2013 – 50Th Anniversary Issue
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TECH RIDER Bunkr
BUNKR STUDIO BASSANO DEL GRAPPA 36061 Console – Thermionic Culture Ltd. Fat Bustard II 14ch Summing Analog Valve Mixer – Solid State Logic Six SuperAnalogue™ Desktop Mixer Pre Amps – Chandler Limited TG2 Abbey Road Special Edition Stereo Preamp/DI – Chandler Limited Germanium Preamp/DI – Empirical Labs Mike-E Preamp/Comp – SSL SuperAnalogue™ Mic’ Preamp (2x) – Focusrite ISA 428 Preamp – Focusrite ISA Two Preamp – Motu 896 Mk3 Preamp Outboards – Warm Audio EQP-WA Tube EQ (Pultec EQP-1A replica) (2x) – Klark Teknik 76-kt (1176 Syle FET Compressor) (2x) – Dbx 160A American Series Compressor – Dbx 166XL Stereo Gate/Comp/Limiter – Phonic PCL 3200 Gate/Comp/Limiter – Audioscope 2813 – TC Electronic Clarity M Converters – Apogee Symphony (8 analog i/o + 8 digital i/o) – Apogee Quartet (4 analog in, 8 analog out) – Motu 896 Mk3 (8 analog i/o) – RME Fireface Monitoring – Dynaudio BM15A – Yamaha NS10 w/ Yamaha Power Amp & M Audio SBX10 Pro Active Subwoofer – Behringer Behritone C5A – PreSonus Eris5 – up to octophonic multichannel configuration Reel Tape Recorder – Revox A77 1/4 ” 2 tracks tape recorder Computers – Apple Mac Pro Intel 2,8 Ghz 8-Core Dual 8 Gb RAM – Apple iMac Intel Core 2 Duo 3.06 Ghz 8 Gb RAM – Apple Mac Book Pro Retina 2,5 GHz Intel Core i7 16 Gb RAM Software – Avid ProTools HD3 Accel w/ ProTools HD 9, Pro Tools 10/11 – Ableton Live Suite 10 – Apple Logic Pro X – Cycling 74 Max8 Microphones – DPA 4006A Stereo Matched – Akg C414 Xls (2) – Akg D112 – Audio Technica AT4040 – Audio Technica AT2020 – Audio Technica ATM 250 – Audix D6 – Audix i-5 – Audix D4 – Audix D2 (2) – ElectroVoice RE20 – G.S.A. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Korg Triton Extreme Manual
E 2 Thank you for purchasing the Korg TRITON Extreme music workstation/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON Extreme The TRITON Extreme is available in 88-key, 76-key and The owner’s manuals and how to use 61-key models, but all three models are referred to them without distinction in this manual as “the TRITON Extreme.” Illustrations of the front and rear panels in The TRITON Extreme come with the following this manual show the 61-key model, but the illustra- owner’s manuals. tions apply equally to the 88-key and 76-key models. • Quick Start • Operation Guide Abbreviations for the manuals QS, OG, PG, VNL, EM • Parameter Guide The names of the manuals are abbreviated as follows. • Voice Name List QS: Quick Start OG: Operation Guide Quick Start PG: Parameter Guide Read this manual first. This is an introductory guide VNL: Voice Name List that will get you started using the TRITON Extreme. It EM: EXB-MOSS Owner’s Manual (included with the explains how to play back the demo songs, select EXB-MOSS option) sounds, use convenient performance functions, and Keys and knobs [ ] perform simple editing. It also gives examples of using sampling and the sequencer. References to the keys, dials, and knobs on the TRI- TON Extreme’s panel are enclosed in square brackets Operation Guide [ ]. References to buttons or tabs indicate objects in This manual describes each part of the TRITON the LCD display screen. -
Portable Digital Musical Instruments 2009 — 2010
PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive -
Opsix Owner's Manual
Owner’s Manual E 2 Table of Contents Introduction .......................................................................... 6 1. Main Features ...............................................................................6 2. About the sound generator of the opsix ....................................7 Operator (modulator, carrier) .................................................................................................................... 7 Algorithms ........................................................................................................................................................ 7 Operator modes ............................................................................................................................................. 7 3. Block Diagram ............................................................................11 Panel description and functions ....................................... 12 1. Front panel ..................................................................................12 2. Rear panel connections ..............................................................15 Connecting the AC adapter ......................................................................................................................15 Other connections .......................................................................................................................................15 Operation Guide ................................................................. 17 1. Turning the power on/off ...........................................................17 -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Entertainment
