DOCSLIB.ORG

Kink Negotiation & Scene Planning Tools

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kink Negotiation & Scene Planning Tools Kink Negotiation & Scene Planning Tools ROUGH BS Pre-Scene Planning Tool ROUGH BS is a proprietary preliminary BDSM negotiation tool. The acronym stands for Restrained, Owned, Used, Given Away, Humiliated, Beaten, Serve. Its purpose is to outline the general categories of play you and your scene partners most enjoy. This can help determine overall compatibility with prospective play partners. It can also help you pinpoint which foundational elements to build your scene around. This tool is a conversation prompt. To use it, determine how much you enjoy engaging in each category of activities as either a bottom or top (the bottom would be the subject of these actions and the top would be executing them). Use a 1-10 scale with 1 being “not interested” and 10 being “YES!” Let’s say two partners score high on “Given Away.” Go further to ask clarifying questions like “what does that mean to you?” In this example, being given away could mean to another dominant you both know well for an hour of domestic service. Or it could mean to a group of five people for sexual pleasure every Tuesday. Because these categories are broad, ambiguous, and subjective, further negotiation under each is mandatory. The Yes/No/Maybe list below can help you drill down to specific activities that fall under each category for more nuanced negotiation. Kink Yes/No/Maybe List A Yes/No/Maybe list is a kink/sexual inventory checklist designed to aid in self-analysis and/or partner negotiations. You can use it several ways: ● Mark beside each YES (what you want to do), MAYBE (soft limit), or NO (hard limit) and talk through each with your partner. You can opt to include more detail too. For instance, you can devise your own system where you indicate which are favorite activities, what you’re inexperienced with, an expert in, etc. ● As a pre-scene prompt. For example, all parties can agree on 3 activities they mutually want to engage in and build a scene around one or more of them ● As inspiration to come up with your own personalized activities (this not an exhaustive list) ● Y/N/M lists are intended to be conversation/thought starters. If you’re using it for self-discovery you can go on to ask yourself why you like what you do, in what context, with whom, etc. With a partner use this checklist to spark deeper conversations about your desires, needs, and limits. 1950’s housewife Crushing Humiliation: physical Saline injection 24/7 TPE Cuckold/Cuckquean Humiliation: public Scat ABDL Cum Eating Humiliation: verbal Shaving Abduction play Cupping Ice cubes Shoe/boot worship Accountability Dacryphilia (crying fetish) Impact play Sissification Age play Daily task control Intercourse Slave positions Anal hooks DDLG (caregiver/little) Intimidation (physical/emotional) Slutty clothing © 2021 sunnymegatron.com sunnymegatron.com ★ americansexpodcast.com ★ patreon.com/americansex 1 Anal plugs Diapers Intoxication play Spanking Anal rimming Dirty talk JOI/Jerk off instruction Speculums Anal sex Dollification Journaling Speech restriction Anonymous sex Domestic service Kissing Spitting/saliva Ball Busting/Cunt Punting Double penetration Kneeling Sploshing/WAM Balloons Electric Play: TENS Unit Lactation Spreader bars Bastinado Electric Play: Violet Wand Licking Standing in corner Begging Enema play Maid/Butler service Stocks Bimboification Erotic Dancing Mani/Pedi Strap-on play Biting Erotic photos/video Marks Schoolyard style bullying Blackmail Eye contact restrictions Massage Scratching Blindfolds Facesitting Master/slave Sensation play Blood play Face slapping Masturbation (forced/watched) Sensory deprivation Body/cavity inspection Feeding Material/fabric (latex, rubber, Sexual service Body modification Female supremacy leather, etc.) Swapping/swinging Body worship Feminization Medical play Taboo play (race/religion/etc) Bondage: Cuffs/restraints Financial domination Menstruation play Tattooing Bondage: Rope/decorative Fingering Military-style interrogation Teasing Bondage: Suspension/heavy Fire Play Mindfucks Temperature play bondage Exhibitionism Mummification Threesome Boot Blacking Fisting (anal/vaginal) Nipple play/torture Tickling Branding Flogging Nudity/exposure Triple Penetration Brat play Following orders Objectification Urine drinking Breast/nipple torture Foot worship Omorashi/Piss desperation Vac