Edinburgh Research Explorer Putting a Glitch in the Field Citation for published version: Prior, N 2008, 'Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music', Cultural Sociology, vol. 2, no. 3, pp. 301-319. https://doi.org/10.1177/1749975508095614 Digital Object Identifier (DOI): 10.1177/1749975508095614 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Cultural Sociology Publisher Rights Statement: © Prior, N. (2008). Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music. Cultural Sociology, 2(3), 301-319doi: 10.1177/1749975508095614 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact
[email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 © Prior, N. (2008). Putting a Glitch in the Field: Bourdieu, Actor Network Theory and Contemporary Music. Cultural Sociology, 2(3), 301-319doi: 10.1177/1749975508095614 Putting a Glitch in the Field: Bourdieu, Latour and Contemporary Music1 Keywords: music, technology, Bourdieu, glitch, field Introduction What can the sociologist bring to the study of contemporary popular music? This is, of course, not a straightforward question.