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THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design. -
Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Edition 5 | 2019-2020
SHUBERT THEATRE 2019–2020 SEASON CATS | 5 CATS Title Page | 7 CATS Cast | 9 CATS Scenes & Musical Numbers | 13 CATS Who’s Who | 15 CATS Staff | 26 Shubert Supporters | 28 The Shubert Theatre is located at 247 College Street, New Haven BOX OFFICE HOURS: Mon–Fri 9:30am–5:30pm and during all performances Call 203-562-5666 or 888-736-2663 www.shubert.com ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Ave., Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. Shubert Theatre | 2019–2020 3 THE SHUBERT ORGANIZATION JAMES L. NEDERLANDER THE REALLY USEFUL GROUP CAMERON MACKINTOSH ROY FURMAN JOHN GORE STELLA LA RUE GROVE ENTERTAINMENT BURNT UMBER PRODUCTIONS INDEPENDENT PRESENTERS NETWORK/AL NOCCIOLINO PETER MAY PRESENT MUSIC BY ANDREW LLOYD WEBBER BASED ON “OLD POSSUM’S BOOK OF PRACTICAL CATS” BY T. S. ELIOT THE “CATS” COMPANY: ZACHARY S. BERGER JORDAN BETSCHER CAITLIN BOND ELYSE COLLIER ERIN CHUPINSKY MAURICE DAWKINS GIOVANNI DiGABRIELE PJ DiGAETANO ALEX DORF CAMERON EDRIS DANI GOLDSTEIN TIMOTHY GULAN DEVIN HATCH BRETT MICHAEL LOCKLEY McGEE MADDOX MADISON MITCHELL NATHAN PATRICK MORGAN ADRIANA NEGRON BRAYDEN NEWBY CHARLOTTE O’DOWD ALEXA RACIOPPI AUSTIN JOSEPH REYNOLDS ADAM RICHARDSON NEVADA RILEY ANNEMARIE ROSANO MELODY ROSE BEN SEARS ZACHARY TALLMAN TRICIA TANGUY ADAM VANEK DONNA VIVINO AND LORETTA WILLIAMS MUSIC SUPERVISION BY KRISTEN BLODGETTE MUSIC DIRECTOR ERIC KANG MUSIC COORDINATOR TALITHA FEHR CASTING BY TARA RUBIN CASTING / LINDSAY LEVINE, CSA AND XAVIER RUBIANO, CSA TOUR BOOKING, MARKETING AND PUBLICITY DIRECTION BOND THEATRICAL GROUP TOUR MANAGEMENT TROIKA ENTERTAINMENT PRODUCTION MANAGEMENT GREGG DAMANTI GENERAL MANAGEMENT KAREN BERRY PRODUCTION STAGE MANAGER J. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
14PL120 Alley Theatre FINAL.Pdf
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Alley Theatre AGENDA ITEM: C OWNER: Alley Theatre HPO FILE NO.: 14PL120 APPLICANT: Scott J. Atlas DATE ACCEPTED: Aug-21-2014 LOCATION: 615 Texas Avenue HAHC HEARING DATE: Sep-25-2014 SITE INFORMATION Lots 1, 2, 3, 6, 7, 8 & 12 & Tract 11, Block 60, SSBB, City of Houston, Harris County, Texas. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Alley Theatre was founded in 1947 by Nina Vance (1914-1980), one of the most outstanding theatrical directors in the U.S. and Texas in the mid twentieth century. The Alley is now one of the oldest non-profit, professional, resident theater companies in continuous operation in the United States. From its inception, the Alley Theatre staged productions in an “arena” or “in the round” spatial format, a practice associated with cutting-edge theatrical companies in the mid-twentieth-century period. In the Alley’s first season (1947-48), performances were held in a dance studio on Main Street. Audience members had to walk along a narrow outdoor passage to get to the performance space; this passage was the origin of the Alley’s name. In 1962, the Alley Theatre was given a half-block site in the 600 block of Texas Avenue by Houston Endowment and a $2 million grant from the Ford Foundation for a new building and operating expenses. The theater was to be part of a downtown performance and convention complex including Jones Hall, the home of the Houston Symphony, Houston Grand Opera, and Society for the Performing Arts. -
Broadway Revealed: Behind the Theater Curtain
