Bhagavad Gita: Chapter 7 (Part-1) Jnaana Vijnaana Yogah: Yoga of Knowledge and Wisdom T.N.Sethumadhavan
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Sri Panchamukha Hanuman Temple Special Pooja List
SRI PANCHAMUKHA HANUMAN TEMPLE SPECIAL POOJA LIST ❖ The following is a list of all special poojas performed and temple fees. ❖ The fees listed below do not include dakshina or offering to the priest. ❖ Checks to be drawn in favor of ‘Hanuman Temple’. Please indicate the service rendered on the check. ❖ An additional charge of $.55/mile applies when priest travels more than 15 miles from the temple to reach the location. AT AT SEVA TEMPLE HOME THE FOLLOWING POOJAS CAN BE PERFORMED ANY TIME DURING TEMPLE HOURS Archana (to any deity - Shiv, Ganesha, Venkateshwara, Lakshmi, Navagraha, Ayyappa, Sai Baba - Archana will include prasad and hanuman Rakshai) $21 Sindhoora Archana $21 Vadamala Pooja (devotee brings 108 vadai to temple) $31 DEVOTEE CAN PARTICIPATE IN/SPONSOR THE FOLLOWING SPECIAL POOJAS THAT TAKE PLACE AT THE TEMPLE. PLEASE SEE WEBSITE FOR POOJA SCHEDULE. Maha Abhishekam to Lord Hanuman (main deity) - First Saturday of the month, in the morning $101 Hanuman Abhishekam (Utsava Moorthi ) - Every Tuesday evening $51 -
Page 20 Backup Bulletin Format on Going
gkfnL] nfsjftf] { tyf ;:s+ lt[ ;dfh Nepali Folklore Society Nepali Folklore Society Vol.1 December 2005 The NFS Newsletter In the first week of July 2005, the research Exploring the Gandharva group surveyed the necessary reference materials related to the Gandharvas and got the background Folklore and Folklife: At a information about this community. Besides, the project office conducted an orientation programme for the field Glance researchers before their departure to the field area. In Introduction the orientation, they were provided with the necessary technical skills for handling the equipments (like digital Under the Folklore and Folklife Study Project, we camera, video camera and the sound recording device). have completed the first 7 months of the first year. During They were also given the necessary guidelines regarding this period, intensive research works have been conducted the data collection methods and procedures. on two folk groups of Nepal: Gandharvas and Gopalis. In this connection, a brief report is presented here regarding the Field Work progress we have made as well as the achievements gained The field researchers worked for data collection in from the project in the attempt of exploring the folklore and and around Batulechaur village from the 2nd week of July folklife of the Gandharva community. The progress in the to the 1st week of October 2005 (3 months altogether). study of Gopalis will be disseminated in the next issue of The research team comprises 4 members: Prof. C.M. Newsletter. Bandhu (Team Coordinator, linguist), Mr. Kusumakar The topics that follow will highlight the progress and Neupane (folklorist), Ms. -
Bhagawan Sri Sathya Sai Baba
Om Sri Sai Ram BHAGAVAT GITA VAHINI By Bhagawan Sri Sathya Sai Baba Greetings Bhagawan Sri Sathya Sai Baba is the Sanathana Sarathi, the timeless charioteer, who communicated the Geetha Sastra to Adithya and helped Manu and king Ikshwaku to know it; He was the charioteer of Arjuna during the great battle between good and evil fought out at Kurukshetra. When the rider, Arjuna, was overcome with grief at the prospect of the fight, Krishna instructed him in the science of recognising one's oneness with all, and removed the grief and the fear. He is the charioteer even now, for every one of us; let me greet you as a fellow-sufferer and a fellow-disciple. We have but to recognise Him and accept Him in that role, holding the reins of discrimination and flourishing the whip of detachment, to direct the horses of the senses along the path of Sathya, asphalted by Dharma and illumined by Prema towards the goal of Shanthi. Arjuna accepted Him in that role; let us do likewise. When worldly attachment hinders the path of duty, when ambition blinds the eyes of sympathy, when hate shuts out the call of love, let us listen to the Geetha. He teaches us from the chariot whereon He is installed. Then He showers His grace, His vision and His power, and we are made heroes fit to fight and win. This precious book is not a commentary or summary of the Geetha that was taught on the field of Kurukshetra. We need not learn any new language or read any old text to imbibe the lesson that the Lord is eager to teach us now, for victory in the battle we are now waging. -
The Divine Qualities of Maharaja Prithu Features the Divine Qualities of Maharaja Prithu Sri Maitreya Rsi
Çré Kämikä Ekädaçé Issue no: 42 30th July 2016 The Divine Qualities of Maharaja Prithu Features THE DIVINE QUALITIES OF MAHARAJA PRITHU Sri Maitreya Rsi PRITHU MAHARAJA MILKS THE EARTH PLANET Sriman Purnaprajna Das MAHARAJA PRITHU AND SRI NAVADVIPA DHAM Srila Bhaktivinoda Thakura HOW WOULD THE WORLD BE HAppY AND PROSPEROUS ? His Divine Grace A.C.Bhaktivedanta Swami Prabhupada Issue no 42, Page — 2 nityaà bhägavata-sevayä direct incarnation of the Supreme Personality of Godhead and all your activities are liberal and ever laudable. This King, Maharaja Prithu, is the best amongst those who are following religious principles. As such, he will engage everyone in the pursuit of religious principles and thus protect those principles. He will also be a great chastiser to the irreligious and atheistic. This King alone, in his own body, in due course of time will be able to maintain all living entities and keep them in a pleasant condition by manifesting himself as different demigods who perform various activities in universal maintenance. Thus he will maintain the upper planetary system by inducing the citizens to perform Vedic sacrifices. In due course of time he will also maintain this earthly planet by discharging proper rainfall. Muralidhara Dasa This King Prithu will be as powerful as the sun- god, and just as the sun-god equally distributes sunshine to everyone, King Prithu will distribute his mercy equally. Similarly, just as the sun-god evaporates water for eight months and, during the rainy season, returns it profusely, this King will also exact taxes from the citizens and return these monies in times of need. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Upanishad Vahinis
Upanishad Vahini Stream of The Upanishads SATHYA SAI BABA Contents Upanishad Vahini 7 DEAR READER! 8 Preface for this Edition 9 Chapter I. The Upanishads 10 Study the Upanishads for higher spiritual wisdom 10 Develop purity of consciousness, moral awareness, and spiritual discrimination 11 Upanishads are the whisperings of God 11 God is the prophet of the universal spirituality of the Upanishads 13 Chapter II. Isavasya Upanishad 14 The spread of the Vedic wisdom 14 Renunciation is the pathway to liberation 14 Work without the desire for its fruits 15 See the Supreme Self in all beings and all beings in the Self 15 Renunciation leads to self-realization 16 To escape the cycle of birth-death, contemplate on Cosmic Divinity 16 Chapter III. Katha Upanishad 17 Nachiketas seeks everlasting Self-knowledge 17 Yama teaches Nachiketas the Atmic wisdom 18 The highest truth can be realised by all 18 The Atma is beyond the senses 18 Cut the tree of worldly illusion 19 The secret: learn and practise the singular Omkara 20 Chapter IV. Mundaka Upanishad 21 The transcendent and immanent aspects of Supreme Reality 21 Brahman is both the material and the instrumental cause of the world 21 Perform individual duties as well as public service activities 22 Om is the arrow and Brahman the target 22 Brahman is beyond rituals or asceticism 23 Chapter V. Mandukya Upanishad 24 The waking, dream, and sleep states are appearances imposed on the Atma 24 Transcend the mind and senses: Thuriya 24 AUM is the symbol of the Supreme Atmic Principle 24 Brahman is the cause of all causes, never an effect 25 Non-dualism is the Highest Truth 25 Attain the no-mind state with non-attachment and discrimination 26 Transcend all agitations and attachments 26 Cause-effect nexus is delusory ignorance 26 Transcend pulsating consciousness, which is the cause of creation 27 Chapter VI. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
Gandharva: Origin and Performing Arts
Gandharva: Origin and Performing Arts Bharat Raj Dhakal School of Development and Social Engineering Faculty of Humanities and Social Engineering, Pokhara University Email: [email protected] Abstract: The prime objective of this research article is to explore the different forms of arts performed by the ‘Gandharvas’ along with their historicity of social and sacred religious origin towards which the mainstream Nepali society is indifferent. In the social context of Nepal, they are regarded as the musician caste. They are also treated as the so-called lower caste people, the ‘dalits’ and are also denied the prestigious position in the society as well as in the pages of history. Although neglected in the society as well as in the history, they have got a pious origin as mentioned in the Hindu religious scriptures and beliefs. Their performing arts and musical instruments through their performing arts. But the paradox is that they have not got the true alsorecognition have the in religious Nepali society significance. even thoughThey have they made share a thegreat sacred contribution lineage forlike nation other groups. Although they have sacred place in religion, their position is downtrodden in society. Gandharva, Origin, Performing arts, Recognition IntroductionKeywords: the people of lower varna group having The Gandharvas are the foremost occupations which what they consider as representatives of traditional Nepali folk music who travel different places the time of the rites of passage and different to entertain people and to spread the defilingritually purifyingfeatures perform occasions music of the and people dance ofat information of some events to them. They are the musical entertainers like minstrels There is a great contradiction that the or troubadours. -
23. Ranganatha Mahimai V1
Our Sincere Thanks to the following for their contributions to this ebook: Images contribution: ♦ Sriman Murali Bhattar Swami, www.srirangapankajam.com ♦ Sri B.Senthil Kumar, www.thiruvilliputtur.blogspot.com ♦ Ramanuja Dasargal, www.pbase.com/svami Source Document Compilation: Sri Anil, Smt.Krishnapriya sadagopan.org sadagopan.org sadagopan.org Sanskrit & Tamil Paasurams text: Mannargudi Sri. Srinivasan Narayanan eBook assembly: Smt.Gayathri Sridhar, Smt.Jayashree Muralidharan C O N T E N T S Section 1 Sri Ranganatha Mahimai and History 1 Section 2 Revathi - Namperumaan’s thirunakshathiram 37 Section 3 Sri Ranganatha Goda ThirukkalyaNam 45 Section 4 Naama Kusumas of Sri Rnaganatha 87 sadagopan.org sadagopan.org sadagopan.org sadagopan.org sadagopan.org sadagopan.org PraNavAkAra Vimanam - Sri Rangam 1 sadagopan.org NamperumAL 2 . ïI>. INTRODUCTION DHYAANA SLOKAM OF SRI RANGANATHA muoe mNdhas< noe cNÔÉas< kre caé c³< suresaipvN*< , Éuj¼e zyn< Éje r¼nawm! hrerNydEv< n mNye n mNye. MukhE mandahAsam nakhE chandrabhAsam karE chAru chakram surEsApivandyam | bhujangE SayAnam bhajE RanganAtham Hareranyadaivam na manyE na manyE || sadagopan.org sadagopan.org sadagopan.org AZHWAR ARULICCHEYALGAL adiyEn will focus here on the 245 paasurams on Sri RanganAthA by the eleven AzhwArs. The individual AzhwAr’s paasurams are as follows: Poygai Mudal ThiruvandhAthi 1 BhUtham Second ThiruvandhAthi 4 PEy Third ThiruvandhAthi 1 Thirumazhisai Naanmukan ThiruvandhAthi 4 Thirucchanda Viruttham 10 NammAzhwAr Thiruviruttham 1 3 Thiruvaimozhi 11 PeriyAzhwAr Periya Thirumozhi 35 ANdAL NaacchiyAr Thirumozhi 10 ThiruppANar AmalanAdhi pirAn 10 Kulasekarar PerumAL Thirumozhi 31 Tondardipodi ThirumAlai 45 ThirupaLLIyezucchi 10 Thirumangai Periya Thirumozhi 58 ThirunedumthAndakam 8 ThirukkurumthAndakam 4 Siriya Thirumadal 1 sadagopan.org sadagopan.org sadagopan.org Periya Thirumadal 1 Thirumangai leads in the count of Pasurams with 72 to his credit followed by the Ranganatha Pathivrathai (Thondaradipodi) with 55 paasurams. -
Possible Early Images of Avalokiteshvara
Possible Early Images of Avalokiteshvara Shirley Khoirom1 1. 7/14 Kalkaji Extension, New Delhi – 110 019, India (Email: [email protected]) Received: 25 July 2018; Revised: 18 September 2018; Accepted: 27 October 2018 Heritage: Journal of Multidisciplinary Studies in Archaeology 6 (2018): 838‐853 Abstract: Avalokiteshvara, the Bodhisattva of compassion is one of the most popular deities of the Mahayana Buddhist pantheon. Over time the iconography of the deity became more and more complex with many additional attributes. Its origin, however, is traced to lotus bearing yaksha figures specially depicted on the stupas of Shunga or pre‐Kushana period. This paper attempts to trace back these figures and throw light upon certain figures of possibly later period that perhaps are a missing link between the lotus bearing yaksha figures and the Avalokiteshvara figures that we come to know of in the Kushana period. Certain images from Mathura in the state of Uttar Pradesh in India and Butkara in the Swat region of Pakistan have been brought to notice in this context. Keywords: Bodhisattva, Avalokiteshvara, Padmapani, Mathura, Gandhara, Butkara, Yaksha Introduction Avalokiteshvara, the Bodhisattva of compassion is one of the most popular deities of the Mahayana Buddhist pantheon. Lotus being the identifying attribute of Avalokiteshvara, the deity is also commonly known as Bodhisattva Padmapani. But before one accepts lotus as the identifying feature of the Bodhisattva, it is important to go back to images in ancient Indian art that might have been an inspiration for the iconography of the Bodhisattva of compassion. Coomaraswamy (2001) is of the opinion that the lotus holding yaksha figures depicted in early Indian art can be described from an iconographic point of view as Padmapani, meaning having a lotus or ‘padma’ in hand. -
Pancha Suktam.Pdf
Sincere Thanks To 1. Smt Kalyani Krishnamachari for translating into English the Tamil text on Purusha sUkta commentary by u.vE.SrI Melma Raghavan svAmi available in the appendices. 2. SrI Srinivasan Narayanan for addition of Sanskrit texts, transliteration in English and proof reading text 3. Neduntheru SrI Mukund Srinivasan, SrI Kausik Sarathy, SrI V.C.Govindarajan for images 4. Smt Jayashree Muralidharan for cover design and eBook assembly www.sadagopan.org Table of contents Introduction : 1 purusha sUkta mantrams and comments : 3 mudgala upanishat : 27 purusha sUkta nyAsam : 33 purusha sUkta mantrArtha nirupaNam : 37 Appendices : 41 mudgala upanishat mantram : 43 PuruSha sUktam ‐ Tamil Commentaries by nyAya sAhitya shiromaNi : 49 ubhayavedAnta vidvAn shrI mElmA. Narasimha tAtAcArya svAmi Translation into English of SrI. u. ve vidvAn shrI mElmA Narasimha tAtacArya svAmi‘s : 55 Tamil commentaries by Smt. KalyANi KrshNamAcAri www.sadagopan.org ‘parama purushan’ ‐ SrI devi, BhU devi sameta SrI PeraruLALa perumAL ‐ Tirukkacchi (Thanks: SrI Kausik Sarathy) www.sadagopan.org Foreword Who we are, how did we arrive here, what is the purpose of our lives here, what happens after our life in this material world are questions that have swirled around the minds of human beings from time immemorial and continue to attract the attention of the finest thinkers to gain insights. Wise men from India have reflected on these questions from their homes in deep forests at the foot hills of Himalayas; the particle physicists at CERN backed up by their costly and powerful Hadron colliders have been looking for answers to some of these profound questions about the origin of the material Universe from the astro and particle physics point of view. -
Witchcraft, Religious Transformation, and Hindu Nationalism in Rural Central India
University of London The London School of Economics and Political Science Department of Anthropology Witchcraft, Religious Transformation, and Hindu Nationalism in Rural Central India Amit A. Desai Thesis submitted for the degree of Doctor of Philosophy 2007 UMI Number: U615660 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615660 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis is an anthropological exploration of the connections between witchcraft, religious transformation, and Hindu nationalism in a village in an Adivasi (or ‘tribal’) area of eastern Maharashtra, India. It argues that the appeal of Hindu nationalism in India today cannot be understood without reference to processes of religious and social transformation that are also taking place at the local level. The thesis demonstrates how changing village composition in terms of caste, together with an increased State presence and particular view of modernity, have led to difficulties in satisfactorily curing attacks of witchcraft and magic. Consequently, many people in the village and wider area have begun to look for lasting solutions to these problems in new ways.