DOCSLIB.ORG

Applications Received During 1 to 30 June, 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Applications Received During 1 to 30 June, 2020 Applications received during 1 to 30 June, 2020 The publication is a list of applications received during 1 to 30 June, 2020. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 7204/2020-CO/L 01/06/2020 PJS - PS Anxiety rating Literary/ Dramatic SRI BALAJI VIDYAPEETH scale for speech & Hearing Impaired Children 2 7205/2020-CO/L 01/06/2020 Chandrakanthavum Literary/ Dramatic Anjana Mullavalliyum 3 7206/2020-CO/L 01/06/2020 Emotional Intelligence : Literary/ Dramatic Dr.Amit Phillora A General Overview 4 7207/2020-CO/L 01/06/2020 Discovery Of father of all Literary/ Dramatic Karan Hansdah Words 5 7208/2020-CO/L 01/06/2020 HOW TO MAKE Literary/ Dramatic Vishwanathan Kolazhi Vaidyanathan LEARNING ENJOYABLE AND FUN (A Handbook forevery parent and teacher) 6 7209/2020-CO/L 01/06/2020 ????? ???? Literary/ Dramatic manjushri jagdale 7 7210/2020-CO/L 01/06/2020 Love Me Literary/ Dramatic Chrissy Tyrianne 8 7211/2020-CO/L 01/06/2020 Toilet Training & Literary/ Dramatic Dr. Kalpesh Onkar Patil Constipation in Children 9 7212/2020-CO/A 01/06/2020 RONALDO FASHION Artistic gurdeep singh 10 7213/2020-CO/L 01/06/2020 A Bird's-Eye View Literary/ Dramatic Aditya Bihani 11 7214/2020-CO/L 01/06/2020 INDIA'S BRIGHTEST Literary/ Dramatic Chinthalapati Raja Sekhar Varma MIND'S 12 7215/2020-CO/L 01/06/2020 Ankana Literary/ Dramatic Anupam Chatterjee 13 7216/2020-CO/SW 01/06/2020 i-Built Computer Software ROMY MOHAN 14 7217/2020-CO/L 01/06/2020 Vikram Rana Literary/ Dramatic Sharmishtha Shenoy Investigates 15 7218/2020-CO/L 01/06/2020 An Anthology Of Ours Literary/ Dramatic DAVID H JHA 16 7219/2020-CO/L 01/06/2020 The last standoff at Literary/ Dramatic Rudhir Prakash Sarma Saraighat 17 7220/2020-CO/L 01/06/2020 oh, cloud. Literary/ Dramatic Nakshatra Rathu 18 7221/2020-CO/L 01/06/2020 eFORCE Reference Literary/ Dramatic Captech Technologies Private Limited Manual 19 7222/2020-CO/L 01/06/2020 Submission Of Research Literary/ Dramatic Ravishankar Polisetty Proposal Under Satyam 20 7223/2020-CO/A 01/06/2020 DARBA 25 Artistic RPG LIFE SCIENCES LIMITED S.No. Diary No. Date Title of Work Category Applicant 21 7224/2020-CO/L 01/06/2020 Super Four & The Literary/ Dramatic STEELBIRD ENTERTAINMENT Missing Princess - Adventure in Egypt 22 7225/2020-CO/M 01/06/2020 Yatra Music Adarsh Benz Lal B A 23 7226/2020-CO/L 01/06/2020 The Magic of her Literary/ Dramatic Nida Elahi Thoughts 24 7227/2020-CO/L 01/06/2020 Neville's Guide for Literary/ Dramatic NEVILLE J. DEHNUGAR theory of music level 1 25 7228/2020-CO/L 01/06/2020 Neville's Guide for Literary/ Dramatic NEVILLE J. DEHNUGAR Theory of Music level 2 26 7229/2020-CO/L 01/06/2020 Head in the Clouds Literary/ Dramatic Vanshika Gupta 27 7230/2020-CO/L 01/06/2020 mudra Literary/ Dramatic AKSHAY SINGH 28 7231/2020-CO/L 01/06/2020 Kalith: Tiyasa's Literary/ Dramatic Khyati Malediction 29 7232/2020-CO/L 01/06/2020 Bat & Balll (Tentatively Literary/ Dramatic Vishwas Paandya Titled 'JaahanPanaah.com') / 'Tu Tera Dekh') 30 7233/2020-CO/L 01/06/2020 THE EYES, A RIP AWAY Literary/ Dramatic Baldeep Singh Bhatia 31 7234/2020-CO/L 01/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 1 32 7235/2020-CO/L 01/06/2020 FOR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 2 33 7236/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 3 34 7237/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 4 35 7238/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 5 36 7239/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 6 37 7240/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 7 38 7241/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 8 39 7242/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 9 40 7243/2020-CO/L 02/06/2020 FOUR MORE SHOTS Literary/ Dramatic PRITISH NANDY COMMUNICATIONS LTD PLEASE ! SEASON 3 EPISODE 10 41 7244/2020-CO/SW 02/06/2020 Director System Analyst Computer Software Vamsi krishna.CH level-2 42 7245/2020-CO/L 02/06/2020 A Cognitive Definition of Literary/ Dramatic SANDIP KAR Project S.No. Diary No. Date Title of Work Category Applicant 43 7246/2020-CO/L 02/06/2020 An Compuer Science Literary/ Dramatic Shivanagowda G M Graduate Programme's Course Mapper to ACC- IEEE 2013 BoK 44 7247/2020-CO/M 02/06/2020 TERA PYAR MERA PYAR Music SOURAV KUMAR 45 7248/2020-CO/A 02/06/2020 Loisirfeeds Artistic Shubham Kumar Bharti 46 7249/2020-CO/M 02/06/2020 AADATAN DILLAGI Music SAITU SHIVPURI ACHHI NAHIN 47 7250/2020-CO/L 02/06/2020 The Show Must Go On (? Literary/ Dramatic vishal kumar ?? ???? ?? ??) 48 7251/2020-CO/L 02/06/2020 Literary/ Dramatic BIPINKUMAR POPATBHAI TRIVEDI 49 7252/2020-CO/M 02/06/2020 CYCLE Music SWAPNIL BABAN SHELAR 50 7253/2020-CO/L 02/06/2020 CONCEPT OF Literary/ Dramatic Sumit Jain NIPERS.COM 51 7254/2020-CO/L 02/06/2020 Mining Risk Factors Literary/ Dramatic Shah And Anchor Kutchhi Engineering From Electronic College, Jalpa Mehta, Dr. V. V. Pai, Milind Healthcare Data Ravindra Vispute, Ankita Mithilesh Sinha, Keval Deepak Shah 52 7255/2020-CO/L 02/06/2020 Outside-In Matrix by Literary/ Dramatic Devarsh Shah Devarsh Shah 53 7256/2020-CO/L 02/06/2020 FACE MASK DETECTION Literary/ Dramatic JAMEER KOTWAL, Dr.Surendra APPLICATION USING Rahamatkar, Dr. Pathan Mohd Shah A DEEP LEARNING Karim, Dr. Ramgopal Kashyap 54 7257/2020-CO/L 02/06/2020 Project Proceedings Literary/ Dramatic Dr. Shrinivas B KULKARNI, Dr. Archana Nandibevoor, Sandhya S. V., Indira Umarji 55 7258/2020-CO/L 02/06/2020 Looking At The Rain Literary/ Dramatic Dheeraj Mundra 56 7259/2020-CO/A 02/06/2020 An unseen avatar Artistic Aagnik Pandey 57 7260/2020-CO/SW 02/06/2020 Toll Management Computer Software EFKON INDIA PRIVATE LIMITED System (TMS) 58 7261/2020-CO/L 02/06/2020 SoluTree Literary/ Dramatic Dr. Pranjali Vilas Deulkar, Dr. Sphurti Pramod Bane, Dr. Meghana Ajay Deshpande, Dr. Sudhindra Baliga, Dr. Nilesh Rathi, Dr. Nilima Thosar 59 7262/2020-CO/L 02/06/2020 Prevention of Youth Literary/ Dramatic Joseph Stalin C, Indramani T Suicide. 60 7263/2020-CO/L 02/06/2020 Killer on duty Literary/ Dramatic Vivekanandan.k 61 7264/2020-CO/SW 02/06/2020 Predictezy Computer Software Aayush Kumaria 62 7265/2020-CO/L 02/06/2020 Smart Garbage Literary/ Dramatic Shah & Anchor Kutchhi Engineering Monitoring College, Archana Chaugule, Abhiraj Bhoir, Ameya Date, Parth Gohil 63 7266/2020-CO/L 02/06/2020 MPPSC Mains Paper- 1 Literary/ Dramatic SURENDRA SHARMA, PROPRIETOR, Part B SHARMA ACADEMY 64 7267/2020-CO/L 02/06/2020 My Destination Literary/ Dramatic Satyendra Kumar Garg 65 7268/2020-CO/SW 02/06/2020 HIGHWAY TRAFFIC Computer Software EFKON INDIA PRIVATE LIMITED MANAGEMENT SYSTEMS(HTMS) 66 7269/2020-CO/L 02/06/2020 Mr. Milk - Strength of Literary/ Dramatic MR. NEERAJ NARESH MITTAL every family S.No. Diary No. Date Title of Work Category Applicant 67 7270/2020-CO/L 02/06/2020 Thoughts woken up in Literary/ Dramatic Vinoth Subramanian L the dark 68 7271/2020-CO/L 02/06/2020 MPPSC Mains Paper- 2 Literary/ Dramatic SURENDRA SHARMA, PROPRIETOR, Part B SHARMA ACADEMY 69 7272/2020-CO/L 02/06/2020 MPPSC Mains Paper 3 Literary/ Dramatic SURENDRA SHARMA, PROPRIETOR, SHARMA ACADEMY 70 7273/2020-CO/SW 02/06/2020 VEHICLE TRACKING Computer Software EFKON INDIA PRIVATE LIMITED SYSTEM(VTS) 71 7274/2020-CO/L 02/06/2020 MPPSC Mains Paper 4 Literary/ Dramatic SURENDRA SHARMA, PROPRIETOR, SHARMA ACADEMY 72 7275/2020-CO/L 02/06/2020 DIATHERMY AND ITS Literary/ Dramatic Suwarna B. Dangore- Khasbage APPLICATION IN DENTISTRY 73 7276/2020-CO/L 02/06/2020 WAR OF WORDS Literary/ Dramatic KRISHA K 74 7277/2020-CO/L 02/06/2020 Ramayaner Ajana Literary/ Dramatic PRADIP KUMAR RAY Tathya 75 7278/2020-CO/L 02/06/2020 Gandhi, The Literary/ Dramatic Dr. Navodita Pande Communicator 76 7279/2020-CO/L 02/06/2020 PURAN KAHINIR Literary/ Dramatic PRADIP KUMAR RAY ANTARNIHIT ARTHA 77 7280/2020-CO/L 02/06/2020 Do Stambh Literary/ Dramatic Arvind Yadav 78 7281/2020-CO/L 02/06/2020 Nizam Aur Razakaro Se Literary/ Dramatic Arvind Yadav Loha Lene Vaale Saath Hyderabadi Soorma 79 7282/2020-CO/L 02/06/2020 Sangeeth Ke Literary/ Dramatic Arvind Yadav Chamatkaar Se Sakshatkar 80 7283/2020-CO/L 02/06/2020 IMPORTANCE OF Literary/ Dramatic Suwarna B.
