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Tourism Guide
Your Guide to Charm City’s Best Restaurants and Attractions Baltimore, Maryland January 4-8, 2012 Welcome to Baltimore,Hons! Inside this Guide: This Guide will provide you with all the information you need to make your interlude in Baltimore (Balmer, as the locals say) pleasant and enjoyable. Rick n’ Nic have done all Bars & Restaurants 2-3 the hard work to find the best spots for dining, libations, and local attractions. (No, Attractions 4-5 Rick n’ Nic are not local attractions). For many months, we have selflessly labored to Local Necessities 6-7 sample all that Baltimore has to offer — this Guide provides the result of our exten- Cruising Around 8 sive scientific research. We list our favorite restaurants, pubs, and attractions, to- gether with helpful maps to make sure that you don’t lose your way while exploring our fine city. Also look for the discounts! We also listed local pharmacies, banks, parking and other important locations in the vicinity. On the final page, we include information on how to get around town (and even how to reach DC) during your con- ference stay. Hope you enjoy your visit to the Land of Pleasant Living, Hons! How to Speak Balmerese: Chest Peak - Chesapeake The kitschy Hon tradition began between the 1950s and 1970s. It was common to see Wooder - What’s in the Chest working class women from the Hampden, Highlandtown, and Canton neighborhoods Peak. wearing gaudy bright dresses with outdated glasses and beehive hairdos. Men often Merlin - The state you’re in! dressed casually as many of them worked at the local factories and docks. -
A Memoir, Felicia Pearson, David Ritz, Grand Central Publishing, 2009, 0446195197, 9780446195195, 240 Pages
Grace After Midnight: A Memoir, Felicia Pearson, David Ritz, Grand Central Publishing, 2009, 0446195197, 9780446195195, 240 pages. While Felicia is a brilliant actor in a truly chilling role, what's most remarkable about "Snoop" is what she has overcome in her life. Snoop was born a three-pound cross-eyed crack baby in East Baltimore. Those streets are among the toughest in the world, but Snoop was tougher. The runt of the ghetto showed an early aptitude for drug slinging and violence and thrived as a baby gangsta until she landed in Jessup state penitentiary after killing a woman in self-defense. There she rebelled violently against the system, and it was only through the cosmic intervention of her mentor, Uncle Loney, that she turned her life around. A couple of years ago, Snoop was discovered in a nightclub by one of The Wire's cast members and quickly recruited to be one of television's most frightening and intriguing villians.While the story of coming up from the hood has been told by Antwone Fisher and Chris Gardner, among others, Snoop's tale goes far deeper into The Life than any previous books. And like Mary Karr's story, Snoop's is a woman's story from a fresh point of view. She defied traditional conventions of gender and sexual preference on the hardest streets in America and she continues to do so in front of millions of viewers on TV.. DOWNLOAD HERE Gunmetal Black , Daniel Serrano, Sep 15, 2008, Fiction, . As a child, Eddie Santiago grows up on the mean streets of his Puerto Rican neighborhood in Chicago, where he witnesses his father's murder. -
Greatestgentour.Com Now to See a Live Podcast That's the Exact Opposite of This
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Ben Harrison Promo The following is a message from Uxbridge-Shimoda LLC. 00:00:02 Sound Effect Sound Effect [Computer beeps.] 00:00:03 Music Music Fun, jazzy background music. 00:00:04 Adam Promo Have you been the victim of a bad live podcast experience? Has this Pranica ever happened to you? You bought a ticket to your favorite live podcast, and when you get there, there aren't any seats for you, so you have to sit in the bathroom because the toilet is the only unoccupied seat? And because the sounds of flushing and people having diarrhea, you can just barely hear the sound of laughter? But it's not the kind of laughter where you can tell the podcast hosts are doing well. It's the kind of laughter where you know the hosts are eating shit. 00:00:31 Adam Promo And when the show is over and you wipe yourself off, there isn't any toilet paper. So you use your underwear and try to flush those down the toilet. But the toilet gets clogged on all your underwear, and giant dookies you spent 90 minutes making, and starts overflowing, so you just leave it there and go out to the meet and greet. But you aren't feeling normal, because you aren't wearing underwear, because you're feeling the inside of your pants in a way you've never felt before, so you're awkward in your own body. -
