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El Beatbox: Panorama Actual Y Propuesta De Grabación Y Producción En Estudio

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El Beatbox: Panorama Actual Y Propuesta De Grabación Y Producción En Estudio EL BEATBOX: PANORAMA ACTUAL Y PROPUESTA DE GRABACIÓN Y PRODUCCIÓN EN ESTUDIO Por: Jesús David Acosta Cabrera C.C 1032420270 Dirección Metodológica Germán Loedel, Ph.D Dirección específica Eduardo Andrés García Proyecto Artístico presentado para la obtención del título de Maestro en Música con énfasis en Ingeniería de sonido Facultad de Artes Universidad El Bosque Bogotá 2014-1 En la presente se hace constar que la Universidad El Bosque, no se hace responsable de los conceptos emitidos por los investigadores en su trabajo, solo velara por el rigor científico, metodológico y ético del mismo en aras de la búsqueda de la verdad y la justicia. AGRADECIMIENTOS Primero que todo quiero agradecer a mi madre por el apoyo brindado durante todo el transcurso de mi formación académica. A mis maestros, por su enseñanza, la cual me sirvió para mi desarrollo profesional. Quiero agradecer también a mis asesores, metodológico y específicos German Loedel, Eduardo García y José David Zárate respectivamente, por brindarme el apoyo y la guía necesaria para sacar adelante este trabajo de grado. Agradezco a Studios Jomi por la paciencia, los consejos y el apoyo brindado en todo el proceso de producción musical. Y por último a todas las personas, amigos y familiares que me brindaron su apoyo en muchos momentos que lo necesité. Tabla de contenido INTRODUCCIÓN ....................................................................................................................... 8 1. ASPECTOS GENERALES DE LA INVESTIGACIÓN ........................................................... 10 1.1 Planteamiento del problema ........................................................................................... 10 1.2 Antecedentes .................................................................................................................. 11 1.3 Justificación .................................................................................................................... 14 1.4 Objetivos ......................................................................................................................... 17 1.4.1 General .................................................................................................................... 17 1.4.2 Específicos ............................................................................................................... 17 2. MARCO TEÓRICO .............................................................................................................. 19 2.1 ¿Qué es el beatbox? ....................................................................................................... 19 2.2 Historia y desarrollo del beatbox ..................................................................................... 19 2.2.1 Estilos del beatbox ................................................................................................... 24 2.3 Principales espacios y representantes actuales de expresión del beatbox en la escena internacional .......................................................................................................................... 24 2.4 El beatbox en Colombia .................................................................................................. 28 2.4.1 Espacios y antecedentes de expresión del beatbox en Colombia............................. 29 2.5 Música concreta .............................................................................................................. 30 2.6 El Sintetizador ................................................................................................................. 31 2.7 Principales componentes del sonido ............................................................................... 33 2.8 Rango o tesitura vocal .................................................................................................... 34 2.9 Rango de frecuencias audibles ....................................................................................... 36 2.10 Dispositivos de audio empleados en la producción de los dos temas musicales realizados por medio de la técnica vocal beatbox .................................................................. 38 2.10.1 Procesador de señal ............................................................................................... 38 2.10.2 Transductor electroacústico .................................................................................... 38 2.10.3 El micrófono ........................................................................................................... 39 2.10.4 Micrófonos Sennheiser e835 y C1 Studio Projects ................................................. 44 2.10.5 Interfaz de audio ..................................................................................................... 46 2.10.6 Loopstation ............................................................................................................. 48 2.10.7 Software Protools ................................................................................................... 53 3. METODOLOGÍA ................................................................................................................... 59 3.1 Tipo de metodología ....................................................................................................... 59 3.2 Presentación de los temas musicales ............................................................................. 60 3.3 Proceso de producción .................................................................................................... 60 3.3.1 Tema 1: Live now (inédito) ........................................................................................ 63 3.3.2 Tema 2: Be strong (cover) ......................................................................................... 94 4. CONCLUSIONES ............................................................................................................... 105 5. REFERENCIAS .................................................................................................................. 110 INDICE DE IMÁGENES 1 Synclavier ............................................................................................................................... 33 2 Rango/Tesitura vocal del bajo ................................................................................................ 34 3 Rango/Tesitura vocal del barítono .......................................................................................... 35 4 Rango/Tesitura vocal del tenor ............................................................................................... 35 5 Rango/Tesitura vocal del contralto ......................................................................................... 35 6 Rango/Tesitura vocal del mezzosoprano ................................................................................ 36 7 Rango/Tesitura vocal del soprano .......................................................................................... 36 8 Respuesta de frecuencia plana .............................................................................................. 41 9 Respuesta de frecuencia personalizada ................................................................................. 42 10 Micrófono de polaridad Cardióide ......................................................................................... 43 11 Micrófono de polaridad Supercardioide ................................................................................ 43 12 Micrófono de polaridad omnidireccional ................................................................................ 44 13 Micrófono de polaridad figura ocho ....................................................................................... 44 14 Sennheiser e835 .................................................................................................................. 45 15 Respuesta de frecuencia del Sennheiser e835 ..................................................................... 45 16 C1 Studio Projects ................................................................................................................ 46 17 Respuesta de frecuencia C1 Studio Projects ........................................................................ 46 18 Imagen frontal de la interfaz Profire 2626 ............................................................................. 47 19 Imagen del respaldo de la interfaz Profire 2626 .................................................................... 47 20 Boss RC-2 ............................................................................................................................ 49 21 Boss RC-30 .......................................................................................................................... 49 22 KORG Kaoss Pad 3 + .......................................................................................................... 49 23 TC-Helicon ........................................................................................................................... 49 24 Boss RC-300 ........................................................................................................................ 49 25 BossRC-505 ......................................................................................................................... 49 26 TC-Helicon 2 ........................................................................................................................ 49 27 Boss GT-10B .......................................................................................................................
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