Load more

Recommended publications
  • Medico-Legal Update
    I Medico-Legal Update CONTENTS Volume 20, Number 2 April-June 2020 1. A Study to Assess Depression, Anxiety, Loneliness and Internet Addiction among College Students Using Internet in Selected College, Chennai .....................................................................................................................................1 A. Preetha, D. Princy Petrishiya, L. Praveen, K. Praveen Kumar, M. Kalaivani, Rogina J.S. Savarimuthu 2. Early Identification of Proteinuria by Using Urine Dipstick among Patients with Type II Diabetes in Selected Community Area, Kanchipuram Dist., Tamil Nadu, India .......................................................................................4 A. Sharli Praba, J. Sangeetha, G. Divakar, V. Shalini, Radhiga 3. Assess the Prevalence and Identify the Risk Factors of Hypertension among Adults Residency in a Selected Rural Community, Kanchipuram District, Tamil Nadu, India ............................................................................................8 Ajeeth R., Deva Asser, Anusuya R., Hari Priya S., Sangeeswari, Shanmuga Sundaram, Lakshmi L. 4. A Cross Sectional Study of Deaths Due to Poisoning: Autopsied at a Tertiary Care Centre: Davangere ..............11 Anand Patil, Tasgaonkar V.N., Vijayakumar B. Jatti 5. Pattern of Medico-Legal Cases in a Tertiary Care Centre at Sangli, Maharashtra: A Retrospective Study ...........15 Anand Patil, Vijay N. Tasgaonkar, Dileep Kumar R., Rakesh M. Marigoudar 6. Practices and Problems Related to Breastfeeding among Mothers of Under-Five Children
    [Show full text]
  • Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
    Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name
    [Show full text]
  • Screen Awards Function, Shah Rukh and Salman Win
    PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up.
    [Show full text]
  • Smita Patil: Fiercely Feminine
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Smita Patil: Fiercely Feminine Lakshmi Ramanathan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2227 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SMITA PATIL: FIERCELY FEMININE BY LAKSHMI RAMANATHAN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 i © 2017 LAKSHMI RAMANATHAN All Rights Reserved ii SMITA PATIL: FIERCELY FEMININE by Lakshmi Ramanathan This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Masters of Arts. _________________ ____________________________ Date Giancarlo Lombardi Thesis Advisor __________________ _____________________________ Date Elizabeth Macaulay-Lewis Acting Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT SMITA PATIL: FIERCELY FEMININE by Lakshmi Ramanathan Advisor: Giancarlo Lombardi Smita Patil is an Indian actress who worked in films for a twelve year period between 1974 and 1986, during which time she established herself as one of the powerhouses of the Parallel Cinema movement in the country. She was discovered by none other than Shyam Benegal, a pioneering film-maker himself. She started with a supporting role in Nishant, and never looked back, growing into her own from one remarkable performance to the next.
    [Show full text]
  • Sl.No Name of the Student Name of The
    Name of the Adhar Card Qualifying % of Sl.No Name of the Student Name of the Father Gender Category Pedagogy-1 Pedagogy-2 Remarks Mother Number Exam Marks 1 Afreen Mulla Banubi Abdulkhadar 772671305148 F II B B.A 81.07% Kannada History 2 Shivamanjunath Malagali Sujata Siddappa 716711673963 M III B B.A 80.86% Kannada History 3 Chandragoud R Naykar Shantawwa Rudragoud ________ M III B B.A 83.20% Kannada History 4 Gayatri Bhajantri Shobha Hanamant 307180653387 F S.C. B.A 75.26% Kannada History 5 Jyoti Rathod Sushila Devu 843568998501 F S.C. B.A 77.14% Kannada History 6 Shweta Y Medar Saraswati Yallappa 525235541891 F S.T. B.A 76.35% Kannada Geography 7 Anita A Naik Parvati Ajjappa 882405615020 F Cat I B.A 77.78% Kannada Histry 8 Vidya B Patil Suvarna Basangouda 696720452678 F G M B.A 80.71% Kannada Geography 9 Akshata Patil R Geeta Raju 747541129378 F III B B.A 79.08% Kannada Geography 10 Umesh Karennavar Mhadevi Yllappa 303270992769 M II A B.A 79.36% Kannada History 11 Basappa Belaganti Hanamavva Ningappa 631687227634 M II A B.A 77.78% Kannada History 12 Renuka Karagi Mahadevi Prakash ________ F IIA B.A 78.50% History Geography 13 Tabassum Mulla Kairunnisa Jamalsahab 221700008964 F II B B.A 75.28% English History 14 Maruti Kodliwad Rammavva Siddappa 781208913606 M S.T. B.A 76.52% Kannada History 15 Suvarana R Kapsi Sunanda Rudrappa 934833956214 F IIIB B.A 73.60% Kannada History 16 Vajravati L Naikar Sumitra Lankesh 457247755221 F II A B.A 73.08% Kannada History 17 Sheetal Bhandurge Fulavanti Datta 442956431549 F III B.
