Report Draws from Written Responses Provided by the Companies in Response to This Investigation
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New York / New York Film Festival, September 23 - October 9, 1994]
Document generated on 09/29/2021 7:21 p.m. ETC New York New York Film Festival, September 23 - October 9, 1994 Steven Kaplan La critique d’art : enjeux actuels 1 Number 29, February–May 1995 URI: https://id.erudit.org/iderudit/35725ac See table of contents Publisher(s) Revue d'art contemporain ETC inc. ISSN 0835-7641 (print) 1923-3205 (digital) Explore this journal Cite this review Kaplan, S. (1995). Review of [New York / New York Film Festival, September 23 - October 9, 1994]. ETC, (29), 23–27. Tous droits réservés © Revue d'art contemporain ETC inc., 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ nm/AiMiiEi NEW YORK New York Film Festival, September 23 - October 9,1994 ike the universe at large, film festivals often find the invidious structure of white overseer (coach, recruiter) it reassuring to start up with a big bang. The recent feeding off the talents and aspirations of a black underclass. 32nd edition of the New York Film Festival opened As Arthur Agee and William Gates progress from the with the explosive Pulp Fiction, fresh from its hood to a lily white suburban Catholic school (a basketball success at Cannes, continuing the virtual powerhouse which graduated Isiah Thomas) and hence to Ldeification of writer-director Quentin Tarantino among college, we are aware of the sacrifices they and their the hip media establishment, and poising him for entry families make, the difficulties of growing up black and into a wider marketplace. -
A Sociological Analysis of Strawberry and Chocolate Andrew Zachary Shultz University of Kentucky
Kaleidoscope Volume 8 Article 9 August 2015 The rC isis of Identity in Post-Revolutionary Cuban Film: A Sociological Analysis of Strawberry and Chocolate Andrew Zachary Shultz University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kaleidoscope Part of the Film and Media Studies Commons, and the Sociology Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Shultz, Andrew Zachary (2009) "The rC isis of Identity in Post-Revolutionary Cuban Film: A Sociological Analysis of Strawberry and Chocolate," Kaleidoscope: Vol. 8, Article 9. Available at: https://uknowledge.uky.edu/kaleidoscope/vol8/iss1/9 This Article is brought to you for free and open access by the The Office of Undergraduate Research at UKnowledge. It has been accepted for inclusion in Kaleidoscope by an authorized editor of UKnowledge. For more information, please contact [email protected]. AUTHOR Andrew Zachary Shultz am a senior Sociology and Spanish double major at the University of Kentucky and a member of The Crisis I the Kappa Alpha Delta International Sociology Honors Society. For this research project I was selected of Identity in as a recipient of the 2009 A. Lee Coleman Outstanding Sociology Senior award, the highest honor bestowed Post-Revolutionary on a student from the department. This project is the outcome of an ongoing research process that began as Cuban Film: a term paper for a graduate seminar class (SOC 735) taught by my faculty mentor and close friend, Dr. Ana A Sociological Liberato. Building on the influences of major cultural studies texts that I was introduced to in her class, I later combined the theory with subject Analysis of matter from film classes taught in the Department of Hispanic Studies, particularly the Latin American and Spanish Cinema courses offered Strawberry by Drs. -
Video Name Track Track Location Date Year DVD # Classics #4001
Video Name Track Track Location Date Year DVD # Classics #4001 Watkins Glen Watkins Glen, NY D-0001 Victory Circle #4012, WG 1951 Watkins Glen Watkins Glen, NY D-0002 1959 Sports Car Grand Prix Weekend 1959 D-0003 A Gullwing at Twilight 1959 D-0004 At the IMRRC The Legacy of Briggs Cunningham Jr. 1959 D-0005 Legendary Bill Milliken talks about "Butterball" Nov 6,2004 1959 D-0006 50 Years of Formula 1 On-Board 1959 D-0007 WG: The Street Years Watkins Glen Watkins Glen, NY 1948 D-0008 25 Years at Speed: The Watkins Glen Story Watkins Glen Watkins Glen, NY 1972 D-0009 Saratoga Automobile Museum An Evening with Carroll Shelby D-0010 WG 50th Anniversary, Allard Reunion Watkins Glen, NY D-0011 Saturday Afternoon at IMRRC w/ Denise McCluggage Watkins Glen Watkins Glen October 1, 2005 2005 D-0012 Watkins Glen Grand Prix Festival Watkins Glen 2005 D-0013 1952 Watkins Glen Grand Prix Weekend Watkins Glen 1952 D-0014 1951-54 Watkins Glen Grand Prix Weekend Watkins Glen Watkins Glen 1951-54 D-0015 Watkins Glen Grand Prix Weekend 1952 Watkins Glen Watkins Glen 1952 D-0016 Ralph E. Miller Collection Watkins Glen Grand Prix 1949 Watkins Glen 1949 D-0017 Saturday Aternoon at the IMRRC, Lost Race Circuits Watkins Glen Watkins Glen 2006 D-0018 2005 The Legends Speeak Formula One past present & future 2005 D-0019 2005 Concours d'Elegance 2005 D-0020 2005 Watkins Glen Grand Prix Festival, Smalleys Garage 2005 D-0021 2005 US Vintange Grand Prix of Watkins Glen Q&A w/ Vic Elford 2005 D-0022 IMRRC proudly recognizes James Scaptura Watkins Glen 2005 D-0023 Saturday -
Lil Peep Full Album Downloads CASTLES II
lil peep full album downloads CASTLES II. Newly released on streaming services, the pair of mixtapes Peep and Tracy put out on SoundCloud five years ago capture the instinctive way their voices blend and break over each other. Five minutes after Lil Peep and Lil Tracy met, they hatched plans to make music together. Peep told Tracy he had a verse open for him, and the song they recorded that day is a frenetic collision, excavating a tender beat from a Postal Service song and frothing over it with half-sung raps about switchblades and taking a girl home to “connect like WiFi.” It’s close to perfect. Tracy said later he had never connected like that with anyone. The two collaborated for a too-brief period, culminating in a bitter, public fall-out over Peep’s management and the way the media—and sometimes Peep himself—erased Tracy from the narrative around Gothboiclique and the rise of so-called “emo-rap.” They were barely speaking in 2017 when Peep died on a tour bus in Tucson, Arizona. The posthumous Peep projects that have trickled out since then have been gifts to fans, shrapnels of his legacy. castles and CASTLES II , the pair of mixtapes Peep and Tracy put out on SoundCloud five years ago, are time capsules for their collaboration. Newly released on streaming for the first time, these songs capture the instinctive way their voices blend and break over each other. These are bleary tracks, with a ragged mesh of rock and rap and blaring, ticking drums. It’s scratchy and sludgy and woozy; it sounds like it’s seeping into you. -
“Awards Banquet” META Meetings Are Held on the Fourth Wednesday of Every Month, Except December
The Official Newsletter of the Motorsport Emergency and Turnworkers Association M.E.T.A. c/o: 10952 McAdam Road, Delta, BC, V4C 3E8 Newsletter E-Mail: [email protected] META Website: http://www.meta.bc.ca/ October 2012 Next META meeting will be Volume 37 Issue # 10 OCTOBER 2424,, 2012 CLUB EXECUTIVE Our meeting location is Boston Pizza 1045 Columbia Street, New Westminster, BC PRESIDENT: Mike Bailey 604-716-2660 SPEED READING [email protected] Oct 10 SCCBC Meeting – Best Western, North Road Coquitlam, BC VICE PRESIDENT: Tasma Wooton Oct 13&14 Pacific Forest Stage Rally WCRA Merritt, BC 604-854-4245 Oct 20 Petite LeMans – Road Atlanta ALMS Braselton, Ga [email protected] Oct 20 Cascade 8hr Enduro – PIR CSCC Portland, Or SECRETARY: Oct 24 META Meeting – Boston Pizza 7:30 New West, BC Jerold Klassen Oct 27 SCCBC Banquet – Pitt Meadows Pitt Meadows, BC 604-853-3192 Golf Club [email protected] Oct 27&28 Chumpcar World Series – PIR Portland, Or TREASURER: Nov 10 ICSCC Banquet - SeaTac Seattle, Wa Manfred Zumm Marriott 604-521-4439 st [email protected] Nov 14 SCCBC Meeting – Sandman Inn, 8828 - 201 Langley, BC PAST PRESIDENT: Nov 17 VRCBC Gala – Delta Town and Delta, BC Ann Peters Country Inn 604-581-7189 Nov 17&18 Totem TSD Rally WCRA BC Interior [email protected] Nov 28 AGM META Meeting – Boston Pizza 7:30 New West, BC Dec 1&2 Big White Winter Stage Rally WCRA Kelowna, BC NEWSLETTER STAFF EDITOR: Andrew Clouston 604-942-4974 [email protected] fax 604-777-7703 MEMBERSHIP Thomas Liesner 604-584-1503 [email protected] All opinions expressed in the Mayday are those of the individual authors and do not necessarily reflect the opinions of the Mayday staff, Club Executive, or the members of META. -
UA Mourns Loss of Student After Fatal Car Accident
THURSDAY FEBRUARY 6, 2014 VOLUME 120 ISSUE 83 Serving The University of Alabama since 1894 SPORTS | FOOTBALL NEWS | OBITUARY UA mourns loss of student after fatal car accident Friends remember Juston Martin’s kindness, thoughtfulness of others, uplifting personality By Mark Hammontree | News Editor Juston Martin will always be remembered for the ever-present smile he shined at anyone and everyone he met. Martin passed away the morning of Saturday, Feb. 2, from injuries sus- tained in a single-vehicle crash on Interstate 65 near Millbrook, Ala. He was 22 years old. Martin, a senior from Montgomery majoring in business management, was an airman in the United States Air Force and a full-time student. He was a student worker at The University of Alabama department of veteran and military affairs, where he interacted with students and families on a daily basis. “Every day, he’d come into the office with a smile on his face, and that was the thing he was notorious for, I would say,” Alex Karagas, assistant director of veteran and military affairs, said. “The angriest parents, or no mat- ter what kind of mood you were in, his smile would really light up the entire office and change everyone’s perspectives on why they came into the office in the first place.” Martin’s friends knew him for his kindness and energy, as well Photo Courtesy of Austin Barranco via Instagram as his thoughtfulness. In addition Juston Martin to his military service and aca- Photos Courtesy of 247Sports.com and demic work, Martin was also a published poet. -
Strawberry and Chocolate Cuba–Mexico–Spain, 1993, 110’, Colour
A CRITICAL FILMOGRAPHY OF CUBAN CINEMA CRISTINA VENEGAS, EDITOR FORTHCOMING FROM CABOOSE © CABOOSE 2010. REPRODUCTION WITHOUT PERMISSION PROHIBITED. Fresa y chocolate Strawberry and Chocolate Cuba–Mexico–Spain, 1993, 110’, colour Dirs Tomás Gutiérrez Alea (1928–1996) and Juan Carlos Tabío (b. 1943) Scr Senel Paz, from his short story of the same title (1991) Asst dir Mayra Segura Prod Georgina Balzaretti, Frank Cabrera, Nacho Cobo, Juan Muñoz and Carlos Vives Cinematog Mario García Joya Mus José María Vitier Prod design Fernando Pérez O’Reilly Sound Germinal Hernandez Edit Osvaldo Donatién, Rolando Martínez and Miriam Talavera Act Jorge Perugorría (Diego), Vladimir Cruz (David), Mirta Ibarra (Nancy), Francisco Gattorno (Miguel), Joel Angelino (German), Marilyn Solaya (Vivian), Andrés Cortina (Santeria priest), Antonio Carmona (boyfriend) Cuba’s most acclaimed filmmaker and one of the subtlest critics of the country’s revolutionary process, Tomás Gutiérrez Alea combined a sharp eye for social conflicts with an aesthetic that shifted our perception of them. Through aesthetic experiments, his films frequently addressed what he felt to be the most problematic aspects of Cuban society: complacency, corruption and bureaucracy. His approach is explicit in Memorias del subdesarrollo (Memories of Underdevelopment, 1968, q.v.) a critical landmark in the history of New Latin American Cinema and Cuban cinema. In Strawberry and Chocolate, the first film produced in Cuba under the auspices of the Instituto Cubano del Arte e Industria Cinematográficos -
Buyingguide July 2014
BUYINGGUIDE JULY 2014 Grapevines and lavender in Provence MARC LOBJOY/ALAMY MARC IN THIS MONTH’S GUIDE 2 PROVENCE 36 OTHER EUROPE 48 CALIFORNIA 19 ALSACE 36 ISRAEL 60 WASHINGTON 21 SPAIN 37 LEBANON 69 VIRGINIA 28 SOUTHERN ITALY 37 TURKEY 71 NEW YORK 32 SICILY & SARDINIA 38 SOUTH AFRICA 78 OTHER NORTH AMERICA 34 SLOVENIA 41 NEW ZEALAND 80 SPIRITS 35 CROATIA 44 ARGENTINA 82 BEER FOR ADDITIONAL RATINGS AND REVIEWS, VISIT BUYINGGUIDE.WINEMAG.COM WINEMAG.COM | 1 BUYINGGUIDE Château Vignelaure 2013 La Source Rosé (Co- teaux d’Aix-en-Provence). For full review see 91 page 12. Best Buy. abv: 13% Price: $15 PROVENCE Château de Calavon 2013 Rosé (Coteaux d’Aix-en-Provence). A rich wine, it adds a Time to think pink. 90 finely textured dimension to the red fruitiness and fresh acidity. With complex fruits, structure as well t’s been a great year for Provence rosé. The tant with Provence rosé, it’s the look as well. as the attractive crispness, it’s a dry wine, best producers in the sunny south of France Surprisingly versatile, these rosés can be drunk with food. Weygandt-Metzler. —R.V. want us all to know that, just in case the bad drunk as an apéritif (and there are plenty with abv: 12.5% Price: $25 stories coming out of Bordeaux about 2013 only 12.5% alcohol) or they can go with an im- Iare spoiling the party. pressive array of food. The French believe that Domaine de Valdition 2013 Vallon des Anges Rosé (Coteaux d’Aix-en-Provence). -
Cuban and Russian Film (1960-2000) Hillman, Anna
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Carnivals of Transition: Cuban and Russian Film (1960-2000) Hillman, Anna The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9733 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Carnivals of Transition: Cuban and Russian Film (1960-2000) Anna M. Hillman Submitted in accordance with the requirements for the Ph.D. degree. Queen Mary, University of London, School of Languages, Linguistics and Film. The candidate confirms that the thesis does not exceed the word limit prescribed by the University of London, and that work submitted is her own and that appropriate credit has been given to research done by others. 2 ABSTRACT This thesis focuses on ‘carnivals of transition’, as it examines cinematic representations in relation to socio-political and cultural reforms, including globalization, from 1960 to 2000, in Cuban and Russian films. The comparative approach adopted in this study analyses films with similar aesthetics, paying particular attention to the historical periods and the directors chosen, namely Leonid Gaidai, Tomás Gutiérrez Alea, El’dar Riazanov, Juan Carlos Tabío, Iurii Mamin, Daniel Díaz Torres and Fernando Pérez. -
Film and Cultures of Memory
cover_saravi_pontes_4_1511_Layout 1 04.12.2015 07:31 Seite 1 4 SARAVI PONTES – Beiträge zur internationalen Hochschulkooperation und zum interkulturellen Band 4 Wissenschaftsaustausch Film and Cultures of Memory This book investigates the multiple interconnections between film and Christoph Vatter different cultures of memory, presenting discussions of, amongst other things, the representation of memory, rememberance and oblivion in films, and the role of film in the construction of collective memory. It Oleksandr Pronkevich is the result of a close cooperation between Saarland University (Saar - brücken, Germany) and Petro Mohyla Black Sea State University in (eds.) Mykolaiv (Ukraine) and unites contributions of German and Ukrainian scholars of various disciplines. Their papers invite the reader to discover different cultures of