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American Psycho the Musical By FLORENCE WATERS April 23, 2012 London theatre company Headlong have announced the staging of the first musical adaptation of Bret Easton Ellis' zeitgesity thriller about a narcissistic New York city worker who leads a double life as a serial‐killer. Headlong's artistic director Rupert Goold will direct the show, which has been given the tagline "A bloody satire". The book will be written by Roberto Aguirre‐Sacasa, who was recently drafted to re‐ write the script of the troubled Broadway musical Spiderman: Turn of The Dark. Music and lyrics by singer‐songwriter Duncan Sheik, whose musicals include the Tony Award‐winning rock version of controversial 1892 German play Spring Awakening. Duncan described the musical as "The American Psycho score is, so far, completely electronic. Prophet 5, Moog, various drum machines. Imagine Depeche Mode as the pit band!" on his Twitter feed. The musical of American Psycho will be co‐produced with Act 4 Entertainment and The Collective; dates and venues are yet to be confirmed. Goold's London‐based company Headlong announced the news in their 2012‐13 schedule which also included a new version of the classic tale of Medea by Euripides, which will tour the UK this autumn. Headlong also announced details of three new plays by female writers including Lucy Prebble's The Effect, which will be directed by Goold and staged at the National Theatre from November to February 2013. More information: www.headlongtheatre.co.uk *This article previously reported that Hywel John had been cast due to an incorrect source. The casting for the play is yet to be announced Source: www.telegraph.co.uk/culture/culturenews/9221030/American‐Psycho‐the‐musical.html .

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Reading the Body in Bret Easton Ellis's American Psycho (1991): Confusing Signs and Signifiers
Reading the Body in Bret Easton Ellis’s American Psycho (1991) David Roche To cite this version: David Roche. Reading the Body in Bret Easton Ellis’s American Psycho (1991): Confusing Signs and Signifiers. Groupe de Recherches Anglo-Américaines de Tours, Groupe de recherches anglo-américaines de Tours, Université de Tours, 1984-2008, 2009, 5 (1), pp.124-38. halshs-00451731 HAL Id: halshs-00451731 https://halshs.archives-ouvertes.fr/halshs-00451731 Submitted on 6 Sep 2010 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 124 GRAAT On-Line issue #5.1 October 2009 Reading the Body in Bret Easton Ellis's American Psycho (1991): Confusing Signs and Signifiers David Roche Université de Bourgogne In Ellis’s scandalous end-of-the-eighties novel American Psycho , the tale of Patrick Bateman—a Wall Street yuppie who claims to be a part-time psychopath— the body is first conceived of as a visible surface which must conform to the norms of the yuppies’ etiquette. I use the word “etiquette,” which Patrick uses (231) and which I oppose to the word “ethics” which suggests moral depth, to stretch how superficial the yuppie’s concerns are and to underline, notably, that the yuppie’s sense of self is limited to his social self, his public appearance, his self-image, which I relate to D.
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Fandango Portobello
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1 Bret Easton Ellis' American Psycho
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