    [Show full text]
  • (Tofifest News-Wspomnienie Pięknej Smity-Tribute to the Beautiful Smita
    Tribute to the beautiful Smita Patil at Tofifest. Smita Patil not only fought for the rights of Indian women, but was also a true icon of the ambitious Indian cinema and a tragic figure. The first ever retrospective of the films with Smita Patil will presented during the 10 th Edition of the IFF Tofifest. Her sister, Manya Patil, will be a special guest of the festival. Smita Patil is one of the most fascinating and tragic figure of the Indian cinema. She died in 1986, when giving birth to a child. She was only 31. It was a true mockery of fate. For Smita Patil spent her entire life fighting actively for equal rights of Indian men and women and her film characters reflected the struggle to bring down the existing stereotypes. The retrospective of her films prepared in cooperation with the Embassy of India becomes an inherent part of the “rebellious” vein of the programme of the IFF Tofifest – this is festival is created and managed by a woman, which has its significance. Patil was an icon of the ambitious Indian cinema and a true star of the Indian New Wave. She never played in any lachrymatory “Bollywood” films. The films she starred in were all focused on problems of women. She was a feminist, who was deeply involved in the issue of women's rights in the traditional Indian society. Her unique talent was honoured with the Indian equivalent of the Oscar – Filmfare Award and two times with the Indian Film Award. She was also awarded the Padma Shri award by the federal government of India.
    [Show full text]
  • Viewers Con­ Stantly That She Is One of Them, the Girl {H: Droming the Superstar Next Door
    SUNDAY SPECIAL about madhur The making of a phenomenon en years ago, they would never have dared to make their feelings public. Today, however, Farooq Abdullah, T.N. Seshan, Orissa’s poet laureate Sitakanta Mohapatra and, of course, M.F. Husain can get away with publicly declaring their adoration of her. After all, what’s so special about these people? Everyone is in love with Madhuri Dixit. She is almost a national obsession, a constant fixture with the media. And her www.rohininilekani.org www.rohininilekani.org SUNDAY SPECIAL perfect everything," says Anna Singh. There was not much to perfect, she adds, because Madhuri is BEHIND THE SCENES such a beautiful woman. "We started the transition with Beta, then we did Dil Tera Aashiq. People began to The people who’ve created the Madhuri magic appreciate her new look. And then Rakesh Nath: ten years with Madhuri SaroJ Khan: "The sky’s the limit" Anna Sin^:di Rikku is all praise for Madhuri. "It is came the best. HAHK broke all ^akesh f\ath very difficult for me to work with records as far as costumes were her. You know why? Because she is concerned." ■ Madhuri’s secretary. Or manager, such a nice person. We all have to be Anna’s strategy with Madhuri is if you prefer. He doesn’t mind what extra careful about her. She doesn’t very clear. The key word is you call him. No one meets Madhuri complain. She doesn’t demand simplicity. "Most of our senior without making an appointment anything." actresses have had a penchant for lots through him.
    [Show full text]
  • Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
    DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr.
    [Show full text]
  • Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
    Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof.
