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14PL120 Alley Theatre FINAL.Pdf
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Alley Theatre AGENDA ITEM: C OWNER: Alley Theatre HPO FILE NO.: 14PL120 APPLICANT: Scott J. Atlas DATE ACCEPTED: Aug-21-2014 LOCATION: 615 Texas Avenue HAHC HEARING DATE: Sep-25-2014 SITE INFORMATION Lots 1, 2, 3, 6, 7, 8 & 12 & Tract 11, Block 60, SSBB, City of Houston, Harris County, Texas. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Alley Theatre was founded in 1947 by Nina Vance (1914-1980), one of the most outstanding theatrical directors in the U.S. and Texas in the mid twentieth century. The Alley is now one of the oldest non-profit, professional, resident theater companies in continuous operation in the United States. From its inception, the Alley Theatre staged productions in an “arena” or “in the round” spatial format, a practice associated with cutting-edge theatrical companies in the mid-twentieth-century period. In the Alley’s first season (1947-48), performances were held in a dance studio on Main Street. Audience members had to walk along a narrow outdoor passage to get to the performance space; this passage was the origin of the Alley’s name. In 1962, the Alley Theatre was given a half-block site in the 600 block of Texas Avenue by Houston Endowment and a $2 million grant from the Ford Foundation for a new building and operating expenses. The theater was to be part of a downtown performance and convention complex including Jones Hall, the home of the Houston Symphony, Houston Grand Opera, and Society for the Performing Arts. -
May 2007 Sightlines
May 2007 Sightlines May 2007 News & Notices New Fellows Named Irene Corey Honored Announcements Nominate for Golden Pen Award Special PQ Designers In Memoriam: George Izenour Member Benefits Long Rider Results The Last Word News From: Around The Institute Contributing Members Sustaining Members Regional Sections Student Chapter Commissions Costume Wrapup Queer Nation Session Irene Corey was honored with the USITT Award during the 2007 Annual Conference & Stage Expo in Technical Production Phoenix, Arizona. Her niece and collaborator Suzanne Lockridge, right, accepted the award on her behalf. To learn more about Ms. Corey and her outstanding achievements, click here. Conference & Stage Expo Photo/Tom Thatcher Wild, Weird Houston Stage Expo Update For the Record Leadership Honorary Lifetime Members Contributing Members Sustaining Members May 2007 issue pdf United States Institute for Theatre Technology, Inc.: © 2007 Volume XLVII, Number 5 http://wwwtest.usitt.org/sled/v47n05May2007/v47/n05/stories/MayCover.html4/27/2007 8:45:34 AM Three New Fellows Named May 2007 News & Notices New Fellows Named Irene Corey Honored Announcements Nominate for Golden Pen Award Special PQ Designers In Memoriam: George Izenour Member Benefits Long Rider Results The ranks of USITT's Fellows increased during the 2007 Annual The Last Word Conference & Stage Expo. Following the presentation of the Three News From: Fellows Address by Richard A. Arnold (to be printed in a future Fellows issue of TD&T), three new Fellows were introduced. Around The Institute Contributing Members The honorary designation of Fellow of the Institute is bestowed Inducted Sustaining Members for life upon those members who have made truly outstanding In Regional Sections contributions to the theatre and the work of the Institute. -
G:\Archives\Ahxasst\Problem Files\2620096.Wpd
The materials listed in this document are available for research at the University of Record Series Number Illinois Archives. For more information, email [email protected] or search http://www.library.illinois.edu/archives/archon for the record series number. 26/20/96 Alumni Association Alumni W. McNeil Lowry Papers, 1941-93 TABLE OF CONTENTS Boxes Pages Biographical Note 2 Collection Overview 3-4 Biographical 1 5 Honors and Awards 1 5 Articles and Clippings 1 5 Oral Histories and Interviews 1 5-8 Writings and Speeches 1-3 8-13 Appointment Books and Calendars 3 13 Ford Foundation Subject File 4-5 13-14 Administrative Files 5-6 14-15 Humanities and the Arts Program Chronology 6-10 15-16 Subject File 10-39 16-58 Chronological Correspondence 15-16 22 Economic Survey 17 22 Program Planning and Budgets 25 31 Recording/Publication Program 25-26 31-34 Symphony Orchestra Program 29-31 36-38 Travel and Study Program 31-32 38-39 Lowry Travel 32-33 39-40 Comment Book 34 41-42 Program Conferences 35 42-51 Staff Work Field Notes 35-39 51-58 Personal and Professional Subject File 39-47 58-67 American Assembly 39-40 59-60 San Francisco Ballet 46 65 Symposia 46-47 65-67 Audiotapes Cassettes 48-51 67-68 Reel-to-reel 52-55 69-70 Videotape 55 70 Index to Finding Aid 71-72 26/20/96 2 BIOGRAPHICAL NOTE Wilson McNeil Lowry February 17, 1913 Born in Columbus, Kansas, the son of Benedict Harrison and Helen (Graham) Lowry 1934 Received A. -
Eisler and the Rockefeller Foundation Music Projects
