AMERICAN PSYCHO Musical in 2 Acts

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AMERICAN PSYCHO Musical in 2 Acts AMERICAN PSYCHO Musical in 2 acts. Music and lyrics by Duncan Sheik; book by Roberto Aguirre-Sacasa; Based on the 1991 novel American Psycho by Bret Easton Ellis, and the film Almeida Theatre, London - 12th December, 2013 - 1st February, 2014 SYNOPSIS Set in Manhattan during the Wall Street boom of the late 1980s, American Psycho is about the daily life of wealthy young investment banker Patrick Bateman. Living the high life in 1980s Manhattan, Patrick Bateman has it all – looks, money, style and status. He and his entourage buy the most expensive designer clothes, eat at the most exclusive restaurants and party at the hottest clubs. But privately, Patrick indulges in another kind of transgression. And people - including those closest to him - keep disappearing. STORY Act I Patrick Bateman is a 26-year-old investment banker living in New York City at the end of the 1980s. As the show begins, Bateman documents his morning routine, which involves fastidious grooming, tanning and carefully selecting a designer suit, before travelling to Wall Street (“Opening (Morning Routine)”/”Selling Out”). He arrives at Pierce & Pierce, the elite bank for which he works, and is greeted by his doting secretary, Jean (“Everybody Wants to Rule the World”). He anxiously enquires about the Fisher account, an exclusive account that is highly sought after by Patrick and his colleagues. Later, Patrick has lunch with his coworkers, Tim Price, Craig McDermott, Luis Carruthers and David Van Patten. They exchange fashion tips and critique restaurants before another colleague, Paul Owen, enters. Patrick learns that Owen has secured the Fisher account as well as reservations at Dorsia, New York’s most exclusive new restaurant. Absurdly jealous, Patrick attempts to save face by showing everyone his new business card, which leads Owen to show his (“Cards”). Owen mistakes Patrick as Marcus Halberstam, another coworker of Bateman’s. Patrick then invites him to his birthday dinner, thrown by his girlfriend Evelyn Williams and Courtney Lawrence, her best friend and Luis Carruthers’ girlfriend. Patrick calls Evelyn, telling her about Owen coming to the party. Evelyn hates the idea of having an odd number at her table, so Patrick also invites Jean to appease her (“You Are What You Wear”). Patrick and Price arrive at Evelyn’s townhouse late, which irritates Evelyn. Over dinner, the party blandly pontificate about social and political issues, such as homelessness, gentrification and the Sri Lankan Civil War. Patrick makes a scene by butchering his birthday cake with a huge knife he is carrying. After dinner, Patrick and Price go to a club, where they dance and snort cocaine (“True Faith”/”Killing Time”). Suddenly overcome with despair and an awareness of the hollowness of his existence, Patrick leaves the club and angrily vows to never go clubbing again (“In The Air Tonight”). Patrick meets a homeless man on the street, offering him money before taunting him and killing him. At the gym, Patrick’s coworkers work out and comment on the physiques of their female instructors (“Hardbody”). Meanwhile, it is revealed that Patrick is having an affair with Courtney. After having sex, Courtney decides to end the affair, telling a dismissive Patrick that they are betraying their respective partners. He meets his friends at the gym and attempts to strangle Luis in the steamroom. Luis interprets Patrick’s actions as a sexual advance and begs him to continue; disgusted, Patrick flees. During the intermission of a showing of Les Misérables, Evelyn broaches the subject of marriage with Patrick, who is not convinced by the prospect (“If We Get Married”). Patrick heads to the Meatpacking District and picks up a prostitute named Christine, introducing himself to her as Paul Owen. He hires another prostitute named Sabrina and pays the two to engage in violent, sadistic sex with one another and with him (“Not A Common Man”). On Christmas Eve, Patrick waxes lyrical about Les Misérables to Jean and the two discuss their plans for the holidays. Patrick escorts his mother to Evelyn’s Christmas party, where he binges on drugs and alcohol (“Mistletoe Alert”). He runs into Paul Owen at the party and invites him back to his apartment. The two dance to “Hip to be Square”. Patrick spikes Owen’s drink, puts on a raincoat and begins a long one-sided analysis of the artistic and commercial merits of the band Huey Lewis and the News. After stating that “the world is better off with some people gone” (implying, at once, both himself and Owen), Patrick slaughters Owen with an ax. Act II Patrick takes Owen’s body to an apartment he owns anonymously and dissolves it in a bathtub with a bag of lime. Afterwards, he lets himself