A Broken Bargain: Full Report
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Sexual Orientation and Gender Identity Report on Good Practices
The Business Case for Diversity in the Workplace: sexual orientation and gender identity Report on good practices Contract n° JUST/2014/RDIS/PR/EQUA/0117 Written by: Lisa van Beek Alessandra Cancedda Carlien Scheele Date: 26 September 2016 Justice and Consumers EUROPEAN COMMISSION Directorate-General for Justice and Consumers Unit D3 – Non discrimination policies and Roma coordination European Commission B-1049 Brussels EUROPEAN COMMISSION The Business Case for Diversity in the Workplace: sexual orientation and gender identity Report on good practices Directorate-General for Justice and Consumers EU Consumer Programme 2016 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2016 Numéro de projet: 2016.6410 Titre: The business case of diversity for enterprises, cities and regions with focus on sexual orientation and gender identity Version Numéro de Support/Volume ISBN DOI linguistique catalogue EN Paper/Volume_01 DS-04-16-814- 978-92-79- 10.2838/361589 PDF/Volume_01 EN-C 62186-4 10.2838/371 DS-04-16-814- 978-92-79- EN-N 62185-7 © European Union, 2016 Reproduction is authorised provided the source is acknowledged. -
Photoshop Elements 3 Down & Dirty Tricks
® Scott Kelby PHOTOSHOP ® ELEMENTS 3 DOWN & DIRTY TRICKS The Photoshop Elements 3 Published by Down and Dirty Tricks Team New Riders / Peachpit Press CREATIVE DIRECTOR Copyright © 2005 by Scott Kelby Felix Nelson TECHNICAL EDITOR First edition: December 2004 Polly Reincheld All rights reserved. No part of this book may be reproduced or transmitted in any form, by any COPY EDITOR means, electronic or mechanical, including photocopying, recording, or by any information stor- Chris Main age and retrieval system, without written permission from the publisher, except for inclusion of brief quotations in a review. PRODUCTION EDITOR Kim Gabriel Composed in Cronos, Helvetica, and Apple Garamond Light by NAPP Publishing PRODUCTION MANAGER Dave Damstra Trademarks All terms mentioned in this book that are known to be trademarks or service marks have been PRODUCTION DESIGNERS appropriately capitalized. New Riders / Peachpit Press cannot attest to the accuracy of this Dave Korman information. Use of a term in the book should not be regarded as affecting the validity of any Taffy Orlowski trademark or service mark. COVER DESIGNED BY Felix Nelson Photoshop is a registered trademark of Adobe Systems, Inc. Windows is a registered trademark of Microsoft Corporation. COVER PHOTOS AND STOCK IMAGES Warning and Disclaimer The royalty-free stock images This book is designed to provide information about Photoshop Elements. Every effort has been in this book are courtesy of made to make this book as complete and as accurate as possible, but no warranty of fitness is implied. The information is provided on an as-is basis. The authors and New Riders / Peachpit Press shall have neither liability nor responsibility to any person or entity with respect to any loss or damages arising from the information contained in this book or from the use of the discs or programs that may accompany it. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
1 July 27, 2011 Dear Senator: RE: ACLU Urges Support and Co
WASHINGTON LEGISLATIVE OFFICE July 27, 2011 Dear Senator: RE: ACLU Urges Support and Co-Sponsorship of the Respect for Marriage Act (S. 598) On behalf of the American Civil Liberties Union (ACLU), a non-partisan organization with more than a half million members, countless additional AMERICAN CIVIL LIBERTIES UNION activists and supporters, and fifty-three affiliates nationwide, we are writing WASHINGTON to urge you to support and co-sponsor the Respect for Marriage Act (S. 598). LEGISLATIVE OFFICE TH 915 15th STREET, NW, 6 FL WASHINGTON, DC 20005 T/202.544.1681 The Respect for Marriage Act, which was introduced earlier this year by F/202.546.0738 WWW.ACLU.ORG Senator Dianne Feinstein (D-CA), would repeal the discriminatory, so-called Defense of Marriage Act (DOMA) in its entirety, as well as provide all LAURA W. MURPHY DIRECTOR married couples certainty that regardless of where they travel or move in the NATIONAL OFFICE country, they will not be treated as strangers under federal law. The Respect 125 BROAD STREET, 18TH FL. NEW YORK, NY 10004-2400 for Marriage Act would return the federal government to its historic role in T/212.549.2500 deferring to states in determining who is married. OFFICERS AND DIRECTORS SUSAN N. HERMAN PRESIDENT When DOMA (Public Law 104-199) was passed by Congress and signed ANTHONY D. ROMERO into law in 1996, gay and lesbian couples could not legally marry in any EXECUTIVE DIRECTOR state, and it was not until 2000 that Vermont made national headlines with ROBERT REMAR its civil unions law. Today, gay and lesbian couples can legally marry in six TREASURER states – Connecticut, Iowa, Massachusetts, New Hampshire, New York and Vermont – as well as in the District of Columbia. -
