DOCSLIB.ORG

Light As a Feather

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Light As a Feather TICKET OFFICE: 0116 242 3595 ALSO AT CURVE THIS SEASON… BAMBOOZLE PRESENT LIGHT AS A FEATHER SAT 15 NOV 12 NOON, 2PM, 3.30PM MUSIC BY RICHARD RODGERS This multi-sensory delight is designed for LYRICS BY OSCAR HAMMERSTEIN II children who have profound and complex BOOK BY HOWARD LINDSAY AND RUSSEL CROUSE SEP – DEC 2014 Suggested by ‘The Trapp Family Singers’ By Maria Augusta Trapp needs. Described by one Leicestershire DIRECTED BY PAUL KERRYSON family as “Magical, multi-sensory, musical, accessible and inclusive” this show is not FRI 28 NOV – SAT 17 JAN to be missed if you have a disabled child. Small audiences enable children Paul Kerryson directs a brand new to engage fully at their own level. production of the much-loved Rodgers and Hammerstein classic. TICKETS £20* (Also includes carer ticket and up to four spectators) TICKETS £15 Under 18s School Groups (selected performances) PERFORMANCE TIMES 7.30pm & Wed 2.15pm AFTER-SHOW DISCUSSION Thu 11 Dec FREE WORKSHOP FOR TEACHERS Fri 12 Dec 10am – 4pm, A practical workshop where you can learn how to stage a musical in your school. * Transaction fee is £3 for all card payments made online, by telephone and in person at our ticket desks HOW TO BOOK AND FIND OUT MORE If you are interested in booking for any of the events listed, please contact a member of our Ticket Office team on 0116 242 3595 or email [email protected] TICKETS: 0116 242 3595 WWW.CURVEONLINE.CO.UK We hope to see you soon WWW.CURVEONLINE.CO.UK 1 WELCOME Welcome to our Experience Curve brochure which details the many shows, RSC LEARNING AND PERFORMANCE NETWORK workshops and activities available for teachers and school groups during our Autumn / Winter 2014 season. Would you like to transform the teaching and learning of Shakespeare in your school? We do all that we can to make bringing a group to Curve as easy and enjoyable as possible. For many productions we offer discounts for under 18s school groups as well If so, the Royal Shakespeare Company Learning and Performance Network may be for you. as one free supervisory ticket for every 10 tickets booked. We work with schools, young This is an excellent opportunity to enhance your students’ experience of Shakespeare and people and teachers to offer a range of projects and practical workshops delivered either receive innovative teacher training and professional development opportunities for teachers. at Curve or in your school and tailored to meet your specific requirements. After-show We are looking for seven schools (primary, secondary or special) to take part in this discussions and education packs are also available to complement your visit. exciting three year programme, which is a partnership between the RSC, Curve and If you are interested in booking for any of the events listed, please The City of Leicester College. If successful, your school will receive: contact a member of our Ticket Office team on 0116 242 3595 or • Inset days for teachers providing ground breaking new approaches email [email protected] to teaching and learning Shakespeare (minimum of three each year) • The opportunity for students to see a First Encounter Shakespeare NETWORKING MEETINGS FOR TEACHERS performance and take part in workshops • The opportunity to create Shakespeare performances to be performed Each term we bring teachers together at Curve to network, share best practice and on the RSC stages in Stratford-upon-Avon and at Curve discuss the programme and the schools workshop and learning offers. If you would • A residential experience for your students at the RSC in Stratford-upon-Avon like to get involved please join us on one of the following dates: To apply, complete the application form available at THU 18 SEP 6PM – 9PM www.curveonline.co.uk/get-involved/experience-curve THU 27 NOV 6PM – 9PM Deadline for applications is Mon 23 Jun 2014 THU 8 JAN 6PM – 9PM For further information please contact [email protected] BEHIND THE SCENES WORKSHOPS Led by Curve practitioners and visiting artists, workshops provide active, practical FREE WORKSHOPS approaches to teaching and learning, offering an insight into the process FOR TEACHERS of making a production. Students will develop skills in design, technical This season we are thrilled to introduce a theatre, marketing and casting. The day also includes a full tour of the selection of free workshops for teachers, which building and a ticket to see the show. The next events will take place are detailed throughout this brochure. on the dates below starting at 9am and finishing after the matinee Workshops will offer a practical insight performance: into the making of the production Thu 30 Oct Abigail’s Party £30 (Suitable for age 14+) and also provide useful exercises Wed 10 Dec The Sound of Music £30 and ideas to take back to the classroom. Places are limited and These events are run in partnership with Leicestershire available on a first come first Education Business Company. For more information served basis when booking and to book your place please contact for your students to see a Danielle Wright on 0116 240 7000 or performance at Curve. e-mail [email protected] TICKET OFFICE: 0116 242 3595 2 WWW.CURVEONLINE.CO.UK 3 EMILY BROWN SIMON MAYO THE CHILDREN’S PROPELLER PRESENTS THE BIRMINGHAM REPERTORY THEATRE PRODUCTION OF POCKET DREAM THE SNOWMAN AND THE THING BOOK SHOW Directed by Edward Hall The stage show based upon the book by Raymond Briggs and WITH the film directed by Dianne Jackson and produced by John Coates TUE 2 - WED 3 SEP • STUDIO MON 29 SEP • THEATRE KIT WRIGHT THU 25 – FRI 26 SEP • STUDIO Music and lyrics by Howard Blake KEY STAGE 2 KEY STAGE 2 & 3 TUE 30 SEP • THEATRE KEY STAGE 2 & 3 WED 12 – SUN 16 NOV • THEATRE Tall Stories, creators of the much As part of the Everybody’s A Midsummer Night’s Dream for young audiences loved Gruffalo stage show, present Reading Festival, join Simon KEY STAGE 2 & 3 KEY STAGE 1 & 2 their brand new production based Mayo, BBC Radio 2 and Book Propeller presents a sixty minute version of its Expect laughter, stamping of Based on Raymond Brigg’s much-loved book, on the hugely popular book by Club Show presenter, as he talks award-winning production of A Midsummer Night’s feet and the clicking of fingers as this enchanting live show has thrilled audiences Cressida Cowell and Neal Layton. about his life as a children’s book Dream for young audiences. Pocket Dream is a fresh children’s poet, Kit Wright brings throughout the world. This magical, musical show is author and the inspiration behind and inspiring introduction to Shakespeare. his work to life in this lively and suitable for children aged 3+. his bestselling ITCH series about inspiring performance for schools. TICKETS £18 Under 18s School Groups Itchingham Lofte. “How to get your child hooked Kit Wright is one of the most (Wed & Thu only) “Tall Stories sets the on Shakespeare.” The Daily Telegraph benchmark for children’s brilliant poets writing for children TICKETS today. The Magic Box could PERFORMANCE TIMES theatre” Sunday Times FREE be described as his definitive TICKETS 7pm & Thu 2.15pm collection featuring poems from £10 Under 18s School Groups TICKETS PERFORMANCE TIMES many of his universally loved AFTER-SHOW DISCUSSION £10 Under 18s School Groups 11am anthologies. PERFORMANCE TIMES Thu 13 Nov, 7pm 11am & 2pm Places are limited and are PERFORMANCE TIMES exclusively available to TICKETS WORKSHOPS AVAILABLE 1pm & 3pm WORKSHOPS AVAILABLE Leicester city schools. £4 Education Pack Available at www.curveonline.co.uk To reserve your tickets contact Education Pack Available at FREE WORKSHOP FOR [email protected] PERFORMANCE TIMES By arrangement with Snowman Enterprises Limited (A Penguin Company) www.curveonline.co.uk PRIMARY TEACHERS and Chester Music Limited. © Snowman Enterprises Ltd 1982, 2004. 