Frederik Pohl
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One Dead, 2 Injured in Shooting Witnesses at the Scene, There Ing at the Scene
INSIDE: ONLINE NOTICE OF INTERNET TAX CERTIFICATE SALE, Section B Today’s Weather High The 93° F Precip: 0% Sunny skies. High 93F. Winds W at 10 to 15 mph. Chance of rain 0%. UV Index: 11 - Extreme Jasper News For up to the minute weather go to n f l a o n l i n e . c o m www.nflaonline.com. 143rd YEAR, NUMBER 24 THURSDAY, MAY 22, 2014 2 SECTION 42 PAGES 50¢ One dead, 2 injured in shooting witnesses at the scene, there ing at the scene. Two other were people talking outside men, David Washington and SuspectBy Joyce Marie Taylorarrestedthe Lowndesin Ga. County, Ga. the residence when gunfire Louis Ash were also injured. [email protected] Sheriff’s Office around noon erupted from the bushes Washington was shot in the on Sunday, May 18, without across the street from the resi- calf and Ash was nicked by a A shooting incident early incident at a motel in Lake dence. HCSO and Jasper Po- bullet. They were both attend- Sunday morning left one man Park, Ga. lice Department were dis- ed to by EMS and released. dead and two others with mi- According to Reid, Allen patched to the scene. Allen fled the scene and nor injuries, according to had been involved in an alter- Reid said Frank Carl Jones based on information received Hamilton County Sheriff Har- cation earlier on Saturday and III (approx. age 37) was sitting during an investigation by rell Reid. The suspect shooter, shortly after midnight he ar- on the front porch of the resi- HCSO, the Florida Depart- Daphedron Lamar Allen, 34, rived at a residence at 106 8th dence when the gunfire start- Jasper, was later arrested by Ave. -
Bantam Books, 1977 Frederik Pohl Was
Yue Wang Team 2B Before The Universe Frederik Pohl. & C.M. Kornbluth New York: Bantam Books, 1977 Frederik Pohl was one of the early members of The Futurian Society of New York in the 1930s, Cyril Kornbluth, a bright fellow from the farthest north part of Manhattan joined later around 1938. Pohl became editor of two profession science fiction magazines called Astonishing Stories and Super Science Stories. Both of the magazines were low-budget projects that the magazines were sold for a dime and fifty cents. Pohl often needed to find cheap talents for stories to fill the blank pages. The Futurian Society was the first place where Pohl could seek help. Before The Universe is one of the Futurian collaborations by Frederik Pohl and Cyril Kornbluth. Furthermore, the two names have appeared on many other science fiction books. The book compiled with eight individual science fiction stories. One of the stores called Mars-Tube is about an expedition team on Mars from earth after a half century interplanetary war that Mars was eventually defeated and the entire Martian population was annihilated. The story began with the three members of the expedition team, Ray Stanton, Annamarie Hudgins, and Ogden Josey a roentgenologist encountered a Mars robot on an underground train, that the robot blocked them from exiting the train at a certain stop, which arose their curiosity. The three in the next day exited the train at a near by stop and walked back to the stop where they were blocked from exiting the train. At the suspicious train stop, the three expeditors encountered some spider-like robots and were attacked by those robots. -
Manual - Gateway 2.Pdf
What Is A LEGEND Adventure Game? In an adventure game from Legend, you become the main character in an evolving story that takes place in a world populated with interesting people, places, and things. You see this world through your main character's eyes, and you play the game by directing his actions. Like a book or a movie, the story unfolds as you travel from place to place, encountering situations which require action on your part. You can think of each of these situations as a puzzle. The key to solving these puzzles will often be creative thinking and clever use of objects you have picked up in your travels. You will get points as you solve puzzles, and your score will help you monitor your progress. Throughout the game the richly textured graphics, prose, and music will draw you into a spellbinding adventure that could only be brought to you by the master storytellers of Legend Entertainment Company. Legend Entertainment Company P.O. Box 10810 14200 Park Meadow Drive Chantilly, Virginia 22021 703-222-8500 FAX 703-968-5151 CompuServe E-Mail 76226,2356 Technical Support From the continental U.S. call Toll Free 9:00 a.m. - 5:00 p.m. weekdays EST/EDT 1-800-658-8891 European Technical Support (Accolade Europe) 081-8n-0880 Technical Support calls from Canada and all other locations please dial 703-222-8500 Talile 01 Contents Introduction to Gateway II: HOMEWORLD .... .. ... ... .. .. .. .. .. ....... ... .. 4 Quick Start: Installation ... .. .. .. .. .. .. .. .... .... ..... ... .. .. .. .. ... ... 6 Quick Start: Playing the Game .... .. .. .. .. .. ..... ... .. .. .. ... .. ... 7 Installation and Start-up .. ... ..... .. .. .. .. .... ... ... ..... .. ... ... .. .. .. ..... 8 Configuration Options ....... .. ........ ..... .. .. .. ..... .... ... .. .. .. .. .. .. .. .. .. 9 Music . -
Jerey Allen Tucker the Necessity of Models, of Alternatives: Samuel R
Je!rey Allen Tucker The Necessity of Models, of Alternatives: Samuel R. Delany’s Stars in My Pocket like Grains of Sand “Boy loses world, boy meets boy, boy loses boy, boy saves world” In Reading by Starlight: Postmodern Science Fiction, Damien Broderick provides the %rst thorough analysis of Samuel R. Delany’s last sci- ence %ction novel, Stars in My Pocket like Grains of Sand (1984). He notes that despite—or perhaps, as a result of—its conceptual accomplishments, the novel’s plot is “scant indeed.”& The prologue, “A World Apart,” is set on the planet Rhyonon and tells the story of Rat Korga, an illiterate nineteen-year-old male who undergoes a loboto- mizing procedure known as Radical Anxiety Termination (RAT), after which he is sold to do the menial work and su'er the degradations of a porter at a polar research station. Suddenly, all life on the surface of Rhyonon is eradicated by %re. The mechanics, purpose, and attribution of this planetwide holocaust are never fully explained to the reader; one possibility is that Rhyonon experi- enced a phenomenon called Cultural Fugue that was triggered either locally or by a mysterious and threatening alien race known as the Xlv. Most of the rest of the novel is organized under the title “Monologues” and is narrated by Marq South Atlantic Quarterly 109!2, Spring 2010 "#$ 10.1215/00382876-2009-034 © 2010 Duke University Press 250 Je!rey Allen Tucker Dyeth, an aristocratic “industrial diplomat” whose job frequently requires him to leave his homeworld o( Velm to travel across the galaxy, interact- ing with its myriad peoples and their cultures. -
A Course Whose Time Has Come
A course whose time has come Paul R. Joseph Law is a central component of the democratic State. It defines the relation between the government and its people and sets the rules (and limits) of the restrained warfare of politics. Law becomes the battle ground for moral debates about issues such as abortion, discrimination, euthanasia, pornography and religion. Today we also debate the role Using science fiction and functioning of the legal system itself. Are lawyers ethical? Do judges usurp the legislative role? Are there too many ‘frivolous’ law materials to teach law. suits? Law and popular culture Where do the masses of people learn about the law? What shapes their views? Some peruse learned treatises, others read daily newspapers or tune in to the nightly news. Some watch key events, such as Supreme Court confirmation hearings, live, as they happen. Some have even been to law school. Many people also rely (whether consciously or not) on popular culture for their understanding of law and the legal system. Movies, television programs and other popular culture elements play a dual role, both shaping and reflecting our beliefs about the law. If popular culture helps to shape the public’s view about legal issues, it also reflects those views. By its nature as a mass commercial product, popular culture is unlikely to depart radically from images which the public will accept. By examining popular culture, we, the legally trained, can get an idea about how we and the things we do are understood and viewed by the rest of the body politic. -
PRESS RELEASE Breaking News from SFWRITER.COM Robert J
PRESS RELEASE Breaking News from SFWRITER.COM Robert J. Sawyer Wins World’s Top Juried Prize for Science Fiction Robert J. Sawyer, 46, of Toronto, has just won the world’s top juried award for science fiction: the John W. Campbell Memorial Award for Best Novel of the Year. The award, which Sawyer won for his latest novel, Mindscan, was presented Friday night, July 7, 2006, at a banquet at the J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction at the University of Kansas. With this award win—his 38th for his fiction—Robert J. Sawyer now joins the most- select club in all of science fiction: the seven writers who have won all three of the field’s top awards for best novel of the year: • the World Science Fiction Society’s Hugo Award, which he won in 2003 for his novel Hominids; • the Science Fiction and Fantasy Writers of America’s Nebula Award, which he won in 1996 for his novel The Terminal Experiment; • and the John W. Campbell Memorial Award, which he has now won for Mindscan. (The full list of winners of all three awards: David Brin, Arthur C. Clarke, Joe Haldeman, Frederik Pohl, Kim Stanley Robinson, Robert J. Sawyer, and Connie Willis; Sawyer is the only Canadian to win all three.) The John W. Campbell Memorial Award was created to honor the late editor of Astounding Science Fiction magazine (renamed Analog Science Fiction and Fact in 1960). Campbell, who edited the magazine from 1937 until his death in 1971, is often called the father of modern science fiction. -
Newsletter Spring 2007 Final
Institute to Host Poet Laureate he Humanities Institute is currently Rosenkranz four poets will read and dis- T will host the Pulitzer writer-in-residence at Yale cuss their poetry, giving the Prize-winning poet and University. Her other honors audience an opportunity to ask United States Poet Laureate include the Bollingen Prize in questions about their poetry for 2003-2004 Louise Glück Poetry, the Lannan Literary and creative processes. on Tuesday, April 10, 2007 at Award for Poetry, Sara Teas- 7:00pm in Traditions Hall, dale Memorial Prize, and fel- Streckfus is on the faculty of Alumni Center. She is the lowships from the Guggen- Western Connecticut State author of numerous books of heim and Rockefeller founda- University’s Low Residence poetry, including The Seven tions and from the National MFA in Professional Writing Ages (2001); Vita Nova Endowment for the Arts. In program and also teaches at (1999), winner of The New 2003, she was City Col- Yorker Magazine’s Book named as the “Averno ...demonstrates lege of San Award in Poetry; Meadow- new judge for that she is writing at the Francisco. lands (1996); The Wild Iris the Yale Series He is a (1992), which received the of Younger peak of her powers” graduate of Pulitzer Prize and the Poetry Poets, serving George Society of American’s Wil- through 2007. The Yale Se- Mason University’s MFA pro- liam Carlos Williams Award, ries of Younger Poets is the gram in creative writing and a and her latest Averno (2006), oldest annual literary award in recipient of fellowships from which the New York Times the United States. -
The New Heinlein Opus List
Nhol.fm Page 253 Wednesday, March 22, 2000 7:21 PM Excerpted from the book Robert A. Heinlein: A Reader’s Companion. This excerpt is from the final press version of the book, and the numbering scheme herein can be considered final. Any updates or changes to this list will use the addendum numbering described on the second page. ©1996–2000 James Gifford. All Rights Reserved. May be duplicated and quoted from according to the terms described in “Reproduction & Use of the Hew Heinlein Opus List” within. The author may be contacted at: [email protected] www.nitrosyncretic.com Nitrosyncretic Press PO Box 4313, Citrus Heights, CA 95611 916-723-4765 voice & fax The New Heinlein Opus List This section presents a complete listing of every known work by Robert A. Heinlein, in the order of creation. Each work is prefaced by a unique identify- ing number, the New Heinlein Opus Number. These numbers, in the format ‘G.nnn,’ have been used throughout this book to identify the work in ques- tion. These numbers have not been used previously for Heinlein’s works. Those readers who are familiar with Heinlein’s opus list may wonder why I did not use Heinlein’s own numbers for these works. The answer is simple: Heinlein’s list was developed and maintained as the core of a filing system for the business management of his works. It was not created until about 1948, with the number of existing works approaching three digits. It is neither complete nor completely accurate in its numbering: there are minor works that do not appear on it, as well as some works that appear out of sequence. -
DOUBLE:BILL Symposium
BRIAN W. ALDISS ALLEN KIM LANG POUL ANDERSON KEITH LAUMER PIERS ANTHONY FRITZ LEIBER ISAAC ASIMOV ROBERT A. W. LOWNDES CHARLES BEAUMONT RICHARD LUPOFF GREG BENFORD KATHERINE MacLEAN ALFRED BESTER anne McCaffrey JAMES BLISH J. FRANCIS McCOMAS ROBERT BLOCH DEAN MCLAUGHLIN ANTHONY BOUCHER P. SCHUYLER MILLER LEIGH BRACKETT MICHAEL MOORCOCK RAY BRADBURY LARRY NIVEN MARION ZIMMER BRADLEY ANDRE NORTON REGINALD BRETNOR ALAN E. NOURSE JOHN BRUNNER ANDREW J. OFFUTT KENNETH BULMER ALEXEI PANSHIN ---------------------------------------------- JOHN W. CAMPBELL EMIL PETAJA s JOHN CARNELL H. BEAM PIPER ’ TERRY CARR FREDERIK POHL SYMPOSIUM JOHN CHRISTOPHER ARTHUR PORGES 3r ARTHUR C. CLARKE DANNIE PLACHTA tr HAL CLEMENT MACK REYNOLDS I MARK CLIFTON JOANNA RUSS GROFF CONKLIN ERIC FRANK RUSSELL BASIL DAVENPORT FRED SABERHAGEN AVRAM DAVIDSON JAMES H. SCHMITZ B io HANK DAVIS T. L. SHERRED CHARLES DE VET ROBERT SILVERBERG LESTER DEL REY CLIFFORD D. SIMAK AUGUST DERLETH E. E. 'DOC SMITH PHILIP K. DICK GEORGE 0. SMITH GORDON R. DICKSON JERRY SOHL jllopii HARLAN ELLISON NORMAN SPINRAD PHILIP JOSE FARMER THEODORE STURGEON DANIEL F. GALOUYE JEFF SUTTON DAVID GERROLD WILLIAM F. TEMPLE H. L. GOLD THEODORE L. THOMAS MARTIN GREENBERG WILSON TUCKER JAMES E. GUNN PIERRE VERSINS EDMOND HAMILTON KURT VONNEGUT, JR. double-.bill HARRY HARRISON TED WHITE ZENNA HENDERSON KATE WILHELM JOE HENSLEY ROBERT MOORE WILLIAMS JOHN JAKES JACK WILLIAMSON LEO P. KELLEY RICHARD WILSON DAMON KNIGHT ROBERT F. YOUNG DEAN R. KOONTZ ROGER ZELAZNY $3. the DOUBLE BILL Symposium ...being 94 replies to 'A Questionnaire for Professional Science Fiction Writers and Editors' as Created by: LLOYD BIGGLE, JR. Edited, and Published by: BILL MALLARDI & BILL BOWERS Bill BowersaBill Mallardi press 1969 Portions of this volume appeared in the amateur magazine Double:Bill. -
