Notre Dame Collegiate Jazz Festival Program, 1973
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Erenews 2020 3 1
ISSN 2531-6214 EREnews© vol. XVIII (2020) 3, 1-45 European Religious Education newsletter July - August - September 2020 Eventi, documenti, ricerche, pubblicazioni sulla gestione del fattore religioso nello spazio pubblico educativo e accademico in Europa ■ Un bollettino digitale trimestrale plurilingue ■ Editor: Flavio Pajer [email protected] EVENTS & DOCUMENTS EUROPEAN COURT OF HUMAN RIGHTS Guide on Art 2: Respect of parental rights, 2 CONSEIL DE L’EUROPE / CDH Une éducation sexuelle complète protège les enfants, 2 EUROPEAN COMMISSION Racial discrimination in education and EU equality law. Report 2020, 3 WCC-PCID Serving a wounded world in interreligious solidarity. A Christian call to reflection, 3 UNICEF-RELIGIONS FOR PEACE Launch of global multireligious Faith-in-Action Covid initiative, 3 OIEC Informe 2020 sobre la educacion catolica mundial en tiempos de crisis, 4 WORLD VALUES SURVEY ASSOCIATION European Values Study. Report 2917-2021, 4 USCIRF Releases new Report about conscientious objection, 4 PEW RESEARCH CENTER Between belief in God and morality: what connection? 4 AGENCY FOR FUNDAMENTAL RIGHTS Fighting discrimination on grounds of religion and ethnicity 5 EUROPEAN WERGELAND CENTER 2019 Annual Report, 5 WORLD BANK GROUP / Education Global Practice Simulating the potential impacts of Covid, 5 AMERICAN ACADEMY OF RELIGION AAR Religious Literacy Guidelines, 2020, 6 CENTRE FOR MEDIA MONITORING APPG Religion in the Media inquiry into religious Literacy, 6 NATIONAL CHRONICLES DEUTSCHLAND / NSW Konfessionelle Kooperation in Religionsunterricht, -
Taylor University Echo Chronicle
VOL.6 Upland, Indiana, Dec. 28, 1918 No. 6 PIANO RECITAL. and "Butterfly," by Lavalee, afforded The "Sextet from Lucia," in which All members of Taylor, students opportunity for displaying the pian a splendid left hand technic was and faculty alike, look forward with ist's finger technic. The real poetic shown, is an artistic arrangement pleasure to the various recitals which mood and delicate feeling of "Prim of this well known selection by are given every year by pupils in the rose" by Grieg was, we are sure, Leschetizky, for the left hand alone. music departments. They are always brought to the appreciation of every The beautiful "Symphonie Etude" a source of enjoyment and if we but listener. The program was made which contains so many massive make ourselves attentive and appre varied and interesting by the pleas chord effects is the finale to a group ciative listeners, leave us better quali ing songs rendered by Miss Wertz. of studies by Schumann. This selec fied to know and judge music. In playing the Chaminade "Concert tion formed a fitting closing number First in the series of piano recitals Stuck," Miss Berrett not only dis for the evening's entertainment. this year was the one given Novem played all kinds of finger technic, but The audience was charmed by the ber 16, by Miss Neoma Berrett, stu brought her recital to a most brilliant singing of Miss Kilgore. Her rich dent of Dr. A. Verne Westlake. She climax. mezzo-soprano voice contains a fas was assisted by Miss Lela Wertz, so cinating Creole quality and her num prano, a student of our new and ca HIGH QUALITY bers were well chosen. -
2003 12-10:30 Pm the Following Volunteers Are Largely Responsible for the Successful Operation of the Festival
Michi an Festival Schoolcraft College July 20, 2003 12-10:30 pm The following volunteers are largely responsible for the successful operation of the festival. They are wearing navy blue T-shirts and will assist you in finding your way to your favorite performances, dining, the Jazz Walk and Steinway Jazz Cafe. Just ask! Enjoy! Richard Aja Jim Gumley Shroyer Family Rose Apple Carol & Fritz Patti Smith Molly Berkau Hansen Betty Smolinski Phyllis Berryman Jeanette Harris Dave, Carol & John Brady Pat Hill Travis Sneary Robin Bringard Kristin Hoy Lynne Standley- Ryan Mary Beth Busto Paul Hunt Ray & Shirley Jack Campau Karen Kendall Steinke Judi Cartright Barbara Lawlor Sam & Bonnie Ted & Liz Janie Clark Stock Linderman Jim & Sharon Mary Ann Edward Methot Cooper Sutherland Ken Murray Mary Ann Cripps Barbara Taylor Jim Newman Deborah Dani Jean & Karen Peter Davis Marcel Niemiec Tomalis Brenda & Fred Cindy Pierson Tom Tomczak Durling Kristin & Pat Linda & Steve Van Michele Elias Prouty Haverbeke M.J. Falls Arnie Robinson Fred Welsh Joyce Galindo Catherine Sailus Marlene Werts Anne Gallagher Joan Schott Marnee Westberg Chris Geinzer Dianne See Patricia Wheatley Nancy Gillis Mary Sen Bob, Betty & Ann Zimmerman Charles & Louise David Sharpe Greenwald Salute to Jack Pierson The Pied Piper of Jazz Just mention Jack Pierson's name to a group of jazz fans and someone will always tell you they were in one of his bands at Fordson High School, Henry Ford Community College or Schoolcraft College. These students follow him around as though he was the Pied Piper. They love playing for him, admire him and say they never fail to learn something .1_ new each time. -
Blue Note Iis Musicianship the FINEST in JAZZ RALPH J
and willuighcu z can show. er-an anger By. blue note iis musicianship THE FINEST IN JAZZ RALPH J. GLEASON mire his troin- SINCE 1939 I his solos here (San Francisco Chronicle) ce chances and Band—Duke 1111ngtr sonni clârk resting solos in Miles Davis. is going to lie ■ conception u! rhythm section, >eems Io me tar I enor Sax—John Coltrane (James a teal alliance Clay) . Baritone Sax — Harry Carney (No choice) . Clarinet- Orleans No choice (No choice) . Piano— ESTREETS THE GRAS—Folk »ay । Ei loll (.arner (Red Garland) . Bass—Paul Chambers (Scott LaFaro) it cries (veritable A lone and Timet . Guitar ■ Alexander); Street ph); Liebestraum Montgomery ) Drums Mean Old Trite a-Bac-A-Way, Tht SONNY CLARK ' Blue Coot, Tht Cool Strvtttn* with Art Farmer, Jackie Me .Milt Jackson (Budch Montgomery) RELAXIN' WITH THE nd "The Indians" Lean, Paul Chamber», "Philly” Joe Jones. ("Hank”); Bour- . .Malt Singer—Louis Armstrong, MILES DAVIS QUINTET FRLP 7129 Cool Sfruffin'. Blue Minor, Sippin' al Belli ■ of The Krewe of Flank Sinatra (No choice) . Fe MORE OF THE FABULOUS "COOKIN' " SET YOU Go Marching It, Deep Night. LIKtC SO MUCH' RELAXIN' WITH THE MILES e (various street BLUE NOTE 1588 male Singer—Sarah Vaughan (Ernes DAVIS QUINTET is one of the most informally ac tine Andri son). curate definitions of jazz recorded in some time". Nat Hentoff: Noted Jou Critic As time goes on, it seems to me, BRASS BAND- MORNIN' LONG (reheartall, Troth that the stature ol Ellington grows REO GARLAND QUINTET r To Stay Hert, aryland My Mary inexorably while the promise that is inherent in others frequently dies . -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
January and February
VIETNAM VETERANS OF AMERICA Office of the National Chaplain Taps January/February 2015 ERIC C. ADAMS - Died Friday, September 26, 2014 at Duke Raleigh Hospital in Raleigh, North Carolina at the age of 67. He was a resident of Raleigh and formerly of Jay, New York. The cause of death is unknown. He was born to the late Ralph and Alice (née McDonald) Adams of Jay, New York on September 10, 1947. He received his early education in a two-room school house in Jay and graduated in 1965 from AuSable Forks High School, Au Sable Forks, NY. Upon graduating Eric volunteered to serve his country in the United States Army. He was first trained as a Construction Engineer at Fort Leonard Wood, Missouri, then at Fort Riley, Kansas trained in carpentry. He served the next 13 months in Vietnam. Upon his return from Vietnam he married Elaine Furnia, his high school sweetheart, on July 29, 1967. He was a retired maintenance mechanic with Cornell University. Eric was an active member of Northside Community Church in Knightdale, NC and until his health declined assumed many roles as usher, greeter, janitor and painter. He was always willing to help wherever he was needed. He was an At-Large Member of Vietnam Veterans of America – North Carolina. Eric leaves behind his mother Alice Adams of Plattsburg; wife, Elaine; daughters: Carrie (Jay) of Lake Royale, Jaime (Scott) Rose of Wendell and son Eric (Tami) of Gatlinburg, TN; grandchildren: Breanna and Garrett Bassett, Karl Golden, Brennen and Liam Rose; brother, Ralph Adams of Jay, NY; sister, Madeline (Gary) Senecal of Peru, NY. -
Un'analisi Interpretativa Della Maschilità Nella Televisione
Un’analisi interpretativa della maschilità nella televisione italiana: prospettive pedagogiche INDICE Introduzione 4 PARTE PRIMA 13 Gli stereotipi di genere nel calcio televisivo: l’esempio della maschilità CAPITOLO I 14 Uno sguardo di genere 1.1. La televisione: dispositivo di formazione o cattiva maestra? 15 1.2 Gli stereotipi di genere nella tv italiana 24 1.3 I modelli del maschile tra innovazione e tradizione 32 1.4 L’ostentazione del corpo nell’era della spettacolarizzazione: il calcio moderno 42 1.5 Relazioni di potere e discriminazione simbolica: calciatori e veline 49 CAPITOLO 2 58 Il corpo maschile come modello ideologico 2.1 L’esibizione narcisistica del leader: Josè Mourinho 63 2.2 Fenomeno italiano o globale? La retorica virilistica nell’Inter dei tre titoli 70 2.3 Il calcio e la dialettica valori-denaro nelle immagini mediatiche 82 2.4 Guerra e religione nella Spagna del Barcellona di Guardiola 91 PARTE SECONDA 100 Prospettive pedagogiche: la ricerca azione partecipativa CAPITOLO 3 101 Genere e formazione: la pedagogia della differenza 3.1 La maschilità nel calcio in tv e gli adolescenti 102 3.2 La pedagogia della differenza tra feminist media studies e men’s studies 112 3.3 L’importanza della scuola come ambiente riflessivo 124 3.4 Per un uso “ecologico” della tv: decostruire gli stereotipi di genere tramite il metodo narrativo nella Ricerca Qualitativa 134 CAPITOLO 4 146 La ricerca-azione 4.1 Metodologia dell’indagine qualitativa: la ricerca azione partecipativa 147 4.2 La ricerca sul campo: le interviste 157 4.3. Le interviste: il brainstorming 163 4.3 a La pubblicità: maschile e femminile tra caos e ordine 170 4.3 b L’importante è buttarla dentro? 175 2 4.3 c Uomini e donne nell’era della videocrazia 178 4.3 d Il corpo delle donne tra ragazze-immagine e showgirl 182 4.3 e La differenza dei sessi nello sport…e nel calcio 195 4.3 f La maschilità tra tradizione e innovazione: Josè Mourinho 201 4.4 Gli elaborati scritti 207 4.5 L’analisi T-Lab 228 CONCLUSIONI GENERALI 255 BIBLIOGRAFIA 260 3 Introduzione Questo lavoro di Tesi si compone di due parti. -
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT -
CLASSIFIED ADS Home?" Starring Laurel & Hardy
set about the rebuilding of the small Coates presented the program on the behind the console. They seemed to organ. It must be said at this point organ and piano. set the mood for the meeting, and I'm that to this writer, no group ever The end of the year in St. Louis told, were the handiwork of Mrs. Jureit. showed such great spirit in the face of signals a "New Beginning" for us with The featured artist this Sunday disappointment or such "espirit de the hope of '72 seeing the small organ afternoon was Pete Dumser, and artist corp" in banding together to start playing and a new home for its larger he is, for he wove a melodic medley of another project. We all looked for sister. At any rate, watch our smoke traditional and pop Christmas music, ward eagerly to the Affton project and this year and a happy and prosperous punctuated by familiar standards. His when it didn't pan out everyone just and productive new year to us all ... program was well received. The "early picked himself up (as the song says) "Ten-Four". bird" feature was the early birds them and went back to work with new JOHN FERGUSON selves. Perhaps Lee Taylor coaxed sights. music from the big instrument which We don't feel at liberty yet to dis encouraged the more timid souls to close the location of the little Wur SOUTH FLORIDA try their hands, and the "open con litzer at this printing, but work on the Bouquets to Mr. -
Jacques HÉTU Complete Chamber Works for Strings String Quartets Nos
CANADIAN CLASSICS CLASSIQUES CANADIENS Jacques HÉTU Complete Chamber Works for Strings String Quartets Nos. 1 and 2 • Sérénade • Sextet New Orford String Quartet • Steven Dann, Viola Colin Carr, Cello • Timothy Hutchins, Flute Jacques Jacques Hétu (1938-2010) Complete Chamber Works for Strings HÉTU A Brief Survey of Jacques Hétu’s Compositional Style contrasts a quirky and arrhythmic theme with interludes of (1938-2010) glassy and furtive tremolo. A cello solo that evokes some Melodicism, lush harmonies and instrumental discourse of the more avant-garde melodies of the initial Allegro is at Complete Chamber Works for Strings are all important elements in Jacques Hétu’s music and the heart of the movement. The final movement, Allegro, his style combines expressivity and angular rhythms begins with a unison that mirrors the very beginning of the within very traditional musical forms. His early quartet, this time utilizing a much wider version of the tri- String Quartet No. 1, Op. 19 (1972) 18:18 compositions, influenced by Bartók, Hindemith and tone for striking effect. A fugue follows, which gains 1 Allegro 4:10 various leading French composers, have a marked sense momentum until it is suddenly interrupted by a recollection 2 Andante 6:29 of polytonality and are imbued with percussive rhythms of the theme from the second movement. After this 3 Andante – Vivace 3:01 and harmonic tension. In later years his musical language sudden change of character, the tremolo of the third 4 Allegro 4:38 matured with more open and spacious frameworks and movement is brought back to break the spell, leading to increasingly lyrical expression. -
Music Department Handbook Will Be Governed by the Rules in the University Cata- Log and the Student Handbook
https://www.evangel.edu/department/music/ Degree Facebook About Programs page Evangel U table of contents ACCREDITATION .................................................................................................................... 2 FACULTY & STAFF ................................................................................................................... 3 PURPOSES, OBJECTIVES, STANDARDS........................................................................ 7 ADMISSION INTO THE PROGRAM ................................................................................. 8 SOPHOMORE REVIEW......................................................................................................... 9 DEGREE PLANS .................................................................................................................... 10 B.M. in Music Education ............................................................................................. 11 B.M. in Worship Leadership ........................................................................................ 12 B.M. in Performance .................................................................................................... 13 B.S. in Music .................................................................................................................... 15 B.A. in Music ................................................................................................................... 15 MUSIC MINORS ................................................................................................................... -
Stahl, Childs Combine Piano Talent
Mrs. Al Lerberg Concordia Collece 101 po * THE CONCORDIAN VOLUME LVI THE CONCORDIA COLLEGE. MOOR HEAD. MINNESOTA. MARCH 12. 1965 No. 23 Augenstein Returns for Graduation Dr. Leroy Augenstein, who gregations will participate in Ridge National Laboratory, Oak was a Faith in Life speaker last this service. Ridge, Tennessee. Dr. Wollan is September, will be this year's Dinner will be served in the a 1923 graduate of Concordia commencement speaker. Dr. Commons from 12:15 to 1:15 and is the son of the late Profes- Augenstein is chairman of the p.m. All students and as many sor Thomas C. Wollan, a profes- department of biophysics at guests as possible will be ac- sor of mathematics at Concordia Michigan State University. commodated. for many years. Again special Dr. Augenstein received his Commencement exercises in music will be provided by the B.S. degree from the Univer- Memorial Auditorium begin at concert choir and band. sity of Chicago, his M.S. and 3:00 p.m. with the address by Three hundred and thirteen PhJD. degrees from the Uni- Augenstein. An honorary de- students, including those who versity of Illinois. His profes- gree of Doctor of Science will met graduation requirements in sional experience includes be conferred upon Dr. Ernest O. December, will receive their di- work with the Brookhaven Wollan, a physicist at the Oak plomas. National Laboratory, the Atomic Energy Commission and the United States Science Exhibit at the Seattle World's C-400 Recruits Seniors Dr. Leroy Augenstein Fair. He has edited and writ- Opportunity to participate in a unique venture of alumni sup- ten books on biology and ra- port is rapidly closing for 360 of Concordia's students.