Bed/Cube Breath restriction Forced bi Oral sex Vampire play Breeding Forced orgasm Orgasm denial Vomit/rainbow play Bruises Furry fetish Outdoor sex Voyeurism Bukkake Gagging (fingers, etc) Over-the-knee spanking Water Caning Gags Paddles Wax play Casting Gangbang Pain (mild to severe) Whips CBT (cock & ball torture) Gaslighting Panty Wearing Wrestling CFNM Gas masks Pegging Yelling Chains Gender-bending Penetration Chastity Genital/nipple pumping Pet _____________________ Chemical play (Icy Hot, etc) Genital clamps/weights Pet play Choking (air restriction) Genital whipping/spanking Phone sex _____________________ Choking (blood/arterial) Given away for sex Piercing Clothespins Glory hole Pinching _____________________ Clown play Golden Showers Plastic wrap Cock rings/straps Group sex/gangbang Play _____________________ Cock worship Hair pulling Pornography (watching/making) Collar & leash Handcuffs Predicament/escape/struggle _____________________ Collaring Hand jobs Pregnancy Confinement/cages High heels Primal play _____________________ Consensual Non-Consent/CNC Homewrecking Prolapse/rosebuds Dildos/vibrators Hoods Public play _____________________ Corporal punishment Hook suspension Punishment Corsets Hucow Riding crops _____________________ Costumes/lingerie/fetish wear Human furniture Roleplay Cross-dressing Human toilet Somnophilia (sleep sex) © 2021 sunnymegatron.com sunnymegatron.com ★ americansexpodcast.com ★ patreon.com/americansex 2 Goal Emotions/Emotional Lowest Common Denominator Starting with the emotion you’d like to feel during a scene and working backward to figure out which kinks will get you there is a wonderful alternate negotiation technique. Tops & bottoms select 3-5 emotional states you want to experience during your scene. Use what you select as negotiation prompts & scene planning information. Expand on each delving into why you want to feel this way and discuss what types of actions, tools, kinks, and/or behaviors from the Y/N/M list can help elicit these emotions. Even if you don’t use this list as a scene starter, you should still incorporate goal emotions in your negotiations. Abandoned Dehumanized Hopeful Optimistic Sinister Absurd Desired Horrified Orgasmic Slutty Abused Despair Hostile Out of Control Small Accepted Desperate Humiliated Overwhelmed Special Adored Dirty Humorous Owned Stresses Aggressive Disgusted Hurt Passionate Submissive Animalistic Disgusting Hypnotic Peaceful Subservient Anxious Despair Inadequate Perplexed Supernatural Apathetic Disrespected Inferior Playful Surprised Appreciated Dominant In Flow Pleased Teased Apprehensive Embarrassed Insignificant Powerful Thankful Aroused Emotionally Intimidated Powerless Trusting Ashamed connected Intimidating Primal Understood Betrayed Empowered Irresistible Proud Valued Blissed out Empty Isolated Provocative Victimized Bratty Excited Jealous Rejected Villainous Brave Exposed Joyful Rejuvenated Vulnerable Broken Fearful Judged Relaxed Weak Cared for Feminine Larger than Life Respected Whimsical Cathartic Filthy Laughing Revengeful Withdrawn Cheerful Flirty Light-hearted Ridiculed Worried Cherished Forced Loving Ridiculous Worshiped Coerced Free Masculine Romantic Worthless Comforted Frightened Masochistic Ruined ____________ Comical Frustrated Minimized Sadistic Competitive Fulfilled Mysterious Safe ____________ Confident Furious Naughty Sarcastic Confused Giddy Needed Satisfied ____________ Content Godlike Nerdy Scared Controlling Grief Nervous Seduced ____________ Courageous Guilty Nostalgic Sexy Critical Happy Numb Cruel Helpless Objectified Crying Hesitant *Plutchik's Wheel of Emotions may also give you additional language/insight to use in negotiations & scene debriefs. © 2021 sunnymegatron.com sunnymegatron.com ★ americansexpodcast.com ★ patreon.com/americansex 3 General Negotiation Questions & Discussion Points These are additional things you should discuss when negotiating either a scene or longer-term dynamic. While some questions are geared toward new play partners, long-term partners should periodically review these points too. We’re all constantly learning new things about ourselves and these changes may affect our responses to these prompts. ● My pronouns are: ● The consent model I prefer is: ⬜ ACTIVE (no until yes) ⬜ PASSIVE (yes until no) ● How I feel about sobriety/intoxication during play is: ● I like being called: ● Never call me: ● These parts of my body are off limits: ● I am uncomfortable