FREDDY CORBIN Oakland Tattoo Artist
FREDDY CORBIN Oakland tattoo artist. Shot for Inked Magazine. REFUELEDMAGAZINE.COM LIFESTYLE INTERVIEW BY JAMIE WATSON PHOTOGRAPHS BY JAY WATSON California photographer Jay Watson specializes in lifestyle and environmental portraits of people on location. His work involves shooting for editorial, advertising, clothing, music, entertainment, industrial, and corporate clients. Elemental Magazine once wrote “he shoots the crazy shit,” and an early issue of Garage Magazine said “Jay came to California to raise free range artichokes.” Some of these things are true. You were raised in Baltimore, Maryland. What did you bring to What was the first thing you photographed when you arrived to California’s table? California in 1999? I brought a plastic toy camera, a humidor filled with some cigars, 6 The "Welcome to California" sign. I pulled over right after the border bungee cords, an Alpine car stereo, and a Biz Markie CD. It was all inspectors check incoming vehicles carrying fruit and vegetables. I stolen the first week I moved to the Bay Area along with shot the sign with a Polaroid Land camera. Then I got distracted in some other stuff. I guess it was a toll I had to pay, but nobody told me Joshua Tree and stayed there an extra day to shoot and drink up about it before I got here. They let me keep my Baltimore accent and the California desert. I also hit the Dinosaurs at Cabazon with the blue collar work ethic. I'll never shake those things. In toy camera. reality I came with a desire to just find my own way, but now I feel the ability to contribute. -
Mbmbam 391: Jeff Wolfworthy Published on January 29, 2018 Listen Here on Themcelroy.Family
MBMBaM 391: Jeff Wolfworthy Published on January 29, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he’s a sexpert, but if there’s a degree on his wall, I haven’t seen it. Also, this show isn’t for kids, which I mention only so the babies out there will know how cool they are for listening. What’s up, you cool baby? [theme music, “(It’s a) Departure” by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I’m your oldest brother, Justin McElroy! Travis: I’m your middlest brother, Travis McElroy! Griffin: I’m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Are you ready for more footballll? Griffin: I’m ready for twice the amount of football I currently consume, which would still... Justin: An undetermined night of the week party! Griffin: Whew! [sing-song] It’s all night, and the balls are hot; don’t touch the balls, ‘cause you’ll burn your hands! Justin: [sing-song] We have a bunch—some announcers to be determined that are gonna get it kickstarted. Travis: [sing-song] Or maybe, like, hand-off start it. We don’t know, we haven’t finished out the rules yet. Griffin: [sing-song] There may not even be a ball this time. It’s football of the mind, XFL. Justin: You’ve probably guessed we’re.. -
The Adventure Zone: Live in San Jose! Published on May 16Th, 2019 Listen on Themcelroy.Family
The Adventure Zone: Live in San Jose! Published on May 16th, 2019 Listen on TheMcElroy.family [theme music plays] Audience: [applause] Griffin: I have uh, asked Paul to play some scene-setting music. Paul, if you could play the scene-setting music as I read the opening monologue… [scene-setting music plays loudly] Griffin: If you can make it much quieter than that, that would be amazing. Audience: [laughs] [scene-setting music disappears entirely] Griffin: A little bit louder. [scene-setting music plays] Audience: [laughs] Griffin: Perfect. Travis: Split the difference. Griffin: The year is 20XX… Audience: [laughs] Griffin: The world as you know it has ended. The once burdened forests and lush prairies peppered across Faerun lay fallow, swallowed up in cyclones of dust and exhaust. The land‘s great thriving cities are hollowed out wastelands, scoured tirelessly by electronic eyes for