Social Criticism in Two Science Fiction Novels from the 1950S and 1960S
Social Criticism in Two Science Fiction Novels from the 1950s and 1960s Pauline Kimman Ghent University Student ID: 01409997 Submitted on August 7, 2015 For Completion of Masters of Arts in American Studies Acknowledgements First of all I should like to thank all the academic staff of the MAAS program and my supervisor Prof. Codde in particular. I am eternally grateful for my family’s unconditional support throughout the academic year. My friends have been equally supportive, and I acknowledge how fortunate I have been to have had them by my side. 2 Table of Contents Introduction ..................................................................................................................................... 4 Chapter 1: The Space Merchants (1953) ........................................................................ 9 1.1 Introduction ........................................................................................................................ 9 1.2 Synopsis............................................................................................................................... 10 1.3 The Fictional Reality ..................................................................................................... 10 1.4 The Protagonist ............................................................................................................... 11 1.5 Social Issue: The Class System ............................................................................. 15 1.6 Social Issue: Corporate Power .............................................................................. -
ARTHUR C. CLARKE Father of Satellite Communication
K. SMILES MASCARENHAS ARTHUR C. CLARKE Father of Satellite Communication Sir Arthur C. Clarke, one of the greatest science fiction Feature Article Feature writers, will continue to shine like a bright star among the scientific greats of our time for years to come. “Prediction is very difficult, especially if it’s about the future.” A geostationary satellite is a satellite that has its revolution — Niels Bohr period equal to the earth’s rotation period. When viewed from any geographical point, it will appear to be stationary above it. HEN we see Wimbledon live, or the opening ceremony To satisfy this condition, the satellite has to orbit the earth at a of the Olympics, via satellite, we seldom remember height of 36, 000 km above the equator. Technologically, it would Wthe person who first suggested that satellites could be not have appeared feasible at that time. An orbit of 36,000 km used for communication purposes. Even when that person above the equator is officially recognized by the International entered the Glorious Abode on 19 March 2008, few TV channels Astronomical Union (IAU) as a “Clarke Orbit”, in his honour. The remembered him with gratitude. Even Science Fiction buffs who concept was published in the “Wireless World” magazine in read his novels avidly must have failed to notice the demise of a October 1945. Clarke would have made billions if he had great Scientific Prophet—Sir Arthur C. Clarke who predicted not patented his idea. But like the great Marie Curie, who refused to only communication through geostationary satellites, but also patent her discovery of Radium, Clarke’s only intention was to advances in computer technology. -
Baycon Hugo Awards Ceremony Transcription, Cleaned Version [Note: Baycon, the 1968 Worldcon, Had Its Entire Program Taped by KPFA
Baycon Hugo Awards Ceremony Transcription, cleaned version [Note: Baycon, the 1968 Worldcon, had its entire program taped by KPFA. As far as I know, the tapes are lost. However, Alva Rogers had a transcript made for a planned Proceedings of Baycon of the Hugo Awards Ceremony. It’s a bit of a mess. This is cleaned up as much as I can do so, guessing in many cases about who was being referred to under the various spellings of names, and interpolating Alva’s handwritten corrections when they make sense. I’ve also had to guess about when various people started and stopped speaking. It’s been easier to retype the whole thing than try to get an OCR system to deal with it. Punctuation is, as always with a transcript from a recording, a guess – I’ve done my best to make it cleaner for the text as something to read. I have not, however, tried to change what people said 47 years ago. This is a document of our history. Anything said then probably wouldn’t be said the same way now. Some other documents from the proposed Proceedings exist, but not many; after we get this cleaned up, I may publish some of them in the same way. Tom Whitmore, cleaner] ROBERT SILVERBERG (Toastmaster): Forgive me for beginning the festivities on a solemn note, but I think I should explain what I’m doing up here, as I’m not the Toastmaster who was chosen for this a year ago when Alva, Ben and Bill made their convention bid.