Broadway Revealed: Behind the Theater Curtain Donald Holder Lighting Designer on the set of Spider‐Man: Turn Off the Dark, Foxwoods Theater, New York, NY, 24” H x 72” W Exhibition Specifications Title: Broadway Revealed: Behind the Theater Curtain Artist: Photographer Stephen Joseph Curator: Carrie Lederer, Curator of Exhibitions and Programs Organizing Institution: Bedford Gallery, Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek, CA 94596 www.bedfordgallery.org Description: The Bedford Gallery is offering an exclusive touring exhibition Broadway Revealed: Behind the Theater Curtain. This extraordinary show brings to life the mystery, glitz and over‐the‐top grandeur of New York’s most impressive Broadway theater shows. For the last three years, Bay Area photographer Stephen Joseph has captured images of the “giants” of New York theater—directors, set designers, costumers, tailors, and milliners that transform Broadway nightly. The exhibition includes many behind‐the‐scenes shots of these production artists at work in their studios, as well as stage imagery from many well‐known Broadway productions such as American Idiot, Hair, Spiderman, and several other shows. Artworks: Eighty eight (88) 360 degree panoramic photographs custom printed by the artist. The photographs are printed in a variety of sizes ranging from 10 x 30” W to 24 x 72” W. Artifacts and Ephemera: Bedford Gallery will supply an open list of the appropriate Broadway contacts to procure props, costumes and other artifacts to supplement the exhibition. Space Requirements: 2,000 – 4,500 Square Feet or 250 – 400 Linear Feet This show is elastic; a small selection of the photographs are available in varying sizes to allow each venue design an exhibition that gracefully fills the exhibition space. -
Designedinthe
Designedinthe USA The United States of America Exhibition at the 1995 Prague Quadrennial Designed in the USA The United States of America Exhibition at the 1995 Prague Quadrennial Exhibit Producer Arnold Aronson Associate Producer Sarah ash Gates Exhibit Designer Eric Fielding Architecture Exhibit Coordinator Timothy Hartung Student Exhibit Coordinators Sarah ash Gates, Timothy Saternow, William Forrester U.S. Delegation Tour Coordinator Leon Brauner Ass~tanttotheProducer Patrick Kelsey Catalog Text Arnold Aronson Catalog Design Eric Fielding Exhibit Staff Timothy Saternow, Tee/mical Director Patrick Kelsey Judy Pfeifer MirenaRada Joan Schlafer Merope Vachliotif Steering Committee Richard Durst, Eric Fielding, Sarah ash Gates, Patricia MacKay, Dr. Joel E. Rubin, Samuel Scripps Our thanks and appreciation to the following for their help and support: Christine Kaiser, Debora Kingston, Dr. Joel E. Rubin, Valerie dilorenzo, ~onnand Bouchard, and Joan Vick (USITT), Rex loser (Arts America). Martha Coigney (ITUfiS), Barbara Stral}ner (Lincoln Center Libra/J'for tbe Pe/forming Arts), Roberta Fotia (Rosco Laboratories), Ralph Pine (Drama Book Specialists), WiLlianl Bent (U.S. Illformatioll r1geIlC)~, Deb Styer,Josh Rothenberg, Blake Seidel, and Ernie Barbarash (Columbia {;lIiL'ersiM. Chris Boneau (BolleaulBryan-Broll'lI), Marcia McDonald and Tom Reiter (Grace Cos/umes), Brigid Milchell (Dislley Art Editions), Joseph Clark (Metropolitall Opera). Susan lee (League ofProfessiollal Tbeatres), Paul Arianas, Vito Zingarelli and Anita Gaffney (Stratford FestiL'fll), Tanya Grubich, MaJ)' HUDter (Seattle Rep), Ruth Rorak (Zenitb Travel), PalIick Costin (RCLAgenC)~, Takashi Mizuta (.\'HK), Dan Kuchar, Joan Schlafer Galena Tsypin, Angela Wendt, and Joseph Yossoupoff Published bylilc "niled Slales lnSlilUlc for The,nrc Technology. Inc. 10 \\'CSI 191h Sl. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Kent a Spin of Movinglights.Pdf
A Spin Around Moving Lights ii TABLE OF CONTENTS ACKNOWLEDGMENTS iii INTRODUCTION iv CHAPTER 1 A History of Articulated Lighting 1 Light as Design 1 The Beginnings of a True Articulated Light 9 Advancements in Technology 14 CHAPTER 2 Possible Uses for Articulated Lighting 18 Dance 18 Theater and Opera 20 Television 22 Rock and Roll 23 Industrials 25 Night Clubs 27 Themed Entertainment 27 Architecture 28 CHAPTER 3 Interviews and an Overview of the Process 30 Steve Cochrane 31 Rick Baxter 52 Rod McLaughlin 74 Paul Sonnleitner 91 Paul Miller 107 Jules Fisher 119 CHAPTER 4 An Overview of the Process 128 Budgeting 128 Load-in and Tech 133 Designing With Moving Lights 136 CHAPTER 5 A Look at the Future 140 New Bells and Whistles 140 An Interview with George Izenour 144 Getting an Education in Moving lights 175 BIBLIOGRAPHY 178 GLOSSARY 180 APPENDIX Manufacturer’s Information (APPENDIX A) 184 Basic Unit Designs (APPENDIX B) 186 A Spin Around Moving Lights iii ACKNOWLEDGEMENTS I would like to thank my faculty advisor William Reynolds for being there when things were good and bad even when it interrupted his lunch. I would also like to acknowledge the advice and support of my content advisor Steve Strawbridge who inspired me in this project and as a designer. Extreme gratitude is also extended to all of the professionals who took time out of their busy schedules to accommodate me for this work. In addition, I would like to thank the rest of the faculty at Yale School of Drama for three of the most interesting and thought provoking years of my professional life. -
WEST SIDE STORY at La Scala
rt• s News for friends of Leonard Bernstein Spring/Summer 2000 The Leonard Bernstein To Our Collection Online Readers )$'. Leonard Bernstein Collection - Netscape ll!!I~ £i n typically exuberant fashion, file fdit )!iew Lao y,!indow !:!elp ILeonard Bernstein has taken a ~~drif.~l bold posthumous leap into the Search Guide Print Security 21st Century. Ever the multi media artist, Bernstein now has ~ Instant Message @) Internet d Lookup O New!.Cool @) RealPlayer a groundbreaking Internet AiW#!WMMAW11#11JM!AM-WMMiWiWM!AM•MMWl&WM;W#S presence through his archives, made available online by the Library of Congress. When the idea for this project was first being discussed eight years ago, C~onard it almost seemed like science fiction: the Bernstein archives accessible from a home computer? ~e-rnste-io Really? As usual, Bernstein turns out to be on the cutting edge. Colle-ctio At the same time that new media are being explored, it's ca.1920-1989 good to see the old media being Music Division, Library of Congress preserved, as the Grammy Foundation is doing with the Search by Keyword I Browse by Title Index I Name Index I Subject Index restoration of Bernstein's Omnibus kinescopes. And in another showing in an old medium - that creaky by Mark Eden Horowitz photographs, 1,100 pieces of dence, photographs, audio and dinosaur, television - we saw correspondence, 177 scripts from video recordings, fan mail, two WEST SIDE STORY leap to life hen WEST SIDE the "Young People's Concerts," conducting suits worn by Bernstein, in a crackling series of commer STORY debuted in 74 scripts from the "Thursday batons, and other types of materials. -
Ivan Ingermann
Ivan Ingermann Contact: Department of Theatre and Film University of Georgia 308D Fine Arts Building Athens, GA 30602 Phone: 706-542-2837 Mobile: 917-554-4862 Email: [email protected] Website: www.ingermanndesign.com EDUCATION 1995 M.F.A in Set and Costume Design Department of Design for Stage and Film Tisch School of the Arts New York University 1992 B.F.A in Costume Design Magna Cum Laude Department of Theatre Florida State University ACADEMIC APPOINTMENTS 2007-present Associate Professor of Theatre, Major Professor for Graduate Costume Design Department of Theatre and Film Studies University of Georgia 2008 Guest Lecturer, “Costuming for the Film Industry” Department of Theatre Florida State University 2001 Guest Lecturer, “Portfolio for the Real World” Tisch School of the Arts New York University 1993-1995 Graduate Teaching Assistant Costume Construction Tisch School of the Arts New York University TEACHING EXPERIENCE Associate Professor, University of Georgia, Athens, GA: Foundations of Performance Design: Fall 2007, Fall 2008, Spring 2009, Spring 10, Spring 11, Spring 12, Spring 13 Prepared all lectures, designed syllabus, led discussions, and graded papers and projects. Class introduces majors and non-majors to the various design areas that make up entertainment design fields including Scenic, Costume, Lighting, Sound and Multi-media. Course also covers a brief history of theatre and theatrical staging practices. Course culminates with design project in a chosen field of interest. Advance Costume Design I: Fall 2008, Fall 2009, Fall 2010, Fall 2011, Fall, 2012, Fall 2013, Fall 2014 Designed and taught this studio introduction into costume design geared for Graduate students.