any remaining signs of life. Signs… of resistance. Audience: [laughs and cheers] Griffin: The rain of organic beings has long since been brought to a violent end by the world‘s new ruling class – robots. Audience: [cheers] Griffin: Sentient machines of various shapes, sizes, and functions that have reduced the world‘s human, dwarf, elf, orc, really, all non-robot populations down to a handful of barely surviving enclaves, all eking out a harrowing existence beneath the smog-filled sky. It‘s really very bad. Audience: [laughs] Griffin: There‘s no grass anymore. Where there used to be grass, now there‘s just like, little wires all over, which is what robots like instead of grass. Clint: [laughs] Audience: [laughs] Griffin: Playgrounds that used to be full of children‘s laughter are now filled with like, pipes and batteries and stuff. -
{DOWNLOAD} Grace After Midnight : a Memoir
GRACE AFTER MIDNIGHT : A MEMOIR PDF, EPUB, EBOOK David Ritz | 240 pages | 13 Nov 2009 | Little, Brown & Company | 9780446195195 | English | New York, United States Grace After Midnight : A Memoir PDF Book Pearson, David. Learn to make money in the stock market, even if you've never traded before. Pearson, Landon Carter —. She wrote a book called "The Kids on the Streets and the Kids Working Corners" to tell people whats right and whats good. Ark-venn pris Bli medlem. Account Options Sign in. For starters we can start off by defining it as a depiction of the American Dream. Book was a good read.. Both her parents were in jail at the time of her birth. As a result, at age fifteen, Pearson was convicted of second-degree murder and sentenced to two consecutive eight- year terms in prison at the Maryland Correctional Institution for Women in Jessup. Even the title caught my attention. One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Jan 11, Kaya rated it really liked it. Her story made me think about the ways our hetero-normative, class-biased, prison-industrial complex oppresses people of color, LGBTQ people, and the formerly incarcerated. There she rebelled violently against the system, and it was only through the cosmic intervention of her mentor, Uncle Loney, that she turned her life around. Shelve Girl Walks into a Bar. The American Dream brought life to American Culture, allowing it to grow and nourish upon the world. -
Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
DIALOGUE WHY EVERY SHOW NEEDS TO BE MORE LIKE THE WIRE (“NOT JUST THE FACTS, MA’AM”) NEIL LANDAU University of California, Los Angeles (UCLA) The Wire (HBO, 2002-2008) upends the traditional po- ed the cop-drama universe. It was a pioneering season-long lice procedural by moving past basic plot points and “twists” procedural. Here are my top 10 reasons why Every Show in the case, diving deep into the lives of both the cops and Needs to Be More Like The Wire. the criminals they pursue. It comments on today’s America, employing characters who defy stereotype. In the words of — creator David Simon: 1. “THIS AMERICA, MAN” The grand theme here is nothing less than a nation- al existentialism: It is a police story set amid the As David Simon explains: dysfunction and indifference of an urban depart- ment—one that has failed to come to terms with In the first story arc, the episodes begin what the permanent nature of urban drug culture, one would seem to be the straightforward, albeit pro- in which thinking cops, and thinking street players, tracted, pursuit of a violent drug crew that controls must make their way independent of simple expla- a high-rise housing project. But within a brief span nations (Simon 2000: 2). of time, the officers who undertake the pursuit are forced to acknowledge truths about their de- Given the current political climate in the US and interna- partment, their role, the drug war and the city as tionally, it is timely to revisit the The Wire and how it expand- a whole. -
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00:00:00 Jesse Promo Hey all, it’s Jesse. As 2020 draws to a close, think about what Thorn you’re thankful for, other than—I’m willing to bet—2020 drawing to a close. What got you through the year? Odds are, if you’re hearing my voice, public radio was one of the things. Public radio gave you accurate, dependable news about the election on the pandemic, information about local stories that matter to you. You got fun and fascinating interviews from shows like Bullseye. If you wanna show your gratitude at the end of this year, consider supporting your local public radio station. Public radio stations really need your help right now, more than ever. And it’s really easy to do! Just go to Donate.NPR.org/bullseye and give whatever you can. And thanks. 00:00:43 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:44 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:55 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. 00:01:03 Jesse Host It’s Bullseye. I’m Jesse Thorn. If you’re a fan of comics, odds are you’re familiar with Adrian Tomine already. Maybe you read his series Optic Nerve or know his books, like Killing and Dying and Shortcoming. They’re reminiscent of Daniel Klaus or Jaime Hernandez, maybe Harvey Pekar: dark, realistic, but with an edge of humor as well. -
THE FOSSIL Official Publication of the Fossils, Inc., Historians of Amateur Journalism Volume 105, Number 1, Whole Number 338, G
THE FOSSIL Official Publication of The Fossils, Inc., Historians of Amateur Journalism Volume 105, Number 1, Whole Number 338, Glenview, Illinois, October 2008 A HISTORIC MOMENT President's Report Guy Miller Yes, a historic moment it is. Our first election under our new set of by-laws has been successfully conducted and the officers have taken their places. As outlined, the election was for three members to compose the Board of Trustees. All other offices have become appointive. In addition, the position of Vice-President has been eliminated. All officers will serve for a two-year term. In 2010 only two positions on the Board will be open: the incumbent President will remain as carry over but will relinquish his title, and the new Board will proceed to choose one among them once more for President for 2010-12. That's the “game plan,” so to speak. On August 4, Secretary-Treasurer Tom Parson delivered to the President the results of the election: Number of ballots received = 21 Louise Lincoln 1 Danny L. McDaniel 8 Guy Miller 18: Elected Stan Oliner 18: Elected Jack Swenson 17: Elected Immediately upon receipt of the report, I called upon the newly elected members to give to the Secretary-Treasurer their choices for the new President to serve for the 2-year term 2008-2010. Their choice was that I should be that person. And so, I begin another stint at the end of which I will have had a ten-year try plus an earlier term (1994-95). Hopefully, by 2010 all of you will have had enough of me and, mercifully, put me out to pasture! In the meantime, I am very pleased to tell you that everyone I have asked has agreed to work along with the Board for the next two years: Ken Faig, Jr. -
00:00:02 Jesse Thorn Promo Welcome to the Judge John Hodgman Podcast
00:00:00 Sound Effect Transition [Three gavel bangs.] 00:00:02 Jesse Thorn Promo Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. With me as always, the judge himself, Judge John Hodgman. We're gonna go into the courtroom in just a second, but first, this is week two of the MaxFunDrive. 00:00:16 John Promo Yeah, thank you so much for making week one so great! I mean, Hodgman look, we wanted to keep this, you know, MaxFun, but MinDrive, because it's such a strange time. But everyone in their own low-key and wonderful and supportive way, just all the shout-outs on Twitter, all the fun times we had together on the pub quiz, frankly it's been just a wonderful distraction for me. And obviously a huuuge boon to Maximum Fun. Because, you know, without MaxFun, without its members, we couldn't keep doing this show! This time or any time. Maximum Fun is audience supported, which means we're free to make the content you enjoy because people like you become members and contribute. 00:00:56 Jesse Promo We'll talk more about the MaxFunDrive later on in the show. But you can become a member now at MaximumFun.org/join. That's MaximumFun.org/join. Any level that you're comfortable with, and you can check out the great thank-you gifts we have this year there, too. That's MaximumFun.org/join. Now! On to this week's case! "Vampirical Evidence" (Empirical Evidence). Bethany brings the case against her wife, Heather. -
This Version Has the Raw Data in an Appendix)
Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide.