Victinl of Its Own Success the Group Ffid) Redc'h Dn Aqree· Ment \\,Th the Ldndowner W1uun the Next Fev

Total Page:16

File Type:pdf, Size:1020Kb

Victinl of Its Own Success the Group Ffid) Redc'h Dn Aqree· Ment \\,Th the Ldndowner W1uun the Next Fev SERVING THE NEWPORT - MESA COMMUNmES SINCE 1907 ON THE WEB: WWW.DAILYPILOT. COM TUESDAY, FEBRUARY 20, 2001 'Dolphins' tale makes splash as Oscar nominee / • Co-producer of the mees for best documenldry short sub· " I heMd the new:. from G reg.·· m!>pued to continuf> m the· llf'ld by Ject for the lmax hlrn · Dolphins.• It "'You enter the film, but Judson Sd1d ·He phoned me at the late Robert \\lenu. 'Aho tdught Imax film, Corona del Mar 1s th e second lime MdcG1lhvrdy, home early m the morning - I was drdmd there you're entering with 300 native Greg MacGillivray owner of MacGilhvray Freemdn awak e. luckily he Cdlled dround ·He wds one of lhos~ lt'dchers Ftlms in Laguna Beach , has been other films that are very 7 I wds delighted thdt eve!) }f>dr Wtn<, th~ fdvonte got his filmmaking start at nominated for an Oscar. MdcG1l hvrdy who live!> m tedcher conle<,t, ~ :-.tdc G1lhvrdy Newport Harbor High. "I didn't really expect 1t, • scUd good. It 's surprising and Ldgund Bedch. qrt>w up in Corond recdlled He wd.. d vel) good MacGilhvray, spealang from d stu· shocking to be nominated." del Mdr H e remember~ dellvenng fnend to !>O mdn; kid.., dnd really Jennifer K Mahal dlo in Los Angeles where he WdS the Dd1Jy Pilot rrom 1955 to 1%0 kmd of pushed mt' to rouow Uus D AILY PILOT wrapping up soLtnd productlon on Greg MacGillivray on h1!> b1n·c le dround Corond th.mg thdl I redlly \\ dnll:'d to do, his company's Idlest film. · Journey owner of M acGill1vray Freeman H1ghldnd., dnd Shorechff wh1ch WdS mdkmg him When the Academy Awards are Into Amazmg Caves· "You enter Films and Oscar nominee "I got redll~ good dt sbngtnq the MacGill.Jvrdv W(•nt to LiC Sdllld annoLtnced March 25, locals W1.l.l the film. but you're entenng with paper under th(• door!>lep • he Barbdra dnd rndde d .,urftng ftlm have one of their own to cheer on. 300 other films that ar e very good ..,did whtle he Wd'> tht•rf• It \\d~ 1964. C orona d el Mar na tive Greg It's surprising and shocking to be Steve Judson. who co-wrote I ft.., llr!>t introduction to hlm· and the film - d ·,·pn e.,oteric.· MacGtllivray, along with co-produc­ nominated . It's been a very slrong ·Dolphin'>,· Sdld g ettmg nonunated mdktnq cdmc c1l '\Je'A port Hdrbor er Alec Lori.more, IS among the nom- year, lor documentary shorts • was not even on his radar screen I l1qh $(hC>ol I le !>aid he Wd!> SEE OSCAR PAGE 4 I " We've got to get in there and figure out what we're doing. We together helped create the problem." - Don Glasgow, c h ai r m~n of Corona del M ar's business improvement district Report on Ice Chalet expected f • Closed skating nnk 's former patrons pre trying to open a new one m Costa Mesa and plan to addre ~ the City Council tonight Jennifer Kho 0 All'I' P ILOT COSTA t-. I ESA rurnwr c U'>· tomers of the cto ... ed Ice Chc1k•t pldn to report to the C1tv CounnJ toniqht on the progress the) have mdde in their effort to get a new ice skatmq nnk tn the city The nnk . which had been d com­ murut) future and trairunq ground for Olymp1e ice skdler.. for almo~t 10 years closed last month There·s so mdny tron., m the fm: nght now that m; hedd l!> <,pmrunf! • said David 1art.lnez ldst Wc>t>k !\lartmez and other memh<.•r.., ol the mo\·ernent are cons1denn~ mam opllons. tncludmg trymg to "reopen the closed nnk temporrlnh dnd run 11 themselves, he said " We're going to tn to do a It m­ porary hx. but there are mdO; 1.,.,tie.., to be con sidered ,· f\l artmez ..,c11d "There is som e monPy but do '' l' want to throw good money dlter dn A.Rl HiOAll.Ju vA l '< P!l Q. old nnk that's gomq to get npped out Richard Jardine, right. of Newport Beach reads the paper while Morgan, a yellow Labrador, watches people at the coffee shop. even tually anywdy? And 1t abo .... depends on how muc-h IG J Segerstrom & Sons the ldildowner.I lS wtlhng to accornrnoddte us d5 well We're taJkt.ng. but there.., JUSt nothing concrete dl this 1uncture Victinl of its own success The group ffid) redC'h dn aqree· ment \\,th the ldndowner w1Uun the next fev. weeks !'\ lartmez ~dJ d Mat.his Winkler the com er of Edst Cod.,l Highway Many Ice Chdlet pd.rents said thev w ere upset at the Wd)' they were D All Y PILOT Corona del Mar businesses and Goldenrod Avenue Recently. a fourth one et up shop JUSt down treated at a Cit; CounctJ meeting t all began with a restroom - continue to grow, but that the street Jan 1S, when the\ d"ked counctJ or rath er t he lack of one. Drawn to the new gathenng members to help Lh'='m Sd\t> the Ice When Starbucks Coffee Co spot. Corona d el M ar resid ents, Chalet officials opened their fust growth is pressing the -seams began to hll u p the com er and Dozens of Ice Chalet skdlers .ind Newport Beach store on East spend more tune hangmg out. With paren ts m tended to '>pea k at th e ICoast Highway in 1992, the cty's of the community that came natural human urges meeting, put the 1SSue was not on the planners had only a vague idea Stdfbucks, concerned for the safe· agenda Mayor Llbby Cowan. w ho about what to expect. ty of both customers and employ· said she was not sure the counctl Foll<s at City Hall envisioned a 165 or so Starbucks stores eJOSted. year. the state alone was dotted ees, closed the store's reslroom for could do anythmg about the doSJ.ng kind of takeout coffee bar, where and they were clustered mainly in with more than 500 stor es. public use. Then the other coffee of a business. allowed three repre­ people would drop m for a quick the Pacific N orthwest. Starbucks Worldwide, the company operates shops, wtuch did mdude restrooms sentatives to speak for three rrunutes shot of caffeine and be on their - and the coffee craze it was part about 3,300 coffee places. for patrons, began experienang a each. way. An employee restroom in the of - would have made good stock A nd i t h asn 't been alon e. stream of pressed coffee fans from After the meeb.ng . som e parents back of the storage room seem ed speculation but little else. O thers, inspll'ed by the company's across the street. said they were so upset the} have appropriate for those few coffee­ So the Corona del Mar outlet success, set up sinuldr gounnet cof · In September 1999, Starbucks' considered tryulg to recall C owan. induced emergencies became one of the hrst 10 stores fee cha.ms. Soon, two more coffee So far, no recall paperwork has been Keep m mind, at the bme, just that opened m Cahforrua. By last places opened near Starbucks at SEE SUCCESS PAGE • hied 11111 Assemblyman John Campbell switches energy bills QA9IDS I OMll'IY FOUi • s • New proposal would cancel fines incurred by big power upon to do so. C amp bell's new bill. wh.ich the The utilities a em blyrnan tS hoping to have llJSTMIUO 2 users, such as Newport Beach-based Conexant Systems. had also induded heard 111 a policy romnuttce meet· MUCllRICl5 1 an •opt·out• lng today, would cAmcel the hnes 'Mii Clnton yanked the bill and repla~ ll with clause, which the and reqwnt th 1--6 to return som. .. 