memory through case studies about Russia, Spain, USA, Cuba and Germany, and illustrate various approaches in analyzing the relationship of the medium film to (collective) memory and rememberance. y r o m e M f o s e r u t l u C d n a m l i F universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre SARAVI PONTES – Beiträge zur internationalen Hochschulkooperation und zum interkulturellen Wissenschaftsaustausch Band 4 Christoph Vatter, Oleksandr Pronkevich (eds.) Film and Cultures of Memory universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre © 2015 universaar Universitätsverlag des Saarlandes Saarland University -
2020 Annual Financial Budget
This page intentionally left blank 2 CITY OF GULF SHORES, ALABAMA 2020 Budget Table of Contents Cover Page……………………………………….. 1 Table of Contents………………………………… 3 Mayor & Council………………………………… 5 City Map with Major Highway Locator…………. 6 City Organizational Chart………………………… 7 Distinguished Budget Presentation Award……….. 8 Budget Resolution………………………………… 9 Budget Message………………………………….. 12 Basis of Budgeting……………………………….. 47 Just the Facts…………………………………….. 48 Financial Structure, Policy and Process…………. 56 Budget Calendar…………………………………. 64 Financial Summaries Adopted Budgets: Table 1 City Wide……………………………….. 67 Table 2 General Fund……………………………. 69 Table 3 Lodging Tax…………………………….. 71 Table 4 Designated Taxes……………………….. 72 Table 5 Impact Fees…………………………….. 73 Table 6 Beach Restoration and Projects Fund….. 74 Table 7 Capital Improvements Fund…………….. 75 Table 8 Storm Damage Fund……………………. 76 Table 9 Debt Service Fund………………………. 77 Table 10 2014 GO Warrant……………………… 78 Table 11 2016-B GO Warrant…………………… 79 Table 12 2018 GO Warrant……………………… 80 Fund Balance & Major Revenue Sources……….. 81 Capital Outlay Approved………………………… 87 Capital Pictures 2018…………………………….. 89 Ten Year Capital Plan…………………………… 93 Revenue Projections 2020 to 2029………………. 102 Departmental Information: Personnel Summary with New Positions………… 105 Expenditures by Major Category 2019…………… 106 Insurance Health Liability ……………………….. 107 General Fund Revenues………………………….. 108 Expenditures by Department General Government: Executive………………………………………. 109 Executive Organizational Chart…………….. 111 Human Resources……………………………. -
Celebrating Our Centennial! Vol
Celebrating Our Centennial! Vol. 105 No. 110 Friday, September 12, 2014 50¢ plus tax Vandals cut À ber optic lines on Plans for tower ... Page 5 OHS Brahmans area music face Martin Co. Tigers ... Page 7 festival Corps to adjust lake releases on track ... Page 9 By Katrina Elsken BHR cell tower Okeechobee News Plans are on track for a music festival at the plans approved Sundance Trails property March 6-8, 2015. The Okeechobee County Board of Coun- ... Page 12 ty Commissioners Thursday approved the Okeechobee County Planning Board’s recom- Lake Levels mendation to authorize issuance of temporary Okeechobee News/Eric Kopp use permits for Okeechobee Music and Funfest 14.49 feet Okeechobee County Sheriff’s Offi ce K-9 Kiki sits down as an alert to her han- events at the 800-acre property on the north side dler, Deputy Bart Potter (right), that she has located drugs behind the cab of this of Northeast 120th Street. Last Year: 15.46 feet pickup truck. Deputy Potter and Kiki were taking part in some training exercises Festival traffi c can use State Road 70 to Ber- Thursday, Sept. 11, at the sheriff’s offi ce. man Road, or U.S. 441 to N.E. 144th Street to get 6SRQVRUHG%\ to Northeast 120th Street. The festival will be on the 848-acre site of a failed subdivision and an adjoining parcel also K-9 fi nds hidden drugs owned by Clifford Rosen. The area already has 3RJH\·V)DPLO\5HVWDXUDQW paved roads, but due to the drop in the Real Es- 63DUURWW$YH By Eric Kopp a wealth of experience and knowledge, he tate market no houses have been built since the Okeechobee News added.