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Commencement Ceremonies
THE UNIVERSITY OF ROCHESTER One Hundred and Eighteenth Annual Commencement Ceremonies SUNDAY, JUNE SECOND NINETEEN HUNDRED SIXTY-EIGHT In keeping with the nature of the ceremonies and in order that all may see and hear without distraction, it is requested that those in attendance refrain from smoking and conversation during the ceremonies and from moving onto the floor to take photographs. Your cooperation will be greatly appreciated. Academic Attire The distinctive attire of those participating in the academic procession represents a tradition that reaches at least as far back as the fourteenth century when gowns similar to today' s became the required dress at many European universities. Gow1u were then a common form of apparel for both the clergy and the laity but today they survive chiefly in eccle siastical or academic ceremonies such as the one we shall witness this afternoon. The symbolism of the American style of regalia is described below. Variations may be observed in the attire of the graduates of for eign universities and of the several American institutions which have departed from tradition. The gowns for the three levels of degrees differ primarily in the sleeve. The bachelor's gown has long pointed sleeves and is worn closed. The master's gown is usually worn open and has long square-cut sleeves with slits through which the forearms protrude. The doctor's gown has large bell-shaped sleeves with three velvet crossbars on the upper portion of the arm and velvet trimming down the front of the gown. The mor tarboard derives from the Oxford cap and is generally black with a black tassel, although color is sometimes used to indicate the field in which the degree was awarded. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Boston Symphony Orchestra Concert Programs, Summer, 1967-1968, Tanglewood
) ) '• i Recordings by the ^gjg. £\<®k /BOSTON\ BOSTON SYMPHONY \^Hk: * SYMPHONYfi yiiajv i \oR.CHESTRA/ ORCHESTRA H?" \ J^ • "HIS HUTU'S voice under the direction of _ kcavic.r VTPTf»n fbdF Erich Leinsdorf: Bartok Concerto for Orchestra LM-2643 Violin Concerto (Joseph silverstein) LM-2852 Beethoven Symphony No. 3 ("Eroica") LM-2644 Overture to "Leonore" No. 3 LM-2701 Piano Concerto No. 3 (artur Rubinstein) LM-2947 Piano Concerto No. 4 (artur rubinstein) LM-2848 Piano Concerto No. 5 (artur rubinstein) LM-2733 Berg Excerpts from "Wozzeck" (phyllis curttn) LM-7031 "Le Vin" (phyllis curtin) LM-7044 Brahms Symphony No. 1 LM-2711 Symphony No. 2 LM-2809 Symphony No. 3 LM-2936 Piano Concerto No. 1 (van cliburn) LM-2724 Piano Concerto No. 1 (artur rubinstein) LM-2914 Tragic Overture LM-2936 Bruckner Symphony No. 4 LM-2915 (Ravel Piano Concerto in 7 . G (lorin, T ^„ TVT Hollander)„M T .___, % LM-2667 IDello Joio Fantasy and Variations \ Faure Elegy for Cello and Orchestra (samuel mayes) LM-2703 Fine Symphony 1962 1 Toccata Concertante \ LM-2829 Serious Song for String Orchestra J Kodaly Suite from "Hary Janos" 1 Variations on a Hungarian Folk Song, \ LM-2859 "The Peacock" J Mahler Symphony No. 1 LM-2642 Symphony No. 5 LM-7031 Symphony No. 6 LM-7044 Mendelssohn A Midsummer Night's Dream LM-2673 (Incidental music with chorus, soloists and speaker) Menotti The Death of the Bishop of Brindisi LM-2785 ( With chorus and soloists Mozart Symphony No. 41 and Eine kleine Nachtmusik LM-2694 Requiem Mass -Kennedy Memorial Service LM-7030 Prokofiev Piano Concerto Nos. -
Governor Signs Ssu Budget Bill
Published by the Office of University Relations Sangamon State University Springfield, Illinois 62708 VOLUME 5, NUMBER I JUL Y 20, 1976 GOVERNOR SIGNS SSU BUDGET BILL Governor Walker has approved the bill which of Higher Education include the provision that any includes funding for Sangamon State while at the program offered at an off-campus location must same time exercising a reduction veto to lessen the receive approval from the BHE if students will be amount appropriated to the university. able to complete their program major for a degree The governor's reduction veto brings the level of at that location. SSU's funding down to that which he recom- This recommendation comes as a result of the mended in his original March budget message. This tremendous growth and increasing variety in action is consistent with actions which the off-campus instruction since it was first undertaken governor has taken on bills which fund most of the more than 80 years ago. In the past, extension rest of higher education in Illinois. courses and other off-campus instruction have The appropriation for Sangmon State provides generally not been subjected to review and $10.3 million, an increase of $396,400 over last coordination by the BH E. The staff report suggests year's funding level. that such program coordinat~onand approval is a The increase in the budget will allow 2% percent statutory function of the board. for general salary increases plus an additional 2 The BHE will take action at its September percent for pay plan and exempt civil service meeting, following receipt of comments from employees. -
Boston Symphony Orchestra Concert Programs, Season 86, 1966-1967, Trip
' >; o BOSTON SYMPHONY w ORCHESTRA a FOUNDED IN 1881 BY LEE HIGGINSON HENRY V w.ri PALMER AUDITORIUM i NEW LONDON >>Ar> ///// z&Z*' ;>. ^ < EIGHTY-SIXTH SEASON 1966-1967 BEETHOVEN j^£ FAe Boston Symphony "EROICA" SYMPHONY skssS BOSTON SYMPHONY ORCH. ERICH LEINSDORF under Leinsdorf Leinsdorfand the Boston Symphonygive Beethoven 's "Er one of the boldest performances you are likely to hear. M daring is their acute reading of Schumann 's Fourth Sympi an exquisite fabric of sound. In their first recording of Ru ballet repertoire, the Bostoniansproduce a shimmering Fir and a glittering Le Cog d'Or. Recorded in Dynagroove sc Schumann /Symphony No. 4 « Beethoven /Leonore Overture No. 3 Boston Symphony /Leinsdorf 'ym Z/frtdwrtit'm&medfmi Boston Symphony Orchestra /Erich Leinsdorf Rimsky-Korsakoif /"LE COQ D'OR" SUITE Stravi^ rca Victor JThe most trusted name in sound i*L EIGHTY -SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Copyright, 1967, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks Vice-President John L. Thorndike Treasurer Philip K. Allen E. Morton Jennings, Jr. Abram Berkowitz Henry A. Laughlin Theodore P. Ferris Edward G. Murray Robert H. Gardiner John T. Noonan Francis W. Hatch Mrs. James H. Perkins Andrew Heiskell Sidney R. Rabb Harold D. Hodgkinson Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Sistare Sanford R. Harry J. -
Boston Symphony Orchestra Concert Programs, Season 86, 1966-1967, Subscription
^*-"^f*>. /*- v4 \ r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the "Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS 8c CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL 8c CO. 147 MILK STREET BOSTON, MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks Vice-President John L. -
Boston Symphony Orchestra Concert Programs, Season 86
. ^^ J J , - ...... L, r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON VETERANS MEMORIAL AUDITORIUM 1 .^c^-^S-iX"JC**^**"^.8*"- -Tint i \w Jz*%&> Nvj V*\ EIGHTY-SIXTH SEASON 1966-1967 pny Mo. 6 "Erich Leinsdorf and th fi«l nxiirdmfl Hi ' Mtthh-t Society ni Vienna rchestra Boston Symphony, who g us the finest version of i Ber Phyllis Fifth, now produce the *^Bi first stereo Sixth..." -Cue This distinguished 2 LP., Dynagmove recording in the Bosk phony's Mahler series has received rousing critical acclaim Victor quarters, including HiFiIStereo Review who, praising it a cording of Special Merit," said "The recorded sound is alt wfi*)The most trusted name in sound splendid..." Hear it soon, along with Phyllis Curtin's perform Berg's Le Vin . EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President John L. Thorndike Treasurer Philip K. Allen E. Morton Jennings, Jr. Abram Berkowitz Henry A. Laughlin Theodore P. Ferris Edward G. Murray Robert H. Gardiner John T. Noonan Francis W. Hatch Mrs. James H. Perkins Andrew Heiskell Sidney R. Rabb Harold D. Hodgkinson Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Sanford R. Sistare Harry J. Kraut Press and Publicity Assistant to the Manager Andrew Raeburn Assistant to the Music Director SYMPHONY HALL BOSTON [3] STEINWAY Concert programs show that the Steinway is, a!rr Steinway without exception, the choice of pianists playing v America's leading orchestras. -
Boston Symphony Orchestra Concert Programs, Season 86, 1966-1967
^jgl >**»<•', >: r BOSTON SYMPHONY fl ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON kl^ 18 M EIGHTY-SIXTH SEASON 1966-1967 EXCELLAIT SURTOUT POUR LES FANFARES!" Although it is difficult to trace the origin of the French horn, it is generally accepted that it was developed in France during the 17th century • An outgrowth of the early primitive and the later sophisticated hunting horn, its value in the use of Fanfares was acclaimed during the reign of Louis XIII • It was also discovered that strange and wonderful musical effects could be had by inserting the hand in the bell • One of the first orchestral uses came in 1717 when Handel included the French horn in his score of the "Water Music" • The modern instrument embodies a main tube measuring approximately 7 feet 4 inches in length, coiled in circles and finally expanding into a widely flared bell • As the French horn lends its importance to the value of the modern symphony orchestra, so too does the trained and reliable insurance office develop a modern and sensible insurance program for business and personal accounts • We would welcome an opportunity to analyze your need for complete protection. We respectfully invite your inquiry CHARLES H. WATKINS 8c CO. Richard P. Nyquist — Charles G. Carleton 0BRI0N, RUSSELL 8c CO. 147 MILK STREET BOSTON, MASSACHUSETTS Insurance of Every Description Telephone 542-1250 EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. -
Franco Corelli
FRANCO CORELLI THE PERFORMANCE ANNALS 1951-1981 EDITED BY Frank Hamilton © 2003 http://FrankHamilton.org [email protected] sources Gilberto Starone’s performance annals form the core of this work; they were published in the book by Marina Boagno, Fr anco Corelli : Un Uomo, Una Voce, Azzali Editori s.n.c., Parma, 1990, and in English translation Fr anco Corelli : A Man, A Voice, Baskerville Publishers, Inc., Dallas, 1996. They hav ebeen merged with information from the following sources: Richard Swift of New York and Michigan has provided dates and corrections from his direct correspodence with the theatres and other sources: Bologna (Letter from Teatro Comunale: 5/16/86); Bussetto (see Palermo); Catania (L: Teatro Massimo Bellini: 5/26/86); Enghien-les- Bains (see Napoli); Genoa (L: L’Opera de Genoa: 5/13/86); Hamburg (L: Hamburgische Staatsoper: 5/15/86); Lausanne (L: Theatre Municipal, Lausanne: 5/12/86); Lisbon (L: Teatro Nacional São Carlos: 1986); Livorno (L: Comune di Livorno: 5/31/87); Madrid (L: Teatro Nacional de La Zarzuela: 1/26/87); Modena (L: Comune di Modena: 10/16/87); Napoli (Il Mondo Lirico); Nice (L: Opera de Nice: 5/2/86, 8/5/88); Palermo (L: Teatro Massimo: 6/10/86, 10/13/88); Piacenza (L: Comune di Piacenza u. o. Teatro Municipale: 6/10/86); Rome (Opera Magazine); Rovigo (L: Accademia dei Concordi, Rovigo: 11/11/86, 2/12/87); San Remo (L: Comune di San Remo: 11/8/86); Seattle (Opera News 11/1967); Trieste (L: Teatro Comunale: 4/30/86). The following reference books are listed alphabetically by venue. -
Sir Charles Wilson
1 Richard Peterson, Quite Possibly So… John Gilmour Slater. A Life Appendices 1-7 Appendix 1: Sir Charles Wilson Obituary, Sir Charles Wilson, The Independent, Thursday, 14 November 2002. Sir Charles Wilson (1909-2002), leading university vice-chancellor of the 1960s was a vice- chancellor's vice-chancellor. He not only rendered memorable service to the universities of Leicester and Glasgow but served as Chairman of the Committee of Vice-Chancellors and Principals from 1964 to 1967: indeed, he was largely responsible for bringing that body into its present form. Charles Haynes Wilson, political scientist and university administrator was born in Glasgow 16 May 1909; Lecturer in Political Science, LSE 1934-39; Fellow and Tutor in Modern History, Corpus Christi College, Oxford 1939-52; Principal, University College of Leicester 1952-57; Vice- Chancellor, Leicester University 1957-61; Principal and Vice-Chancellor, Glasgow University 1961-76; Chairman, Committee of Vice-Chancellors and Principal 1964-67; Kt 1965; Chairman, Association of Commonwealth Universities 1966-67, 1972-74; married 1935 Jessie Wilson (one son, two daughters); he died at Dalry, Kirkcudbrightshire on 9 November 2002. He was a vice-chancellor's vice-chancellor and not only rendered memorable service to the universities of Leicester and Glasgow, but served as Chairman of the Committee of Vice- Chancellors and Principals from 1964 to 1967: indeed, he was largely responsible for bringing that body into its present form. It fell to Wilson on behalf of the universities in the middle of that momentous decade of the Sixties to conduct much of the dialogue with the Labour government about the changing relationship made inevitable by the greatly increased financial demands made on government by the universities. -
Two Injured at Grade Crossing
HERALD. Published BNry Tuesday "Justice to all; ( and Friday. malice toward none." and 8UMMIT RECORD HERALD FIFTY-SECOND YEAR NO, 52 SUMMIT, N. J., FRIDAY MORNING, FEBRUARY 21, 1941 $3.50 PER YEAR Council Ap»?es Budget of $1,292,469— Advance Requests, Remember Next Wednesday! Two High School Students Killed— Great changes are taking place in this country. Perhaps among Believe Tax Rate Will Be One Point Lower- other changes we will find springing un among ua a new attitude toward For 1941Auto the word "politics." It wasn't many years ago that "politics" was an occupation which Two Injured At Grade Crossing Mayor Issues Explanation of Budget Plates Piling lip many people looked down their noses at—proud of their detachment from it—forgetting that some people named George Washington, Thomas THK CO-OPERATION OK Jefferson, Alexander Hamilton, Samuel Adams and Benjamin Franklin THE PUBLIC IK N Few Attend HearingluTofficials Praised Local Agency Will shaped the early destinies of our country by "politics." Peter Hensler of Summit and Virginia Far Budget Work—Car Won in Merchandising But those, of course, were historic tfmes, and today is only today. So, Overlook Hospital vvitli a Have Plates on Sale We wonder. We wonder whether today la not one of the gr*eat bed capacity of 148, and which Campaign Sold and Welfare Fund Opened moments of our nation when nil of ua should take up the burden of our is now housing 151 by the use Tlievenet of Militant Fatally Hurt Beginning March 1 times and interest ourselves in "politics." *. -
Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa.