Engineering Design Report
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Design Piracy: the Extensive Impact of a Fashion Knockoff
On the Monetary Impact of Fashion Design Piracy Gil Appel Marshall School of Business, University of Southern California [email protected] Barak Libai Arison School of Business, Interdisciplinary Center (IDC), Herzliya [email protected] Eitan Muller Stern School of Business, New York University Arison School of Business, Interdisciplinary Center (IDC), Herzliya [email protected] July 2017 The authors would like to thank Roland Rust, Senior Editor and reviewers, On Amir, Michael Haenlein, Liraz Lasry, Irit Nitzan, Raphael Thomadsen, the participants of the Marketing Science and EMAC conferences and the participants of the seminars of the business schools at University of California at Davis, the University of California at San Diego, and Stanford University for a number of helpful comments and suggestions. On the Monetary Impact of Fashion Design Piracy Abstract Whether to legally protect original fashion designs against design piracy (“knockoffs”) is an ongoing debate among legislators, industry groups, and legal academic circles, yet to-date this discussion has not utilized marketing knowledge and formal approaches. We combine data collected on the growth of fashion items, price markups, and industry statistics, to create a formal analysis of the essential questions in the base of the debate. We distinguish between three effects: Acceleration, whereby the presence of a pirated design increases the awareness of the design, and thus might have a positive effect on the growth of the original; Substitution, which represents the loss of sales due to consumers who would have purchased the original design, yet instead buy the knockoff; and the loss due to Overexposure of the design that follows the loss of uniqueness due to the design becoming too popular, causing some consumer not to adopt the design or stop using it. -
ENGINEERING YOURSELF INTO a CORNER with a PCB DESIGN by Angie Brown, PCB Product Manager Epec Engineered Technologies
ENGINEERING YOURSELF INTO A CORNER WITH A PCB DESIGN By Angie Brown, PCB Product Manager Epec Engineered Technologies As a manufacturer of printed circuit boards, we see many different flavors of PCBs. The complexity of a printed circuit board has changed greatly over the years. In this article, we will discuss the top design issues we see repeatedly that cause process challenges, scrap, and fallout. Data Review During pre-production design review, engineering will use a preset parameter for automated inspection. Prior to inspection beginning all the circuit board layers are checked for alignment to each other and to the supplied drill and non-plated drill. Verification of a 1-to-1 outline is also needed for measurement, data to datum checks, and copper checks. Often a 1:1 Gerber file outline is not supplied and must be created by engineering or copied from a layer if there is one supplied on the Gerber layers. A complete dimensioned drawing or fabrication drawing is key to programming and design for manufacturing checks. A Gerber outline should be exact to the desired PCB profile. It should include a hole to board edge dimension X, Y a hole chart, any cutout features, or slots. Every parameter checked in preproduction CAM somehow relates back to the outline. You can see (Figure 1) the importance of having a 1:1 Gerber file outline. This PCB has many cuts creating the profile, without a supplied outline and a dimensional drawing it would be difficult to interpret what the actual should be. We can measure and create a routing profile from the 1:1 Gerber file. -
An Ergonomic Customized-Tool Handle Design for Precision Tools Using Additive Manufacturing: a Case Study
applied sciences Article An Ergonomic Customized-Tool Handle Design for Precision Tools using Additive Manufacturing: A Case Study Alfonso González González 1,* ID , David Rodríguez Salgado 2, Lorenzo García Moruno 3 ID and Alonso Sánchez Ríos 3 ID 1 Campus of Mérida City, Department of Mechanical, Energy, and Materials Engineering, University of Extremadura, 06800 Mérida, Spain 2 Campus of Badajoz City, Department of Mechanical, Energy, and Materials Engineering, University of Extremadura, 06071 Badajoz, Spain; [email protected] 3 Department of Graphical Expression, University of Extremadura, 06800 Mérida, Spain; [email protected] (L.G.M.); [email protected] (A.S.R.) * Correspondence: [email protected]; Tel.: +34-924-28-93-00 Received: 12 June 2018; Accepted: 18 July 2018; Published: 22 July 2018 Abstract: A study was carried out with 135 surgeons to obtain a surgical laparoscopic grasper handle design that adapts to the size of each surgeon’s hand, in a functionally appropriate way, and has the sufficient ergonomics to avoid generating the problems detected nowadays. The main conclusion of the work is the practical 3D parametric design obtained for a laparoscopic surgical graspers handle that is scalable to fit each particular surgeon's hand size. In addition, it has been possible to determine that the anthropometric measure of the surgeon's hand defined as Palm Length Measured (PLM) allows the design of the 3D parametric model of the surgical handle to be conveniently scaled. The results show that both additive manufacturing and the application of ergonomics criterion provide an efficient method for the custom design and manufacture of this type of specialised tool, with potential application in other sectors. -
Change Orders Ordeal: the Output of Project Disintegration
International Journal of Business, Humanities and Technology Vol. 2 No. 1; January 2012 Change Orders Ordeal: The Output of Project Disintegration Roberto Soares, Ph.D., D.Sc., AIC, PE Assistant Professor College of Computing, Engineering and Construction University of North Florida Jacksonville, Florida United States of America Abstract Change orders are one of the most controversial issues in construction contracts and require successful negotiations to avoid claims and possible litigation. Contractors, owners and architects behave differently when dealing with change orders. The aim of this paper is to demonstrate that change orders are the natural result of the disintegration of design and construction, which started in the US in 1893 with a Congressional Act formally separating the design and construction phases of a capital project .Delivery methods such as Design-Build (DB) and Construction Management at Risk (CMR), which are designed to mend the missing integration of design and construction and, consequently, eliminate the existence of change order conflict are proposed to recover the level of integration that existed at the time of the master builder. Key words: change orders, project integration, design-build, delivery methods 1. Introduction Change orders in construction are one of the most controversial issues to manage and a challenge to project management to satisfactorily resolve any change in order to avoid claims. Any construction contract is signed under the principle of “good faith,” which means that the parties will trust each other to perform according to the contract and that the contract is fair with no intention of taking advantage of the parties during the life of the contract. -
SELECTED TOPICS in NOVEL OPTICAL DESIGN by Yufeng
Selected Topics in Novel Optical Design Item Type text; Electronic Dissertation Authors Yan, Yufeng Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 19:21:21 Link to Item http://hdl.handle.net/10150/636613 SELECTED TOPICS IN NOVEL OPTICAL DESIGN by Yufeng Yan ____________________________ Copyright © Yufeng Yan 2019 A Dissertation Submitted to the Faculty of the JAMES C. WYANT COLLEGE OF OPTICAL SCIENCES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2019 2 3 ACKNOWLEDGEMENTS I would like to first thank my parents in China for their support that encouraged me to pursue both bachelor’s, master’s and doctorate degree abroad. I would also like to thank my girlfriend Jie Feng for her strong support and being the first reader of each chapter of this dissertation. I am very grateful to my adviser, Dr. Jose Sasian. This project would not have been possible without his constant support and mentoring. I would also like to acknowledge the members of my committee, Dr. Rongguang Liang and Dr. Jim Schwiegerling, who took their time to review this dissertation and gave me valuable suggestions. In addition, I would like to thank Zemax for giving me permission to use their software for designing and evaluating the optical systems in this project. -
Coco Chanel's Comeback Fashions Reflect
CRITICS SCOFFED BUT WOMEN BOUGHT: COCO CHANEL’S COMEBACK FASHIONS REFLECT THE DESIRES OF THE 1950S AMERICAN WOMAN By Christina George The date was February 5, 1954. The time—l2:00 P.M.1 The place—Paris, France. The event—world renowned fashion designer Gabriel “Coco” Cha- nel’s comeback fashion show. Fashion editors, designers, and journalists from England, America and France waited anxiously to document the event.2 With such high anticipation, tickets to her show were hard to come by. Some mem- bers of the audience even sat on the floor.3 Life magazine reported, “Tickets were ripped off reserved seats, and overwhelmingly important fashion maga- zine editors were sent to sit on the stairs.”4 The first to walk out on the runway was a brunette model wearing “a plain navy suit with a box jacket and white blouse with a little bow tie.”5 This first design, and those that followed, disap- 1 Axel Madsen, Chanel: A Woman of her Own(New York: Henry Holt and Company, 1990), 287. 2 Madsen, Chanel: A Woman of her Own, 287; Edmonde Charles-Roux, Chanel: Her Life, her world-and the women behind the legend she herself created, trans. Nancy Amphoux, (New York: Alfred A. Knopf, Inc., 1975), 365. 3 “Chanel a La Page? ‘But No!’” Los Angeles Times, February 6, 1954. 4 “What Chanel Storm is About: She Takes a Chance on a Comeback,” Life, March 1, 1954, 49. 5 “Chanel a La Page? ‘But No!’” 79 the forum pointed onlookers. The next day, newspapers called her fashions outdated. -
8 Typographic Design
8 Typographic Design Lesson overview In this lesson, you’ll learn how to do the following: • Use guides to position text in a composition. • Make a clipping mask from type. • Merge type with other layers. • Use layer styles with text. • Preview typefaces interactively to choose them for a composition. • Control type and positioning using advanced type palette features. • Warp a layer around a 3D object. This lesson will take about an hour to complete. If needed, download the Lesson08.zip file and extract it. As you work on this lesson, you’ll preserve the start files. About type Type in Photoshop consists of mathematically defined shapes that describe the letters, numbers, and symbols of a typeface. Many typefaces are available in more than one format, the most common formats being Type 1 or PostScript fonts, TrueType, and OpenType (see page 266). When you add type to an image in Photoshop, the characters are composed of pixels and have the same resolution as the image file— zooming in on characters shows jagged edges. However, Photoshop preserves the vector-based type outlines and uses them when you scale or resize type, save a PDF or EPS file, or print the image to a PostScript printer. As a result, you can produce type with crisp, resolution- independent edges, apply effects and styles to type, and transform its shape and size. 248 LESSON 8 Typographic Design Getting started In this lesson, you’ll work on the layout for the label of a bottle of olive oil. You will start from an illustration of a bottle, created in Adobe Illustrator, and then add and stylize type in Photoshop, including wrapping the text to conform to the 3D shape. -
Metrics for Measuring Sustainable Product Design Concepts
energies Article Metrics for Measuring Sustainable Product Design Concepts Ji Han 1,*, Pingfei Jiang 2 and Peter R. N. Childs 3 1 School of Engineering, University of Liverpool, Liverpool L69 3BX, UK 2 Department of Mechanical Engineering, Kingston University, London SW15 3DW, UK; [email protected] 3 Dyson School of Design Engineering, Imperial College London, London SW7 2DB, UK; [email protected] * Correspondence: [email protected] Abstract: Although products can contribute to ecosystems positively, they can cause negative envi- ronmental impacts throughout their life cycles, from obtaining raw material, production, and use, to end of life. It is reported that most negative environmental impacts are decided at early design phases, which suggests that the determination of product sustainability should be considered as early as possible, such as during the conceptual design stage, when it is still possible to modify the design concept. However, most of the existing concept evaluation methods or tools are focused on assessing the feasibility or creativity of the concepts generated, lacking the measurements of sustainability of concepts. The paper explores key factors related to sustainable design with regard to environmental impacts, and describes a set of objective measures of sustainable product design concept evaluation, namely, material, production, use, and end of life. The rationales of the four metrics are discussed, with corresponding measurements. A case study is conducted to demonstrate the use and effectiveness of the metrics for evaluating product design concepts. The paper is the first study to explore the measurement of product design sustainability focusing on the conceptual design stage. -
Design-Build Manual
DISTRICT OF COLUMBIA DEPARTMENT OF TRANSPORTATION DESIGN BUILD MANUAL May 2014 DISTRICT OF COLUMBIA DEPARTMENT OF TRANSPORTATION MATTHEW BROWN - ACTING DIRECTOR MUHAMMED KHALID, P.E. – INTERIM CHIEF ENGINEER ACKNOWLEDGEMENTS M. ADIL RIZVI, P.E. RONALDO NICHOLSON, P.E. MUHAMMED KHALID, P.E. RAVINDRA GANVIR, P.E. SANJAY KUMAR, P.E. RICHARD KENNEY, P.E. KEITH FOXX, P.E. E.J. SIMIE, P.E. WASI KHAN, P.E. FEDERAL HIGHWAY ADMINISTRATION Design-Build Manual Table of Contents 1.0 Overview ...................................................................................................................... 1 1.1. Introduction .................................................................................................................................. 1 1.2. Authority and Applicability ........................................................................................................... 1 1.3. Future Changes and Revisions ...................................................................................................... 1 2.0 Project Delivery Methods .............................................................................................. 2 2.1. Design Bid Build ............................................................................................................................ 2 2.2. Design‐Build .................................................................................................................................. 3 2.3. Design‐Build Operate Maintain.................................................................................................... -
Woodbury University Graphic Design Student Wins IDA's International
For Immediate Release Woodbury University Graphic Design Student Wins IDA’s International Emerging Graphic Designer of the Year Award Natalie Krakirian Named Finalist for IDA’s Top Overall International Design Award; Six Other Woodbury Students Top List of 2014-15 International Design Award Winners LOS ANGELES (April 27, 2015) – A logo designed by Woodbury University graphic arts student Natalie Krakirian has earned the Burbank native top honors at the 8th Annual International Design Awards (IDA), a juried competition that recognizes students and professionals from around the world for their work in architecture, interior design, product design, fashion design and the graphic arts. Krakirian was named Emerging Graphic Designer of the Year, the IDA’s top graphic design award. As winner of that award, she qualifies as a finalist for IDA’s overall International Emerging Designer of the Year award, which will be presented during ceremonies in Los Angeles on May 4. In addition, Krakirian won a Gold Award in the Logos, Trademarks & Symbols category and Honorable Mention in the Direct Mail category. In all, Woodbury Graphic Design students won nine IDA awards. Other winners include Britney Asao, who earned Silver and Bronze awards for logo and stationery design, respectively; Kimberly Mena and Courtney Wolf, who won Silver awards for logo and packaging design; and Haley Clark, Maria Deroyan and Martin Sanchez, each of whom received Honorable Mention recognition for their entries. “The International Design Awards recognize, celebrate and promote emerging talent in graphic design and other creative fields of study,” said Sue Vessella, M.F.A., Chair of Woodbury’s Graphic Design Department and Associate Dean of the School of Media, Culture & Design. -
Information Systems Foundations: the Role of Design Science
Information Systems Foundations: The role of design science Information Systems Foundations: The role of design science Dennis N. Hart and Shirley D. Gregor (Editors) THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/is_foundations_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Information Systems Foundations (‘The role of design science’) Workshop (2008 : Canberra, A.C.T.) Title: Information systems foundations : the role of design science / edited by Shirley D. Gregor and Dennis N. Hart. ISBN: 9781921666346 (pbk.) ISBN: 9781921666353 (eBook) Notes: Workshop held at the Australian National University in Canberra from 2-3 October, 2008. Includes bibliographical references. Subjects: Management information systems--Congresses. Information resources management--Congresses. System design--Congresses. Other Authors/Contributors: Gregor, Shirley Diane. Hart, Dennis N. Dewey Number: 658.4038 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Cover ilustration by Jackson Gable Printed by Griffin Press This edition © 2010 ANU E Press Contents Preface . ix Philosophical Foundations 1 . Identification-interaction-innovation: a phenomenological basis for an information services view . 3 Dirk Hovorka, Matt Germonprez 2 . How critical realism clarifies validity issues in theory- testing research: analysis and case . 21 Robert B. Johnston, Stephen P. -
Eco-Designing the Use Phase of Products in Sustainable Manufacturing: the Importance of Maintenance and Communication-To-User Strategies
Eco-designing the use phase of products in sustainable manufacturing: the importance of maintenance and communication-to-user strategies Esther Sanyé-Mengual, Paula Pérez-López, Sara González-García, Raul Garcia Lozano, Gumersindo Feijoo, Maria Teresa Moreira, Xavier Gabarrell, Joan Rieradevall Address Correspondence to: Esther Sanyé Mengual, [email protected] Sostenipra (ICTA-IRTA-Inèdit) – Institute of Environmental Science and Technology (ICTA), Universitat Autònoma de Barcelona (UAB), Campus de la UAB s/n, 08193, Bellaterra (Barcelona), Spain Abstract Recently, principles in sustainable manufacturing have included the Design for the Environment (DfE) methodology with the objective of improving the environmental performance of products over their entire lifecycles. Current EU Directives on eco- design focus on the use phase of Energy-related-Products (ErPs). However, the maintenance of various household non-ERPs is performed with ErPs; therefore, the environmental impacts of product maintenance have an important role in the lifecycle of non-ErPs. This article presents two eco-design studies where the implementation of improvement strategies for the use and maintenance phase of products had relevant results. Moreover, environmental communication-to-user strategies were important to ensure the commitment of users towards eco-efficient behaviors. First, a knife was eco- 1 designed according to strategies focused on materials, processing, maintenance and communication-to-user. By applying eco-design in a cradle-to-consumer scope, improvements in environmental impact of the eco-designed product accounts for 30%. However, when accounting for eco-design of the product’s entire lifecycle, environmental impacts could be reduced by up to 40% and even up to ≈93% (depending on the cleaning procedure), due to large improvements in maintenance strategies.