Request for a Copy of Any Army Dress Committee Notes That Have Been
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Pipe Band Jackets
Feather Bonnet Hackle and Cap Badge Guards Doublet Plaid Cross Belt Since 1950 Hardies have provided Pipe Bands around the world with a dedicated bespoke service. With over 50 years experience playing in Waist Belt Pipe Bands at all levels we have the knowledge and expertise to deliver Hand Made Heavy Weight Kilt uniforms to ensure your Pipe Band presents a smart and professional Military Doublet image for competitions, parades and public performances. Kilt Pin Our Piper range of uniform products have been designed specifically Horse Hair Sporran for Pipe Bands providing quality, durability and comfort. We offer two complete uniforms known as No.1 and No.2 dress. Hose Tops and Garter Flashes No.1 dress is a magnificent and grand uniform worn by Pipe Bands Spats featured in Tattoos and Highland Gatherings around the world. It will add a touch of class to any occasion such as Weddings, Corporate Brogues Events and Burns Suppers. Competition Pipe Bands today wear No.2 dress as it is comfortable to No.1 Dress wear and more affordable. This uniform offers many options to meet the needs of the modern day Pipe Band and it can be customised to This style of uniform is based on the include band and sponsors logos. requirements set out by the regiments within the British Army. Doublets can be decorated to show the rank and positions within a Pipe Band were we can advise what is appropriate. We offer two styles of doublets known as Military and Guards pattern, available in 19oz wool barathea in black, navy, bottle green or rifle green with silver or gold braid. -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
Glengarry Highland Games in Maxville, July 30
-~--- ------------------------- I .,- ·---·-··· --···-··--~, I ' I I The Glengarry News i i extends aliurufrecf tliousand ivdcomes I \ -------- - ------··---~' • • • --.,-,,_..•,-,: -.!3',1.:,,_;..._";a,.~·~,.,~:¥,-. r- - -:+-·_ TO YOUR GOOD HEALTH · ·: . ' ~ .- - . ... ~ - . - - - " - ~Wzhrl11,hlr2!,IW lria,07Et. Great leaders opened games by Anaaa H. McDonell The Rt. Hon. Edward chose their own home town Robt. H. Saunders, CBF, desk, ably assisted by his MacRae; 1961-62, Dr. Don Successful continuity of Schreyer, governor general lassie, Cathy MacEwan. A Q.C., chairman of Ontario wife Leila. And Angus H. Gamble; 1963-64, Wm. R. any community enterprise, of Canada and his wife, Her decade later, 1976, Mrs. Hydro was the 1950 guest. McDonell, 1964. MacEwen; 1965-66, Leslie such as the Glengarry Excellency Lily Schreyer. Alice MacNabb of .Mac And turning to the judic Presidents during the 36 Clark; 1967-68, Hugh Highland Games, for al Following the 1948 found Nabb of Clan MacLeod, iary, Chief Justice Kenneth years: Smith; 1969-70, R. W. most two score years is an ing of the Games, premiers Scotland, represented Charles MacKay, Mont MacLennan; 1971-72, Wal played a similar role in Dame Flora MacLeod. real, 1974. 1948, Peter Macinnes; achievement equaled by ter Blaney; 1973-74, Garry officiating. Two years later, The Games having a Representing the Clans 1949, A. S. MacIntosh; only a few counterparts. Smith; 1975-76-77, D. E. Continuity of having pre 1950, Hon. Leslie Frost, basic. sports background, in addition to the MacLeods 1950, C. L. MacGregor; 1951, Ken Barton; 1952, D. stigious Canadian person premier of Ontario was in the executive obviously were: Dave Grundie, Grand MacMaster; 1978-79, Ian D. -
Electric Scotland's Weekly Newsletter for January 23Rd, 2015
Electric Scotland's Weekly Newsletter for January 23rd, 2015 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News I've actually been reading rather than publishing this week. I got hooked on reading the biography of Lord Strathconna and Mount Royal which was a very enjoyable read. I'd previously put up a biography about him but that one almost ignored his early life in both Scotland and Canada. I was also taken with all the work he did for Newfoundland to promote the area economically. He also created an experimental farm which demonstrated that you could live well as long as you were well organised and so as one person put it when visiting him he enjoyed all the best in beef, pork and lamb along with fresh vegetables. I've made this book available and you'll see a link to it below. ----- And as this coming Saturday usually sees the Burns Suppers being celebrated all over the world I've made available a great book by the Rev. Paul who is credited with starting the Burns Suppers. The book is... The Poems and Songs of Robert Burns with a Life of the Author Containing a Variety of Particulars, drawn from sources inaccessible by former Biographers to which is subjoined an Appendix of a Panegyrical Ode, and a demonstration of Burns' Superiority to every other poet as a writer of Songs, by Rev. -
Pipe Band Uniforms, Highland Dress & Accessories
PIPE BAND UNIFORMS, HIGHLAND DRESS & ACCESSORIES KILTS Made in Scotland by Leading Kiltmaker - 100% Worsted Cloth Gent’s Full Kilts Medium Worsted Cloth .............................8 yard Kilt .......$ 720.00 ..................................................................9 yard Kilt .......$ 750.00 Old & Rare Range - Medium Worsted .......8 yard Kilt .......$ 795.00 ..................................................................9 yard Kilt .......$ 825.00 Heavy Weight Stock Cloth .........................8 yard Kilt .......$ 765.00 ..................................................................9 yard Kilt .......$ 795.00 Special Weave - 16oz Cloth .......................8 yard Kilt .......$ 925.00 ..................................................................9 yard Kilt .......$ 990.00 Dancer’s Full Kilts ............................................................................. From $ 475.00 Ladies Semi-Kilt LTWT Wstd Cloth, up to 100 cm hips Machine Sewn ........................ From $ 350.00 Ladies Hostess Kilt Ankle Length 100% Worsted, up to 100cm hips. Machined ....................... $ 590.00 Straight Skirt - Reever cloth ........................................................................ $ 240.00 All of the above to measure - Delivery 8-10 weeks JACKETS Made to measure from Scotland - Delivery 8-10 weeks Several styles including Argyll, Crail, Montrose, Prince Charlie and Band Tunics to detail Plain Barathea Cloth, Crail & Argyll Style .................. $ 490.00 Tweed Crail & Argyll Style ....................................... -
The Construction of the Scottish Military Identity
RUINOUS PRIDE: THE CONSTRUCTION OF THE SCOTTISH MILITARY IDENTITY, 1745-1918 Calum Lister Matheson, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Geoffrey Wawro, Major Professor Guy Chet, Committee Member Michael Leggiere, Committee Member Richard McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Matheson, Calum Lister. Ruinous pride: The construction of the Scottish military identity, 1745-1918. Master of Arts (History), August 2011, 120 pp., bibliography, 138 titles. Following the failed Jacobite Rebellion of 1745-46 many Highlanders fought for the British Army in the Seven Years War and American Revolutionary War. Although these soldiers were primarily motivated by economic considerations, their experiences were romanticized after Waterloo and helped to create a new, unified Scottish martial identity. This militaristic narrative, reinforced throughout the nineteenth century, explains why Scots fought and died in disproportionately large numbers during the First World War. Copyright 2011 by Calum Lister Matheson ii TABLE OF CONTENTS Page CHAPTER I: THE HIGHLAND WARRIOR MYTH ........................................................... 1 CHAPTER II: EIGHTEENTH CENTURY: THE BUTCHER‘S BILL ................................ 10 CHAPTER III: NINETEENTH CENTURY: THE THIN RED STREAK ............................ 44 CHAPTER IV: FIRST WORLD WAR: CULLODEN ON THE SOMME .......................... 68 CHAPTER V: THE GREAT WAR AND SCOTTISH MEMORY ................................... 102 BIBLIOGRAPHY ......................................................................................................... 112 iii CHAPTER I THE HIGHLAND WARRIOR MYTH Looking back over nearly a century, it is tempting to see the First World War as Britain‘s Armageddon. The tranquil peace of the Edwardian age was shattered as armies all over Europe marched into years of hellish destruction. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
The Nineteenth Century (History of Costume and Fashion Volume 7)
A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45. -
Scavenger Hunt
Scavenger Hunt The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality is an exhibit that contains 89 hats, headdresses, and crowns from over 40 countries around the world! The exhibit is broken up into five themes: Power, Prestige, and Status; Cultural Identity; Spiritual Beliefs; Protection and; Ceremonies and Celebrations. This scavenger hunt contains two questions per theme, as well as two bonus questions. You can complete this scavenger hunt in-person at the museum (e-mail us before you stop in: [email protected]) OR you can complete the scavenger hunt by viewing the exhibition online. Link to the Online Exhibit: https://aurora.edu/museum/virtual- experiences/online-exhibits/global-language-of-headwear/index.html After you’ve completed the scavenger hunt, turn it in (in-person or via e-mail) to enter for a chance to win an AU baseball cap! Power, Prestige, and Status 1. Which hat contains elephant tail hair? 2. Which crown has a beaded veil that is meant to protect onlookers from gazing upon the king's divine countenance? Cultural Identity 1. What type of plaid is used in the Glengarry Bonnet? 2. Which hat contains an “endless knot” at its top? Spiritual Beliefs 1. What does the skull represent on the Monk/Magician Hat? 2. What role do the mirrors play in the “House of the Head” headdress? Protection 1. Which hat contains a strip of reindeer fur? 2. Which hat is made of Yak fur and keeps the wearer dry in a rainstorm? Ceremonies and Celebrations 1. Which headdress contains feathers and human hair? 2. -
'Celtic' Clothing
‘Celtic’ Clothing (with Greek and Roman Influence) from the Iron Age-a Realistic View Based on What We Know What, When, Where and Why? Documentation and reproduction of period „Celtic‟ clothing for reenactment purposes is a subject which not only should be approached with caution, but also a difficult and sometimes seemingly impossible task if one aims for historically correct imitation. Based on limited textile finds through out the Celtic empire and coupled with historical commentary and art representations we can generate an educated generalized guess on what the Celtic people may have worn, but then this is only a guess. This representation is further clouded by regional differences both in necessity of certain dress and textile fiber availability. What we do know however is that the Celtic peoples as a whole delighted in color and costume documented not only by textile finds, but other costume finds and backed by historical commentary. In order to begin such a feat we first must understand who were the „Celts‟. The term „Celt‟ is derived from the Greek word „Keltoi‟ and is a general broad term applied to most of the European barbarians from the Middle Danube to the Atlantic. (Cunliffe 9) Julius Caesar, writing from the First Century BC states concerning the Gauls of France, „we call (them) Gauls though in their own language they are called Celts‟. While the terms Keltoi/Celtae and Gali/Galatae were used interchangeably by early writers the term „Celt‟ became the prominent label for these people during the Victorian period, a name which today not only is misleading but brings on romantic notions most of which are not even „Celtic‟ by any historical sense. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum. -
Celtic Clothing: Bronze Age to the Sixth Century the Celts Were
Celtic Clothing: Bronze Age to the Sixth Century Lady Brighid Bansealgaire ni Muirenn Celtic/Costumers Guild Meeting, 14 March 2017 The Celts were groups of people with linguistic and cultural similarities living in central Europe. First known to have existed near the upper Danube around 1200 BCE, Celtic populations spread across western Europe and possibly as far east as central Asia. They influenced, and were influenced by, many cultures, including the Romans, Greeks, Italians, Etruscans, Spanish, Thracians, Scythians, and Germanic and Scandinavian peoples. Chronology: Bronze Age: 18th-8th centuries BCE Hallstatt culture: 8th-6th centuries BCE La Tène culture: 6th century BCE – 1st century CE Iron Age: 500 BCE – 400 CE Roman period: 43-410 CE Post (or Sub) Roman: 410 CE - 6th century CE The Celts were primarily an oral culture, passing knowledge verbally rather than by written records. We know about their history from archaeological finds such as jewelry, textile fragments and human remains found in peat bogs or salt mines; written records from the Greeks and Romans, who generally considered the Celts as barbarians; Celtic artwork in stone and metal; and Irish mythology, although the legends were not written down until about the 12th century. Bronze Age: Egtved Girl: In 1921, the remains of a 16-18 year old girl were found in a barrow outside Egtved, Denmark. Her clothing included a short tunic, a wrap-around string skirt, a woolen belt with fringe, bronze jewelry and pins, and a hair net. Her coffin has been dated by dendrochronology (tree-trunk dating) to 1370 BCE. Strontium isotope analysis places her origin as south west Germany.