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Managing Woodland for Wildlife 1 60 MANAGING WOODLAND FOR WILDLIFE The traditional management of Britain's woodlands to the soundscape, while sparrowhawks hunt silently creates valuable wildlife habitats. Historically they have through the canopy and kestrels hover over grassy also been put to many uses by people. The sessile oak, margins, looking for voles. Foxes and weasels can Quercus petraea, was used to build ships as well as occasionally be seen, as can smaller mammals such houses, while the under-storey shrubs were utilised for as wood mouse and common shrew. fencing, tool-making and fuel. Coppicing, a sustainable While decaying ancient trees, standing dead wood method of harvesting, was once common in Britain, and falling timber have in former times been seen as and Kew has reintroduced the practice into the symbols of neglect, they are now recognised as one Natural Areas. of the Natural Areas' most important habitats. Up to Hazel, Corylus avellana, sweet chestnut, a third of the woodland invertebrates depend on Castanea sativa, and lime, Tilia, are left to grow as dead wood at some stage in their lifecycle, in turn multi-stemmed shrubs for a few years and then supporting creatures further up the food chain like their wood is harvested by cutting right back to their the great spotted woodpecker, which can be heard bases. All three species regenerate quickly, producing hammering at standing dead wood in its search for long straight stems that can be harvested again food. The high volume of dead wood in the area has within a few years. The wood is used in the Gardens also encouraged a rich fungal diversity that is not so for plant supports and fencing and also to produce evident in the rest of the Gardens. Kew's stag beetle ~RZ barbecue charcoal, which is sold through Kew retail loggery A3 provides a safe haven for a globally outlets. Coppicing is carried out on a cyclical basis, endangered creature that depends on dead wood. bringing light into the glades, encouraging flowers The stag beetle is often seen at Kew in May and June. like snowdrops, wild garlic and bluebells. Its fearsome-looking antlers are actually jaws and it is Rides, glades, coppice and wetlands encourage harmless, helping to return minerals from dead plants diversity in the Natural Areas, which ring with back to the soil. The larvae mature for up to seven the song of birds like blackcap, dunnock, garden years in rotting wood before turning into beetles. warbler, nuthatch and long-tailed tit. The chatter of Wetland is a further element in this wildlife greenfinches, chaffinches and treecreepers add tapestry. In the wildlife pond waterboatman, mayfly and damselfly are joined by amphibians —the common ~~ frog, common toad and the common or smooth newt. 1 Visitors can watch the wildlife and learn more about it on a new boardwalk trail through the woodlands. C 1 ~ Long-grass areas bring a naturalistic beauty here '. and across the Arboretum. Careful management Lf ~ ~ 1 is required to maintain a balance of plant species. Grasslands and meadows are valuable for invertebrates and these features are managed to maximise biodiversity. Grasshoppers and crickets lay eggs at the base of the grassland sward in late summer, so grass-cutting takes place as late in the year as possible ~~ and the clippings are removed. Kew ecologists are also helping to conserve acid grassland, an endangered native habitat which is important not only for rare plant species but also for the wide range of insects, reptiles and birds it supports. The scientists are experimenting with different seed mixes to see how they support the development of the habitat, which is particularly associated with that iconic songbird, the skylark. ..A ART ART 6 62 3 ~ ART , Since the cave paintings of prehistoric times people have used art ~~` to represent nature, but over the last 400 years the science of botany has pushed the artist to new aesthetic and technical ~~f heights. Kew's world-leading collection of botanical art ` 1~,;, . works by the great masters and illustration includes ~, of the 18th century through to the celebrated artists 'a~ ~ j who collaborate with our scientists today. 'i. Throughout the Gardens, sculptures and statues r :~ are incorporated into the landscape and changing ~ ~~ exhibitions seek to explore and enhance our profound i~ connections with nature. Our rich collections of art, archives and artefacts show how people have made those connections with the wider world, through exploration, observation and craft. ;. ~; r ~` }~ 9 ' ~` ': ~~~ i •`i ,!i ~~',, t ai Simon Verelst (1644— c.1721), Tulips, from the Kew Collection. ART ART 64 65 ART AN D ARTEFACTS AT KEW ~ . ;~ Kew is home to one ofthe world's greatest collections of botanical illustration, as well as a fine collection of portraits of people associated i , t ~ ~~1 r ~t _ .._ . ~t with botany and horticulture and over aso objets d'art, ranging from ~~~,, sculptures to scientific instruments. Alongside such art, the craft skills of cultures around handcoloured ten-volume Flora Graeca, produced the world are captured in Kew's Economic Botany between 1806 and 1840, as well as many beautiful Collection, which holds around 85,000 items, showing recently published items. how humans use plants, through present-day material, So how do our visitors explore these treasures? archaeological specimens and 19th-century curiosities. Our collections of botanical art and artefacts are Often very beautiful in their own right are the regularly drawn upon for the annual cycle of letters, sketchbooks and field notes of botanists, exhibitions in our latest art space, the Shirley gardeners and travellers held in Kew's archive. Sherwood Gallery of Botanical Art, while the unique This rich historical resource —over 7 million sheets Marianne North Gallery encompasses Victorian of paper —charts the discovery, study, transfer history at its most decorative and eccentric. and use of the world's plants and fungi. Statues and sculpture can be found throughout Kew's archives include extraordinary jewels the Gardens, bringing another dimension to the such as a contemporary transcript of the journals changing landscape. The permanent collection is written by Sir Joseph Banks as he travelled with joined by many installations and works on loan Captain James Cook to the South Seas from 1768 for specific festivals, such as recent exhibitions of to 1771. Sir Joseph Hooker's botanical drawings world-famous artists including Henry Moore, from his travels in the Antarctic and India are Dale Chihuly and David Nash. joined by his letters and notebooks, embellished You can book an appointment with Kew's with sketches of plants and landscape. archives team to view the original archive items in Also behind the scenes is Kew Library's the public reading room. The Library, one of the collection of illustrated books, which includes fine most important botanical reference sources in the volumes from the private library of Kew's first official world, is also open to anyone wishing to consult director Sir William Hooker, such as Besler's Hortus the collection. You can learn more about Kew's Eystettensis of 1613, and other highly illustrated collections through Kew's website (www.kew.org) books including rarities like Jacquin's Selectarum where you can also find the wonderful Library, ~.~ y,,v,,.~' .-~_ stirpium Americanarum historic and John Sibthorp's Art and Archives blog. The Economic Botany Collection at Kew illustrates the extent of human use of plants around the world, from food, medicine and utensils, to social activities and clothing. The collection forms an important bridge 'Reclining Mother and Child' between biological and by Henry Moore is on loan cultural diversity, valuable to Kew and can be found for the study of plant uses near the lake. past, present and future. .- _ _ __ ~_ ART 67 .- t~ ~; !' .~~ ~~ r~~ ~~ }y _._ .` ~ ~~► Jt~ ~l ~ ~~y ,~ The Shirley Sherwood Gallery of Botanical Art and the Marianne North Gallery. Pioneering conservationist Margaret Mee (1909-1988) was an outstanding botanical artist. Her expeditions to the Brazilian rainforest from 1956 to 1988 coincided with the period of maximum deforestation and Mee was one of the first to raise a voice against the destructive exploitation of the Amazon. Kew holds 60 of her original watercolour and gouache paintings. y.~i were collection now represents work from over 200 artists s~ 7 The focus of the Gallery G10 is botanical illustration Banks in 1790. Many of the early originals prepared for Curtis's Botanical Magazine, which dates working in more than 30 countries, acquired during ,' — a fusion of science and art as vibrant and necessary ~ ~` work of her worldwide travels. today as it was in the early days of botany, before the back to 1789, and these are joined by the ~~,..,~_ Walter The Shirley Sherwood Gallery of Botanical Art advent of photography and the arrival of the digital 19th- and 20th-century-contributors such as r~ is next to the Marianne North Gallery and the two ,. age. The primary purpose of botanical art is to show Hood Fitch and Stella Ross-Craig and present-day F ,`1~ y buildings are joined together by the Link Gallery, detail. It can reveal more than a photograph, artists such as Christabel King. There are special scientific 1 '' collections of specific artists, for example Margaret which displays contemporary botanical works from depicting every stage of a plant's lifecycle from ,~ _ flowers the Sherwood Collection on a regularly changing ~' - -- -' ..~~ flower to seed, deliberately highlighting elements Mee (see right) and G D Ehret, who painted ✓; -- Kew's basis. The main gallery space stages two new that cannot be distinguished with a camera. Yet the for the Earl of Bute when he was advisor to exhibitions each year, often drawing on Kew's art, r..^.
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