UNIVERSAL PICTURES Presents a ROTH FILMS Production KRISTEN
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La Soprintendenza Speciale Per I Beni Archeologici Di Roma Ed Electa
LA SOPRINTENDENZA SPECIALE PER I BENI ARCHEOLOGICI DI ROMA ED ELECTA sono lieti di invitarla alla conferenza sabato 21 dicembre, ore 11:00 Auditorium Parco della Musica (Teatro Studio) Venerdì 20 dicembre, presso il Museo Nazionale Romano in Palazzo Massimo apre la mostra Mostri. Creature fantastiche della paura e del mito, organizzata dalla Soprintendenza Speciale per i Beni Archeologici di Roma ed Electa. L’esposizione, attraverso più di cento reperti archeologici, indaga i miti della tradizione classica che hanno influenzato l’arte moderna e contemporanea, e il cinema in particolar modo. Per l’occasione sono stati invitati Scott Ross e Shane Mahan, premi Oscar, che operano nel mondo degli effetti speciali per il cinema e per la televisione, al fine di illustrare il legame fra i mostri dell’antichità classica e della mitologia e la realtà della produzione cinematografica moderna, fortemente popolata da creature mostruose. Nella conferenza Monster Makers del 21 dicembre, presso l’Auditorium Parco della Musica, Ross e Mahan disegneranno il ponte ideale che collega gli albori del racconto per immagini e per miti della nostra civiltà, con il mondo straordinario della produzione digitale per il grande schermo. In ogni tempo i miti permangono come i terrori ad essi associati. L’incontro sarà l’occasione per conoscere più da vicino l’universo degli effetti speciali, raccontato da due protagonisti d’eccezione. Rita Paris, direttrice del Museo Nazionale Romano in Palazzo Massimo, aprirà la conferenza presentando la mostra. Scott Ross si occupa di effetti speciali da oltre trent’anni. Negli anni 80 è General Manager della Industrial Light & Magic (ILM) di George Lucas, contribuendo ad alcuni dei maggiori successi della Lucas Film, come Chi ha incastrato Roger Rabbit? e Terminator 2. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Aliens” (1986) – Superior Sequel to the Original Source
“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
Terminator 2: Judgment Day"
"TERMINATOR 2: JUDGMENT DAY" a Screenplay by James Cameron and William Wisher Revised final shooting script ---------------------------------------------------------------------------- 1 EXT. CITY STREET - DAY Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to DISSOLVE TO: 2 EXT. CITY RUINS - NIGHT Same spot as the last shot, but now it is a landscape in Hell. The cars are stopped in rusted rows, still bumper to bumper. The skyline of buildings beyond has been shattered by some unimaginable force like a row of kicked-down sandcastles. Wind blows through the desolation, keening with the sound of ten million dead souls. It scurries the ashes into drifts, stark white in the moonlight against the charred rubble. A TITLE CARD FADES IN: LOS ANGELES, July 11, 2029 3 ANGLE ON a heap of fire-blackened human bones. Beyond the mound is a vast tundra of skulls and shattered concrete. The rush hour crowd burned down in their tracks. 4 WE DISSOLVE TO a playground... where intense heat has half-melted the jungle gym, the blast has warped the swing set, the merry-go-round has sagged in the firestorm. Small skulls look accusingly from the ash-drifts. WE HEAR the distant echo of children's voices... playing and laughing in the sun. A silly, sing-songy rhyme as WE TRACKS SLOWLY over seared asphalt where the faint hieroglyphs of hopscotch lines are still visible. -
FOX SEARCHLIGHT PICTURES Presents A
FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO SCREENPLAY BY ....................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional -
Academy Awards En
81st ACADEMY EN AWARDS Ganadores Mejor Actor Richard Jenkins en “The Visitor” (Overture Films) Frank Langella en “Frost/Nixon” (Universal) Sean Penn en “Milk” (Focus Features) Brad Pitt en "El Curioso Caso de Benjamin Button" (“The Curious Case of Benjamin Button”) (Paramount y Warner Bros.) Mickey Rourke en "El Luchador" (“The Wrestler”) (Fox Searchlight) Mejor Actor de Reparto Josh Brolin en “Milk” (Focus Features) Robert Downey Jr. en "Una Guerra de Película" (“Tropic Thunder”) (DreamWorks, Distribuida por DreamWorks/Paramount) Philip Seymour Hoffman en "La Duda" (“Doubt”) (Miramax) Heath Ledger en "Batman: El Caballero de la Noche" (“The Dark Knight”) (Warner Bros.) Michael Shannon en "Sólo un Sueño" (“Revolutionary Road”) (DreamWorks, Distribuida por Paramount Vantage) Mejor Actriz Anne Hathaway en "La Boda de Rachel" (“Rachel Getting Married”) (Sony Pictures Classics) Angelina Jolie en "El Sustituto" (“Changeling”) (Universal) Melissa Leo en “Frozen River” (Sony Pictures Classics) Meryl Streep en "La Duda" (“Doubt”) (Miramax) Kate Winslet en "El Lector" (“The Reader”) (The Weinstein Company) Mejor Actriz de Reparto Amy Adams en "La Duda" (“Doubt”) (Miramax) Penélope Cruz en “Vicky Cristina Barcelona” (The Weinstein Company) Viola Davis en "La Duda" (“Doubt”) (Miramax) Taraji P. Henson en "El Curioso Caso de Benjamin Button" (“The Curious Case of Benjamin Button”) (Paramount y Warner Bros.) Marisa Tomei en "El Luchador" (“The Wrestler”) (Fox Searchlight) Mejor Película Animada “Bolt” (Walt Disney), Chris Williams and Byron Howard “Kung Fu Panda” (DreamWorks Animation, Distribuida por Paramount), John Stevenson y Mark Osborne “WALL-E” (Walt Disney), Andrew Stanton Mejor Dirección de Arte “El Sustituto” (“Changeling”) (Universal), Dirección de Arte: James J. -
Dylan Tichenor, ACE Music by Javier Navarrete Costume Designer Karin Nosella
SEARCHLIGHT PICTURES Presents In Association with TSG Entertainment A PHANTOM FOUR / DOUBLE DARE YOU Production A SCOTT COOPER Film Starring: KERI RUSSELL JESSE PLEMONS JEREMY T. THOMAS GRAHAM GREENE SCOTT HAZE RORY COCHRANE AMY MADIGAN Directed by Scott Cooper Screenplay by C. Henry Chaisson & Nick Antosca and Scott Cooper, based upon the short story “The Quiet Boy” by Nick Antosca Produced by Guillermo Del Toro, p.g.a., David S. Goyer, p.g.a, J. Miles Dale, p.g.a Executive Producers Jim Rowe, Nick Antosca, Kevin Turen Director of Photography Florian Hoffmeister Production Designer Tim Grimes Film Editor Dylan Tichenor, ACE Music by Javier Navarrete Costume Designer Karin Nosella http://www.foxsearchlight.com/press Running Time: 1hr 39m Rating: Rated R Los Angeles New York Shelby Kimlick Samantha Fetner Tel: (310)369-8476 Tel: (212)536-6425 [email protected] [email protected] Regional John Chau Tel: (310) 369-1675 [email protected] 1 From the visionary world of acclaimed director Scott Cooper (CRAZY HEART, HOSTILES) and horror maestro Guillermo del Toro (THE SHAPE OF WATER) comes ANTLERS. In an isolated Oregon town, a middle-school teacher (Keri Russell) and her sheriff brother (Jesse Plemons) become embroiled with her enigmatic student (Jeremy T. Thomas) whose dark secrets lead to terrifying encounters with a legendary ancestral creature who came before them. Based on the short story The Quiet Boy by Nick Antosca, screenplay by C. Henry Chaisson & Nick Antosca and Scott Cooper. Produced by Guillermo del Toro, David S. Goyer, and J. Miles Dale. ANTLERS stars Keri Russell (The Americans, STAR WARS: THE RISE OF THE SKYWALKER), Jesse Plemons (THE IRISHMAN), Graham Greene (WIND RIVER), Scott Haze (VENOM), Rory Cochrane (BLACK MASS), Amy Madigan (GONE BABY GONE) and introducing Jeremy T. -
Iron Man”, La Storia Di Tony Stark (ROBERT DOWNEY JR.), Industriale Miliardario E Geniale Inventore
Paramount Pictures e Marvel Entertainment presentano la sfrenata avventura firmata Marvel Studios “Iron Man”, la storia di Tony Stark (ROBERT DOWNEY JR.), industriale miliardario e geniale inventore. Come direttore generale delle Industrie Stark, prime fornitrici di armi del governo americano, Tony ha raggiunto lo status di celebrità proteggendo gli interessi americani in tutto il mondo per decenni. Lo spensierato stile di vita di Tony cambia completamente quando, in seguito ad un test sulle armi che lui supervisiona, il suo convoglio viene attaccato e lui viene preso in ostaggio da un gruppo di rivoltosi. Ferito da una letale granata che lo colpisce vicino al cuore già un po’ malandato, Tony riceve l’ordine di costruire una potente arma distruttrice per Raza (FARAN TAHIR), il misterioso leader dei ribelli. Ignorando le richieste dei suoi rapitori, Tony usa il suo intelletto e la sua ingegnosità per costruire un’armatura che lo tiene in vita e che gli permette di scappare dalla prigionia. Dopo il suo ritorno in America, Tony deve fare i conti con il suo passato e giura di portare le Industrie Stark in una nuova direzione. Malgrado la resistenza di Obadiah Stane (JEFF BRIDGES), suo braccio destro e top executive, che ha preso il controllo della società durante la sua assenza, Tony passa giorni e notti nel suo laboratorio sviluppando e perfezionando un’armatura di avanzata tecnologia che lo protegge fisicamente e gli da una forza sovrumana. 1 Con l’aiuto della sua assistente di lunga data Pepper Potts (GWYNETH PALTROW) e del suo fidato aggangio militare Rhodey (TERRENCE HOWARD), Tony scopre un nefasto complotto che ha implicazioni globali. -
Summer Thriller
FINAL-1 Sat, Jul 22, 2017 3:38:52 PM tvupdateYour Weekly Guide to TV Entertainment For the week of July 30 - August 5, 2017 Summer thriller INSIDE Devon Sawa as seen in •Sports highlights Page 2 “Somewhere Between” •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Paula Patton (“Precious,” 2009) stars as San Francisco news producer Laura Price, who faces every mother’s worst nightmare when her daughter is murdered in “Somewhere Between,” airing Tuesday, Aug. 1, on ABC. In a supernatural twist of fate, Price finds herself reliving the week before the murder, and scrambles to find a way to prevent it over and over again. Devon Sawa (“Nikita”) and newcomer Aria Birch also star. NEW ENGLAND WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY ALLERGY SELL Asthma & Immu nology ✦ 37 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES MOLD SPORE We Need: SALES Motorsports& SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. ALLERGIES MOTORCYCLE 1 x 3” HAVE ARRIVED! We are the ORIGINAL and only AUTHENTIC INSPECTIONS Runny or stuffy nose? Itchy eyes? Find relief from mold spores CASH FOR GOLD at New England Allergy. on the Methuen line, above Enterprise Rent-A-Car 978-683-4299 at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA www.newenglandallergy.com 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Jul 22, 2017 3:38:54 PM COMCAST ADELPHIA 2 Sports Highlights CHANNEL Kingston Atkinson Sunday 10:00 p.m. -
Sunday Morning Grid 9/28/08 Latimes.Com/Tv Times
SUNDAY MORNING GRID 9/28/08 LATIMES.COM/TV TIMES 7 am 7:30 am 8 am 8:30 am 9 am 9:30 am 10 am 10:30 am 11 am 11:30 am Noon 12:30 pm 2 CBS CBS News Sunday Morning (N) Å Face Nation NFL Today Å Paid Program Dog Tales Animal R. Mountain Biking 4 NBC Today in L.A.: Weekend Meet the Press (N) (TVG) Matthews News LXTV PGA Tour Golf The Tour Championship Final Round. Å 5CW Paid Believers Paid Joel Osteen Paid Changing Shook Paid Program Ed Young Paid Program 7 ABC News (N) Å This Week With George News (N) Å NASCAR Countdown NASCAR Racing Sprint Cup Camping World RV 400. 9 KCAL In Touch-Dr Conley Paid It Is Written Paid Hour of Power (N) (TVG) Paid Program Think Blue 11 FOX News Fox News Sunday Fox NFL Sunday Å Football Green Bay Packers at Tampa Bay Buccaneers. Å 13 MyNet Paid Program Paid Program 18 KSCI Paid Hr./Hope Christian Faith Phil Blazer Paid Program Iranian TV (In Farsi) Jaam-E-Jaam (In Farsi) 22 KWHY Paid Program Paid Program 24 KVCR WordWorld Cartoon Painting Oil Painting Watercolor Art Work Made-Spain Martin Yan Test Kitch Gourmet New York Primal Grill 28 KCET Sesame Street (N) (TVY) Animalia Raggs Mr Rogers Berenstain Signing Sid Nature Raptor Force. SoCal Place 30 ION Turning Pt Discovery In Touch-Dr Paid Program Inspiration Ministry Campmeeting David Cerullo. 34 KMEX Paid Program Al Punto Fútbol de la Liga Mexicana Toluca vs. Santos. -
FOX SEARCHLIGHT PICTURES Presents a DOUBLE DARE YOU
FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO WRITTEN BY ............................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional