Heidegger's Nietzsche
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El Aporte Antropológico De Leonardo Polo a La Universidad Y a La Teoría
UNIVERSIDAD DE NAVARRA INSTITUTO EMPRESA Y HUMANISMO EL APORTE ANTROPOLOGICO DE LEONARDO POLO A LA UNIVERSIDAD Y A LA TEORIA DE LA EMPRESA TESIS DOCTORAL Silvia Carolina Martino Director Prof. Dr. Juan Fernando Sellés Dauder Co-Directora Prof. Dra. Concepción Naval Durán PAMPLONA – ABRIL, 2017. ÍNDICE ÍNDICE .............................................................................................................................. 3 INTRODUCCIÓN ............................................................................................................. 9 Agradecimientos ........................................................................................................ 28 PRIMERA PARTE .......................................................................................................... 30 Capítulo 1. El Planteamiento Antropológico de Leonardo Polo. ............................. 30 Introducción ...................................................................................................... 30 1.1. Semblanza y trayectoria intelectual. El autor ............................................. 33 1.1.1. Recorrido intelectual y biográfico ........................................................ 34 1.2. Propuesta antropológica de Leonardo Polo ............................................... 45 1.2.1 El método filosófico poliano ................................................................ 46 1.2.2. La ampliación trascendental ................................................................. 51 1.2.3. La distinción real de -
Cicero Gubernator: the Ship of State in Cicero's Letters Among the Most
Cicero Gubernator: The Ship of State in Cicero’s Letters Among the most common metaphors in Greek and Roman political literature is the so- called “ship of state” metaphor. This metaphor represents the state or body politic as a ship sailing through a stormy sea. Just as the ship must navigate through storms, so too must the state navigate through political strife, war, or despotism. The metaphor was used by a wide variety of Greek authors including Alcaeus, Theognis, Solon, Aeschylus, Sophocles, Plato, Aristophanes, and Demosthenes. Various Roman authors adopted this metaphor for their own purposes, as well, but nowhere is the metaphor so striking as in Cicero’s works. Scholarship on this metaphor in Cicero’s works has to date focused largely on his political speeches and philosophical treatises. For example, May (1980) discusses the use of the metaphor in Cicero’s Pro Sestio, while Wood (1988) and Zarecki (2014) explore the metaphor from more philosophical and political perspectives. Fantham (1972) surveys Republican imagery and includes indispensable information on the ship of state metaphor. Cicero’s letters offer many valuable instances of the metaphor, and since they span a significant length of Cicero’s life, they provide a useful historical context for understanding the metaphor in Cicero’s other works as well. In his letters, the ship of state metaphor reveals Cicero’s perceptions of changing political circumstances. I argue that Cicero employs this metaphor in three distinct ways. First, he most commonly uses it to express pessimism about politics or his own life. For example, there are three letters from around the time of Cicero’s exile that use the metaphor to express his utter grief, and at the outbreak of civil war, he uses the metaphor to show his lack of faith in Pompey, his gubernator. -
Walter Pater's Aesthetic Historicism
Transfigured World · CAROLYN WILLIAMS · Transfigured World · WALTER PATER'S AESTHETIC HISTORICISM · Cornell University Press ITHACA AND LONDON Copyright © 1989 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at www.cornellpress.cornell.edu. First published 1989 by Cornell University Press. First printing, Cornell Paperbacks, 2016. Library of Congress Cataloging-in-Publication Data Williams, Carolyn, 1950– Transfigured world: Walter Pater’s aesthetic historicism / Carolyn Williams p. cm. Includes index. ISBN 978-0-8014-2151-8 (cloth : alk. paper) ISBN 978-1-5017-0724-7 (pbk. : alk. paper) 1. Pater, Walter, 1839–1894—Aesthetics. 2. Pater, Walter, 1839–1894— Knowledge—History. 3. Historicism. I. Title. PR5138.A35W5 1989 824'.8—dc20 89-42883 The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ For Cecil Lang Contents Acknowledgments ix Abbreviations xi Introduction I Part One • Opening Conclusions II I. "That Which Is Without" 14 2. "The Inward World of Thought and Feeling" 18 3. Aestheticism 26 4. Answerable Style 37 5. Iiistoricism 46 6. Aesthetic Iiistoricism and "Aesthetic Poetry" 57 7. The Poetics of Revival 68 Part Two • Figural Strategies in Th e Renaissance 79 I. Legend and Iiistoricity 82 2. Myths of Iiistory: Th e Last Supper 94 3. The Iiistoricity of Myth 103 4. -
Nietzsche and Psychedelics – Peter Sjöstedt-H –
Antichrist Psychonaut: Nietzsche and Psychedelics – Peter Sjöstedt-H – ‘… And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.’ So ends the famous fragment of Kubla Khan by the Romantic poet, Samuel Taylor Coleridge. He tells us that the poem was an immediate transcription of an opium-induced dream he experienced in 1797. As is known, the Romantic poets and their kin were inspired by the use of psychoactive substances such as opium, the old world’s common pain reliever. Pain elimination is its negative advantage, but its positive attribute lies in the psychedelic (‘mind- revealing’)1 state it can engender – a state described no better than by the original English opium eater himself, Thomas De Quincey: O just and righteous opium! … thou bildest upon the bosom of darkness, out of the fantastic imagery of the brain, cities and temples, beyond the art of Phidias and Praxiteles – beyond the splendours of Babylon and Hekatómpylos; and, “from the anarchy of dreaming sleep,” callest into sunny light the faces of long-buried beauties … thou hast the keys of Paradise, O just, subtle, and mighty opium!2 Two decades following the publication of these words the First Opium War commences (1839) in which China is martially punished for trying to hinder the British trade of opium to the Chinese people. Though opium, derived from the innocent garden poppy Papavar somniferum, may cradle the keys to Paradise it also clutches the keys to Perdition: its addictive thus potentially ruinous nature is commonly known. Today, partly for these reasons, opiates are mostly illegal without license – stringently so in their most potent forms of morphine and heroin. -
Presentation Slides
Conceptions of Environment & Coexistence According to the Spanish Philosopher Leonardo Polo: Implications for Sustainability Education ALIZA D. RACELIS Cesar E.A. Virata School of Business University of the Philippines, Diliman BACKGROUND The Spanish philosopher Leonardo Polo (February 1, 1926 - February 9, 2013) engaged with both Classical and Medieval thinkers such as Aristotle, Thomas Aquinas, and William of Ockham, as well as Modern and Contemporary philosophers such as Descartes, Kant, Hegel, Husserl, Heidegger, and Nietzsche. Polo scholars have come to call his philosophical proposal “transcendental anthropology”, given that ―using the method of abandonment of the mental limit― he made available 4 great themes in relation to man: • on the one hand, the (1) act of being and (2) essence that lie outside the mind, and • on the other hand, the (3) act of being and (4) essence of the human being. BACKGROUND Having distinguished act of being in metaphysics vs. act of being in anthropology, Polo’s works then proposes 4 “anthropological transcendentals”, namely: 1) Personal Co-existence 2) Personal Freedom 3) Personal Intellect/Knowing 4) Transcendental Love (Self-Gift ) [Rich and Poor. Equality and Inequality.] Conceptions of Environment & Coexistence According to the Spanish Philosopher Leonardo Polo: Implications for Sustainability Education “Rich and Poor. Equality and Inequality.” Say's Law “supply constitutes demand” George Gilder “True wealth is not found in the acquisitive capacity of a country, but rather in the capacity to invest in and produce consumable goods in the future. It is rooted, in effect, in: initiative, creativity, and the human work of the businessmen and workers, who are, in the end, the generators of wealth.” Man is an ethical being because he is free. -
Depopulation: on the Logic of Heidegger's Volk
Research research in phenomenology 47 (2017) 297–330 in Phenomenology brill.com/rp Depopulation: On the Logic of Heidegger’s Volk Nicolai Krejberg Knudsen Aarhus University [email protected] Abstract This article provides a detailed analysis of the function of the notion of Volk in Martin Heidegger’s philosophy. At first glance, this term is an appeal to the revolutionary mass- es of the National Socialist revolution in a way that demarcates a distinction between the rootedness of the German People (capital “P”) and the rootlessness of the modern rabble (or people). But this distinction is not a sufficient explanation of Heidegger’s position, because Heidegger simultaneously seems to hold that even the Germans are characterized by a lack of identity. What is required is a further appropriation of the proper. My suggestion is that this logic of the Volk is not only useful for understanding Heidegger’s thought during the war, but also an indication of what happened after he lost faith in the National Socialist movement and thus had to make the lack of the People the basis of his thought. Keywords Heidegger – Nazism – Schwarze Hefte – Black Notebooks – Volk – people Introduction In § 74 of Sein und Zeit, Heidegger introduces the notorious term “the People” [das Volk]. For Heidegger, this term functions as the intersection between phi- losophy and politics and, consequently, it preoccupies him throughout the turbulent years from the National Socialist revolution in 1933 to the end of WWII in 1945. The shift from individual Dasein to the Dasein of the German People has often been noted as the very point at which Heidegger’s fundamen- tal ontology intersects with his disastrous political views. -
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich TIMOTHY O’HAGAN Like Oscar Wilde I can resist everything except temptation. So when I re- ceived Anne Meylan’s tempting invitation to contribute to this Festschrift for Pascal Engel I accepted without hesitation, before I had time to think whether I had anything for the occasion. Finally I suggested to Anne the text of a pub- lic lecture which I delivered in 2008 and which I had shown to Pascal, who responded to it with his customary enthusiasm and barrage of papers of his own on similar topics. But when I re-read it, I realized that it had been written for the general public rather than the professional philosophers who would be likely to read this collection of essays. So what was I to do with it? I’ve decided to present it in two parts. In Part One I reproduce the original lecture, unchanged except for a few minor corrections. In Part Two I engage with a tiny fraction of the vast secondary literature which has built up over the years and which shows no sign of abating. 1. Part One: The 2008 Lecture Curtain-Raiser Let us start with two dates, 1927 and 1933. In 1927 Adolf Hitler’s Mein Kampf (volume II) was published. So too was Martin Heidegger’s magnum opus Being and Time. In 1933 two appointments were made: Hitler as Chancellor of the German Reich and Heidegger as Rector of Freiburg University. In 1927 it was a case of sheer coincidence; in 1933 the two events were closely linked. -
IV. Concerning the Relation of Mind and Medium in Aesthetic Appre- Ciation Little Need Be Said
MIND AND MEDIUM IN ARTf. (1V.j BY EDWARD BULLOUGH. I AGREE with Mr Walkley’s criticism of Mr Marriott’s proposal to base an aesthetic theory upon Medium and its technical manipulation. The attempt has been made more than once-the example of Semper has been mentioned by Mr Watt-and has always broken down in the face of objections such as are urged by Mr Walkley-in the last resort because Art is a manifestation of mind and cannot be satisfactorily accounted for by the nature and treatment of the material it employs. The second part of Mr Walkley’s paper rests upon the theory of Benedetto Croce. I am in doubt how far I agree or disagree with him. Croce’s aesthetic theory does not stand by itself, as is far too commonly supposed. It is part of a general philosophical, and in addition monistic, system and is exposed to all the difficulties created by such a depen- dence. I feel doubt about the fourfold division of the activities of the spirit; about the precise limits of the theoretical and practical activities; about the ultimate implications of his general point of view; as regards the aesthetic sphere in particular, about the nature of the ‘intuition’ and the essential ‘lyricism’ of Art, and their consequences. Indeed, I am inclined to agree with the objections recently urged by G. A. Borgese in the Preface to the new edition of his Storia della critica romantica in Italia2. I readily admit that Croce’s conception of intuition as the A contribution to the Symposium presented at the Congress of Philosophy in Oxford, 24-27 September, 1920. -
Temporality and Historicality of Dasein at Martin Heidegger
Sincronía ISSN: 1562-384X [email protected] Universidad de Guadalajara México Temporality and historicality of dasein at martin heidegger. Javorská, Andrea Temporality and historicality of dasein at martin heidegger. Sincronía, no. 69, 2016 Universidad de Guadalajara, México Available in: https://www.redalyc.org/articulo.oa?id=513852378011 This work is licensed under Creative Commons Attribution 4.0 International. PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Filosofía Temporality and historicality of dasein at martin heidegger. Andrea Javorská [email protected] Constantine the Philosopher University in Nitra, Eslovaquia Abstract: Analysis of Heidegger's work around historicity as an ontological problem through the existential analytic of Being Dasein. It seeks to find the significant structure of temporality represented by the historicity of Dasein. Keywords: Heidegger, Existentialism, Dasein, Temporality. Resumen: Análisis de la obra de Heidegger en tornoa la historicidad como problema ontológico a través de la analítica existencial del Ser Dasein. Se pretende encontrar la estructura significativa de temporalidad representada por la historicidad del Dasein. Palabras clave: Heidegger, Existencialismo, Dasein, Temporalidad. Sincronía, no. 69, 2016 Universidad de Guadalajara, México Martin Heidegger and his fundamental ontology shows that the question Received: 03 August 2015 Revised: 28 August 2015 of history belongs among the most fundamental questions of human Accepted: -
Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School April 2021 Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis William A. B. Parkhurst University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy Commons Scholar Commons Citation Parkhurst, William A. B., "Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8839 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Nietzsche and Eternal Recurrence: Methods, Archives, History, and Genesis by William A. B. Parkhurst A dissertation submitted in partial fulfillment of the requirement for the Doctor of Philosophy in Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Major Professor: Joshua Rayman, Ph.D. Lee Braver, Ph.D. Vanessa Lemm, Ph.D. Alex Levine, Ph.D. Date of Approval: February 16th, 2021 Keywords: Fredrich Nietzsche, Eternal Recurrence, History of Philosophy, Continental Philosophy Copyright © 2021, William A. B. Parkhurst Dedication I dedicate this dissertation to my mother, Carol Hyatt Parkhurst (RIP), who always believed in my education even when I did not. I am also deeply grateful for the support of my father, Peter Parkhurst, whose support in varying avenues of life was unwavering. I am also deeply grateful to April Dawn Smith. It was only with her help wandering around library basements that I first found genetic forms of diplomatic transcription. -
Phil 110: Logic Phil 120: Ethics Phil 130: Philosophy of Religion Phil 140
philosophy2012 philj-term 185: big questions Perhaps the greatest single attempt to answer the basic questions of philosophy is Plato’s famous work The Republic. With its unforgettable images of “the ship of state”, “the divided line”, prof.“the allegory matt of the simpson cave”, and “the myth of Er”, Plato’s Republic is not only fascinating and influential, it is also very fun to read. First-year seminar. phil 185: philosophy through film Plato said “those who tell stories rule society.” Today the primary storytellers are not philosophers but filmmakers. Embedded in many films are powerful statements concerning the funda- mental philosophical questions that every thoughtful person must face: What is the nature of reality? What is the extent of human knowledge? Are there objective moral facts? Does God exist? prof.This course greg invites studentsjesson to analyze the many films selected for the class by critically thinking about the views being presented, and discussing them in a rigorous way. First-year seminar. phil 240: philosophy of art: art & its others Every definition of art requires the identification of what is not art. In this course we will consider the history of such definitions, identifying the battle-grounds of its inclusions and exclusions. In order to better understand the significance of art’s boundaries, students will study local art practices among traditionally excluded art forms and artists. Pre-req.: 1 Philosophy or 2 Art prof.courses, orholly instructor moore approval. spring Anphil introduction 100: to basic questions introduction in philosophy concerning God,to the philosophynature of reality, knowledge and truth, human nature, morality, and the individual in society, together with the range of arguments and answers that philosophers have developed in response to them. -
AH 302: the Idea of the Aesthetic Syllabus Course Description Texts
Fall 2020 AH 302: The Idea of the Aesthetic Syllabus The schedule of classes/readings is subject to change. Registered students should consult the syllabus on Google Classrooms, which will be kept updated. Instructor: Katalin Makkai Course times: Monday and Wednesday 15:45-17:15 Email: [email protected] Office hours: TBA Office: P98 004 Course description “Aesthetics” and “aesthetic” are terms that are often taken for granted inside as well as outside academic discourse. We speak of aesthetic experiences and judgments and qualities, and we employ “aesthetics” to designate the study of such matters. Although their root is taken from the Greek, the now-familiar terms (in their now-familiar usages) are, however, comparatively new. They are commonly regarded as having been introduced into the philosophical lexicon in the eighteenth century—a few hundred years ago. This course studies some of the texts that were key to the discovery, or perhaps the invention, of the “aesthetic”. What work was the idea meant to do? How did its evolution retain or reconfigure its original senses and purposes? Is the idea of the aesthetic problematic, ideological, or chimerical? Do we need an idea of the aesthetic to think about art? Texts All readings will be provided during the semester electronically and are to be brought to class as printouts. Electronic devices Students may not use any electronic devices (laptop, tablet, mobile phone) in the classroom, unless an accommodation letter has been issued. Requirements ACADEMIC INTEGRITY Bard College Berlin maintains the staunchest regard for academic integrity and expects good academic practice from students in their studies.