11am Wed 17 Sep 4.30pm – 6.30pm A practical workshop looking at the choices the director and actors make in taking the script from the page to the stage. Education Pack Available at www.curveonline.co.uk Photo: Nick Photo: PRIMARY SCHOOLS PRIMARY SCHOOLS TICKET OFFICE: 0116 242 3595 4 WWW.CURVEONLINE.CO.UK 5 HICCUP THEATRE PRESENT ACTORS TOURING COMPANY PRESENTS WE’RE GOING PINOCCHIO BLIND HAMLET STONES IN HIS POCKETS ON A BEAR HUNT A new version by Michael Rosen The multi award-winning comedy by Marie Jones TUE 2 – SAT 6 DEC • STUDIO WED 10 DEC – SAT 3 JAN • STUDIO TUE 9 – WED 10 SEP • STUDIO MON 22 – TUE 23 SEP • THEATRE KEY STAGES 1 & 2 KEY STAGE 1 & 2 KEY STAGE 4+ KEY STAGE 3+ Michael Rosen’s award-winning book is brought A magical festive adventure for children Blind Hamlet transforms Shakespeare’s tragedy Following a sell-out run on Broadway, four and a half vividly and noisily to the stage in director Sally into an interactive theatrical battle. Volunteers from years in the West End and on tour, the worldwide Follow Pinocchio and his grasshopper friend as Cookson’s fun-filled adaptation set to Benji Bower’s the audience will take to the stage to outwit each sensation Stones in His Pockets returns with Ian they set out on an adventure – to find some fun! versatile lively score. other as a different power-struggle unfolds at each McElhinney, the original director, at the helm. The classic tale is brought to life using puppetry performance. From internationally-acclaimed Iranian and is guaranteed to fill you with festive joy. Seen by over 2 million people, don’t miss this playwright Nassim Soleimanpour. TICKETS £10 Under 18s School Groups hilarious and moving tale of a quiet Irish community “A glorious mixture of puppetry, turned upside down by the arrival of a Hollywood PERFORMANCE TIMES music, magic and mirth” THE EVENTS movie shoot.
Load more

Recommended publications
  • High Fidelity
    HIGH FIDELITY A MUSICAL COMEDY BY Amanda Green, Tom Kitt, and David Lindsay-Abaire BASED ON THE NOVEL BY NICK HORNBY AND THE TOUCHSTONE PICTURES FILM HIGH SCHOOL EDITION SHOW PERUSAL 11/07/19 High Fidelity - 1st ed. – 10.21.13 – highfidelity_conductor1cf Copyright © 2013 Amanda Green, Tom Kitt, and David Linsday Abaire ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable.
    [Show full text]
  • Ten-Minute Time Fillers
    Ten-Minute Time Fillers Why do we need "time fillers" anyway? There will be many times during a troop meeting when an activity took less time than you planned or you may find that plans have changed, leaving you with some extra time. In these instances, time fillers can help make a good meeting a great meeting! Write down a few of these time fillers on slips of paper and keep them in a box or can. If you find yourself having some spare time at your next meeting, simply have a girl select one of the time fillers and have fun! Listed in this guide are several ideas for time-fillers. You can find many more suggestions online. Games: Dream Machine Start with one girl. Have her do an action (like tap her foot) and make a sound (like whistle). Add girls, one at a time, each making a different sound and doing a different movement. The girls may attach themselves to one another if they like (i.e. hand on shoulder). This game can be very loud. The girls essentially make a human machine that continually moves and makes noise. Variations: have the girls do the activity using only quiet sounds, participating with their eyes closed, etc. Giant's House Divide into three or four groups. Have girls rejoin into a big circle. To the tune of "Mulberry Bush," sing, "We're going to the giant's house, the giant's house. We're going to the giant' house to see what we can be." Have leader shout out something for the pre-determined groups to become such as "table and chairs," "a car," etc.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • Return to Forever Return to the 7Th Galaxy: the Anthology Mp3, Flac, Wma
