Song Lists for Pep/Marching Bands School Name Band Information UC

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Song Lists for Pep/Marching Bands School Name Band Information UC

Subject: Song Lists for Pep/Marching Bands School Band Information Name http://www.calband.berkeley.edu/calband/multimedia/calsongs.html Band also puts out a CD every other year or so that also contains upbeat UC Berkeley songs that they perform at games/halftime shows (“Hey Ya”, “Take On Me”, “Stacy’s Mom”, “Smooth Criminal”, “More Than A Feeling”, etc.) ASU Stuff #2 = second half of fight song Fight Song – Maroon and Gold Alma Mater ASU Cheer (Let’s Go Blue) – short and long ASU Fanfare Celebration Go, Go Sun Devils Go Mighty Devils Go Devils Go Eat ‘em Up Imperial March Iron Man Rock You Star Spangled Banner Superman Arizona Full Tunes State Birdland University Blister in the Sun Cantina Band Caravan Carry On Wayward Son Come On Feel the Noize Eye of the Tiger Final Countdown Get it On Hey Baby Hold On I’m Comin’ It’s My Life/Lay Your Hands On Me Mony, Mony Pretty Fly for a White Guy Raider’s March Runaway Sing, Sing, Sing Tear the Roof off the Sucker You Give Love a Bad Name Univeristy of Minnesota - http://www.umdpepband.2ya.com/ Duluth - Crazy Train (Ozzy Osborne) - Our fans like this as our mascot is "Boilermakers" which is a "train" reference - Back in Black (AC/DC) - our colors are black and gold - Hey Ya (Outkast) - This goes over very well with the students - Living on a prayer (Bon Jovi) - The band plays until the chorus when the students sing. After the chorus the band cuts back in - Sweet Child of Mine (Guns & Roses) - useless trivia -- Axel Rose and Izzy Purdue Stradlin from GnR are both from Lafayette, IN. Izzy's mom works at Purdue - The Horse (every basketball pep band plays this one) Cheerleaders spell University "B-O-I-L-E-R-S-BOILERS" during verse. - Rock and Roll Part One ("Hey") Gary Glitter - most pep bands do this one. Our fans shout "HEY, Go Boilers" during chorus - Jump (Van Halen) Students usually jump during chorus - William Tell Overture (Lone Ranger theme) - Enter Sand Man (Metallica) They also do a couple of Sheryl Crow songs that our fans seem to like..

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Van Halen – A Different Kind Of Truth A Different Kind Of Truth is Van Halen’s twelfth studio album, and their first in fourteen years. This album marks the recording reunion of Eddie and Alex Van Halen with original singer/front man David Lee Roth. Roth was the singer in Van Halen from 1974‐1985, and was replaced by Sammy Hagar when the band softened their hard rock sound into a more commercial pop rock sound in the mid‐1980s. Roth recorded two songs with Van Halen in 1996 for a greatest hits album released when Hagar left the band, and expectations were high that he would return for a new album, but it didn’t work out that way. Instead, Extreme singer Gary Cherone joined Van Halen, and they recorded one weak album together. Touring reunions with both Hagar and Roth followed the departure of Cherone in 1999, but there was no new music recorded. There was much debate whether there would ever be another Van Halen album, as Eddie Van Halen was often seen drunk in public during his separation and after his divorce from actress Valerie Bertinelli. Furthermore, a YouTube video surfaced of Eddie, appearing to be near death, sitting in with a party band playing a Tommy Bolin song, and his guitar playing was pathetic. Eddie appeared unhealthy due to suspected drug use, and the second half of a tour was cancelled in 2008 due to Eddie’s poor health. This is the much abbreviated “CliffsNotes” version of the Van Halen soap opera, which effectively reduced one of the most popular rock bands in history to a joke.
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Van Halen Choose Atlas Music Publishing for Global Music Publishing Deal
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Retro-80S-Hits.Pdf
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