POETRY in EXPANDED TRANSLATION II: 8 Novembre 2017
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
230-Newsletter.Pdf
$5? The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Macgregor Card Monday Night Talk Series Coordinator: Josef Kaplan Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Brett Price Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Stephen Rosenthal Archivist: Will Edmiston Box Office: Courtney Frederick, Vanessa Garver, Jeffrey Grunthaner Interns/Volunteers: Nina Freeman, Julia Santoli, Alex Duringer, Jim Behrle, Christa Quint, Judah Rubin, Erica Wessmann, Susan Landers, Douglas Rothschild, Alex Abelson, Aria Boutet, Tony Lancosta, Jessie Wheeler, Ariel Bornstein Board of Directors: Gillian McCain (President), Rosemary Carroll (Treasurer), Kimberly Lyons (Secretary), Todd Colby, Mónica de la Torre, Ted Greenwald, Tim Griffin, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Evelyn Reilly, Christopher Stackhouse, Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-Mail: Rlkeller@Wisc
March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-mail: [email protected] Education: Ph.D., University of Chicago, Chicago, Illinois, 1981 Dissertation: Heirs of the Modernists: John Ashbery, Elizabeth Bishop, and Robert Creeley, directed by Robert von Hallberg M.A., University of Chicago, Chicago, Illinois, 1976 B.A., Stanford University, Palo Alto, California, 1973 Academic Awards and Honors: Bradshaw Knight Professor of Environmental Humanities (while director of CHE, 2016-2019) Fellow of the John Simon Guggenheim Memorial Foundation, 2015-2016 Martha Meier Renk Bascom Professor of Poetry, January 2003 to August 2019; emerita to present UW Institute for Research in the Humanities, Senior Fellow, Fall 1999-Spring 2004 American Association of University Women Fellowship, July 1994-June 1995 Vilas Associate, 1993-1995 (summer salary 1993, 1994) Chancellor’s Award for Excellence in Teaching, 1989 University nominee for NEH Summer Stipend, 1986 Fellow, University of Wisconsin Institute for Research in the Humanities, Fall semester 1983 NEH Summer Stipend, 1982 Doctoral Dissertation awarded Departmental Honors, English Department, University of Chicago, 1981 Whiting Dissertation Fellowship, 1979-80 Honorary Fellowship, University of Chicago, 1976-77 B.A. awarded “With Distinction,” Stanford University, 1973 Employment: 2016-2019 Director, Center for Culture, History and Environment, Nelson Institute for Environmental Studies, UW-Madison 2014 Visiting Professor, Stockholm University, Stockholm Sweden, Spring semester 2009-2019 Faculty Associate, Center for Culture, History, and Environment, UW-Madison 1994-2019 Full Professor, English Department, University of Wisconsin-Madison [Emerita after August 2019] 1987-1994 Associate Professor, English Department, University of Wisconsin-Madison 1981-1987 Assistant Professor, English Department, University of Wisconsin-Madison 1981 Instructor, University of Chicago Extension (course on T.S. -
Lana Turner Journal
LanaTurner No. 11. Art by Ashwini Bhat, Judith Belzer, BrianShields... LANA TURNER a journal of poetry & opinion #11 by Alain Badiou, Joyelle McSweeney, Essays Display until February Amge Mlinko, Andrew Joron, Farid Matuk... 24, 2018 Poetry by Jorie Graham,Rae Armantrout, Reina Mariía Rodríguez, Aditi Machado, Jacek Guturow... 1 2 Lana Turner a journal of poetry & opinion, no. 11 editors: calvin bedient & david lau Lana Turner: a Journal of Poetry & Opinion is published annually, usually in early November. Price, US $15. To purchase number 11 and see other options, please visit our website, LanaTurnerJournal.com. We accept electronic submissions only; send to [email protected], and only during the months of January, February, and March. We prefer poems in one attachment, with the author’s name at the beginning of the title. No PDF’s, please, unless accompanied by a Word document. Newsstand & select bookstore distribution through Disticor Magazine Distribution Service (disticor.com). Please ask your favorite independent bookstore to order the magazine. Lana Turner™ is a trademark of The Lana Turner Trust, licensed by CMG Worldwide: www.CMGWorldwide.com. Our thanks to David Cormier for the pre-flight wrap-up. Kelley Lehr read copy. ISSN 1949 212X 1 Contents Number eleven 1. Poems Introduction: Writing the Between (6) Aditi Machado, 11 Mary Cisper, 68 Andrew Zawacki, 17 Paul Eluard (Carlos Lara, translator), 72 Jamie Green, 21 Karleigh Frisbie, 77 Douglas Kearney, 26 Michael Farrell, 82 Susan McCabe, 31 C L Young, 85 Mars Tekosky, 34 Felicia Zamora, 90 Kevin Holden, 40 Peter Eirich, 94 Mark Anthony Cayanan, 47 Jonathan Stout, 96 Mark Francis Johnson, 53 Engram Wilkinson, 98 Jacek Gutorow (Piotr Florczyk, Joseph Noble, 100 translator), 60 2. -
Selected Criticism, Jeffery Jullich
Selected Criticism Jeffrey Jullich Publishing the Unpublishable 017 ©2007 /ubu editions Series Editor: Kenneth Goldsmith /ubu editions www.ubu.com 2 TABLE OF CONTENTS Aaron Shurin: The Paradise of Forms 5 Standard Schaefer: Nova 9 Leslie Scalapino: New Time 12 Cole Swensen: Try 15 Susan Howe / Susan Bee: Bed Hangings I 17 Graham Foust: As in Every Deafness 24 Rae Armantrout: Up to Speed 25 Michael Scharf: Verité 26 Drew Gardner: Sugar Pill 29 SELECTED BUFFALO POETICS LISTSERV POSTS Class and poetry 39 Lyn Hejinian's 'deen' 41 D=E=E=N 42 A Barnard report: Hannah Weiner 45 Spaced-out 47 Questions on a HOW TO value 49 Submission crucible 52 $3.50 Summer vacation in Scandinavia 54 Alternative 56 Farm implements and rutabagas in a landscape 58 Polyverse by Lee Ann Brown 60 Cut-ups and homosexualization of the New York School (I) 63 Cut-ups and homosexualization of the New York School (II) 65 Simon Perchik 67 Marilyn Monroe - the Emma Lazarus of her day 69 classical meter in contemporary "free verse" poetry Meter Anthology Cola 70 New Formalist Language Poetry 72 Language Prosody - ex. 2: Dochmiacs 74 Language Prosody - ex. 3: hypodochmiacs in Susan Howe's Pierce Arrow 76 Language Prosody - ex. 4: adonics 78 Language Prosody - ex. 5: H.D., Helen in Egypt 85 Timothy McVeigh's face 89 Hannah Weiner's hallucinations and schizophrenia in poetry Hannah's visions 93 Hannah's visions - Barrett Watten's 'Autobiography Simplex' 95 Hannah's visions 99 eulogy for Tove Janesson (Finnish author of the Mummintroll books) 103 3 creative writing pedagogy 104 -
(2008): Interview with Grzergorz Jankowicz Professor Marjorie Perloff
From Odra, (Warsaw), nr. 10 (2008): Interview with Grzergorz Jankowicz Professor Marjorie Perloff: Internet Interview Questions: 1. In your book called The Poetics of Indeterminacy you have suggested that we can’t really come to terms with the major poetic experiments occurring in the 20th century without some understanding of what you call “the other tradition”. Could you explain this general concept? How should we understand it? Is it historical, formal or geographical? MP: First, please bear in mind that I wrote The Poetics of Indeterminacy about thirty years ago! At the time, the New Criticism still dominated, and John Ashbery was dismissed as much too “difficult,” “incomprehensible,” purposely obscure. The “right” kind of poetry (e.g. Robert Lowell) was representational and communicated emotion in a comprehensible way, although poetry also had to have some obliqueness, via metaphor and symbol. Lowell’s “For the Union Dead” would be an example: the “giant finned cars” that “slide by on grease” in the final stanza symbolize the replacement of natural, organic animal life (fish) by the machines that have destroyed our industrial world, and so on. In this context, I wanted to trace the tradition that had produced an Ashbery or John Cage—I found that there was an other tradition, in which language was at one more literal and also more mysterious and that couldn’t be “translated” or paraphrased. My poets were Rimbaud, Stein, Pound, Williams, Beckett, leading up to David Antin, John Cage, and Ashbery. I contrasted this “other” tradition to the T. S. Eliot “Symbolist” one. In retrospect, of course this dichotomy is specious. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
Acta Biographia
Fall 2017 Acta Biographia Alan Isaacs I grew up on a potato farm in Idaho and earned a Ph.D. in English from Stanford, where my focus was on postmodern theory. Currently I work at a high tech job in San Francisco. My writing draws from that varied background as well as sojourns in France and Mexico and two years teaching high school via the Peace Corps in Burkina Faso, West Africa. My work has appeared in Connotation Press and Hawai’i Pacific Review. Alicia Cadena Ana Shaw Ana Shaw is a student of creative writing at Douglas Anderson School of the Arts. Her work has previously been awarded multiple gold keys in the Regional Scholastic Art and Writing Awards, and she is Editor-in- Chief of Élan Literary Magazine. Anna Kapungu Anna Kapungu is a Canadian citizen who graduated from Southbank University London. with a Bachelor of Arts (Hons) Degree in Hotel Management. A diploma in Public Relations, Sales Management and Marketing from Commercial Careers College. The author has h written two books, ’Water falling between words,’ and ‘Feet on Unstable waters’; to be released by Pegasus ,Vanguard. She is currently waiting on publishing her third poetry collection. Publishing credits include Pegasus, One persons trash Magazine, Adelaide Literary, Aadun Journal, Austin Macauley ,United Press UK ,Eber and Wein Publishers USA, Forward poetry UK, The Sentinel Journal Magazine and The Eustere Journal . B.J. Best B.J. Best is the author of three books and four chapbooks of poetry, most recently Yes (Parallel Press, 2014). He lives in Wisconsin. Torch-rnn is created by Justin Johnson, based on work by Andrej Karpathy. -
UDP-Print-Catalog-Sf
UGLY DUCKLING PRESSE “Performing small publishing miracles ...” —Marjorie Perloff,The Times* Literary Supplement * “Lovely, cheeky books by authors you’ve probably never heard of but your grandchildren will likely read in college ... the preeminent nesting ground for swans of the avant-garde poetry scene.” —Shonni Enelow, NYTimes.com “A collective with roots in performance and zine making ... its staff possesses* a philosophical curiosity about what makes a book a book.” —Michael Miller, Time Out New York * “A reputable and cutting-edge enterprise ... indeed a refreshing approach that answers to the mass market product (and sometimes uninspired content) coming out of the large New York houses.” —Rigoberto Gonzalez, PoetryFoundation.org UGLY DUCKLING PRESSE The Old American Can Factory 232 Third Street, E002 Brooklyn, New York 11215 347.948.5170 WWW.uglyducklingpresse.Org For galleys or review copies please call our general number, or email your request to [email protected]. MISSION STATEMENT Ugly Duckling Presse is a not-for-profit arts and publishing concern run by a volunteer collective of editors and designers in Brooklyn, New York. The editorial focus of UDP is as eclectic as its editorial collective: we publish poetry, essays, conceptual and experimental writing by contemporary English-language authors as well as translations from many languages, and new editions of lost avant-garde works, in formats ranging from the trade paperback to the hand-bound chapbook, as well as special-edition artists’ books and ephemeral multiples. -
Mary Jo Bang
MARY JO BANG English Department | Washington University | Box 1122 | One Brookings Drive | St. Louis, MO 63130 Home: 20 N. Kingshighway, Boulevard, #10A | St. Louis, MO 63108-1367 | (314) 780-9765 [email protected] | [email protected] EDUCATION Columbia University, New York, M.F.A. Poetry, 1998 Polytechnic of Central London, London, U.K., B.A. Photography, Degree with Distinction, 1989 Northwestern University, Evanston, Illinois, M.A. Sociology, 1975 Northwestern University, Evanston, Illinois, B.A. Summa Cum Laude, 1971 TEACHING EXPERIENCE Washington University, St. Louis, MO, Professor of English, 2007—present Director of the Creative Writing Program, 2005—2008 Associate Professor of English, 2003—2007 Assistant Professor of English, 2000—2003 University of Iowa, Iowa Writer’s Workshop, Iowa City, Iowa, Visiting Professor, Fall 2008 Columbia University, New York, NY, Visiting Associate Professor, Fall 2006 University of Montana, Missoula, MT, Visiting Writer, M.F.A. Creative Writing Program, Spring 1999 The New School for Social Research, New York, NY, Instructor, Creative Writing, Fall 1998 Yale University, New Haven, CT, Visiting Lecturer, Creative Writing, Fall 1997, Fall 1998 Columbia College, Chicago, IL, Instructor, Humanities Division, 1992—1993 Columbia College, Chicago, IL, Instructor, Department of English, 1991—1993 BOOK PUBLICATIONS Purgatorio: A New Translation, Graywolf Press, (forthcoming July 13, 2021) A Doll for Throwing, Graywolf Press, August 15, 2017; one of the Academy of American Poets’ Notable Books for 2017 ReViewed in: Publishers Weekly (starred/boxed review); in the Washington Post; Minneapolis Star Tribune; ReViewed online in: The Millions, “Must-Read Poetry: August 2017”; Ms. Magazine, “Six Poetry and Prose Collections Feminists Should Read This Summer; in Rhino Poetry, Music & Literature; American Poets (Fall/Winter 2017); Book Page. -
231-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Macgregor Card Monday Night Talk Series Coordinator: Josef Kaplan Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Brett Price Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Stephen Rosenthal Archivist: Will Edmiston Box Office: Courtney Frederick, Vanessa Garver, Jeffrey Grunthaner Interns/Volunteers: Nina Freeman, Julia Santoli, Kelly Stacy, Jim Behrle, Christa Quint, Judah Rubin, Erica Wessman, Susan Landers, Douglas Roths- child, Aria Boutet, Ariel Bornstein, Ace McNamara, Mel Elberg Board of Directors: Gillian McCain (President), Rosemary Carroll (Treasurer), Kimberly Lyons (Secretary), Todd Colby, Mónica de la Torre, Ted Greenwald, Tim Griffin, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Evelyn Reilly, Christopher Stackhouse, Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
Lyric Subjectivity, Ethics, Contemporary Poetics: Claudia Rankine, Fanny Howe, Elizabeth Robinson Maureen Gallagher
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 1-1-2006 Lyric Subjectivity, Ethics, Contemporary Poetics: Claudia Rankine, Fanny Howe, Elizabeth Robinson Maureen Gallagher Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Gallagher, M. (2006). Lyric Subjectivity, Ethics, Contemporary Poetics: Claudia Rankine, Fanny Howe, Elizabeth Robinson (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/77 This Worldwide Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. LYRIC SUBJECTIVITY, ETHICS, CONTEMPORARY POETICS: CLAUDIA RANKINE, FANNY HOWE, ELIZABETH ROBINSON A Dissertation Presented to the McAnulty Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Maureen Gallagher December 2015 Copyright by Maureen Gallagher 2015 LYRIC SUBJECTIVITY, ETHICS, CONTEMPORARY POETICS: CLAUDIA RANKINE, FANNY HOWE, ELIZABETH ROBINSON By Maureen Gallagher Approved October 27, 2015 ________________________________ ________________________________ Dr. Linda Kinnahan Dr. Faith Barrett Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ Dr. Laura Engel Associate Professor of -
A Network Analysis of Postwar American Poetry in the Age of Digital Audio Archives Ankit Basnet and James Jaehoon Lee
Journal of April 20, 2021 Cultural Analytics A Network Analysis of Postwar American Poetry in the Age of Digital Audio Archives Ankit Basnet and James Jaehoon Lee Ankit Basnet, University of Cincinnati James Lee, University of Cincinnati Peer-Reviewer: Stephen Voyce Data Repository: 10.7910/DVN/NK7Z2H A B S T R A C T From the New American Poetry to New Formalism, publishing networks such as literary magazines and social scenes such as poetry reading series have served as a capacious model for understanding the varied poetic formations in the postwar period. As audio archives of poetry readings have been digitized in large volumes, Charles Bernstein has suggested that open access to digital archives allows readers of American poetry to create mixtapes in different configurations. Digital archives of poetry readings “offer an intriguing and powerful alternative” to organizing practices such as networks and scenes. Placing Bernstein’s definition of the digital audio archive into contact with more conventional understandings of poetic community gives us a composite vision of organizing principles in postwar American poetry. To accomplish this, we compared poetry reading venues as well as audio archives — alongside more familiar print networks constituted by poetry anthologies and magazines — as important and distinct sites of reception for American poetry. We used network analysis to visualize the relationships of individual poets to venues where they have read, archives where their readings are stored, and text anthologies where their poetry has been printed. Examining several types of poetic archives offers us a new perspective in how we perceive the relationships between poets and their “networks and scenes,” understood both in terms of print and audio culture, as well as trends and changes in the formation of these poetic communities and affiliations.