Outlaws-029 Grateful
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Welcome to the Water Margin Podcast. This Is Episode 26. Last Time, The
Welcome to the Water Margin Podcast. This is episode 26. Last time, the perfect crime was starting to come unraveled. Acting on a tip from his brother, the police inspector He (2) Tao (1) arrested Bai Sheng, the Daylight Rat, for his part in the hijacking of the birthday gifts for the premier. After sufficient torture, Bai Sheng fessed up and confirmed that Chao Gai, the ward chief at East Bank Village in Yuncheng (4,2) County, was the ringleader of the plot. So He Tao was dispatched with 20 men to go to Yuncheng County, where they were to get the cooperation of the local magistrate and arrest Chao Gai and his co-conspirators. When He Tao got to Yuncheng County, court was in recess. So he talked to a clerk of the court, a man named Song Jiang. Now, this Song Jiang was apparently a man of some renown, because He Tao showed him great deference and confided to him the reason for the visit, asking him to help. Song Jiang said sure, no problem; I’ll take you to see the magistrate as soon as he comes back in the afternoon. In the meantime, pardon me while I go take care of a few things at home. So Song Jiang left He Tao at the teahouse across the street from the courthouse and hopped on his horse. But as soon as he left the town, Song Jiang galloped off toward the east. Soooo, what gives? Who the heck is this Song Jiang? And where is he going? As it turns out, this lowly clerk of the court in a podunk little county is going to be THE central character of our novel. -
Outlaws-022 Lure
Welcome to the Water Margin Podcast. This is episode 22. Last time, Chao Gai and Liu Tang were planning to hijack the convoy of birthday presents meant for the premier. They brought this idea to the brains of the operation, a local scholar named Wu Yong. Wu Yong suggested that they needed seven or eight bodies to pull this off, but not just any bodies. To that end, he went to recruit three fisherman brothers in Stone Tablet Village: Ruan Xiao’er, Ruan Xiaowu, and Ruan Xiaoqi. As we rejoin the narrative, Wu Yong was spending the night with the three Ruan brothers, and they were drinking and feasting over dinner at the home of one of the brothers. After a few cups, Wu Yong once again broached the pretext of his visit -- that he was there to secure a bunch of big fat juicy fish for a wealthy patron. But the Ruan brothers told him that such big fish were no longer available in these waters. “But you have such a large fishing ground here,” Wu Yong asked, “How come you can’t find big fish?” “To tell you the truth, professor,” said Ruan Xiao’er, the eldest brother, “such big fish can only be found in the waters around Liangshan. The lake around this village is too small for fish that big.” “Well, the marsh around Liangshan is not far from here, and the two bodies of water are connected,” Wu Yong said. “So why don’t you go there to get some fish?” “[Sigh] Don’t even ask,” Ruan Xiao’er sighed. -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong • Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake • Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village • Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West • Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery • Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion • Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery • Chapter 7 The Tattooed Monk Uproots a Willow Tree Lin Chong Enters White Tiger Inner Sanctum by Mistake • Chapter 8 Arms Instructor Lin Is Tattooed and Exiled to Cangzhou Sagacious Lu Makes a Shambles of Wild Boar Forest • Chapter 9 Chai Jin Keeps Open House for All Bold Men Lin Chong Defeats Instructor Hong in a Bout with Staves • Chapter 10 Lin Chong Shelters from the Snowstorm in the Mountain Spirit Temple Captain Lu Qian Sets Fire to the Fodder Depot • Chapter 11 Zhu Gui Shoots a Signal Arrow from the Lakeside Pavilion Lin Chong Climbs Mount Liangshan in the Snowy Night • Chapter 12 Lin Chong Joins the Bandits in Liangshan Marsh Yang Zhi Sells His Sword in the Eastern Capital • Chapter 13 The Blue−Faced Beast Battles in the Northern Capital Urgent Vanguard Vies for Honors on the Training Field -
The Water Margin Podcast. This Is Episode 61. Last Time, Song Jiang
Welcome to the Water Margin Podcast. This is episode 61. Last time, Song Jiang and company caused not one but two ruckuses in the Jiangzhou area before setting off for Liangshan. On the way, they met up with four new heroes who, like everybody else, worshipped the ground that Song Jiang walked on, so they also decided to join the gang on Liangshan. Soon, all the chieftains old and new had arrived at the tavern run by Zhu Gui as a reconnaissance station for Liangshan. Now, when Chao Gai went off the mountain to go save Song Jiang, he left only six chieftains behind to mind the shop: Wu Yong the military strategist, Gongsun Sheng the Daoist priest, Lin Chong the Panther Head, Qin Ming the Fiery Thunderbolt, and the two craftsmen they had invited slash abducted to make the forged letter -- Xiao (1) Rang (4) and Jin (1) Dajian (4,1). These guys had gotten advance notice that the mission was successful and that the whole gang, plus a bunch of new friends, were on their way back. So that day, when they heard the group had arrived at the tavern, they sent lackeys down to Golden Sand Beach to welcome them with drums and flutes. The returning heroes went up to the stronghold on horseback and in sedan chairs. In the Hall of Honor, Wu Yong and company had laid out wine and a pot of incense to welcome them back. Chao Gai didn’t beat around the bush. He immediately asked Song Jiang to take the top command chair and serve as the new leader of Liangshan. -
The Outlaws of the Marsh
The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Table of Contents The Outlaws of the Marsh..................................................................................................................................1 Shi Nai'an and Luo Guanzhong...............................................................................................................1 Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake....................................................................................................................................................7 Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village...................................................................................................15 Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West.......32 Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery....42 Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion...................................................................................57 Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery.............................................................................................................................................67 Chapter 7 The Tattooed Monk Uproots a Willow -
Au Bord De L'eau
Au bord de l'eau Au bord de l'eau (chinois simplifié : 水浒传 ; chinois traditionnel : 水滸傳 ; pinyin : Shuǐ hǔ Zhuàn ; Wade : Shui³ hu³ Zhuan⁴, EFEO Chouei-hou tchouan, littéralement « Le Récit e des berges ») est un roman d'aventures tiré de la tradition orale chinoise, compilé et écrit par plusieurs auteurs, mais attribué généralement à Shi Nai'an (XIV siècle). Il relate les Au bord de l'eau exploits de cent huit bandits, révoltés contre la corruption du gouvernement et des hauts fonctionnaires de la cour de l'empereur. Auteur Shi Nai'an Ce roman fait partie des quatre grands romans classiques de la dynastie Ming, avec l'Histoire des Trois Royaumes, La Pérégrination vers l'Ouest et Le Rêve dans le Pavillon Rouge. Pays Chine Sa notoriété est telle que de nombreuses versions ont été rédigées. On peut comparer sa place dans la culture chinoise à celle des Trois Mousquetaires d'Alexandre Dumas en France, Genre roman ou des aventures de Robin des Bois en Angleterre. L'ouvrage est la source d'innombrables expressions littéraires ou populaires, et de nombreux personnages ou passages du livre servent à symboliser des caractères ou des situations (comme Lin Chong, seul dans la neige, pour dépeindre la rectitude face à l'adversité, ou Li Kui, irascible et violent mais dévoué à Version originale sa mère impotente, pour signaler un homme dont les défauts évidents masquent des qualités cachées). On retrouve, souvent sous forme de pastiche, des scènes connues dans des Langue chinois vernaculaire publicités, des dessins animés, des clips vidéo. L'illustration de moments classiques de l'ouvrage est très fréquente en peinture. -
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'More lnsulin Successes . Problems of Nlodernization . Normon Bethune .The Manchus Australia: A g 0.40 New Zealand: NZ g 0.40 U.K.: 25 p U.S.A.: g 0.50 Faticat mot!:er iil a Shangl'iei' park, Zirairy SlttLicltcitg Articles of the Month PROBTEMS !N CHINA'S MODERNIZATION \D Advontoges ond shortcomings. Deueloping the Chi- i\ nese to'sks model. Selt-reliqnce ond imports. Current ond priorities. Noted economist Xue Bood,ing gives down-to-eorth opinions. Poge 2 PUBLISHED MONTHLY. lN ENGLISH; FRENCH, SPANISH, ARABIC AND BIMONTHLY IN GERMAN BY THE CHINA WELFARE INSTITUTE MEMORIES (sOONG CHING LING, CHA|RMANI OF DR. BEIHUNE Bottle-front stories of the greot Conodion internotionolist, the 40th vot. xxv!il No. 11 NOVEMBER 1979 onniversory of whose deoth comes this month, movingly recolled by well-known novelist Zhou Erlu, CONTENTS outhor of o widely populor book obout hi'm in Chinese, ond by China's Modernization: Some Current Problems Xue Bethune's lormer bodyguord Yong Baoding 2 Yoolo. Poge 16 Shanghai Window on Chinese City Tan Manni 5 - l-ife After lrrsulin Synthesis: Progress Research in Peptide SHANGHAI _ Niu Jingyi 13 wrNDow oN A Second Lile-ln Memory oJ Dr. Norman Bethune on 'His the 40th Anniversary of Death Zhou Erlu Itl CHINA'S CITY IIFE Memories of Bethune Yang Yaota 1B The post ond present of City Co-ops: More Jobs for Youth Lu Zhenhua and Liu Chino's lorgest metrop- olis, ond the multitude Chuang 21 of things the visitor con Miniature Trees and Landscapes 24 see there. -
The Water Margin Podcast. This Is Episode 28. Last Time, Chao Gai
Welcome to the Water Margin Podcast. This is episode 28. Last time, Chao Gai and his six sworn brothers were on the lam after their heist came to light. They slaughtered almost every last one of a 500-men government force sent to arrest them. Then, they fled to the bandit stronghold on Liangshan, hoping to find refuge there, just like Lin Chong the Panther Head did after his run-ins with the law. And just like Lin Chong, they had to deal with the two-faced antics of the bandit leader, Wang Lun, who jealously hoarded his power and position against any newcomers who might overshadow him. As we resume our narrative, Lin Chong was paying a visit to Chao Gai and friends, and Wu Yong, the smart one among Chao Gai’s entourage, had just said that they should leave instead of waiting for Wang Lun to kick them out. “Heroes, please do not harbor such thoughts,” Lin Chong told them. “I know what must be done. I was just worried that you all might leave. That’s why I came so early to talk to you. Let’s see how he treats you today. If he says the right things, unlike yesterday, then it’s fine. But if he says so much as one wrong word today, I’ll take care of it.” “Chieftain, we are extremely grateful for your immense kindness!” Chao Gai said. But Wu Yong kept up his charade a little longer, saying, “How can we allow Chieftain Lin to quarrel with his brothers because of us? If they’ll have us, then we can stay. -
The Characteristics of Heroes Portrait in Water Margin
2017 4th International Conference on Advanced Education and Management (ICAEM 2017) ISBN: 978-1-60595-519-3 The Characteristics of Heroes Portrait in Water Margin Ran WEIa, Hui YUb and Zhe-Jia TANGc School of Humanities and Social Sciences, China Jiliang University, Hangzhou, China [email protected], [email protected], [email protected] Keywords: The Water Margin, Hero, Self-Value, Characteristics. Abstract. Relative to the heroism of orthodox “saving” work in Romance of the Three Kingdoms, the heroes portrait in Water Margin is deeper affected by townsfolk’s ideas, tends to self-centered and maximize to pursuit the interest of the spirit and material, even has a new phenomenon that in order to achieve self-worth by any means. The heroes portrait in Water Margin presents the new characteristics which goes against the traditional concept of hero. Introduction Although the figures written in Water Margin [1] have many controversial in history, some thinks they were heroes with loyalty, and others think they were bandits Rebels. However, there was no doubt that the Leong's Legends were respected as heroes for a long time. The Water Margin and the Romance of the Three Kingdoms have been carved as Hero spectrum in the Ming dynasty. Yang Minglang commented in the preface of Hero spectrum, “why they were called as heroes in The Water Margin and the Romance of the Three Kingdoms, the answer was the heroes in Water Margin created by the Liangshan’s geographic features and the heroes in the Romance of the Three Kingdoms created by the times.” [2] Nevertheless, the heroes created in the Romance of the Three Kingdoms were all about the dominant class. -
Woman Warriors of the Classic Chinese Novel Shuihu Zhuan
Woman Warriors of the Classic Chinese Novel Shuihu Zhuan BY Charles Sherwood Abstract: The classical Chinese novel Shuihu zhuan, widely published by the end of the sixteenth century, has long been popular with the Chinese public and as such has been the subject of much scholarly analysis and debate. Within the existing literature on Shuihu zhuan much has already been said about the novel’s hostile, misogynistic portrayals of women. Yet, most scholars studying women and gender in the novel have focused only on the overwhelmingly negative representation of sensuous women and how it is contrasted with the positive image of an asexual, masculine brotherhood of heroes. Little attention however has been paid to the woman warriors that join this brotherhood and how they are presented in the novel. By examining the case of each woman warrior in full, this paper seeks to show why these women are allowed to be heroes despite the hostile tone of the novel and how their positions as heroes are circumscribed by their positions as women. In doing so, this paper proposes that portrayals of women in the novel, though still largely misogynistic in nature, are more diverse in both form and implication than what previous literature has conveyed. 2 Introduction This paper analyzes the place of women, and especially woman warriors, in the classic Chinese novel Shuihu zhuan which is also commonly known in English as The Water Margin, Outlaws of the Marsh, or All Men are Brother. This novel is considered one of the four classic Chinese novels along with Dream of the Red Chamber, Romance of the Three Kingdoms, and Journey to the West. -
The Making of the Mysterious Woman in Daoism and Water Margin
Ming Studies, 74, 48–71, November 2016 “CONCEAL MY BODY SO THAT I CAN PROTECT THE STATE”: THE MAKING OF THE MYSTERIOUS WOMAN IN DAOISM AND WATER MARGIN PENG LIU Columbia University, New York, USA Protecting fictional heroes against misfortune and helping them defeat demonic enemies, the Mysterious Woman of the Nine Heavens proves to be a crucial figure in the Ming novel Water Margin. Her divine power and military wisdom pique our interest, inviting us to discover her true identity and investigate the process of her creation. This article shows how a set of related Daoist texts strengthens her role as a warrior protectress by giving prominence to her magic of concealing the body 隱身 (yinshen) and to magic concerning the worship of the Northern Dipper. The association of these two types of magic with the Mysterious Woman indicates the nature of this deity as a mixture of Daoist ideas that are in turn assimi- lated into the novel to serve narrative functions. In this process, the novel codes reli- gious ideas into its own language and portrays the Mysterious Woman as an internal author who controls the knowledge of the characters’ destinies. Her intervention in human affairs is restaged in a novel setting. The novel functions as part of a cultural mechanism that creates new stories about this ancient goddess. KEYWORDS: the Mysterious Woman, Daoism, Water Margin, Ming Dynasty, invisi- bility, the Northern Dipper In the Ming novel Water Margin 水滸傳 (Shuihu zhuan), Song Jiang 宋江 is under the aegis of a divine woman named the Mysterious Woman of the Nine Heavens 九天玄女 (Jiutian Xuannü, hereafter the Mysterious Woman).1 The mastermind behind the Mount Liang bandits’ cause, she admonishes Song Jiang to be rid of demonic nature so that he can lead his band to serve the imperial court. -
Outlaws-062 Scrolls
Welcome to the Water Margin Podcast. This is episode 62. Last time, Song Jiang decided to go alone back to his village to bring his father and brother to Liangshan before the authorities could arrest them. But no sooner had he set foot in the village did he find himself fleeing from the local cops. They chased him into a village that supposedly had only one road in and out. But just as things were looking dire, Song Jiang somehow eluded the search party in an old temple, and then got a surprise invitation from a couple girls dressed in green who kept calling him Starlord. They took him along some backroads to a giant palace that he had no idea even existed. And there, he was introduced to a figure that the girls kept referring to as their queen. After much ceremony, Song Jiang finally mustered the courage to look up and gaze at this queen. When he lifted his head, he saw that the hall he was standing in was glittering with gold and jade and was lit by dragon lanterns and phoenix candles. Boys and girls dressed in green stood on both sides, holding jade wands and pennants and waving large fans. In the center, on a bejewelled, carved couch sat their queen. She was dressed in filmy golden silks and held a scepter of white jade. Her eyes were lovely, and her countenance divine, beautiful, yet dignified and serious. “Starlord, I have invited you here,” the Queen said. As she spoke, she gestured for her acolytes to offer wine.