2 0M.V Pt OT a similar piece of Jegtslation. uU.llties comm.is· theu discoun · Campbell introduced the earlier sion froze, fordng Campbell also induded provt· Almost a month aft r mtroduong bill Jan. 29 to nullify a PubUc: Utlli· the compuu to ons th t would ~ Soutbem a bill that would restor the terms of ti Commlaion d on to freeze in 1 ..... rc.mam the pro­ Califonua Editon to proV¥ 30- nll&llO a contract between larger power big pow from exJUng thN gram end i n~ur aunu notice fore asking for a usen and tho utility compdill , rate plans. b ty hn when hutdown and lim1t cans utility Aslemblyman John Campbell (R· Many of lb tat 's h V1 t con· Jolm C...,.,..t lhey ref u d to rouk1 ma k to an 1-6 to one .a lMne) hP .:pulled hh bill olf th s of power bad entered Into butoftt.MUgh dahk tab the 1-6 pion. In which they coWd N wport Beath t'OodU or ln a nearly continuous rootloft, tU a IS ditcOunt on power ln mak r Con ant Syst for Campbell whole diStric1 iDdudes exchange for a proml:te to lbut ~ reCked up S3 mUlioo ~ 8Mcl> and down operations when called penal during January. SU ENERGY M8I 4 I• ) .. ( activities that will run from noon to 3 p.m. in the school's quad. Students from every high ~··EDIJCITION school in the county are invited to attend. Attendees will receive ear­ OCC to host orientation ly registration materials for fall for high school students classes.
Recommended publications
  • Dive 010 - Sea Docs
    Dive 010 - Sea Docs Our last collection of Sea Genre films focusing on the watery realms of The Soundtrack Zone may be classified as films in the Sea Documentary genre or, for short, Sea Docs. Two early examples of scores for a Sea Doc film were those composed by Paul J. Smith for two Walt Disney’s True-Life Adventures films: Beaver Valley (1950) and Prowlers of the Everglades (1953). A Disneyland LP (WDL-4011 – released in 1975) included the following tracks from those two films: Beaver Valley (7:15) - Beaver Valley Theme - Baby Ducks - Beaver Romance - Salmon Run – Otters Prowlers of the Everglades (4:09) - Alligators - Swamp Deluge - Otters And Gators LP In 1956, Walt Disney’s Disneyland WDL-4006 LP presented Paul J. Smith’s score for another True-Life Adventure film, Secrets of Life. One of the album’s suites, “Under The Sea And Along The Shore,” includes several underwater-related tracks: Decorator Crab, Jellyfish, Angler Fish, and Fiddler Crabs (04:21) LP Three years later, in 1959, Walt Disney released a short film titled Mysteries of the Deep (23:55). Three of these films – Beaver Valley, Prowlers of the Everglades, and Mysteries of the Deep are available on DVD (see DVD 1 photo below). Secrets of Life is included on DVD 2 (see photo below). DVD 1 DVD 2 Unfortunately none of the scores for these Walt Disney underwater-related films have been commercially issued on CD. Fortunately, the scores of many subsequent Sea Docs films have been released over the years on LP and/or CD.
    [Show full text]
  • Spirit Adventure
    SPIRITofofof ADVENTURE A MACGILLIVRAY FREEMAN FILM Executive Producers Alvin Townley and Burton Roberts From the Academy Award® nominated producers of EVEREST, the highest-grossing documentary of all time…. …and from the best-selling author of LEGACY OF HONOR…. …comes a motion picture that will reignite a Movement and inspire a nation with Scouting’s SPIRIT OF ADVENTURE. Addressing America’s challenges. As Scouting begins this new century, America needs its programs more than ever – yet too many youth and adults who could benefit from Scouting are not involved. For our country’s sake, Scouting need to reach these individuals. America’s challenges Scouting solutions Personal responsibility Scouts learn to take charge of their lives, make independent choices, and accept responsibility for actions or inactions. Health and fitness Scouting provides the exercise and outdoor activity today’s youth and families need. It develops healthy lifestyle habits. Leadership and motivation Scouting instills leadership skills and personal motivation via goal-oriented training, experiences, and advancement. Broad education Scouting skills and merit badges equip youth with the broad knowledge they need to reach their potential. Character In Scouting, youth find leaders, friends, and communities that instill strong values as they mature into unique individuals. Citizenship and service Scouts adopt principles of collective citizenship, learn about duty to others and our planet, and develop a spirit of service. Mentoring Scouting helps youth build relationships with adults who help them develop into successful young men and women. How can we instill these values in youth and families effectively? Show them Scouting in a new, exciting, and relevant way..
    [Show full text]
  • Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
    MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time.
    [Show full text]
  • The Field Guide to Sponsored Films
    THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House.
    [Show full text]
  • Event Program
    EVENT PROGRAM TWITTER: #GSCA GIANTSCREENCINEMA.COM Program sponsored by i ii NTS TABLE OF CONTENTS TABLE OF CONTENTS TA GSCA Contacts Giant Screen Cinema Association 624 Holly Springs Road, Suite 243 Holly Springs, NC 27540 U.S. giantscreencinema.com 2 Thank You to Our Sponsors facebook.com/giantscreencinema twitter.com/gsca 4 Schedule Find our group on LinkedIn 7 Event Map Tammy Seldon Executive Director 8 New Films Office: 1-919-346-1123 14 Films in Production Mobile: 1-703-855-3699 [email protected] Projects in Development 22 Kelly Germain Director of Membership and 28 Symposium Sessions Communications 30 Session Presenters Office: 1-651-917-1080 Mobile: 1-651-270-4915 [email protected] Advertiser Index Eileen Pheiffer 3D Entertainment Distribution inside front cover Accounting American Museum of Natural History 15 Office: 1-314-725-7020 Mobile: 1-314-708-0448 FotoKem 3 [email protected] Christie 27 GSCA 2, inside back cover ImagesInSound 25 IMAX Corporation 17, back cover Jackson Hole Wildlife Film Festival 40 MacGillivray Freeman Films 20, 21 nWave Pictures Distribution 11 1 YOU THANK YOU THANK YOU THANK YOU THANK With Thanks to Our Event Sponsors Policies PLATINUM SPONSOR Recording and Media Policies Event sessions may be recorded. Audience members are advised that attendance at these sessions gives GSCA their implicit permission to be recorded. Private video or audio recording during film presentations GOLD SPONSOR or professional development sessions is prohibited without prior authorization from GSCA. Industry press has access to all sessions and events. GSCA will not be held responsible for any delegate commentary made in the presence of press/media.
    [Show full text]
  • Carl F. Beyer (818) 399-5239
    CARL F. BEYER (818) 399-5239 RECENT FEATURE PRODUCTION EXPERIENCE PRODUCTION STAR TREK Stop Motion Short for Bad Robot and Paramount Studios. Feb 2012 to May 2012. CONSULTANT David Baronoff and Betsy Megel Studio Execs. PRODUCTION THE PLAYERS CLUB PILOT for CBS and Wesley Morris Entertainment. Feb 2012. MANAGER Directed by Bill Garnett. Produced by Phil Nemy. LINE PARANORMAN for Laika Entertainment and Focus Features. July 2010 to Sept 2011. PRODUCER Directed by Sam Fell and Chris Butler. Produced by Travis Knight. PRODUCTION GLEE 3-D for 20th Centruy Fox. March 2011 to June 2011. CONSULTANT Directed by Kevin Tancheron. VP Production Mike Heard. LINE DIARY OF A WHIMPY KID • Re-Shoot /Test Shoots for 20th Century Fox. February 2010. PRODUCER Directed by Thor Freudenthal. Produced by Nina Jacobson and Brad Simpson. LINE RAMONA • Re-Shoots for 20th Century Fox. January 2009. PRODUCER Directed by Liz Allen. Produced by Denise Di Novi and Alison Greenspan. LINE NEW MOON • Test Shoots for Summit Entertainment. December 2008. PRODUCER Directed by Chris Weitz. Produced by Mark Morgan and Bill Bannerman. Starring Robert Pattinson, Kristen Stewart, Taylor Lautner. LINE THE ROCKER • Re-Shoots for Fox Atomic and 21 Laps. December 2007. PRODUCER Directed by Peter Cattaneo. Produced by Shawn Levy and Tom McNulty. Starring Rainn Wilson, Christina Applegate, Emma Stone, Josh Gad. PRODUCER NASCAR / TEXAS INSTRUMENTS DLP 3D for 3Ality and Octagon, February, 2007. Exec Produced by Steve Scklair. PRODUCER MOMENTS IN NEWS 3D for Cortina Poductions and the Newseum, DC, January, 2006. Directed by Joe Cortina, Exec Produced by Jim Cortina. PRODUCTION U2-3D for 3Ality Digital, January, 2006.
    [Show full text]
  • Political Ecology in Large Format Films: Analyzing
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Political Ecology in Large-Format Films: Analyzing Environmental Representation & Audience Reception of Imax Nature Documentaries Jason Kemmitt Smith Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION POLITICAL ECOLOGY IN LARGE-FORMAT FILMS: ANALYZING ENVIRONMENTAL REPRESENTATION & AUDIENCE RECEPTION OF IMAX NATURE DOCUMENTARIES By JASON KEMMITT SMITH A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 The members of the Committee approve the dissertation of Jason Kemmitt Smith defended on November 13, 2006. ___________________________________ Andy Opel Professor Co-Directing Dissertation ___________________________________ Stephen McDowell Professor Co-Directing Dissertation ___________________________________ Phil Steinberg Outside Committee Member ___________________________________ Donna Nudd Committee Member Approved: _______________________________________________ Stephen McDowell, Chair, Department of Communication _______________________________________________ John Mayo, Dean, College of Communications The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS There are so many people I need to thank because of their support throughout my graduate career. Without their love, understanding, guidance, financial assistance and advice, I would not have been able to complete this project and receive my doctorate. First and foremost, I must express my gratitude for my faith in God, recovery, and the fellowship of Alcoholics Anonymous. Then, I must thank my mother, Suzanne P. Smith. Your undying devotion to your children over the years, while experiencing the loss of your husband and debilitating health has been nothing less than awe-inspiring.
    [Show full text]
  • AFS Year 7 Slate MASTER
    AFS YEAR 7 FILM SLATE "1 AFS 2018-2019 FILM THEMES *Please note that this thematic breakdown includes documentary features, documentary shorts, animated shorts and episodic documentaries American Arts & Culture Entrepreneurism Chasing Trane! Blood, Sweat & Beer! Gentlemen of Vision! Chef Flynn! Honky Tonk Heaven: Legend of the Dealt! Broken Spoke! Ella Brennan: Commanding the Table! Jake Shimabukuro: Life on Four Strings Good Fortune! More Art Upstairs! Knife Skills! Moving Stories! New Chefs on the Block! Obit! One Hundred Thousand Beating Hearts! Restless Creature: Wendy Whelan! Human Rights Score: A Film Music Documentary! STEP! A Shot in the Dark! All-American Family! Disability Rights Bending the Arc! A Shot in the Dark! Cradle! All-American Family! Edith + Eddie! Cradle! I Am Jane Doe! Dealt! The Prosecutors! I’ll Push You! Unrest! Pick of the Litter! LGBTQI Reengineering Sam! Served Like a Girl! In A Heartbeat! Unrest! The S Word: Opening the Conversation Stumped# About Suicide! Stumped! "2 Mental Health Awareness Sports Cradle! A Shot in the Dark! Served Like a Girl! All-American Family! The S Word: Opening the Conversation Baltimore Boys! About Suicide! Born to Lead: The Sal Aunese Story! The Work! Boston: The Documentary! Unrest! Down The Fence! We Breathe Again! Run Mama Run! Skid Row Marathon! The Natural World and Space Take Every Wave: The Life of Laird A Plastic Ocean! Hamilton Above and Beyond: NASA’s Journey to STEM Tomorrow! Frans Lanting: The Evolution of Life! Bombshell: The Hedy Lamarr Story! Mosquito! Dream Big:
    [Show full text]
  • Filmography 1963 Through 2017 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
    MacGillivray Freeman Films Filmography 1963 through 2017 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time.
    [Show full text]
  • EDUCATOR GUIDE EDUCATOR GUIDE Humpback Fun Facts
    Macgillivray Freeman’s presented by pacific life EDUCATOR GUIDE EDUCATOR GUIDE Humpback fun Facts WEIGHT At birth: 1 ton LENGTH Adult: 25 - 50 tons Up to 55 feet, with females larger DIET than males; newborns are Krill, about 15 feet long small fish APPEARANCE LIFESPAN Gray or black, with white markings 50 to 90 years on their undersides THREATS Entanglement in fishing gear, ship strikes, habitat impacts 4 EDUCATOR GUIDE The Humpback Whales Educator Guide, created by MacGillivray Freeman Films Educational Foundation in partnership with MacGillivray Freeman Films and Orange County Community Foundation, is appropriate for all intermediate grades (3 to 8) and most useful when used as a companion to the film, but also valuable as a resource on its own. Teachers are strongly encouraged to adapt activities included in this guide to meet the specific needs of the grades they teach and their students. Activities developed for this guide support Next Generation Science Standards (NGSS), Ocean Literacy Principles, National Geography Standards and Common Core Language Arts (see page 27 for a standards alignment chart). An extraordinary journey into the mysterious world of one of nature’s most awe-inspiring marine mammals, Humpback Whales takes audiences to Alaska, Hawaii and the remote islands of Tonga for an immersive look at how these whales communicate, sing, feed, play and take care of their young. Captured for the first time with IMAX® 3D cameras, and found in every ocean on earth, humpbacks were nearly driven to extinction 50 years ago, but today are making a steady recovery. Join a team of researchers as they unlock the secrets of the humpback and find out what makes humpbacks the most acrobatic of all whales, why they sing their haunting songs, and why these 55-foot, 50-ton animals migrate up to 10,000 miles round-trip every year.
    [Show full text]
  • Films and Videos on Tibet
    FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O.
    [Show full text]
  • Introduction
    INTRODUCTION Looking at various newspapers, magazines and websites over the period 2004 to the present, it becomes apparent that our understanding of the reintroduction of stereoscopy (D3D) is anything but clear. There are disagreements among accounts of D3D regarding its artistic value, and its impact on the entertainment industry and audience. Over the 2004 to the present period, the digital screen period, I have seen D3D cast as an evolutionary step for the industry: ‘Why wouldn’t we want this Darwinian edge in our workplaces, in our sports and entertainment, in all our peak visual experiences?’ (Cameron in Cohen, 2008). I have seen it described as ‘the next great revolution’ of cinema (Giles & Katzenberg, 2010, p. 10) and as a facilitator of art, one that could aid the audience to enter the realm of the on-screen performer (Wenders in James, 2011, p. 22). I have also seen it described as artistically limited, with claims, such as, director, Werner Herzog’s ‘[that] you can shoot a porno film in 3D, but you cannot film a romantic comedy in 3D’ (Herzog in Wigley, 2011, p. 29). Newspaper headlines have described it as a health concern: ‘3D film strikes two movie-goers with bout of motion sickness’ (Helliwell, 2010, p. 2).2 As well, I have seen arguments expounding the idea that stereoscopy’s reintroduction is simply evidence that the popular film industry lacks ideas. For example, popular film critic, Roger Ebert, has argued that D3D was just ‘[a]nother Hollywood infatuation with a technology that was already pointless when their grandfathers played with stereoscopes’ (Ebert, 2010a).
    [Show full text]