plots. The use of the past tense does not imply a particular time relation to either The Lord of the Rings or any other source. 1. Ithildin was used to mark the star of the House of Fëanor [FEH-ah-nor] on one of these features, which bore an inscription crediting it to Narvi. That example of these features was unaffected by the phrase “Annon edhellen, edro hi ammen.” According to a passage in moon-letters, one of these features was revealed by the setting sun on the last light of Durin’s Day; that one was described as “five feet high and three may walk abreast.” Gandalf was exasperated by one of these features outside Moria until he realized that its password was Mellon, the Sindarin word for “friend.” For 10 points, Bag End’s example of what type of house feature is green and perfectly round, with a brass knob in the center? ANSWER: doors [accept the Doors of Durin or West-door of Moria or Elven Door or Back Door; prompt on gates; prompt on entrances] 2. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Fire and Ice: the Traditional Heroine in <I>The Silmarillion</I>
Volume 18 Number 1 Article 7 Fall 10-15-1991 Fire and Ice: The Traditional Heroine in The Silmarillion Sarah Beach Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beach, Sarah (1991) "Fire and Ice: The Traditional Heroine in The Silmarillion," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 18 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol18/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Defines the Light and Dark heroine, each of which may have a positive or negative aspect. Sees Finduilas and Nienor Níniel as negative, non-active, acted upon; Lúthien and Idril participate “in the course of their heroes’ actions.” Additional Keywords Fair and dark ladies; Heroines; Tolkien, J.R.R.—Characters—Finduilas; Tolkien, J.R.R.—Characters—Idril; Tolkien, J.R.R.—Characters—Lúthien Tinúviel; Tolkien, J.R.R.—Characters—Niënor/Níniel; Tolkien, J.R.R.