Composing for the Media: Hanns Eisler and Rockefeller Foundation Projects in Film Music, Radio Listening, and Theatrical Sound Design By James Tobias Professor, English Department, Program in Film and Visual Culture University of California, Riverside 1326 Industrial Street, #205 Los Angeles, California 90021 [email protected] © 2009 by James Tobias Editor's Note: This research report is presented here with the author‟s permission but should not be cited or quoted without the author‟s consent. Rockefeller Archive Center Research Reports Online is a periodic publication of the Rockefeller Archive Center. Edited by Ken Rose and Erwin Levold. Research Reports Online is intended to foster the network of scholarship in the history of philanthropy and to highlight the diverse range of materials and subjects covered in the collections at the Rockefeller Archive Center. The reports are drawn from essays submitted by researchers who have visited the Archive Center, many of whom have received grants from the Archive Center to support their research. The ideas and opinions expressed in this report are those of the author and are not intended to represent the Rockefeller Archive Center. Chapter 1: Introduction: Methods, Goals, and Summary Conclusions Chapter 2: Policies for Enlightening, Programs for Listening……………………………. p. 13 Chapter 3: Music on the Air: Adorno and The Princeton Radio Research Project……….. p. 24 Chapter 4: Harold Burris-Meyer’s Theatres of Sound: Sound Control of Across Borders.. p. 61 Chapter 5: Eisler’s Film Music Project: Critical Theory For Hollywood………………… P. 87 Chapter 1 Introduction: Methods, Goals, and Summary Conclusions Hanns Eisler and Theodor Adorno‟s Composing for the Films (Oxford University Press, 1947) remains a standard textbook reference on the problems and problematics of composing music for the commercial film. -
TWO ENGINES ONE VOICE Z Annfarris.Com
annfarris.com TWO ENGINES ONE VOICE z annfarris.com Ann Farris and Richard Rodzinski, opening night, the San Francisco Opera, September 1969 z annfarris.comTwo Engines One Voice F Ann Farris [ An Autobiography ] z Openness Books TWO ENGINES ONE VOICE z Copyright © 2019 Ann Farris annfarris.comAll rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews. Openness Books Vallejo, California annfarris.com ISBN-978-0-9758894-0-4 Library of Congress Cataloging-in-Publication Data is available upon request Book design by Tom Joyce / Creativewerks Cover design: Obaniobodo / Tom Joyce Cover painting: Katherine Farris Author’s portrait: Scott Wall Typeset in Minion Pro To all those who have crossed my path and given me support, lessons, love and opportunities. Without you, my life would not have been so rich. annfarris.comI am deeply grateful. 7 Also by Ann Farris z annfarris.comThe Other Side of Dyslexia Table of Contents 9 Prologue 11 Chapter 1 Early Days 37 Chapter 2 Summer Musicals Begin My Theatre Training 49 Chapter 3 Stepping Out 83 Chapter 4 An Opera Career Begins 103 Chapter 5 One-Night Stands Turns Me Into a Professional annfarris.com115 Chapter 6 My Career Goes Global 183 Chapter 7 Dark and Light Abound – San Francisco Opera 235 Chapter 8 On the Road 257 Chapter 9 OPERA America 311 Chapter 10 New Challenges 327 Chapter 11 Wrong Job for the Right Reason 341 Chapter 12 Part A: Royal Bank/Expo 86 World -
Frederick Kiesler
i Frederick Kiesler tjArnold Newman Kiesler u a. V 2 by Lisa Phillips with essays by Dieter Bogner Cynthia Goodman Barbara Lesak Jeanne T. Newlin Lisa Phillips Whitney Museum of American Art, New York in association with W.W. Norton & Company, New York, London 1 Digitized by the Internet Archive in 2013 This publication was organized at the Whitney Museum of American Art by Doris Palca, Head, Publications and Sales; Sheila Schwartz, Editor; Susan C. Winslow, Associate Editor; Vicki Drake, Supervisor, Printing Services; and Aprile Gallant, Secretary/Assistant. Design: Michael Glass Design, Inc. Typesetting: AnzoGraphics Computer Typographers Printing: Meridian Printing Library of Congress Cataloging-in-Publication Data Phillips, Lisa. Frederick Kiesler. Exhibition catalog. Bibliography: p. 1 63 I. Bogner, Dieter. I. Kiesler, Frederick—Exhibitions. Art. III. Title. II. Whitney Museum of American N6537. K5A4 I989 709'.2'4 88-33847 ISBN 0-87427-063-4 (Whitney paper) ISBN 0-393-02670-I (Norton cloth) t, I989 Whitney Museum of American Art 945 Madison Avenue, New York 1 002 Frontispiece: fcj|962, Arnold Newman, portrait of Kiesler °el^^ Contents Foreword 7 Acknowledgments 9 Architect of Endless Innovation 13 Lisa Phillips Visionary of the European Theater 37 Barbara Lesak Kiesler and the European Avant-garde 46 The Art of Revolutionary Display Techniques 57 Cynthia Goodman Part of the Cosmos: Kiesler's Theatrical Art in America 85 Environmental Artist 108 Lisa Phillips Chronology 1890-1965 139 Selected Bibliography 163 Works in the Exhibition 164 Whitney Museum of American Art Trustees and Officers Flora Miller Biddle Robert F Greenhill Chairman Frederick B. Henry Benjamin D. -
National Endowment for the Arts Annual Report 1977
Annual Rcport 1977 National National Endowmcnt Council for thc Arts on the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1977. The fiscal year covered in this report preceded my tenure as chairman. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. September 1978 Contcnts The Agency and Its Functions 2 Chairmen’s Statements 6 Members, National Council on the Arts, Fiscal 1977 8 Aclvisory Panel Members and (~onsultants 10 1977-78 Challenge Grants 30 Grants by Programs Architecture q- Environmental Arts 32 Dance 38 Education 44 Expansion Arts 48 Federal-State Parmership 60 Literature 66 Media Arts 74 Museums 82 Music 94 ~ Special Projects 108 Theatre 114 Visual Arts 120 Financial Summary 134 History of Authorizations and Appropriations 136 Staff of the National Endowment for the Arts 139 Thc and lts " The National Foundation on the law m advise the Chairman on policies, Arts and the Humanities programs, and procedures. It also must In 1965, Congress created the National review and make recommendations on Foundation on the Arts and the applications for grants. Humanities as an independent agency The National Endowment for the Arts of the Executive Branch of the Federal The Natíonal Endowment for the Arts Government. The Act, Public Law is, in effect, ah independent federal 89-209, was last amended by Public agency, with its own Chairman, Na Law 94-462 in October 1976. -
Louis I. Kahn, 1901-1974: a Finding Aid for Architectural Records And
(Collection 030) Louis I. Kahn, 1901-1974 A Finding Aid for Architectural Records and Personal Papers, ca. 1908-1984: Series II, Project and Office Records, in The Architectural Archives, University of Pennsylvania © 2004 The Architectural Archives of the University of Pennsylvania. All rights reserved. The Architectural Archives, University of Pennsylvania Finding Aid for Louis I. Kahn Collection 030.II Archival Description Descriptive Summary Title: Architectural Records and Personal Papers, ca. 1908-1984: Series II, Project and Office Records. Coll. ID: 030.II Origin: Louis I. Kahn, 1901-1974, architect. Extent: 148 cubic feet. Repository: The Architectural Archives, University of Pennsylvania 102 Meyerson Hall Philadelphia, Pennsylvania 19104-6311 (215) 898-8323 Abstract: This finding aid applies only to Series II, Project and Office Records. This series also contains professional correspondence interfiled. Dates range from 1935 to 1984. Indexes: This collection is included in the Philadelphia Architects and Buildings Project, a searchable database of architectural research materials related to architects and architecture in Philadelphia and surrounding regions: http://www.philadelphiabuildings.org Cataloging: Series-level records for materials in Louis I. Kahn Collection 030 may be found in RLIN Eureka, the union catalogue of members of the Research Libraries Group. The record number for this series is PAUP04-A2. 2 The Architectural Archives, University of Pennsylvania Finding Aid for Louis I. Kahn Collection 030.II Biographical/Historical Sketch Louis I. Kahn was born in Estonia and raised in Philadelphia. He was trained in architecture in the Beaux-Arts tradition at the University of Pennsylvania under Paul Philippe Cret. As a mature architect, Kahn was distinguished from his contempories by his unique personal philosophy of architecture. -
Two Engines One Voice F
z annfarris.comTwo Engines One Voice F Ann Farris [ An Autobiography ] z Openness Books annfarris.com Ann Farris and Richard Rodzinski, opening night at the San Francisco Opera, September 1969 TWO ENGINES ONE VOICE z Copyright © 2019 Ann Farris annfarris.comAll rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews. Openness Books Vallejo, California annfarris.com ISBN-978-0-9758894-0-4 Library of Congress Cataloging-in-Publication Data is available upon request Book design by Tom Joyce / Creativewerks Cover design: Obaniobodo / Tom Joyce Cover painting: Katherine Farris Author’s portrait: Scott Wall Typeset in Minion Pro To all those who have crossed my path and given me support, lessons, love and opportunities. Without you, my life would not have been so rich. annfarris.comI am deeply grateful. 7 Also by Ann Farris z annfarris.comThe Other Side of Dyslexia Table of Contents 9 Prologue 11 Chapter 1 Early Days 37 Chapter 2 Summer Musicals Begin My Theatre Training 49 Chapter 3 Stepping Out 83 Chapter 4 An Opera Career Begins 103 Chapter 5 One-Night Stands Turns Me Into a Professional annfarris.com115 Chapter 6 My Career Goes Global 183 Chapter 7 Dark and Light Abound – San Francisco Opera 235 Chapter 8 On the Road 257 Chapter 9 OPERA America 311 Chapter 10 New Challenges 327 Chapter 11 Wrong Job for the Right Reason 341 Chapter 12 Part A: Royal Bank/Expo 86 World Festival – Diving in 361 Chapter