    [Show full text]
  • National Affairs
    NATIONAL AFFAIRS Prithvi II Missile Successfully Testifi ed India on November 19, 2006 successfully test-fi red the nuclear-capsule airforce version of the surface-to- surface Prithvi II missile from a defence base in Orissa. It is designed for battlefi eld use agaisnt troops or armoured formations. India-China Relations China’s President Hu Jintao arrived in India on November 20, 2006 on a fourday visit that was aimed at consolidating trade and bilateral cooperation as well as ending years of mistrust between the two Asian giants. Hu, the fi rst Chinese head of state to visit India in more than a decade, was received at the airport in New Delhi by India’s Foreign Minister Pranab Mukherjee and Science and Technology Minister Kapil Sibal. The Chinese leader held talks with Indian Prime Minister Manmohan Singh in Delhi on a range of bilateral issues, including commercial and economic cooperation. The two also reviewed progress in resolving the protracted border dispute between the two countries. After the summit, India and China signed various pacts in areas such as trade, economics, health and education and added “more substance” to their strategic partnership in the context of the evolving global order. India and China signed as many as 13 bilateral agreements in the presence of visiting Chinese President Hu Jintao and Prime Minister Manmohan Singh. The fi rst three were signed by External Affairs Minister Pranab Mukherjee and Chinese Foreign Minister Li Zhaoxing. They are: (1) Protocol on the establishment of Consulates-General at Guangzhou and Kolkata. It provides for an Indian Consulate- General in Guangzhou with its consular district covering seven Chinese provinces of Guangdong, Fujian, Hunan, Hainan, Yunnan, Sichuan and Guangxi Zhuang autonomous region.
    [Show full text]
  • Festival of Indian Film at WIPO
    Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 A GOVERNMENT OF INDIA B Centenary of Indian Cinema A Festival of Indian Films Geneva, December 4-7, 2012 Co-Organized by: World Intellectual Property Organization (WIPO) Ministry of Information and Broadcasting, Government of India Permanent Mission of India to the United Nations and other international organizations in Geneva 1 at WIPO (main building) 34 chemin des Colombettes, Geneva GOVERNMENT OF INDIA 100 Years Indian Cinema A Century of Creativity India’s Permanent Representative to the United Nations in Geneva Dilip Sinha said “India is proud of its film industry. It not only The World Intellectual Property entertains, but is a massive Organization (WIPO) is pleased source of employment and wealth to host a festival of Indian films generation, largely because of from December 3 to 7, 2012 at its a robust copyright system that Geneva headquarters to mark 100 encourages creativity.” This, he years of Indian cinema. added, is the main reason that 2 WIPO was chosen as a venue India is the world’s largest producer to host the 100 hundred year of feature films with over 1200 celebration of Indian cinema. releases a year, in more than 25 languages. Indian films entertain “The Indian Government has well beyond the country’s borders, consistently supported and finding acclaim at international film facilitated the development of festivals and pleasing audiences the film industry to ensure that it around the world. continues to flourish and expand,” said Secretary, Ministry of “From the black and white silent Information and Broadcasting, Uday animations of the early 20th Kumar Varma.
    [Show full text]
  • IP Eng Jan-Mar 09.Indd
    Vol 23, No. 1 ISSN 0970 5074 IndiaJANUARY-MARCH 2009 Perspectives Editor Vinod Kumar Assistant Editor Neelu Rohra Consulting Editor Newsline Publications Pvt. Ltd., C-15, Sector 6, Noida-201301 India Perspectives is published every month in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549, E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi, by Parbati Sen Vyas, Special Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. The Indian B.R. Chopra Film Industry A FILM MAKER FOR ALL SEASONS UPENDRA SOOD Editorial 2 58 Shyam Benegal We bring to our readers this time a special issue on Indian PROGENITOR NEW WAVE CINEMA Cinema. There could not have been a better theme for me to 62 commence my editorial stint as Indian and India-based cinema Gulzar seem to be the fl avour of the season. THE VERSATILE MAN AND HIS WORLD India was introduced to ‘moving pictures’ soon after their 66 screening by the Lumierre brothers in Paris.
    [Show full text]