    Return To Forever Return To The 7th Galaxy: The Anthology mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Return To The 7th Galaxy: The Anthology Country: Japan Released: 1996 Style: Fusion MP3 version RAR size: 1612 mb FLAC version RAR size: 1995 mb WMA version RAR size: 1927 mb Rating: 4.3 Votes: 948 Other Formats: MP2 WAV AC3 DTS MP1 DXD WMA Tracklist Hide Credits 500 Miles High 1.01 9:07 Composed By – Chick Corea, Neville Potter 1.02 Captain Marvel 4:53 Light As A Feather 1.03 10:56 Composed By – Flora Purim, Stanley Clarke Spain (Previously Unrleased Live Version) 1.04 14:16 Composed By – Chick Corea, Juoquin Rodrigo* 1.05 After The Cosmic Rain (Previously Unreleased Live Version) 8:43 1.06 Bass Folk Song (Previously Unreleased Live Version) 6:57 1.07 Hymn Of The Seventh Galaxy 3:28 1.08 Captain Señor Mouse 9:00 1.09 Theme To The Mothership 8:47 2.01 Vulcan Worlds 7:51 2.02 Beyond The Seventh Galaxy 3:14 Earth Juice 2.03 3:46 Composed By – Al DiMeola*, Chick Corea, Lenny White, Stanley Clarke The Shadow Of Lo (Previously Unreleased Live Version) 2.04 9:07 Composed By – Lenny White 2.05 Where Have I Known You Before 2:20 2.06 Song To The Pharoah Kings 14:22 2.07 Dayride 3:25 2.08 No Mystery 6:09 Flight Of The Newborn 2.09 7:22 Composed By – Al DiMeola* 2.10 Celebration Suite (Part I & II) 13:58 Credits Acoustic Guitar, Electric Guitar – Al DiMeola* (tracks: 2.01 to 2.10) Artwork By [Art Direction] – Patricia Lie Bass – Stanley Clarke (tracks: 1.01 to 1.06) Bass [Acoustic & Electric], Organ [Yamaha], Synthesizer,
    [Show full text]
  • Creative Exploration of Eclecticism Applied to Bowed String Instruments with Special Emphasis on Cellos
    The University of Adelaide Elder Conservatorium of Music Faculty of Arts Creative exploration of eclecticism applied to bowed string instruments with special emphasis on cellos: Portfolio of original compositions and exegesis by Stephan Richter submitted in fulfillment of the requirements for the degree of Master of Philosophy (MPhil) Adelaide, June 2016 1 CONTENTS Abstract 4 Declaration 5 Acknowledgements 6 Chapter listing of DVD recordings 7 Introduction 8 PART A Portfolio of original works: 17 A1. Marimbello, for marimba and violoncello 19 A2. Camino Trio, for piano, violin and violoncello 37 1. Camino Ventoso 2. El Valle del Dolor 3. Tiempo Intemporal A3. Trilogy, for eight violoncelli and percussion 69 1. Waiting for a sign 2. More or Lesser Antilles 3. Bamboozled A4. Son Montucello, per due violoncelli 107 A5. Kaleidoscope, Concerto per due violoncelli 117 2 PART B Exegesis 183 B1. Stylistic eclecticism 184 B2. Commentaries on the first four works 201 B3. Commentary Kaleidoscope 230 Conclusion 255 List of Sources 257 Musical Scores, Discography and Videos, Bibliography 3 NOTE: 1 DVD containing 'Recorded Performances' is included with the print copy of the thesis held in the University of Adelaide Library. The DVD must be viewed in the Library. ABSTRACT This submission for the degree of Master of Philosophy in musical composition at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions supported by an explanatory exegesis. The central concept for the creative exploration represented by these works is the idea of composing for bowed string instruments, cellos in particular, in a stylistically eclectic manner that will confront classically trained performers with rhythms drawn from a wide range of non-classical and non-European musical traditions.