touching these parts of someone else’s body: ● I prefer play that is: ⬜ SEXUAL ⬜ NON-SEXUAL ● Achieving orgasm during scenes is important to me ⬜ YES ⬜ NO ● These safer sex/kink practices are non-negotiable: ● My last STI test was: ● I prefer these words for genitals/sex: ● These genital/sexual words make me uncomfortable: ● I have these allergies: ● I have these medical conditions/take these medications: ● I have these mental health conditions: ● I need accommodation for these conditions during play: ● I have these learning disabilities/neurodivergent conditions & this is how they affect things like how I interpret non-verbal cues, process emotions, follow directions, or experience sensory input: ● These things trigger my trauma response: ● When I am triggered
Load more

Recommended publications
  • Research from Around the World Play Therapy with a Transgender Child
    COUNSELLING AUSTRALIA Volume 13 Number 2 Winter 2013 Research from around the world Revisiting Kirch’s groundbreaking study Play therapy with a transgender child When the mermaid finds her pathway Contents Regulars Special Editorial Philip Armstrong 2 DVD review: Karli Yoga, Volume I Philip Armstrong 26 © Counselling Australia. No part of this publication may be Book review: Clinical Handbook of reproduced without permission. Annual subscription is free Adolescent Addiction Karen Adler 27 to members of the Australian Counselling Association. Published every March, June, September ACA College of Supervisors (COS) register 29 and December. Opinions of contributors and advertisers are not necessarily those of the publisher. The publisher makes no representation or warranty that information contained in articles Research from around the world or advertisements is accurate, nor accepts liability or responsibility for any action arising out of information Revisiting Kirsch’s groundbreaking study about the contained in this journal. Letters to effectiveness of antidepressants 4 the Editor should be clearly marked as such and be a maximum of 250 words. Initial severity and antidepressant benefits: Editor A meta-analysis of data submitted to the Food and Drug Philip Armstrong Administration 5 I.T. Educator Dr. Angela Lewis Editor’s summary Philip Armstrong 6 Editorial Advisory Group Dr Clive Jones Dr Travis Gee The new criteria for mental disorders Maria Konnikova 8 Dr Nadine Pelling Dr Ann Moir-Bussy Bipolar confusion worries medical experts 10 Alison Booth MA(Clin Psych) B.A (Hons) Philip Armstrong Adrian Hellwig M.Bus(com) B.Theol., Dip.Couns Design Great Southern Press Feature Articles Great Southern Press Wool, wonderful wool Dr.
    [Show full text]
  • Beyond the Bodice Ripper: Innovation and Change in The
    © 2014 Andrea Cipriano Barra ALL RIGHTS RESERVED BEYOND THE BODICE RIPPER: INNOVATION AND CHANGE IN THE ROMANCE NOVEL INDUSTRY by ANDREA CIPRIANO BARRA A dissertation submitted to the Graduate School—New Brunswick Rutgers, the State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Sociology Written under the direction of Karen A. Cerulo And approved by _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ New Brunswick, New Jersey OCTOBER 2014 ABSTRACT OF THE DISSERTATION Beyond the Bodice Ripper: Innovation and Change in the Romance Novel Industry By ANDREA CIPRIANO BARRA Dissertation Director: Karen A. Cerulo Romance novels have changed significantly since they first entered the public consciousness. Instead of seeking to understand the changes that have occurred in the industry, in readership, in authorship, and in the romance novel product itself, both academic and popular perception has remained firmly in the early 1980s when many of the surface criticisms were still valid."Using Wendy Griswold’s (2004) idea of a cultural diamond, I analyze the multiple and sometimes overlapping relationships within broader trends in the romance industry based on content analysis and interviews with romance readers and authors. Three major issues emerge from this study. First, content of romance novels sampled from the past fourteen years is more reflective of contemporary ideas of love, sex, and relationships. Second, romance has been a leader and innovator in the trend of electronic publishing, with major independent presses adding to the proliferation of subgenres and pushing the boundaries of what is considered romance. Finally, readers have a complicated relationship with the act of reading romance and what the books mean in their lives.
    [Show full text]
  • Bdsm) Communities
    BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES A Thesis by Anita Fulkerson Bachelor of General Studies, Wichita State University, 1993 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2010 © Copyright 2010 by Anita Fulkerson All Rights Reserved Note that thesis work is protected by copyright, with all rights reserved. Only the author has the legal right to publish, produce, sell, or distribute this work. Author permission is needed for others to directly quote significant amounts of information in their own work or to summarize substantial amounts of information in their own work. Limited amounts of information cited, paraphrased, or summarized from the work may be used with proper citation of where to find the original work. BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Liberal Studies _______________________________________ Ron Matson, Committee Chair _______________________________________ Linnea Glen-Maye, Committee Member _______________________________________ Jodie Hertzog, Committee Member _______________________________________ Patricia Phillips, Committee Member iii DEDICATION To my Ma'am, my parents, and my Leather Family iv When you build consent, you build the Community. v ACKNOWLEDGMENTS I would like to thank my adviser, Ron Matson, for his unwavering belief in this topic and in my ability to do it justice and his unending enthusiasm for the project.
    [Show full text]
  • Fetishism and the Culture of the Automobile
    FETISHISM AND THE CULTURE OF THE AUTOMOBILE James Duncan Mackintosh B.A.(hons.), Simon Fraser University, 1985 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Communication Q~amesMackintosh 1990 SIMON FRASER UNIVERSITY August 1990 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : James Duncan Mackintosh DEGREE : Master of Arts (Communication) TITLE OF THESIS: Fetishism and the Culture of the Automobile EXAMINING COMMITTEE: Chairman : Dr. William D. Richards, Jr. \ -1 Dr. Martih Labbu Associate Professor Senior Supervisor Dr. Alison C.M. Beale Assistant Professor \I I Dr. - Jerry Zqlove, Associate Professor, Department of ~n~lish, External Examiner DATE APPROVED : 20 August 1990 PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/Dissertation: Fetishism and the Culture of the Automobile. Author : -re James Duncan Mackintosh name 20 August 1990 date ABSTRACT This thesis explores the notion of fetishism as an appropriate instrument of cultural criticism to investigate the rites and rituals surrounding the automobile.
    [Show full text]
  • Fantasies of Necrophilia in Early Modern English Drama
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Exquisite Corpses: Fantasies of Necrophilia in Early Modern English Drama Linda K. Neiberg Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1420 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXQUISITE CORPSES: FANTASIES OF NECROPHILIA IN EARLY MODERN ENGLISH DRAMA by LINDA K. NEIBERG A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 LINDA K. NEIBERG All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Mario DiGangi Date Chair of Examining Committee Carrie Hintz Date Acting Executive Officer Mario DiGangi Richard C. McCoy Steven F. Kruger Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract EXQUISITE CORPSES: FANTASIES OF NECROPHILIA IN EARLY MODERN ENGLISH DRAMA by LINDA K. NEIBERG Adviser: Professor Mario DiGangi My dissertation examines representations of necrophilia in Elizabethan and Jacobean drama. From the 1580s, when London’s theatres began to flourish, until their closure by Parliament in 1642, necrophilia was deployed as a dramatic device in a remarkable number of plays.
    [Show full text]
  • My Father's Secret
    WhatIMeant. Prt 2 95-222 24/08/2005 3:22 pm Page 129 David Hayes ’ First the snapshots. In this one, my father, then twenty-eight years old, is sitting in a Plymouth roadster convertible, beige with a red pinstripe along the side. It has red leather upholstery, including the rumble seat. My father was, according to my mother, a rakish bachelor who lived with a gang of fellows in a house in St. Catha- rines, nicknamed “the homestead.” His friends called him “Hurry- Up Hayes” because he walked purposefully, with short, quick steps, as though there were important things ahead. My mother was a tall, leggy brunette with an angular face who looked like a great, noble, WhatIMeant. Prt 2 95-222 24/08/2005 3:22 pm Page 130 | wading bird. She had her pick of eligible men, and chose my father. Later, when he infuriated or disappointed me, I would remind myself of this past life of his, the easy grace with which he carried himself, defining for me the idea of unforced masculinity. I believe to this day that he was more self-possessed, more relaxed with who he was than I was at his age, or, for that matter, later. Here he’s sitting, obviously posed but looking most at ease, every inch the successful executive: the double-breasted chalk-stripe suit, the dark tie with bold diagonals, the half-Windsor knot. It’s the mid-s and he is now in senior management at Abitibi’s head office on University Avenue in Toronto. Look at his steady gaze into the camera, as if to say, I am a man both comfortable and successful in this masculine world.
    [Show full text]
  • Bondage and Discipline, Dominance and Submission, and Sadomasochism (Bdsm)/Kink
    BONDAGE AND DISCIPLINE, DOMINANCE AND SUBMISSION, 6 AND SADOMASOCHISM (BDSM)/KINK Brian is a white gay man of 55 who has been working with you in therapy for several sessions on the panic attacks and nightmares he has been expe- riencing following witnessing a person committing suicide at a tube sta- tion some months ago. For a couple of weeks you have sensed that there are some aspects of his life that he hasn’t been completely open about with you. At the end of a session he looks uncomfortable and says that there is something he has to tell you which he hopes won’t influence your opinion of him but which has been holding him back from talking about all aspects of his life. He says that he is in a 24/7 BDSM relationship as a slave for his partner, Jordan. Think about: • What is your formulation/understanding of the key issues for Brian? • What themes can you imagine emerging as you continue? • What assumptions might you bring to this? • How would you proceed? Being a kink-aware professional you let Brian know that you have some understanding of BDSM practices and relationships. He has probably already seen SM 101 and Powerful Pleasures on your bookshelf, and that probably helped him to tell you about this aspect of his life. Like many people, the idea of ‘24/7’ BDSM is one that you find difficult to understand, so you note your negative gut reaction as one you want to bracket as much as possible and explore in supervision.
    [Show full text]
  • Split Identification: Representations of Rape in Gaspar Noé's Irréversible
    DOUGLAS KEESEY California Polytechnic State University Split identification: Representations of rape in Gaspar Noé’s Irréversible and Catherine Breillat’s A ma soeur!/Fat Girl ABSTRACT This article critically examines rape scenes in two films of the ‘new extreme cinema’, Gaspar Noé’s Irréversible (2002) and Catherine Breillat’s A ma sœur!/Fat Girl (2001). On the surface, Noé’s disturbing long-take rape scene is clearly designed to foster empathy with the woman’s experience and to induce a physical aversion to rape. However, a deeper examination of the scene’s ambiguous techniques reveals that they actually work to split the viewer’s identification between the rapist and the woman he attacks. One function of this split is to lead the viewer – who is presumed to be male – along an emotional path from lustful aggression towards empathic understanding. Similarly, the film also provides audiences with a transitional figure – a male character who is almost raped – as someone with whom they can identify on the way towards identifying with the female. But this male character ultimately serves as a negative example when he moves to take revenge – an act which is shown to be an extension of the rape, part of the same masculinist ideology or myth of male inviolability perpetuated through the violation of others. Furthermore, the revenge is revealed as being the male character’s denial of his own complicity in the rape and of his own participation in ‘rape culture’. The rape scene in Breillat’s 1A ma sœur! also induces in the viewer a split identification with the rapist and with the female subjected to attack – in this case a young girl who disturbingly seems to ‘acquiesce’ to the assault.
    [Show full text]
  • Dawn Woolley Thesis Final
    Copyright Statement This text represents the submission for the degree of Doctor of Philosophy at the Royal College of Art. This copy has been supplied for the purpose of research for private study, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. 1 Abstract The aim of the research is to identify pathological relations between consumer culture and consumers. I explore the relation between people and objects, and the impact that images have as producers and disseminators of sign-value. Taking the term ‘advertisement’ loosely I refer to Dutch still-life paintings as advertisements for the craft-objects they depict and the lifestyles they suggest. The body is also considered to be an advertisement because of the commodities with which it is adorned and the socially prescribed ideals that it reinforces. I consider social networking sites as commercial spaces where body ideals are disseminated. Different forms of self-presentation, including selfies, thinspiration, and fat fetishism are examined as indications of the recuperation of aberrant signs in the system of sign-value exchange. The analytical methodology for this enquiry is framed by theories of commodity fetishism and sexual fetishism through which I consider both the socio-economic and the psychosexual dimensions of the relation between consumer society and individual consumers. I examine sexual fetishism and kleptomania by reference to psychoanalytic case studies in order to chart how objects are inscribed with value. Fetishists and kleptomaniacs endow seemingly trivial objects with a value that is incomprehensible to other people. These unusual relations to objects offer an alternative model for evaluating the value of commodities in a manner that might liberate the body of the consumer.
    [Show full text]
  • Fashion, Bodies, and Objects
    Studies in 20th Century Literature Volume 20 Issue 2 French Issue: The Object in France Today: Six essays collected and edited by Article 7 Martine Antle with five essays on French narrative 6-1-1996 Fashion, Bodies, and Objects Jean-François Fourny Ohio State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fourny, Jean-François (1996) "Fashion, Bodies, and Objects," Studies in 20th Century Literature: Vol. 20: Iss. 2, Article 7. https://doi.org/10.4148/2334-4415.1397 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Fashion, Bodies, and Objects Abstract This essay is based on the assumption that the body has undergone a process of fragmentation that started with "modern" art and commodity fetishism that is being amplified today by an increasingly fetishistic high fashion industry itself relayed by music videos and a gigantic pornography industry. This article begins with a discussion of fetishism and objectification as they appear in high fashion shows where underwear becomes wear (turning the inside into the outside), thus expanding (or dissolving) the traditional notion of pornography because they are both reported in comparable terms by mainstream magazines such as Femmes and less conventional publications such as Penthouse.
    [Show full text]
  • Non Consent Bdsm Stories
    Non Consent Bdsm Stories Tardiest and disjoined Torin never aluminise his playfulness! Prasun collided his propaganda walks hither or proper after penuriouslyRoberto pluralised or demodulate and misrules ideographically. indestructibly, ultraist and petrified. Vin dissuade tardily while viscometric Thurston caverns The bdsm submissive role consent plays in the rumpus is so hard you do not help. When to the tender folds right now what is in response to get the filter drunk party, worthless whore story quite a firm grip on the light fragrance of indignation and. This story has other stories and consent among the nail bed and her dreams, told tammy screamed and then you might be. When this story actually feel. Otherwise agree to. Do so beneath contempt that in a team to the right? Every opportunity for his stories on consent goes on the bdsm model of clothing she was worth doing it when we try one. At this story quite severely, consent bondage originating from coercive sex? This story she could stop stop the stories are often explain that. Anna screamed into her stories and consent and the story! She was asleep played over with. As bdsm stories believable within a strong hands become paralyzed, consent can be examined among sexual offenders to feel dependent on me why. Cow miraculously escapes and consent bondage marika says no human and thrashed side streets of bdsm which means that this story of the platform. Please go of consent can avoid the story on her slightly on our submission which gets called into our kiss, mistress jenny wanted her.
    [Show full text]
  • Sexual Fantasy and Masturbation Among Asexual Individuals: an In-Depth Exploration
    Arch Sex Behav (2017) 46:311–328 DOI 10.1007/s10508-016-0870-8 SPECIAL SECTION: THE PUZZLE OF SEXUAL ORIENTATION Sexual Fantasy and Masturbation Among Asexual Individuals: An In-Depth Exploration 1 1 2 Morag A. Yule • Lori A. Brotto • Boris B. Gorzalka Received: 4 January 2016 / Revised: 8 August 2016 / Accepted: 20 September 2016 / Published online: 23 November 2016 Ó Springer Science+Business Media New York 2016 Abstract Human asexuality is generally defined as a lack of pants(bothmenandwomen)wereequallylikelytofantasizeabout sexual attraction. We used online questionnaires to investigate topics such as fetishes and BDSM. reasons for masturbation, and explored and compared the con- tentsofsexualfantasiesofasexualindividuals(identifiedusing Keywords Asexuality Á Sexual orientation Á Masturbation Á the Asexual Identification Scale) with those of sexual individ- Sexual fantasy uals. A total of 351 asexual participants (292 women, 59 men) and 388sexualparticipants(221women,167men)participated.Asex- ual women were significantly less likely to masturbate than sexual Introduction women, sexual men, and asexual men. Asexual women were less likely to report masturbating for sexual pleasure or fun than their Although the definition of asexuality varies somewhat, the gen- sexualcounterparts, and asexualmen were less likely to reportmas- erallyaccepteddefinitionisthedefinitionforwardedbythelargest turbating forsexualpleasure than sexualmen. Both asexualwomen online web-community of asexual individuals (Asexuality Visi- andmen weresignificantlymorelikelythansexualwomenand
    [Show full text]