into Paul’s apartment and stages his disappearance by resetting his voicemail and packing many of his possessions into a suitcase (“Clean”). Months pass, during which Patrick murders several people (“Killing Spree”). One afternoon, Patrick’s mother arrives on Wall Street expecting to have lunch with her son; Patrick, who has totally forgotten about the appointment, panics and begs Jean to get rid of her. Jean convinces Patrick to attend the lunch and offers to join the pair. Much to Jean’s delight, Mrs. Bateman tells her stories about Patrick as a child, and says they would make a good couple (“Nice Thought”). Back at Pierce & Pierce, Detective Donald Kimball calls on Patrick to question him about Owen’s disappearance. Uneasy, Patrick tries his hardest to evade questioning and asks Kimball to keep him updated about the manhunt. Keen to disentangle himself from New York, Patrick calls Evelyn and suggests a holiday, and so the two take a short break in the Hamptons. The idyllic setting cannot heal Patrick’s psyche, however; while Evelyn flourishes amid garden parties and Pilates classes, Patrick’s grasp on reality loosens further (“At The End of An Island”/”Hardbody Hamptons”). He promises Evelyn that if they return to New York he will marry her. On his return, he appropriates Paul Owen’s apartment as a place to host and kill more victims, beginning with Sabrina and Christine (“I Am Back”). Luis runs into Patrick at a Barneys store and begs Patrick to run away with him. Patrick responds aggressively, assaulting and hissing at Luis. With his appetite for murder now totally unchecked, Patrick targets Jean, offering to take her to dinner at a restaurant of her choice. His sense of inferiority is piqued once again when she suggests Dorsia, where he is still unable to get reservations. Patrick gives Jean the rest of the day off and she wonders about her feelings for Patrick (“A Girl Before”). At Patrick’s apartment that night, the pair discuss her hopes and aspirations. As he is preparing to murder her, Jean tells Patrick that she is in love with him; her confession causes him great distress and he implores her to leave. He leaves a long voicemail for Kimball confessing to the murder of Paul Owen and countless other people (“Clean (Reprise)”). The next morning, Jean apologises to Patrick for what happened the night before. He forgives her and tells her that he will be recommending her for a junior executive program through a company scheme. Tim Price unexpectedly arrives at Patrick’s office, having been AWOL from Pierce & Pierce since Patrick’s birthday. Patrick asks him where he’s been; Price responds by saying that he’s been in New York the whole time, but their paths haven’t crossed. He also asks Patrick about Paul Owen’s disappearance. Patrick and Evelyn have their engagement party at Tunnel nightclub (“Don’t You Want Me”). Patrick is noticeably ill at ease and is desperate to go to dinner. Price says he is able to get reservations at Dorsia, which impresses the guests. Patrick sees Kimball at the bar and approaches him, asking him about the voicemail confession. Kimball breaks into laughter, stating that he found Patrick’s ‘joke’ “hilarious”, despite Bateman’s protestations that the confessions were genuine. Kimball tells Patrick that his narrative of what happened to Owen is impossible, as Owen is in fact in London; Kimball allegedly had dinner with him there twice. The next day, Patrick goes to Paul Owen’s apartment, expecting it to be full of decomposing bodies and cordoned off by the police. Instead, he finds the apartment vacant and in pristine condition; the real estate agent, Mrs Wolfe, deflects all of Patrick’s questions about Paul Owen and the bodies that were left in the apartment, before asking him to leave and never return. He marries Evelyn and resigns himself to a pointless existence in which the punishment and notoriety that he craves will forever be denied him (“This Is Not An Exit”). MUSICAL NUMBERS (London) Act 1 Act 2 1. Clean 14. Clean (reprise) 2. Everybody Wants to Rule the World 15. Killer Wolf 3. Cards 16. A Nice Thought 4. You Are What You Wear 17. End of An Island 5. Oh Sri Lanka 18. I Am Back 6. True Faith 19. Don't You Want Me 7. Killing Time 20. A Girl Before 8. In the Air Tonight 21. This Is Not an Exit 9. Hardbody 10. If We Get Married 11. Not A Common Man 12. Mistletoe Alert 13. Hip to Be Square CAST • Patrick Bateman • Detective Kimball • Paul Owen • Christine • Craig McDermott • Victoria / Hardbody Bartender • Tim Price • Sean Bateman • Courtney Lawrence • Patrick’s Mother / Mrs Wolfe • Jean • David Van Patten • Sabrina • Luis Carruthers • Evelyn Williams MUSICAL NUMBERS (Broadway) Act I Act II 1. Opening (Morning Routine) - Patrick Bateman 2. Selling Out - Patrick and Company 15.
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