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Exhibit History

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Exhibit History J. E UGENE GRIGSBY JR. EXHIBIT HISTORY ONE MAN EXHIBITS 1943 Wirsham Art Gallery, Mamer, GD. Luxembourg 1965 Texas Southern University 1968 Johnson C. Smith University 1988 Hewitt Home Gallery, New York City 10/16/88 1992 Delta Art Center, Winston-Salem, North Carolina 3/29-5/92 1995 First Phoenix Unitarian Universalist Church 1/8-2/5/95 2001 Phoenix Art Museum– "Eye of Shamba" A 65 Year Retrospective 10/27/01-01/27/02 2001 Eruon Center for Visual Art– Like A Prayer, Jewish & Christian Presence in Contemporary Art, Charlotte, North Carolina 1/2-6/31 2002 Nelson Museum, Arizona State University– Works On Paper, The Art of Eugene Grigsby, Tempe, Arizona 1/1-2-31/02 Uncle Jed's Cut Hut (barber shop), Phoenix, Arizona 1/1-2/31/02 West Valley Art Museum, Sun City, Arizona 1/1/2/31/02 n.d. Northern Colorado University, Greeley, Colorado n.d. Atlanta University, Annual Exhibitions n.d. Central State University, Wilberforce, Ohio 2005 Faculty Exhibit Arizona State University Art Museum Penn State University, State College, Pennsylvania 2007 Heddenart Gallery, Scottsdale, Arizona “89 Pieces, 89th Birthday” 2008 An Emeritus Art Exhibition, held at University Center Downtown Phoenix Campus, Arizona State University “The Mask Speaks” a Sixty Year Retrospective, Stella Jones Gallery, New Orleans, LA GROUP EXHIBITS 1938 Dillard University, New Orleans– 2nd Annual Exhibit of Negro Artists 1938 Baltimore Museum, Baltimore, Maryland 1940 Tanner Art Galleries- American Negro Exposition– The Art of the American Negro, Chicago, Illinois, 7/4-9/2/40 1951 Atlanta University, 10th Anniversary for Exhibits by Negro Artists 4/1/429/51 1953 Ringling Art Museum, Florida 1955 Phoenix Fine Arts Association, Phoenix, Arizona 1967 Morehouse College– Paintings by Eugene Grigsby,'38 & Awards Received by Martin Luther King, Jr '48 Gala 100th Anniversary, Atlanta, Georgia 1968 Johnson C. Smith University– "Encounters" Carolina Black Artists, Charlotte, North Carolina 11/1-12/30/68 1970 La Jolla Museum– "Dimensions In Black", La Jolla, California 1971 Mith Mason Galleries, Washington, D.C. 1972 Benton Convention Center, Reflections: The Afro-American Artist, Winston-Salem, North Carolina New Jersey State Museum, Trenton, New Jersey Duke University, Durham, North Carolina West Coast Black Artist, Glendale, California 1979 Huntsville Museum, Black Artists South Huntsville Museum of Art– Black Artists/South, Huntsville, Maryland 4/1-7/29/79 1981 Arizona Bank Galleria– Artists of the Black Community/AZ, phoenix Arizona 9/30-10/3081 California Polytech University, Pomona, California Dallas City hall, Exhibition of Seven, Dallas, Texas 1986 Arizona State University– Artists Select Contemporary Perspectives by Afro-American Artists 1987 University Museum, Arizona State University School of Art Faculty 12/7/86-1/11/87 1990 Ubiquitous Gallery, Charlotte, North Carolina Orpheum Theatre Foundation, Phoenix, Arizona 1991 The Apex Museum– A Salute to Black Art Educators as Artists, Atlanta, Georgia 3/19-4/27/91 1999 Anacostia Museum & Center for African American History & Culture– Locating the Spirit: Religion & Spirituality in African American Art, Washington, D.C. 2/4-6/5 COLLECTIONS Apex Museum, Atlanta, Georgia Arizona O. I. C., Phoenix, Arizona Arizona State University, Tempe, Arizona Bank of America– Hewitt Collection, Charlotte, North Carolina Bank of America, Phoenix, Arizona Bank One, Phoenix, Arizona Cape Coast Museum, Ghana,West Africa Delta Art Center, Winston-Salem, North Carolina Glendale Community College, Glendale, Arizona Library of Congress, Washington D.C. Johnson C. Smith University, Charlotte, North Carolina Malcolm X College, Chicago, Illinois The Metropolitan Museum of Art, New York, New York Milwaukee Museum, Milwaukee Wisconsin Morehouse College, Atlanta, Georgia Ohio State University, Hale Center, Columbus, Ohio Phoenix Art Museum, Phoenix, Arizona Scottsdale Cultural Councils, Scottsdale Museum, Scottsdale, Arizona Texas Southern University, Houston, Texas LECTURES by Professor J. Eugene Grigsby Jr. SPONSORED BY UNITED STATES INFORMATION SERVICE LECTURES PRESENTED TO SCHOOLS, COLLEGES, & CENTERS IN AFRICA, S0UTH AMERICA, AND THE CARIBBEAN SABBATICAL 1972 TEACHING ART IN HIGH SCHOOL; BLACK ARTISTS OF THE USA; THE INFLUENCE OF AFRICAN ART ON MODERN ART KENYA, NAROBI 9/28/72 PAI PAI, GALLERY 9/30/72 UNIVERSITY COLLEGE KENYATTA COLLEGE UNIVERSITY COLLEGE TV INTERVIEW NIGERIA, IBADAN 10/28 UNIVERSITY OF IBADAN African Studies Center 11/7, 8 & 9 ZARIA, AHMADO BELLO UNIV (3 lectures) AKOKA -YABA University of Lagos , School of African & Asian Studies GHANA, KUMASI 11/12 UNIV. OF SCIENCE & TECHNOLOGY 11/13 METHODIST SCHOOL 11/16 Home of Bill Lawrence ACCRA 11/14 Home of Hank Zivitz IVORY COAST 01/ 15 Abidijan Ecole des Beaux Arts (in French) 11/16 """" " LIBERIA, MONROVIA - TV INTERVIEW TANZANIA, DAR ES SALAAM - 10/10 COLLEGE OF NATIONAL OF EDUCATION ZAIRE, KINSHASA (NOW CONGO) UNIVERSITY NATIONALE DE ZAIRE campus de Kinshasa Faculte des Sciences Economiques & Commrciales BRAZIL, SAO PAOLO UNIVERSITY OF SAO PAOLO BRAZILIA Lecture to high school art teachers SALVADOR Lecture at a school URUGUAY, MONTEVIDEO 3 LectureS at USIS Center GUYANA, GEOGETOWN TRINIDAD, PORT of SPAIN University of the West Indies 12/11 BLACK ARTISTS OF THE USA 12/12 INFLUENCES OF AFRICAN ART ON MODERN ART BARBADOS CENTER FOR MULTIRACIAL STUDIES JAMAICA, KINGSTON UNIVERSITY OF THE WEST INDIES ADDITIONAL NOTE : Eugene had been invited to give two lectures at the E'cole des Beaux Arts . At the end of the first one that he gave in French, the USIA Director suggested that he use a translator for the next lecture. Eugene agreed even though he felt comfortable giving the lecture in French, it had been 15 years since he had spoken French regularly. Shortly before the afternoon lecture was to begin, the interpreter came into the room. He was wearing a Davidson College "T" shirt. We greeted him warmly because Davdson College is very close to Charlotte, North Carolina. We thought he was an American who had gone to Davidson College and was now visiting Abidjan. We were wrong, he was a native of Abidjan who had attended Davidson College. He sat through the lecture without making any comments. After the lecture, Eugene sought out the Davidson College alumnus and asked why he hadn't said anything during the lecture. His answer was that Eugene had been well understood and he couldn't add to what was already said. TRINIDAD, PORT of SPAIN University of the West Indies 12/11 BLACK ARTISTS OF THE USA 12/12 INFLUENCES OF AFRICAN ARFT ON MODERN ART BARBADOS CENTER FOR MULTIRACIAL STUDIES JAMAICA, KINGSTON UNIVERSITY OF THE WEST INDIES ADDITIONAL NOTE : Eugene had been invited to give two lectures at the E'cole des Beaux Arts . At the end of the first one that he gave in French, the USIA Director suggested that he use a translator for the next lecture. Eugene agreed even though he felt comfortable giving the lecture in French, it had been 15 years since he had spoken French regularly. Shortly before the afternoon lecture was to begin, the interpreter came into the room. He was wearing a Davidson College "T" shirt. We greeted him warmly because Davdson College is very close to Charlotte, North Carolina. We thought he was an American who had gone to Davidson College and was now visiting Abidjan. We were wrong, he was a native of Abidjan who had attended Davidson College. He sat through the lecture without making any comments. After the lecture, Eugene sought out the Davidson College alumnus and asked why he hadn't said anything during the lecture. His answer was that Eugene had been well understood and he couldn't add to what was already said..
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