ENTERTAINMENTpage 23 Technique • Friday, November 3, 2000 • 23 U2’s latest offering: Did you get yours? It’s a “Beautiful Day”, but is it a Two Bits Man explores what will be ENTERTAINMENT beautiful album? Find out with our keeping us from our studies this review of U2’s newest. Page 27 year: Sony’s Playstation 2. Page 29 Technique • Friday, November 3, 2000 ‘Charlie’s Angels’ stars bring beauty, flexibility to revival By Daniel Weksler inventor (Tim Curry), who was produced many scenes that will Oh to be Bosley! abducted by one of his rivals leave the audience roaring in along with his machinery. As laughter. MPAA Rating: PG-13 Bosley (Bill Murray) informs the The movie definitely follows Starring: Cameron Diaz, Drew girls of their mission, he intro- the setup that the television show Barrymore, Lucy Liu, Bill duces them to the client Miss did when it was on the air in the Murray Vivian Wood (Kelly Lynch). past. Director: McG The girls then decided to crash Three beautiful women fight- Studio: Columbia Pictures the party of the man believed to ing to save the world alongside Rating: yyyy be the kidnapper, and give chase their friend Bosley and their bene- to one of the men who is in- factor Charlie, while also find- Many old television shows volved, ending up fighting him ing time to have relationships get turned into movies lately. in a three-on-one situation in a and fun. Mission Impossible, The Brady great fight scene. As the movie All of the actors and actresses Bunch, and a slew of others. -
Microkorg S Bedienungsanleitung
Vielen Dank für den Erwerb des microKORG S Synthesizer/Vocoder. Um Inhalt den problemlosen Betrieb zu gewährleisten, lesen Sie diese Anleitung bitte sorgfältig und bedienen Sie das Produkt in der richtigen Weise. Erste Schritte ......................................................................... 7 Hier werden die ersten Bedienungsschritte mit dem microKORG S erklärt (Anhören der Vorweg.................................................................................... 1 Demo-Songs, Auswählen von Programmen, Einsatz des Arpeggiators und Spielfunktionen) und es werden einfache Bedienungsvorgänge erläutert. Erklärt die Leistungsmerkmale des microKORG S und erläutert die Bezeichnungen und Demo-Songs......................................................................................................................7 Funktionen der einzelnen Bereiche. Anhören der Demo-Songs ............................................................................................. 7 Hauptmerkmale ................................................................................................................. 1 Synth-Programme ............................................................................................................ 8 Voder-und Rückseite ........................................................................................................ 2 1. Programm auswählen und spielen ............................................................................. 8 Vorderseite .....................................................................................................................2 -
Microkorg S Voice Name List
Voice Name List BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio TRANCE A.11 (0) Pump Stab Strings/Pad Off TRANCE B.11 (64) Trancey Arpeg. Arpeggio On TRANCE C.11 (0) Synth Harp Arpeggio On A.12 (1) Plucky Synth Arpeggio Off B.12 (65) Acid Saw Bass Bass On C.12 (1) Acid Ring Bass Bass Off A.13 (2) UniArpo Arpeggio On B.13 (66) Unison Saw Lead Lead Off C.13 (2) Unison Ring Lead Lead On A.14 (3) Complicados Bass Off B.14 (67) Unison HPF+LPF Lead On C.14 (3) Phaser Lead Lead Off A.15 (4) Growler Bass Off B.15 (68) Weepy Lead Lead Off C.15 (4) Synth Pizz Synth Off A.16 (5) Heroic Lead Lead Off B.16 (69) Slippy Pad Synth Off C.16 (5) Euphoric Synth Synth Off A.17 (6) AMxPM Synth Synth Off B.17 (70) Sweep Poly Pad Synth Off C.17 (6) Flashin' Pad Strings/Pad Off A.18 (7) ClaviPhone Synth Off B.18 (71) Filter Strings Strings/Pad Off C.18 (7) Stream Pad Strings/Pad Off TECHNO/HOUSE A.21 (8) TriStep Jag Arpeggio Off TECHNO/HOUSE B.21 (72) Auto House Arpeggio On TECHNO/HOUSE C.21 (8) S&H Signal Arpeggio On A.22 (9) Metallic Arp Arpeggio On B.22 (73) Burnin' Rave Arpeggio On C.22 (9) Dirty Motion Arpeggio On A.23 (10) Build Arp Arpeggio On B.23 (74) X-Mod Perc. -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Student Project
ASSR MUSIC PRODUCTION CURRICULUM Audio Tools for Schools ALAN Parsons’ Student project www.artandscienceofsound.com A LETTER FROM THE FOUNDERS usic is a precious resource. Being able Mto capture or record music for future generations to enjoy is one of music’s most valuable skills. Today Music Production is something anyone can do, armed with a cellphone and a decent internet connection. Sure you’ll soon want a microphone; and then another mic, and then another mic. Speakers help of course, and pro software gives you the sort of power that only major recording studios like Capitol and Abbey Road had back in the day. Speaking of which, back in the day when we were trying to carve out our careers, there weren’t any alternatives to a recording studio. And there weren’t any schools you could go to to learn about recording. Alan got a job as an assistant engineer at Abbey Road and Julian signed with Charisma Records as a writer and keyboard player. We listened, observed, tried, occasionally failed, Since 2010 we’ve dedicated ourselves to lifting the lid on what but eventually started to make sense of this magical thing we call it takes to record music; unravelling some of the mysteries ‘making records.’ behind and in front of the glass. Learning Music Production Today, even though physical records might seem to have gone and Audio Engineering isn’t rocket science (though Alan does the way of the Dodo, there’s still a thrill in creating music… have strong connections with NASA these days) and it’s not art creating something that didn’t exist fifteen minutes ago.