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Crystal Anniversary: Nmai Celebrates 15 Years with Gala and Catalog Of
PREVIEWING UPCOMING EXHIBITIONS, EVENTS, SALES AND AUCTIONS OF HISTORIC FINE ART AMrICAN ISSUE 22 July/August 2015 FMAGAZINEI AFA22.indd 2 6/2/15 10:30 AM EVENT PREVIEW: NEWPORT, RI Crystal Anniversary National Museum of American Illustration celebrates 15 years with gala and catalog of Norman Rockwell and His Contemporaries exhibition July 30, 6 p.m. National Museum of American Illustration Vernon Court 492 Bellevue Avenue Newport, RI 02840 t: (401) 851-8949 www.americanillustration.org o commemorate the 15th anniversary of the National TMuseum of American Illustration (NMAI), the museum will host a gala and live auction July 30 in connection with its current exhibition Norman Rockwell and His Contemporaries, running through October 12. The gala features cocktails, dining, dancing and celebrity appearances, while the auction includes work by Rockwell, Maxfield Parrish, and Howard Chandler Christy, among others. An auction highlight is a portrait of former President John F. Kennedy by Rockwell. The illustration was completed for the cover of The Saturday Evening Post and was done during the Cuban missile crisis. By using a three-quarter portrait pose with Kennedy’s chin resting on his hand and a dark background, the artist was able to express the heaviness Norman Rockwell (1894-1978), Portrait of John F. Kennedy, The Saturday Evening Post cover, April 6, of the president’s decisions to the 1963. Oil on canvas, 22 x 18 in., signed lower right. Estimate: $4/6 million viewer. “We lived through it. It was a big The portrait was the second and last Phoebus on Halzaphron, a short story by deal for us. -
Kolenuour Voice Slow the Circles Down Bonim B'yachad
K olenu Our Voice THE BI-MONTHLY NEWSLETTER OF PENINSULA TEMPLE BETH EL Slow the Circles Down Rabbi Dennis J. Eisner In the last few weeks or days how their countless activities keep us busy beyond Tevet/Shevat/Adar many of us have uttered the words belief. It is no wonder that days, months, and 5778 “I cant believe it is already 2018,” years go by at a blistering pace. “It seems like just yesterday we . January/February (you fill in the blank),” or “Where As my son turned 18 and my daughter started 2018 did the time go”? high school I, too, found myself asking where has the time gone and am trying harder and With the advancement of age harder to slow the circle of life down. It is Inside this Issue and technology the hands on blatantly clear to me that if I don’t, I will turn 3 President's our watches and the days on our around one day and my kids will be heading off Message calendars are moving faster and to college, Mandy and I will be contemplating faster and we are having a tougher an empty nest, and the next thing we know we 3 Schedule of and tougher time slowing them down. will be downsizing and preparing for retirement. Shabbat Services Sometimes I just want to yell, “Stop the ride I & Jason Mesches If you are anything like me your datebook want to get off!” Concert is filled months and even sometimes a year in advance. Business trips, lifecycle events, Joni Mitchell sang it best in her iconic song, 4 Shabbat at PTBE holidays, social and work events, caring for 5 Adult Studies aging parents, and schlepping our children to See Rabbi -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
The High Life in Early Twentieth Century America Vintage Magazines List from Oldimprints.Com June 2013
THE HIGH LIFE IN EARLY TWENTIETH CENTURY AMERICA VINTAGE MAGAZINES LIST FROM OLDIMPRINTS.COM JUNE 2013 Glimpse the high life and fixations of the first decades of twentieth century America as depicted within the pages of numerous publications featured in our current listing of Vintage Magazines. Titles include Country Life in America, Harper's Bazaar, Vogue, Shadowland, and Modern Packaging. Become enthralled as you visit "Characteristic Pasadena Homes" in the scarce 1909 magazine- format New Year's Number published by the Pasadena Daily News; the seven page article features black and white images of Pasadena's Arts and Crafts homes and the surrounding landscapes, many with their blue-chip owners duly noted. View the elegant fashions and cars splashed before readers of Harper's Bazaar, luxuries still being consumed in Depression-era America by many of the magazine's tony readers. Explore the advertising pages of Country Life in America , a formidable resource for trends in architecture and the rural life-style of the wealthy (think dogs, horses, and electrical novelties) . _____________________________________________________________________ [49767] McIntosh, Frank (cover illus). Asia. 1926 - 06 (June). June 1926 issue of the magazine, black and white illustrations and ads, 478-575pp, 12 1/4 x 9 inches, pictorial wrappers as issued. Covers lightly worn with vertical creases; interior very good. Asia Magazine. Concord, New Hampshire. 06- 1926. Volume XXVI, Number 6. Articles include "In Red Canton", "New Women of Old Canton", "Veiled Men of the Sahara", etc. Cover illustration "The Princess Badoura" by Frank McIntosh. $45.00 Click here to view this item, with images, on our secure website [49973] ASIA / ENGLAND - LONDON) Ridley, M. -
History That Moves You Forward
HISTORY THAT MOVES YOU FORWARD ANNUAL REPORT 2014 LEADERSHIP The Dallas Holocaust Museum/Center for Education and Tolerance celebrated its 30th CONTENTS anniversary in 2014. We have accomplished so much in the last three decades: moving into our larger space in the West End, preserving the memories of Holocaust survivors and The Dallas Holocaust Museum/Center for Education welcoming more than a million visitors through our doors. and Tolerance is dedicated to preserving the memory Now we enter a new and exciting phase in our history as we prepare to build a permanent facility that will quadruple our space and allow us to accommodate 200,000 visitors annually. of the Holocaust, and to teaching the moral and ethical In 2014, we took a large step forward in reaching this vision through fundraising, expansions in programming and continued attendance growth. More than 65,500 guests visited the response to prejudice, hatred and indifference, for the Museum, representing a 14 percent increase from the previous year. Many of these visitors benefit of all humanity. were drawn by new events such as the Upstander Speaker Series, which brings notable experts from across the world to speak about human rights to our community. We also designed and curated a special exhibit for the first time, ushering in a new era in which our Museum not only teaches the dangers of hate but also contributes to our community's understanding of human rights. Drawn to Action: The Life and Work of Arthur Szyk brought together the works of the great political cartoonist and an analysis of their impact that illustrated how powerful the pen can be in fighting intolerance. -
World War I Posters and the Female Form
WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER Bachelor of Arts in English John Carroll University January, 2003 submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2008 This thesis has been approved for the Department of ART HISTORY and the College of Graduate Studies by ___________________________________________ Thesis Chairperson, Dr. Samantha Baskind _________________________ Department & Date ____________________________________________ Dr. Marian Bleeke ________________________ Department & Date _____________________________________________ Dr. Elizabeth Lehfeldt ___________________________ Department & Date WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER ABSTRACT Like Britain and continental Europe, the United States would utilize the poster to garner both funding and public support during World War I. While war has historically been considered a masculine endeavor, a relatively large number of these posters depict the female form. Although the use of women in American World War I visual propaganda may not initially seem problematic, upon further inspection it becomes clear that her presence often served to promote racial and national pretentiousness. Based on the works of popular pre-war illustrators like Howard Chandler Christy and Charles Dana Gibson, the American woman was the most attractive woman in the in the world. Her outstanding wit, beauty and intelligence made her the only suitable mate for the supposed racially superior American man. With the onset of war, however, the once entertaining romantic scenarios in popular monthlies and weeklies now represented what America stood to lose, and the “American Girl” would make the transition from magazine illustrations to war poster with minimal alterations. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
PRINTS, DRAWINGS, PAINTING and OTHER WORKS on PAPER August 2014
PRINTS, DRAWINGS, PAINTING AND OTHER WORKS ON PAPER August 2014 1. (1948 Campaign Poster) Henry A. Wallace, Glen Taylor and Rockwell Kent. LABOR! VOTE LABOR. American Labor Party Poster for the Presidential campaign of 1948, including the candidacies of Henry A, Wallace for President, Glen Tayor for Vice President and Rockwell Kent for Congress. 17 x 11 inches. Letterpress reading as follows: "LABOR!/Vote Labor/Wallace for President/Taylor for Vice Presdident/Rockwell Kent for Congress/VOTE ROW C/American Labor Party." The candidates were running on the Progressive Party ticket, which was supported by the American Labor Party. Wallace had been Vice President under FDR, Glen Taylor was the incumbent Senator from Idaho (and a former country singer), and Rockwell Kent was, of course a well known artist and author with extremely liberal politcal views; Kent had a dairy farm in AuSable Forks, NY at the time of this campaign, and presumably ran for Congress in the district in which the farm was located. In nice condition, with minor browning at the edges. Very rare. $1500.00 2. Abeles, Sigmund. PHILOSOPHY STUDENT. Wood engraving, not dated. Inscribed "artist proof" and signed in pencil. 9 x 12 inches. In excellent condition. $300.00 3. Abramovitz, Albert (American, born Latvia, 1879-1963). STRIKE. Linoleum cut on wove paper, c. 1930s. Signed in pencil, and monogrammed "AA" in the block. Edition size not known. 11 5/8 x 9 7/8 inches, 321 x 252 mm., plus wide margins. This print is likely one that Aramovitz did for the WPA Federal Arts Project between 1935 and 1939. -
Women of the Bible La Salle University Art Museum
La Salle University La Salle University Digital Commons Art Museum Exhibition Catalogues La Salle University Art Museum 10-1984 Women of the Bible La Salle University Art Museum Daniel Burke F.S.C., Ph.D. La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_catalogues Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation La Salle University Art Museum and Burke, Daniel F.S.C., Ph.D., "Women of the Bible" (1984). Art Museum Exhibition Catalogues. 73. http://digitalcommons.lasalle.edu/exhibition_catalogues/73 This Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has been accepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. I I WOMEN OF THE BIBLE La Salle University Art Museum October 8th - November 30th, 1984 cover illustration: "Jael" by Jan Saenredam (1597-1665), Dutch Engraving Women of the Bible The Old Testament heroines depicted here in prints and paint ings were (with the exception, of course, of Bathsheba and Delilah) faithful and patriotic women of strong religious conviction. As wives, mothers, prophetesses, or soldiers, they raised new genera tions for the fledgling nation of Israel, provided good management and diplomacy in peace, inspiration and leadership in war. Their strength and courage were awesome, at times even barbaric. But it is clear, that for their contemporaries, their ends— to provide for the family, serve God and his people, build the nation of Israel against tremendous odds— justified their means, even though those might on occasion include assassination, seduction, or deceit. -
Lessons in and out of School Mary K
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Fall 2013 Lessons In and Out of School Mary K. Maloney Johnson [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the Art and Design Commons, and the Art Education Commons Recommended Citation Maloney Johnson, Mary K., "Lessons In and Out of School" (2013). Master of Liberal Studies Theses. 57. http://scholarship.rollins.edu/mls/57 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Lessons In and Out of School A Project Submitted in Partial Fulfillment Of the Requirements for the Degree of Masters of Liberal Studies By Mary K Maloney Johnson December, 2013 Mentor: Dr. Joseph Siry Reader: Dr. Sharon Carnahan Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida 1 Lessons In and Out of School Figure 1 Making Friends on the Beach. Watercolor (no date) MK Maloney Johnson 2 Chapters: Thanks… 3 1) Introduction… 4 2) Maloney Life… 7 3) Most Pretentious Inclinations…18 4) Art Teacher… 21 5) Picture Books… 25 6) Antique Examples of Educational Artwork… 30 7) “Collect Them All!”… 36 8) Duchamp and Blindsight… 41 9) Visual Education and the Commercial Ethos… 46 10) Why Art Exists… 49 11) The Miraculous Psyche: Representing the Invisible… 59 12) How to?... 63 13) Why do I paint with vibrant color?.. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939).