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BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS to the EDITOR About STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and Others
IN THIS ISSUE: i f An interview with PEGGY LEE Reviews of BOOKS AND BIG RECORDS to consider about GEORGE WEIN, CRAIG RAYMOND, BAND KAY KYSER and others JUMP ★ A BIG BANDLEADERS’ PRIMARY INSTRUMENT TRIVIA QUIZ NEWSLETTER ★ LETTERS TO THE EDITOR about STUDIO ORCHESTRAS, SPIKE JONES, HERB JEFFRIES, and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE Atlanta, GA 30355 PAID Atlanta, GA Permit No. 2022 BIG BAND JIMP N EWSLETTER VOLUME LXXXVII_____________________________BIG BAND JUMP NEWSLETTER JULY-AUGUST 2003 lems than most of us experience. Later in life she took PEGGY LEE INTERVIEW engagements while requiring respirator treatments four times a day during ten years of her life. She played sold- out clubs with dangerously-high temperatures when she had to be carried off the stage to a hospital. She underwent open-heart surgery and suffered failing eye sight and a serious fall but continued to perform sitting in a chair until a few years before her death on January 21,2002 The Scene Veteran broadcaster and Big Band expert Fred Hall conducted the interview at Peggy Lee ’ s Bel Air home in the 1970s, at a time when she was still performing and still making records. The first question was about how her job with Goodman came about. BBJ: Did you j oin the Goodman band directly from singing in clubs? The cheerful Lee PL: Yes, I was singing in a club at that time I met him. Before that I had been singing on a radio The Background station in Fargo, North Dakota. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
Sandspur, Vol. 38 No. 20, February 7, 1934
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 2-7-1934 Sandspur, Vol. 38 No. 20, February 7, 1934 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol. 38 No. 20, February 7, 1934" (1934). The Rollins Sandspur. 387. https://stars.library.ucf.edu/cfm-sandspur/387 U*i** >i^ y^0•,\.•'• Attend Established in World Lectures 1894 Flashes mmm andspur From the UnitedPress WINTER PARK, FLORIDA, FE RUARY 7, 1934 PARIS, Feb. 7.—Premier Edo Organ Vespers Memorial Services Former Director of uard Daladier and his cabinet of Wednesday, February 7, 1934. Held For Victims Yerkes Observatory FOiEli OPERA fered their resignations today to NOIED PIANISI appease the popular anger and to Emelie Dougherty, Guest organ To Lecture Tuesday prevent further bloodshed in the ist ; Bruce Dougherty, soloist. Of Motor Crash riots which have already cost Night _ Jenkins Preceded by the blowing A popular lecture on "Your IM RECIIIIL Andante, from Fifth Symphony.... STAR 10 GIVE scores of lives in.; Paris. Presi "taps" by the campus buglei Universe" by Dr. Edwin B. Frost, Beethoven dent Albert Lebrun accepted the memorial service for John M. tjhe blind astronomer, will] 1^ Caprice Matthews resignation at once and began the MacNutt and Thomas W. -
The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012
“Best of South Jersey” 2008 - 2011! The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012 OUR NEXT CONCERT TRI-STATE JAZZ SOCIETY On March 18, Emily Asher says, The Garden Party Presents will play a variety of hot jazz and early swing, their instrumentation and concept influenced by EMILY ASHER’S GARDEN PARTY Louis Armstrong's Hot Fives and Sevens, Armstrong's All-Stars, and Eddie Condon's classic recording groups. Their repertoire will also include material from the heart of the West Coast Dixieland revival, Lu Watters' Yerba Buena Jazz Band. Trombonist and vocalist Emily Asher is a rising musical personality in New York, leading the Garden Party and The Emily Asher Quartet and making regular appearances with the Brooklyn- based Baby Soda Jazz Band. She toured North America with the ground-breaking Mighty Aphrodite Jazz Band and Europe with New Orleans’ Tuba Skinny. See Asher on Page 2 CONCERT ADMISSION $20 ADMISSION $10 FIRST TIME ATTENDEES & MEMBERS HIGH SCHOOL/COLLEGE STUDENTS WITH Emily Asher, trombone, leader ID AND CHILDREN WITH PAYING ADULT ADMITTED FREE Bria Skonberg, trumpet Pay At the Door - No Advance Sales Dan Levinson, clarinet Gordon Webster, piano In This Issue… Sean Cronin, bass Kevin Dorn, drums Looking Ahead ............. Page 2 American Rag ............... Page 2 Sunday, March 18, 2012 Barnes Review ............. Page 2 2:00 p.m. – 5:00 p.m. Spirits Of Rhythm ......... Page 3 Community Arts Center Help Wanted ................. Page 4 Upcoming Events ......... Page 5 414 Plush Mill Road Wallingford, PA Directions on Page 7 The Strutter is published by Tri-State Jazz Society, Inc. -
La Cultura Italiana
LA CULTURA ITALIANA PERRY COMO (1912-2001) This month’s essay looks at the life of another Italian-American popular music artist of the post-World War II era. Famous for his relaxed vocals, cardigan sweaters, and television Christ- mas specials, he was the charming Italian-American whose name became synonymous with “mellow” as he performed through seven decades, starting in the 1930s. His idol, Bing Crosby, once called him “the man who invented casual.” PIERINO RONALD “PERRY” COMO was born on May 12, 1912 in Canonsburg, Pennsylvania. (This month would have been his 107th birthday, and, coincidentally, the 18th anniversary of his death). He was the seventh of 13 children and the first Ameri- can-born child of Pietro Como and Lucia Travaglini, who had both immigrated to the United States in 1910 from Palena, a small town in the Province of Chieti in the Abruzzo region of Italy. (He used to point out to people that he was the seventh son of a seventh son and that this was a good omen in Italian culture). Like many children of Italian immigrants (including my own father), Perry did not begin speaking English until he entered school, since the Comos spoke only Italian at home. Pietro had bought a second-hand organ for $3 soon after they had arrived in America. As soon as Perry was able to toddle, he would head to the instrument, pump the bellows, and play by ear music he had heard. Pietro worked in the Standard Tin Plate factory in Canonsburg, a small town in the coal-mining region that was located 18 miles southwest of Pittsburgh. -
Kay Kyser in a Reader's Letter Bunny Berigan: Part of 1936 in Music
Kay Kyser in a reader’s letter Bunny Berigan: part of 1936 In Music Presorted Standard U.S. Postage PAID Atlanta, GA Permit No. 3259 BIG BAWD JUMP N EWSLETTER VOLUME 113 BIG BAND JUMP NEWSLETTER NOVEMBER-DECEMBER, 2007 INTERVIEW - GENE KRUPA The Background We’ve been searching for a Gene Krupa interview to place in this slot since the publication of the BBJ NEWSLETTER began 18yearsago. Quite by accident we were on the mailing list advertising Krupa drum sticks and Krupa publications. It is from the “World of Gene Krupa” book we’ve excerpted the following Gene Krupa comments, presented in interview style. BBJ host Don Kennedy interviewed Gene Krupa in 1949 or early 1950 when Krupa was appearing at the Palace Theater in Youngstown, Ohio. The interview was set up for one o’clock in the morning, after the last of the six or seven daily ‘live’ performances between showings of the feature movie. That taped interview has long since been lost, but one distinct memory The young Krupa at work remains: the extremely courteous behavior of Gene came from the Buddy Rogers band. I knew Stan in the Krupa. Kennedy recalls the event. old days when I worked for Red Nichols. THE place then was Plunkett’s (a speakeasy on 53rd Street) and “I was nineteen or twenty and my dad went with me for Stan was a very big name then and much respected by company. While I was setting up that bulky early tape me, not so much for his talent, because I was going the recorder, Gene Krupa talked to my 66 year old dad, a other way for guys like Chick Webb and Tommy Miles. -
The Good Health Campaign of North Carolina
THE GOOD HEALTH CAMPAIGN of J^orth Carolina THIS BROCHURE MADE AVAILABLE BY THE AMERICAN HOSPITAL ASSOCIATION, IN COOPERATION WITH THE UNITED STATES PUBLIC HEALTH SERVICE, THE NORTH CAROLINA MEDICAL CARE COMMISSION, AND THE NORTH CAROLINA GOOD HEALTH ASSOCIATION, INC. ''^""'V' Cf)e JUibtatp of tlje Dit)t0ion of l^ealti) affairs Qnitjet0itp of Bom Carolina Kf. A5l2g I9I47 C.3 kept out TWO WEEKS This BOOK may be to a fine of FIVE ONLY, and is subject is DUE on the CENTS a day thereafter. It DAY indicated below: THE GOOD HEALTH CAMPAIGN OF NORTH CAROLINA THE GOOD HEALTH CAMPAIGN OF NORTH CAROLINA Table of Contents Page Introductory Statement 3 Foreword 4 Preface 5 History of the Good Health Program North Carolina State Hospital and Medical Care Commission . 6 North Carolina Medical Care Commission 9 North Carolina Good Health Association 12 Good Health Publicity Campaign in North Carolina . » . l4 Prospectus l6 Fact Sheet 26 State Health Meetings 33 Appointment of Paid Regional Assistant Directors 34 Speakers ' Bureau 3^ Radio 38 Transcriptions 44 Movie Trailers 48 Sixteen Millimeter Health Films 50 Panoram Machine and Continuous Projectors 52 High School Oratorical Contest 54 Press (Newspapers) 58 News Release Letterheads 68 Offset Process 70 Photography and Engraving 71 Cartoons 72 Advertising (Newspaper) 75 Pamphlets and Brochures 79 Magazines 82 Clippings and Scrapbooks 84 Advertising (Outdoor Billboard) 86 Posters, Display Cards, Car Cards 89 Lapel Buttons 91 Good Health Song 92 Good Health Week 96 Good Health Sunday 100 Newspaper Essay Contest IO3 Dairy Industry Promotion 104 Christmas Cards IO6 Postage Meter Ads IO8 -2- . -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Journal Vol 20-3 1996
California H i s t o r c a R a d i o Society N e w s CHRS OFFICERS AND STAFF 1996 ABOUTCHRS PRESIDENT/ BOARD CHAIRMAN/ GENERAL COUNSEL The California Historical Radio Society MAIL PICK-UP MAILING CHAIRMAN Bart Lee (CHRS) is a non-profit corporation chartered Steve Kushman Dale Sanford 88 Kearny St. #1301 in the State of California. CHRS was formed 4233-25th. St. 107 St. Thomas Wy. San Francisco, CA 94108 in 1974 to promote the restoration and preser- San Francisco, CA 94114 Tibouron, CA 94920 415 956-5959 vation of early radio and broadcasting. Our 415 821-7671 415 435-6131 goal is to provide the opportunity to exchange NAME BADGE CHAIRMAN ideas and information on the history of radio, VICE PRESIDENT ON SITE EVENT Norm Lehfeldt particularly in the West, with emphasis in Lee Allder CHAIRMAN 757 Guerreo St. collecting, literature, programs, and the P. 0. Box 6785 Paul Bourbin San Francisco, CA 94110 restoration and display of early equipment. San Rafael, CA 94903 25 Greenview Ct 415 285-0643 The Journal of the Society is published and 415 499-9228 San Francisco, CA 94131 furnished free of charge to members. Yearly 415 648-8489 TECHNICAL AD VISOR membership dues are $20 (U.S. funds). SECRETARY Larry Clark Submissions for the Journal are always Russ Turner WEBSITE CHAIRMAN 438 York Dr. welcome. Typed copy is preferred, submitted 414 Liberty St. Alan Voorhees Benicia, CA 94510 on a 3.5 inch IBM or Macintosh diskettes in San Francisco, CA 94114 10809 Mcintyre St. 707 745-9132 ASCII or Microsoft Word format. -
Radio Recordings
RADIO RECORDINGS "Uncle Sam Presents" March 25, 1944 (NBC Disc) AAFTC Orchestra Directed by Capt. Glenn Miller Dennis M. Spragg October 2013 1 Preserving Broadcasting and Musical History Many individuals and organizations have possession of the surviving recordings of radio programs. There were several methods by which radio programs circa 1935- 1950 containing musical content were recorded and preserved. Following is a general summary of the types of recordings that were made and how many of them survive at the Glenn Miller Archive and elsewhere. 1. Radio Networks The national radio networks in the United States as of 1941 consisted of the National Broadcasting Company (NBC) with its Red and Blue Networks, the Columbia Broadcasting System (CBS) and the Mutual Broadcasting System (Mutual). In addition, several regional networks existed with member stations that were also affiliated with the national services. Mutual was a cooperative effort led by several large local station owners in Chicago (WGN), Los Angeles (KHJ) and New York (WOR). NBC also operated an International Division or its White Network, which broadcast shortwave signals overseas from transmitters on both coasts operated by the General Electric Company. NBC and CBS each owned the federally regulated maximum of local stations, including: NBC Red – WEAF, New York; WMAQ, Chicago and KPO, San Francisco; NBC Blue – WJZ New York; WENR, Chicago and KGO, San Francisco. NBC did not own stations at this time in Los Angeles. Its powerful Southern California affiliate was the Earle C. Anthony Company, owner of KFI (Red) and KECA (Blue). CBS-owned stations included WABC, New York, WBBM, Chicago and KNX, Los Angeles. -
Merwyn Looks Back at Ish Kabibble
) , , I THE AMICA NEWS BULLETIN AMICA SUBSCRIPTION RATES: - Continuing Members: $15.00 Dues - Published by the Automatic Musical Instrument Collectors' Association. a non-profit club devoted to the restoration, New & Lapsed Members: 15.00 Dues 5 distribution and enjoyment of musical instruments using perforated plus 5.00 Application Fee I paper music rolls. 20.00 Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. All articles must be received by the 15th of the preceding month. Every attempt will be made to publish all articles of general interest to AMICA members OFFICERS at the earliest possible time and at the discretion of the publisher. Advertisements: Personal ads by members are accepted and inserted in the Bulletin Board section at a rate of 5¢ per word. $1.00 minimum. Businesses and persons wishing more space may use the following guidelines: PRESIDENT - Advertising rate is $10 per quarter page or multiple thereof. Frank Loob - Camera-ready copy must reach the publisher by the 15th of the preceding month. VICE-PRESIDENT BiI! Mintz - All ads will appear on the last pages of the Bulletin, at the discretion of the publisher. SECRETARY Publication of business advertising in no w.., implies AMICA's endorsement of any commercial operltion. However. AMICA Isadora Koff reserves the right to refuse any ad that is not in keeping with AMICA's general standards or if complaints are received indicating that said business does not serve the best interests of the members BULLETIN of AMI CA. according to its goals and by·laws. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series (