BBC Four Service Licence
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PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
What Is Bbc Three?
We tested the public value of the proposed changes using a combination of quantitative and qualitative methodologies Quantitative methodology Qualitative methodology We ran a 15 minute online survey with 3,281 respondents to We conducted 20 x 2 hour ‘Extended Group’ sessions via Zoom with understand current associations with BBC Three, the appeal of BBC a mix of different audiences to explore and compare reactions, Three launching as a linear channel, and how this might impact from a personal and societal value perspective, to the concept of existing services in the market. BBC Three becoming a linear channel again. In the survey, we explored the following: In the sessions, we explored the following: - Demographics and brand favourability - Linear TV consumption and BBC attitudes - Current TV and video consumption - (S)VOD consumption behaviours, with a focus on BBC Three - BBC Three awareness, usage and perceptions (current) - A BBC Three content evaluation (via BBC Three on iPlayer exploration) - Likelihood of watching new TV channel and perceptions - Responses to the proposal of BBC Three becoming a TV channel - Impact on services currently used (including time taken away from each) - Expected personal and societal impact of the proposed changes - Societal impact of BBC Three launching as a TV channel - Evaluation of proposed changes against BBC Public Purposes 4 The qualitative stage involved 20 x 2-hour extended digital group discussions across the UK with a carefully designed sample 20 x 2 hour Extended Zoom Groups The qualitative -
Researching Digital on Screen Graphics Executive Sum M Ary
Researching Digital On Screen Graphics Executive Sum m ary Background In Spring 2010, the BBC commissioned independent market research company, Ipsos MediaCT to conduct research into what the general public, across the UK thought of Digital On Screen Graphics (DOGs) – the channel logos that are often in the corner of the TV screen. The research was conducted between 5th and 11th March, with a representative sample of 1,031 adults aged 15+. The research was conducted by interviewers in-home, using the Ipsos MORI Omnibus. The key findings from the research can be found below. Key Findings Do viewers notice DOGs? As one of our first questions we split our sample into random halves and showed both halves a typical image that they would see on TV. One was a very busy image, with a DOG present in the top left corner, the other image had much less going on, again with the DOG in the top left corner. We asked respondents what the first thing they noticed was, and then we asked what they second thing they noticed was. It was clear from the results that the DOGs did not tend to stand out on screen, with only 12% of those presented with the ‘less busy’ screen picking out the DOG (and even fewer, 7%, amongst those who saw the busy screen). Even when we had pointed out DOGs and talked to respondents specifically about them, 59% agreed that they ‘tend not to notice the logos’, with females and viewers over 55, the least likely to notice them according to our survey. -
Channel 4 DEA Review
Annex 3: Evidence assessing C4C’s delivery of its media content duties (2010-2013) December 2014 Contents • Background Slide 2 • Evidence to assess C4C’s delivery of its media Slide 11 content duties 1 Background 2 Introduction • Section 198C of the Communications Act 2003 (the Act) requires Ofcom to review the extent to which Channel 4 Corporation (C4C) has delivered the media content duties set out in section 198A of the Act. These duties were introduced by the Digital Economy Act 2010 (the DEA). • This slide pack sets out C4C’s media content duties, and maps the evidence compiled to assess C4C’s delivery of each these requirements across its services comprised of: its TV channels, on-demand and online services, and Film4 Productions. 3 C4C’s media content duties under Section 198A of the Act *The public service objectives are: 4. In performing their duties under 1) to 1. C4C must participate in - (b) that cultural activity in the United Kingdom, and its diversity, are a) the making of a broad range of relevant 3) C4C must - reflected, supported and stimulated by the representation in those services media content of high quality that, taken as a) support the development of people (taken together) of drama, comedy and music, by the inclusion of feature a whole, appeals to the tastes and interests films in those services and by the treatment of other visual and performing with creative talent, in particular – arts; of a culturally diverse society, i. people at the beginning of b) the making of high quality films intended to (c) that those services (taken together) provide, to the extent that is their careers in relevant media appropriate for facilitating civic understanding and fair and well-informed be shown to the general public at the content or films, and debate on news and current affairs, a comprehensive and authoritative cinema in the United Kingdom, and coverage of news and current affairs in, and in the different parts of, the c) the broadcasting and distribution of such ii. -
Channel Guide July 2019
CHANNEL GUIDE JULY 2019 KEY HOW TO FIND WHICH CHANNELS YOU CAN GET 1 PLAYER 1 MIXIT 1. Match your package 2. If there’s a tick in 3. If there’s a plus sign, it’s to the column your column, you available as part of a 2 MIX 2 MAXIT get that channel Personal Pick collection 3 FUN PREMIUM CHANNELS 4 FULL HOUSE + PERSONAL PICKS 1 2 3 4 5 6 101 BBC One/HD* + 110 Sky One ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews HD 501 Sky Sports Main Event HD 101 BBC One/HD* 502 Sky Sports Premier League HD 102 BBC Two HD 503 Sky Sports Football HD 103 ITV/STV HD* 504 Sky Sports Cricket HD 104 Channel 4 505 Sky Sports Golf HD 105 Channel 5 506 Sky Sports F1® HD 106 E4 507 Sky Sports Action HD 107 BBC Four HD 508 Sky Sports Arena HD 108 BBC One HD/BBC Scotland HD* 509 Sky Sports News HD 109 Sky One HD 510 Sky Sports Mix HD + 110 Sky One 511 Sky Sports Main Event 111 Sky Witness HD 512 Sky Sports Premier League + 112 Sky Witness 513 Sky Sports Football 113 ITV HD* 514 Sky Sports Cricket 114 ITV +1 515 Sky Sports Golf 115 ITV2 516 Sky Sports F1® 116 ITV2 +1 517 Sky Sports Action 117 ITV3 518 Sky Sports Arena 118 ITV4 + 519 Sky Sports News 119 ITVBe + 520 Sky Sports Mix 120 ITVBe +1 + 521 Eurosport 1 HD + 121 Sky Two + 522 Eurosport 2 HD + 122 Sky Arts + 523 Eurosport 1 123 Pick + 524 Eurosport 2 + 124 GOLD HD 526 MUTV + 125 W 527 BT Sport 1 HD + 126 alibi 528 -
BBC THREE, BBC FOUR and Films
Programming BBC THREE AND BBC FOUR BBC THREE BBC FOUR Storyville – Domestic Violence Leaving Home (working title) This documentary explores the practical issues Storyville – Domestic Violence, shown in two parts, is around leaving an abusive relationship through the an unblinking portrait by world-renowned real-life struggles of people who are currently going documentary film-maker, Frederick Wiseman. through the process. It features interviews with Filmed in Tampa, Florida, it shows the police high-profile personalities, including Pamela responding to domestic violence calls and the work Anderson and supermodel Carrie Otis, who have of The Spring, the principal shelter in Tampa for themselves experienced domestic violence. women and children. All the contributors are strong, independent, role The documentary follows the police as they models – women who run their own businesses respond to domestic violence calls, their and work successfully in male-dominated intervention, and attempts at resolution. Filming at environments, but have still found themselves in The Spring reveals what happens during intake abusive relationships. interviews, individual counselling sessions, anger management training, group therapy, staff meetings, On an emotional level, these women are finding and the conversations among clients and between their feet again, rebuilding their confidence and clients and staff. trust. On a practical level, they are dealing with solicitors, trying to separate their finances, moving Two-thirds of the residents at this shelter are into safe accommodation or reclaiming a flat they children.The film shows some of their school shared with their ex. Leaving Home follows activities and what happens in their therapy their journey. sessions where domestic violence is discussed. -
BBC Trust Has a Responsibility to Ensure That the BBC Provides Licence Fee Payers with the Best Possible Value for Money in Return for the Licence Fee They Pay
BBC Television Services Review Quantitative audience research assessing BBC One, BBC Two and BBC Four’s delivery of the BBC’s Public Purposes Prepared for: November 2010 Prepared by: Trevor Vagg and Sara Reid, Kantar Media Telephone: 020 7656 5061/ 020 7656 5401 Email: [email protected] / [email protected] Part of Kantar Media UK Limited/ 45109318 Kantar Media is ISO9001:2000 and ISO 20252 accredited. Table of Contents 1 Introduction .....................................................................................................................3 1.1 Objectives ..............................................................................................................4 1.2 Methodology ..........................................................................................................4 1.3 Explanation of Public Purposes and performance gaps.................................6 2 Overall summary of key findings.....................................................................................8 3 BBC One.......................................................................................................................18 3.1 Executive summary of research among the BBC One audience................18 3.2 Views on programme genres on BBC One and across the BBC portfolio of television channels ........................................................................................................20 3.3 Approval of BBC One.........................................................................................24 -
A Case Study of How Danish TV Drama Series Captured Television Viewers in the UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Roehampton University Research Repository CST 12 : 4 : ESSER : 1 Form, Platform and the Formation of Transnational Audiences: A case study of how Danish TV drama series captured television viewers in the UK Andrea Esser, University of Roehampton, UK Abstract This article combines analysis of form, platform and audiences for a holistic understanding of how Danish series entered the global trade in TV fiction. Building on existing research on form and production values it adds a wide-ranging empirical case study, exploring the specific local conditions that led to the introduction of Danish series in the UK in 2011 and subsequent growth in UK audiences for Danish and other subtitled TV series. It reveals the multiplicity of factors contributing to the success of the early Danish serial imports, the interdependence of form, platform and audiences, and the imperative to rethink dominant theories of international programme flows. Key words Nordic noir; Danish TV drama series; UK television market; subtitled drama; transnational TV audiences; TV programme flows Introduction For the past five years, television scholars have been intrigued by the seemingly sudden and unexpected success of Danish TV drama series selling around the world, most notably to 159 countries in the case of Forbydelsen/The Killing (2007-12) or 67 in the case of political drama Borgen (2010-13) (Bondebjerg and Redvall, 2015). Unexpected because, as Pia Majbritt Jensen rightly notes, until the 2010s Denmark was seen as ‘at the periphery of the global TV market’ (2016), its exports limited to the Nordic region and, in the case of crime fiction also Germany. -
Guide to Viewing Freeview Channels Internet Options
Guide To Viewing Freeview Channels Internet Options WoW - www.wow.pt 100Mbps 40Mbps 20Mpbs Unlimited Traffic Unlimited Traffic Unlimited Traffic Downloads Downloads Downloads Up to 100Mbps Up to 40Mbps Up to 20Mbps Uploads Uploads Uploads Up to 10Mbps Up to 4Mbps Up to 2Mbps **No Apparent Fair Access Policy** Zon - www.zon.pt 100Mbps 30Mbps 12Mpbs Unlimited Traffic Unlimited Traffic Unlimited Traffic Downloads Downloads Downloads Up to 100Mbps Up to 30Mbps Up to 12Mbps Uploads Uploads Uploads Up to 8Mbps Up to 2Mbps Up to 1Mbps **Published Fair Access Policy Exists On All Plans** Meo - www.meo.pt 100Mbps (Fibre) 24Mbps (ADSL) 12Mpbs (ADSL) Unlimited Traffic Unlimited Traffic Unlimited Traffic Downloads Downloads Downloads Up to 100Mbps Up to 24Mbps Up to 12Mbps Uploads Uploads Uploads Up to 10Mbps Up to 2Mbps Up to 1Mbps **No Apparent Fair Access Policy** This guide does not include all internet options, but the most popular connections, with unlimited traffic from fixed networks. This guide is correct at the time of publishing, but may be subject to change without notice. The publisher, does not accept responsibilty for any inaccuracies Viewing Freeview Channels With IPTV www.cpdsat.com Channels Include: BBC One, BBC Two, BBC Three, BBC Four, ITV 1, ITV 2, ITV 3, ITV 4, Channel 4, Channel 5, Dave, 5 USA, 5 Star, E4, Monthly Subscription: Yes More 4, 4 Seven, CBS Drama, CBS Reality, CBS USA, A&E USA, Internet Connection: Wired / Wireless Fox 11 USA, NBC USA, True Drama, True Entertainment, Quest, Catch-Up: 7-Day Record Facility: Yes Yesterday, Pick TV, Sky News, BBC News, BBC One HD, BBC Two HD, Web Browser: Yes ITV HD, Channel 4 HD, Eurosport, Sky Sports News, Viasat Golf, TV3 Sport 2, 6 Eren (Some Sports), Film 4, Movies4Men, True Movies 1, Tel. -
DP1226 BBC 4 WINTER 11/24/03 4:22 PM Page 1
DP1226 BBC 4 WINTER 11/24/03 4:22 PM Page 1 BBC FOUR WINTER SEASON 2004 DP1226 BBC 4 WINTER 11/24/03 4:22 PM Page 2 CONTENTS Welcome to a new season which sees BBC the UK in the previous year.And our line- POLITICS AND POWER 3 IN THE LINE OF FIRE 19 Four enter the murky world of politics, up of movie premières is stronger than The Alan Clark Diaries No Man's Land embarking on surprising and sometimes ever, including the 2002 Academy Award The Death of Indira Gandhi The Guinea Pig Club dangerous journeys across the globe and winner No Man’s Land, starring Simon Dinner with Portillo The Myth of Dunkirk tackling life’s harsher realities through a mix Callow and the late Katrin Cartlidge. of compelling documentary, performance FROM RUSSIA WITH LOVE 7 CLASSICS REVISITED 23 and feature film. BBC Four’s very own Soul Weekender kicks Game Over – Kasparov and the Machine Maria Callas – Living and Dying for Art and Love off a typically diverse musical season, which The Three Sisters Historians of Genius – In Their Own Words The colourful and scandalous world of includes fresh documentaries on musical The Russian Ark Early Music British politics is vividly and hilariously giants from Gram Parsons to Maria Callas. Tetris – From Russia with Love brought to life in a major six-part And our mix of great plays includes Kristin adaptation of the infamous Alan Clark Scott Thomas’s wonderful performance MUSIC IN THE SOUL 27 OTHER WORLDS 11 Soul Weekender – Urban Soul diaries – with John Hurt brilliantly capturing in The Three Sisters and a quick TV transfer North Korea – A State of Mind Soul Weekender – The Story of Soul to Soul the political manoeuvrings and rakish charm for the National Theatre’s hit drama Holidays in the Danger Zone – The Violent Coast Gram Parsons – Fallen Angel of the controversial former Conservative Elmina’s Kitchen. -
BBC Trust Review 1
BBC Executive Submission to the BBC Trust’s Review of BBC One, BBC Two and BBC Four April 2010 Part 1: Implementing Putting Quality First Executive Summary I. The review The BBC Trust launched its review of BBC One, BBC Two and BBC Four in September 2009, as part of its rolling programme of service reviews as required in the Charter and Agreement. It was agreed with the BBC Trust to postpone the Executive submission until Spring 2010 in order to reflect the recommendations and themes of the pan-BBC strategy Putting Quality First. 25 September 2009 Review begins; public consultation launched Autumn/winter 2009 Trust Unit gathers evidence from BBC Executive, public consultation, audience research and other sources 18 December 2009 Public consultation closes Spring Data analysis and conclusions Summer 2010 Trust report publication II. The scope of this submission This document, Executive Submission – Part 1, details how the BBC’s portfolio of television services – in particular BBC One, BBC Two and BBC Four – will support the themes of Putting Quality First and how they will respond to a number of questions which the BBC Trust has asked of the Executive, both in their Terms of Reference and in subsequent communications1. It aims to be a top level summary of the strategic direction of the portfolio. The questions that this document specifically addresses are: 1. Are BBC One, BBC Two and BBC Four equipped to deliver their service licence commitments in the future, in particular to meet audience expectations of high quality and distinctive content? Do the services have appropriate strategies in place? Are resources appropriately allocated to meet objectives? 2.