October 25, 2018: (Full-Page Version) Close Window “Imagination Creates Reality.” —Richard Wagner
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Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Flint Orchestra
Flint SymphonyOrchestra A Program of the Flint Institute of Music ENRIQUE DIEMECKE, MUSIC DIRECTOR & CONDUCTOR MAY 8, 2021 FIM SEASON SPONSOR Whiting Foundation CONCERT SPONSORS Mr. Edward Davison, Attorney at Law & Dr. Cathy O. Blight, Dr. Brenda Fortunate & C. Edward White, Mrs. Linda LeMieux, Drs. Bobby & Nita Mukkamala, Dr. Mark & Genie Plucer Flint Symphony Orchestra THEFSO.ORG 2020 – 21 Season SEASON AT A GLANCE Flint Symphony Orchestra Flint School of Performing Arts Flint Repertory Theatre STRAVINSKY & PROKOFIEV FAMILY DAY SAT, FEB 6, 2021 @ 7:30PM Cathy Prevett, narrator SAINT-SAËNS & BRAHMS SAT, MAR 6, 2021 @ 7:30PM Noelle Naito, violin 2020 William C. Byrd Winner WELCOME TO THE 2020 – 21 SEASON WITH YOUR FLINT SYMPHONY ORCHESTRA! BEETHOVEN & DVOŘÁK SAT, APR 10, 2021 @ 7:30PM he Flint Symphony Orchestra (FSO) is one of Joonghun Cho, piano the finest orchestras of its size in the nation. BRUCH & TCHAIKOVSKY TIts rich 103-year history as a cultural icon SAT, MAY 8, 2021 @ 7:30PM in the community is testament to the dedication Julian Rhee, violin of world-class performance from the musicians AN EVENING WITH and Flint and Genesee County audiences alike. DAMIEN ESCOBAR The FSO has been performing under the baton SAT, JUNE 19, 2021 @ 7:30PM of Maestro Enrique Diemecke for over 30 years Damien Escobar, violin now – one of the longest tenures for a Music Director in the country. Under the Maestro’s unwavering musical integrity and commitment to the community, the FSO has connected with audiences throughout southeast Michigan, delivering outstanding artistry and excellence. All dates are subject to change. -
Download Programme
Ilkley Concert Club www.concertclub.ilkley.org SCHUBERT ENSEMBLE King’s Hall Wednesday 14th March 2018 Grove Music 10 The Grove, Ilkley, West Yorkshire LS29 9EG Tel: 01943 817301 [email protected] Open Monday – Saturday, 9 – 5.30 Grove Music, in the basement of The Grove Bookshop, has a great selection of classical CDs including the very latest new releases, as well as jazz, folk, rock, DVDs and sheet music. We will happily order CDs and sheet music available in the UK. Grove Music is also the best place to find out what is going on musically in the Ilkley area. Whether you’re looking for a piano teacher, a concert to go to, or a choir to join, you should find the answer here. Ilkley Computers Middleton Garage Your Local Computer Service Centre Skipton Road, Ilkley LS29 9EX Telephone: 01943 608733 A small, friendly, local business dedicated to providing a range of quality computer services for home PC users and small businesses. HONDA SALES We can help with the following: & SERVICE PC Repair PC Upgrade A SPECIALITY Personal Training Broadband FREE Pickup and Delivery Networks Virus and Spyware Removal Website: Tel: 01943 604470 www.andrewgreenexclusivecars.co.uk E-mail: [email protected] Web Site: www.ilkleycomputers.co.uk Verity PAUL VERITY OPTICIANS Providing all your family with first-quality Eyecare on The Grove, Ilkley. Opened in 1991, we have established a unique blend of personal service, clinical excellence and top quality optical products including contact lenses. We are VARILUX lens specialists and stock frames by Ray-Ban, Calvin Klein, Persol and Lindberg. -
Rep List 1.Pub
Richmond Symphony Orchestra League Student Concerto Competition Repertoire Please choose your repertoire from the approved selections below. Guitar & percussion students are welcome to participate; Please contact Anne Hoffler, contest coordinator, at aahoffl[email protected] for repertoire approval no later than November 30. VIOLIN Faure Elegy, Op. 24 Bach All Violin concerti Haydn Cello Concerto No. 1 in C major Beethoven Violin Concerto in D major Haydn Cello Concerto No. 2 in D major Beethoven Romance No. 1 in G major Kabalevsky Cello Concerto No. 1 in G minor, Op. 49 Beethoven Romance No. 2 in F major Lalo Cello Concerto in D minor Bériot Scéne de Ballet, Op. 100 Rubinstein Cello Concerto No. 2 in D minor, Op.96 Bériot Violin Concerto No. 7 in G major Saint-Saëns Cello Concerto No. 1 in A minor, Op.33 Bériot Violin Concerto No. 9 in A minor Saint-Saëns Cello Concerto No. 2 in D minor, Op. 119 Bruch Violin Concerto No. 1 in G minor Schumann Cello Concerto in A minor Haydn All Violin concerti Shostakovich Concerto for Cello No. 1 Kabalevsky Violin Concerto in C Major, Op. 48 Stamitz All Cello concerti Lalo Symphonie Espagnole R. Strauss Romanze in F major Massenet Méditation from Thaïs Tchaikovsky Variations on a Rococo Theme, Op.33 Mendelssohn Violin Concerto in E minor, Op.64 Vivaldi All Cello concerti Mozart Violin Concerto No. 1 in B-flat major Mozart Violin Concerto No. 2 in D major BASS Mozart Violin Concerto No. 3 in G major Bottesini Double Bass Concerto No.2 in B minor Mozart Violin Concerto No. -
String Diplomas Repertoire List
String diplomas repertoire list 1 January 2011 – 31 December 2018 STRING DIPLOMAS 2011–2018 Contents Page LCM Publications ........................................................................................................................ 2 Overview of LCM Diploma Structure ................................................................................. 3 Violin DipLCM in Performance .......................................................................................................... 4 ALCM in Performance .............................................................................................................. 5 LLCM in Performance ............................................................................................................... 7 FLCM in Performance ............................................................................................................... 7 Viola DipLCM in Performance .......................................................................................................... 8 ALCM in Performance .............................................................................................................. 9 LLCM in Performance ............................................................................................................... 10 FLCM in Performance ............................................................................................................... 11 Cello DipLCM in Performance ......................................................................................................... -
Wichita Symphony Youth Orchestras Acceptable Repertoire for Youth Talent Auditions
Wichita Symphony Youth Orchestras Acceptable Repertoire for Youth Talent Auditions Repertoire not listed below may be acceptable, but must be pre-approved. Contact Tiffany Bell at [email protected] to request approval for repertoire not on this list. Violin Bach: Concerto No. 1 in A Minor Bach: Concerto No. 2 in E Major Barber: Concerto, Op. 14, first movement Beethoven: Concerto in D Major, Op. 61 Beethoven: Romance No. 1 in G Major Beethoven: Romance No. 2 in F Major Brahms: Concerto, third movement Bruch: Concerto No. 1 in G Minor, Op. 26, any movement Bruch: Scottish Fantasy Conus: Concerto in E Minor, first movement Dvorak: Romance Haydn: Concerto in C Major, Hob.VIIa Kabalevsky: Concerto, Op. 48, first or third movement Khachaturian: Violin Concert, Allegro Vivace, first movement Lalo: Symphonie Espagnole, first or fifth movement Mendelssohn: Concerto in E Minor, any movement Mozart: Concerto No. 3 in G Major, K. 216, any movement Mozart: Concerto No. 4 in D Major, K. 218, first movement Mozart: Concerto No. 5 in A Major, K. 219, first movement Saint-Saens: Introduction and Rondo Capriccios, Op. 28 Saint-Saens: Concerto No. 3 in B Minor, Op. 61 Saint-Saens: Havanaise Sarasate: Zigeunerweisen, Op. 20 Sibelius: Concerto in D Minor, fist movement Tchaikovsky: Concerto, third movement Vitali: Chaconne Wieniawski: Legend, Op. 17 Wieniawski: Concerto in D Minor Viola J.C. Bach/Casadesus: Concerto in C Minor, Adagio-Allegro Bach: Concerto in D Minor, first movement Forsythe: Concerto for Viola, first movement Handel/Casadesus: Concerto in B Minor Hoffmeister Concerto Stamitz: Concerto in D Major Telemann: Concerto in G Major Cello Boccherini: Concerto Bruch: Kol Nidrei Dvorak: Concerto in B Minor, Op. -
Scottish Fantasy
JOSHUA BELL BRUCH Scottish Fantasy Academy of St Martin in the Fields Br uc h (1838-1920) SCOTTISH FANTASY FOR VIOLIN AND ORCHESTRA, OP. 46 1 I. Introduction: Grave, Adagio cantabile 2 II. Scherzo: Allegro 3 III. Andante sostenuto 4 IV. Finale: Allegro guerriero VIOLIN CONCERTO NO. 1 IN G MINOR, OP. 26 5 I. Vorspiel: Allegro moderato 6 II. Adagio 7 III. Finale: Allegro energico Joshua Bell, Soloist/Director Academy of St Martin in the Fields Master of More than Melody The works presented here are two out of the three pieces by Max Bruch that can be called staples of the classical repertoire. (The third is his piece for cello and orchestra, Kol Nidrei.) In his lifetime he was best known for large-scale choral works, well received at their premieres and popular with the many amateur choral societies found throughout Europe in the later 19th century. Those choruses began to dwindle once the 20th century got underway. As they disappeared, Bruch’s cantatas and oratorios also faded from consciousness, rarely, if ever, to be heard again. By association, Bruch became thought of as a composer whose time had come and gone. It is interesting to compare the very diff erent assessments of him in two successive editions of Grove’s Dictionary of Music, from 1904 and 1954. The earlier edition declared: “He is above all a master of melody, and of the eff ective treatment of masses of sound.” By 1954 the verdict on his output was dismissive and condescending: ‘It is its lack of adventure that limited its fame.’ Bruch was born during the lifetimes of Mendelssohn and Schumann and died when Schoenberg and Stravinsky were creating gigantic waves in musical life. -
PROGRAM NOTES by Jae Cosmos Lee, Violin
“CELLISSIMO” PROGRAM NOTES By Jae Cosmos Lee, Violin Max Brush (1838 – 1920) At the urging of the beginning with a slow introduction, which is Cello virtuoso Robert Hausmann, the an example of Beethoven breaking off from German Romantic composer, Max Bruch the normal fast movement form, especially completed his op.47, Kol Nidrei (the in the last movement of an instrumental Aramaic phrase, which means All Vows, and work. Moreover, the entire third movement is the incantation that starts the Yom Kippur is in E major, which is the dominant key from service) in 1880 and publishing it a year later the original A major that the first movement in Berlin. Along with his first Violin is written in, which at the time was Concerto, this composition, originally for considered highly unconventional. The A Cello and Orchestra, is one of his most minor Scherzo, which comprises the second beloved and widely performed pieces. For movement, is in the parallel minor to the that reason, it led the German National opening movement's key, which can also be Socialist Party during the 1930's to assume considered Beethoven going against the that Bruch was of Jewish origin and banned grain of his Viennese contemporaries. his music until Germany's defeat in the Second World War. Fortunately, for Bruch, who was raised Protestant, and whose ancestors were not Jewish, his music Johannes Brahms (1833-1897) at age 57, survived the persecution and Kol Nidrei is earnestly contemplated retirement from still firmly planted in the canon of every composing after the premiere of his String cellist. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Mathematical and Musical Analysis of Kol Nidrei
Mathematical and Musical Analysis of Kol Nidrei Kol Nidrei, Op. 47, is an instrumental piece written in 1881 by Max Bruch. It was originally composed for violincello and orchestra, though the version that will be analyzed here is a translation for viola and piano. Though Bruch was a protestant, he composed Kol Nidrei by drawing from two themes of Jewish descent. The first theme is featured in the opening melody and throughout the D minor section of the piece. It is based on the Kol Nidre prayer, which is an old Hebrew prayer of atonement that is recited on the Jewish holiday of Yom Kippur. The melody of this theme is meant to imitate the voice of a hazzan, who leads the worship of the congregation through lyrical prayer in a synagogue. The second theme is featured in the second half of the piece, where the music switches from D minor to D major. This theme draws from a section of a Hebrew melody titled “O Weep for Those that Wept on Babel’s Stream” by Lord Byron. Bruch composed Kol Nidrei in the romantic era of music. It was in this era that composers strayed from previous musical conventions and rules in order to create pieces consisting of significant emotional expression. Because of this, Kol Nidrei breaks many musical rules by utilizing irregular phrasing, disjunct harmonies, and little repetition in the melodic line. This lack of consistency makes it a difficult piece to examine, though spectrograms are able to help illustrate exactly what is heard in this piece. Since Kol Nidrei has such emotional themes, the solo violist can enhance the emotion using vibrato. -
Season 2019-2020
23 Season 2019-2020 Thursday, October 24, at 7:30 The Philadelphia Orchestra Friday, October 25, at 8:00 Saturday, October 26, at 8:00 Nathalie Stutzmann Conductor David Kim Violin Mendelssohn Hebrides Overture (“Fingal’s Cave”), Op. 26 Bruch Violin Concerto No. 1 in G minor, Op. 26 I. Vorspiel: Allegro moderato— II. Adagio III. Allegro energico Intermission Brahms Symphony No. 2 in D major, Op. 73 I. Allegro non troppo II. Adagio non troppo—L’istesso tempo, ma grazioso III. Allegretto grazioso (quasi andantino)—Presto ma non assai—Tempo I—Presto ma non assai—Tempo I IV. Allegro con spirito This program runs approximately 1 hour, 50 minutes. The October 26 concert is sponsored by Allan Schimmel in memory of Reid Reames. These concerts are part of The Phildadelphia Orchestra’s WomenNOW celebration. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community centers, the Mann Through concerts, tours, is one of the world’s Center to Penn’s Landing, residencies, and recordings, preeminent orchestras. classrooms to hospitals, and the Orchestra is a global It strives to share the over the airwaves and online. ambassador. It performs transformative power of The Orchestra continues annually at Carnegie Hall, music with the widest to discover new and the Saratoga Performing possible audience, and to inventive ways to nurture its Arts Center, and the Bravo! create joy, connection, and relationship with loyal patrons. -
Viii Maratón Musical Soriano
Apunte Biográfico Queridos sorianos y amigos del Otoño Musical Soriano: Cuando me puse a redactar estas líneas biográficas sobre el maestro Odón Alonso una gran incertidumbre me sobrecogió: ¿Qué puedo yo decirle a los sorianos y a los amigos del Otoño Musical Soriano sobre el maestro Alonso que ellos, a estas alturas, ya no sepan? Durante dieciocho años han sido ustedes testigos del hacer musical como artista, como director y como programador y gestor de una de las más grandes figuras de la música española de la segunda mitad del siglo XX. Han podido disfrutar de su exquisito gusto por la música que en cada edición del Otoño Musical trató de transmitirles a través de uno de los festivales más plurales e interesantes de cuantos se han creado en España en los últimos setenta años y, por si fuera poco, dado el carácter afable del maestro, también han podido apreciar su siempre agradable y educada conversación, su inherente y elegante sencillez y discreción, y sus otras muchas virtudes que en lo personal el maestro atesoraba. De manera que, escribir sobre el maestro Alonso para un público que conoce tan bien al artista, al director, al músico y a la persona, es una responsabilidad que asumo con gusto en esta ocasión que tanta importancia tiene y tantos sentimientos suscita en mí. El maestro Odón Alonso Ordás nació el 28 de febrero de 1925 en la localidad leonesa de La Bañeza. Desde muy niño mostró una natural disposición hacia la música que guiado de la mano de su padre, hombre muy aficionado a la música y con un saber y un sentir musical excepcionales, dio en consecuencia que el maestro Alonso creciera amando la música en sus diferentes vertientes, estilos y géneros.