    [Show full text]
  • Essential Jazz Recordings
    ESSENTIAL JAZZ RECORDINGS The recordings listed here are taken from a comprehensive statistical survey of jazz critics, record stores and popular polls. Miles Davis Kind of Blue (Legacy 64935) John Coltrane Blue Train (Blue Note 95326) Duke Ellington Never No Lament: Blanton/Webster Band (RCA 50857) Charles Mingus Mingus Ah Um (Legacy 65512) Thelonious Monk Brilliant Corners (OJC 261) Miles Davis Bags’ Groove (OJC 245) Sonny Rollins Saxophone Colossus (OJC 291) Louis Armstrong Complete Hot 5 & Hot 7 Recordings (Legacy 63527) Bill Evans Trio Sunday at the Village Vanguard (OJC 140) Charlie Parker Best of the Complete Savoy & Dial Recordings (Savoy 17120) Ornette Coleman The Shape of Jazz To Come (Rhino 1317) Count Basie Orchestra The Complete Atomic Basie (Blue Note 28635) Miles Davis Sketches of Spain (Legacy 65142) Clifford Brown/Max Roach Study in Brown (Emarcy 814 646) Art Blakey & the Jazz Messengers Moanin’ (Blue Note 95324) Herbie Hancock Maiden Voyage (Blue Note 95331) Stan Getz & Joao Gilberto Getz/Gilberto (Verve 314521414) Ella Fitzgerald Ella in Berlin (Verve 519 564) Eric Dolphy Out To Lunch (Blue Note 98793) John Coltrane A Love Supreme (Impulse! 314589945) Horace Silver Song For My Father (Blue Note 99002) Gerry Mulligan The Best of Gerry Mulligan with Chet Baker (Blue Note 95481) Billie Holiday & Lester Young A Musical Romance (Legacy 86635) Chick Corea Light As A Feather (Verve 827 148) Cannonball Adderley Somethin’ Else (Blue Note 95329) Dave Brubeck Quartet Time Out (Columbia 65122) Bud Powell The Definitive Bud Powell
    [Show full text]
  • Downbeat.Com April 2021 U.K. £6.99
    APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Studio Big Band Concert
    Invitation Bronislau Kaper (1902-1983) Arr. Frank Mantooth Winds out of the East Michael Philip Mossman (b. 1959) Studio Big Band Dr. David Scott, director Program Notes Wednesday, October 18, 2017 - 8 p.m. Captain Marvel Chick Corea, Arr. Mike Tomaro Casa Loma Room This tune first appeared as the title track on Stan Getz’s album Captain Marvel Chick Corea released March of 1972, and was later released in October of the (b. 1941) same year on the album Light as a Feather, which was recorded Arr. Mike Tomaro by Chick Corea’s group Return to Forever. As a jazz fusion work, the piece combines the Latin samba’s rhythmic profile, which can Don’t Get Around Much Anymore Words by Bob Russell be heard in the material presented by the rhythm section and some (1914-1970) of figures played by the winds, along with a very rich and colorful Music by Duke Ellington palette of harmonies to create a light but enjoyable sonic experience. (1899-1974) Arr. Sammy Nestico Don’t Get Around Much Anymore Words by Bob Russell Music by Duke Ellington, Arr. Sammy Nestico Tiare Ken Hanna (1921-1982) A memorable piece among many by the great pianist/composer/ arranger/bandleader Duke Ellington. The origins of this work reside String of Pearls Jerry Gray in a previous instrumental work of Ellington by the name of Never (1915-1976) No Lament, which Ellington wrote as a feature for saxophonist Trans. Myles Collins Johnny Hodges and released in 1940. It wasn’t until around 1943 that Bob Russell’s lyrics were incorporated into the instrumental Eleanor Rigby John Lennon & Paul McCartney piece, and the hit we all now know was born.
    [Show full text]
  • 01 Cover.Indd 1 8/29/12 8:11:03 PM Beachrays 0912.Indd 1 8/28/12 6:35:13 PM
    california VOL. 68 NO.Apparel 38 newsSEPTEMBER 6, 2012 $6.00 2013 WATERWEAR The Runway Report From Wise Miami Move L*Space’s Monica Wise Swim Dives Into Trends Ready-to-Wear ’13 Textile Trends In the Garden New Resources 01 Cover.indd 1 8/29/12 8:11:03 PM BeachRays 0912.indd 1 8/28/12 6:35:13 PM www.2chillies.com.au 2ChilisSwim.indd 1 8/28/12 4:05:22 PM ADVERTORIAL background. Retro Stars offers red and blue plaids in a variety of silhouettes, and Solar Swim Bohemian Savage has intricate sweeps of paisley-style patterns in mélanges combining red, orange, gold and green, Combines plus blue, purple and violet. The biggest seller, one Solar is targeting at a younger consumer, is Digital Dream, Legacy With with pixilated subtle rainbow bands of fine print in multi-colors and blues, in modern silhouettes, Style including a dramatic monokini. Adding to its prodigious uyers who made their way to Solar Tan Thru collection, Solar has Swim’s array of swimwear shows added a series of Lycra lines Bin July and August were treated to that, in contrast with Tan Thru’s an eye-popping array of color, prints and signature soft look and feel, patterns that mark the 2013 collection of the offer distinctive bold coloring German company’s innovative swimwear and patterns and substantial lines. Well known to the industry as the weight. The Lycra collection inventor of the groundbreaking Tan Thru includes Summer Dream, abstract technology, the patented fabric that enables color blocks in two distinct looks.
    [Show full text]
  • Script Preview
    ROSIE, THE RETIRED ROCKETTE TEN-MINUTE PLAY By Daniel Guyton Copyright © MMXII by Daniel Guyton All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa The writing of plays is a means of livelihood. Unlawful use of a playwright’s work deprives the creator of his or her rightful income. The playwright is compensated on the full purchase price and the right of performance can only be secured through purchase of at least five (5) copies of this work. PERFORMANCES ARE LIMITED TO ONE VENUE FOR ONE YEAR FROM DATE OF PURCHASE. The possession of this script without direct purchase from the publisher confers no right or license to produce this work publicly or in private, for gain or charity. On all programs and advertising this notice must appear: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” This dramatic work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. The right of performance is not transferable and is strictly forbidden in cases where scripts are borrowed or purchased second hand from a third party. All rights including, but not limited to the professional, motion picture, radio, television, videotape, broadcast, recitation, lecturing, tabloid, publication, and reading are reserved. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW.
    [Show full text]
  • Volkswagen AG Annual Report 2010
    Experience D[r]iversity. annual report 2010 Key Figures VOLKSWAGEN GROUP Volume Data 1 2010 2009 % Vehicle sales (units) 7,278,440 6,309,743 + 15.4 Production (units) 7,357,505 6,054,829 + 21.5 Employees at Dec. 31 399,381 368,500 + 8.4 2010 2009 % Financial Data (IFRSs), € million Sales revenue 126,875 105,187 + 20.6 Operating profit 7,141 1,855 x Profit before tax 8,994 1,261 x Profit after tax 7,226 911 x Profit attributable to shareholders of Volkswagen AG 6,835 960 x Cash flows from operating activities 11,455 12,741 – 10.1 Cash flows from investing activities 9,278 10,428 – 11.0 Automotive Division 2 EBITDA 3 13,940 8,005 + 74.1 Cash flows from operating activities 13,930 12,815 + 8.7 Cash flows from investing activities 4 9,095 10,252 – 11.3 of which: investments in property, plant and equipment 5,656 5,783 – 2.2 as a percentage of sales revenue 5.0 6.2 capitalized development costs 1,667 1,948 – 14.4 as a percentage of sales revenue 1.5 2.1 Net cash flow 4,835 2,563 + 88.6 Net liquidity at Dec. 31 18,639 10,636 + 75.2 2010 2009 Return ratios in % Return on sales before tax 7.1 1.2 Return on investment after tax (Automotive Division) 13.5 3.8 Return on equity before tax (Financial Services Division) 5 12.9 7.9 1 Volume data including the unconsolidated Chinese joint ventures.
    [Show full text]
  • Viacomcbs Inc. (Exact Name of Registrant As Specified in Its Charter)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For fiscal year ended December 31, 2019 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 ViacomCBS Inc. (Exact name of registrant as specified in its charter) Delaware 04-2949533 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) 1515 Broadway New York, New York 10036 (212) 258-6000 (Address, including zip code, and telephone numbers, including area code, of registrant’s principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Trading Name of Each Exchange on Title of Each Class Symbols Which Registered Class A Common Stock, $0.001 par value VIACA The Nasdaq Stock Market LLC Class B Common Stock, $0.001 par value VIAC The Nasdaq Stock Market LLC Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]