2009 Corporate Equality Index Rating System
CORPORATE EQUALITY INDEX 09A Report Card on Lesbian, Gay, Bisexual and Transgender Equality in Corporate America Human Rights Campaign Foundation 1640 Rhode Island Ave., N.W., Washington, D.C. 20036 phone 202/628-4160 TTY 202/216-1572 fax 866/369-3348 website www.hrc.org/workplace e-mail [email protected] The Human Rights Campaign Foundation believes that all Americans should have the opportunity to care for their families, earn a living, serve their country and live open, honest and safe lives at home, at work and in their community. Through pioneering research, advocacy and education, the HRC Foundation pursues practices and policies that support and protect lesbian, gay, bisexual and transgender individuals and their families in education, healthcare, corporate, public and private organizations across the country. The HRC Foundation also provides accurate, timely research and information vital to the LGBT community, straight allies and policymakers on a wide range of issues, including: family law, senior health and housing, parenting, schools, workplace policies and law, religion, civil unions, marriage, adoption, financial planning and healthcare. Our programs, which include the Workplace Project, the Religion and Faith Program, the Coming Out Project, the Family Project, Youth and Campus Outreach and the Center for the Study of Equality, are possible through the generous gifts of individual donors and corporate and private philanthropic foundations. Contributions to the HRC Foundation are tax-deductible to the fullest extent of the law. See www.hrc.org for more. © 2008 by the Human Rights Campaign Foundation. The HRC Foundation grants permission for the reproduction and redistribution of this publication only when reproduced in its entirety and distributed free of charge. -
Section Three of the Defense of Marriage Act: Deciding, Democracy, and the Constitution
Wardle 5.0 10/15/2010 10:14 AM SECTION THREE OF THE DEFENSE OF MARRIAGE ACT: DECIDING, DEMOCRACY, AND THE CONSTITUTION Lynn D. Wardle TABLE OF CONTENTS I. Introduction: DOMA and Self-Government .................................... 952 II. Five Dimensions of the Controversy Over DOMA .......................... 954 III. The Politics of DOMA ......................................................................... 959 A. The Legislative and Popular Politics of DOMA .......................... 960 B. The Academic Politics of DOMA ................................................. 964 C. The Judicial Politics of DOMA Litigation ................................... 965 IV. The Constitutionality of DOMA Section Three Under Structural Federalism and Separation of Powers Principles .............................. 973 A. Section Three and Federalism Doctrine ....................................... 974 B. A Short Primer on the History of Federal Regulation of the Meaning and Incidents of Family Relations for Purposes of Federal Law ...................................................................................... 976 C. Federalism Self-Contradictions by Opponents of Section Three of DOMA .............................................................................. 982 V. Popular Sovereignty, Constitutional Consensus, and Same-Sex Marriage Recognition ........................................................................... 985 A. Popular Sovereignty and Institutional Re-Constitution ............. 986 B. Constitutional Consensus and Same-Sex Marriage -
Defense of Marriage Act, Will You Please Go Now! Joanna L
Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2012 Defense of Marriage Act, Will You Please Go Now! Joanna L. Grossman Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Recommended Citation Joanna L. Grossman, Defense of Marriage Act, Will You Please Go Now! Cardozo L. Rev. de novo 155 (2012) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/334 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. C ARDOZO L AW R EVIEW de•novo DEFENSE OF MARRIAGE ACT, WILL YOU PLEASE GO NOW! JOANNA L. GROSSMAN* The time has come. The time has come. The time is now. Just go. Go. GO! I don’t care how. You can go by foot. You can go by cow. Marvin K. Mooney, will you please go now! INTRODUCTION These are the opening lines of Marvin K. Mooney Will You Please Go Now!, a Dr. Seuss book that my three sons and I have read literally hundreds of times. It has all the usual appeal of a Dr. Seuss book – euphonious rhymes, made-up words and objects, fantastical creatures. But it has something else, too. An air of mystery. The entire book revolves around trying to get rid of Marvin K. -
CHECKING the BALANCES: an Examination of Separation of Powers Issues Raised by the Windsor Case Derek Funk*
CHECKING THE BALANCES: An Examination of Separation of Powers Issues Raised by the Windsor Case Derek Funk* INTRODUCTION The legal definition of marriage is currently a prominent issue in political debates and courtrooms across the nation. Up until the late 1990s, state and federal law universally defined marriage as between a man and a woman.1 The push for recognition of same-sex marriages began to gain momentum in 2000, when Vermont became the first state in the U.S. to legalize same-sex civil unions and registered partnerships.2 In the next few years, several other states across the nation changed their definitions of marriage to include same- sex couples.3 Nevertheless, the federal definition of marriage under the Defense of Marriage Act (“DOMA”), enacted in 1996, continued to define marriage as meaning only a legal union between a man and a woman as husband and wife.4 As more and more states changed their definitions of marriage, same-sex marriage advocates criticized the federal definition of marriage, arguing it *. J.D. Candidate, 2015, Sandra Day O’Connor College of Law at Arizona State University. 1. See Marriage, GALLUP.COM, http://www.gallup.com/poll/117328/marriage.aspx (last visited Dec. 20, 2014). 2. See Timeline: Milestones in the American Gay Rights Movement, PBS.ORG, http://www.pbs.org/wgbh/americanexperience/features/timeline/stonewall/ (last visited Oct. 28, 2014); Gay Marriage Timeline: History of the Same-sex Marriage Debate, PROCON.ORG, http://gaymarriage.procon.org/view.timeline.php?timelineID=000030 (last visited Oct. 28, 2014); History and Timeline of the Freedom to Marry in the United States, FREEDOMTOMARRY.ORG, http://www.freedomtomarry.org/pages/history-and-timeline-of- marriage (last visited Oct. -
In Living Color: Andy Warhol & Contemporary Printmaking
NEWS RELEASE 2200 Dodge Street, Omaha, Nebraska 68102 Phone: 402-342-3300 Fax: 402-342-2376 www.joslyn.org For Immediate Release Contact: Amy Rummel, Director of Marketing and Public Relations October 3, 2014 (402) 661-3822 or [email protected] Andy Warhol & Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation Exhibition of Pop Art Premieres at Joslyn Art Museum (Omaha, NE) – Reflecting a range of aesthetic concerns and conceptual underpinnings, In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation highlights artists who invest in the power of their palettes. Dispatching a seemingly endless array of colors, Andy Warhol depicted the world with the volume turned up. His example reverberates throughout contemporary printmaking. This exhibition, organized and traveled by Joslyn Art Museum, includes over 110 -more- IMAGE ABOVE: Andy Warhol (American, 1928-1987), Marilyn Monroe (Marilyn) (II.25), AP edition C/Z, 1967, screen print, 36 x 36 inches, Collection of the Jordan Schnitzer Family Foundation, 2001.51d; © 2014 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York; Marilyn Monroe™; Rights of Publicity and Persona Rights: The Estate of Marilyn Monroe, LLC add 1-1-1-1 In Living Color: Andy Warhol & Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation works by Warhol and 16 other artists working since 1945, including John Baldessari, Ross Bleckner, Louise Bourgeois, Helen Frankenthaler, Keith Haring, and Richard Diebenkorn. In Living Color premieres nationally at Joslyn Art Museum on October 11 and continues through January 11. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Transgender-Inclusive Health Care Coverage and the Corporate Equality Index
Transgender-Inclusive Health Care Coverage and the Corporate Equality Index www.hrc.org/transbenefits 1 CEI 2O12 TRANSGENDER-INCLUSIVE HEALTH CARE coVERAGE Contents 3 Introduction 4 Gender Identity and Gender Transition-Related Health Care: Understanding This Condition 6 The CEI Criteria and Transgender-Inclusive Health Care Coverage 6 Baseline Coverage for Credit 7 More Comprehensive Coverage for Workforce 9 Businesses That Offer Atleast One Transgender-Inclusive Heath Care Coverage Plan 10 Understanding Your Plan: Examining Exclusions, Eliminating Them and Affirming Coverage 10 Insurance Exclusions 11 Negotiating Coverage: Tools for Success 11 Standards of Care: World Professional Association for Transgender Health (WPATH) 12 Questions for Insurance Carriers – Affirming Coverage and Adherence to WPATH 13 Ensuring Coverage of Specific Services 14 FAQ: Transgender-Inclusive Health Care Coverage 14 What do I need to know for my “elevator pitch” with leadership to get the coverage at my employer? Can you summarize it in five points? 14 Why should we be covering this. Isn’t it a choice to change genders? 14 Are these cosmetic surgeries? We don’t cover those. 15 What types of services and procedures are medically necessary parts of sex reassignment? 15 Won’t these changes to our plans be very expensive? 15 Our insurance carrier representative has told us that few if any plans ever cover services for sex reassignment. Is this true? 15 What carriers are administering plans with coverage of sex reassignment surgeries and procedures? 16 We never list out every treatment that is covered by our plan. Why do we need to explicitly state coverage here? 17 Which other employers are currently offering transgende-inclusive health plans? 17 We are self-insured.