DOCSLIB.ORG

Historic Fine Art Auction 03/24/2015 10:14 PM CDT

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Historic Fine Art Auction 03/24/2015 10:14 PM CDT Auction - Historic Fine Art Auction 03/24/2015 10:14 PM CDT Lot Title/Description Lot Title/Description 1 Maurice Sendak ORIGINAL PENCIL STUDY ART 1998 "Hungry Birds" 10 Lalique, France Champs Elysees Crystal Centerpiece, Inspired by Advertisement Design Storyboard With WILD THINGS *See Description Fallen Leaves on the Champs Elysees, Designed 1951 by Marc Lalique, For More!* Etched On Base This lot includes the group offour original pencil studies by Maurice Etched in Script Lalique R France on Base, 7.5''H x 18''W. Sendak shown in the corresponding image(s). These drawings are done 11 Columbia Bicycle Art Poster by A. Romes / 3rd Place Exhibition on his typical frosted acetate drawing paper, the full sheet measuring Competition Poster From 1895 18.5" x 30.5" Backed on Linen/ Maxfield approx8 1/2" x 8 1/2", representing a numbered sequence showing (9) a Parrish Won 1st / nest of baby eaglets with their mouths open, waiting for a parent to drop 400 Designs Submitted by 600 Artists in 1895. This Poster Won 3rd some food in their direction; (11) the falling barefoot boy is caught in the Place. air by the paw of a Wild Thing; (16) Moishe Wild Thing is teaching the 12 Elizabeth "Grandma" Layton (1909-1993) Cinderella Color Lithograph boy how to fly through the clouds; (36) but after all that fun, the boy falls 68/100 SIGNED and Dated asleep in the open paw of a Parrot Wild Thing. The artist has signed his Fairy tales end. Cinderella and her prince get married and live happily name in full "Maurice Sendak" in the lower margin below the final ever after. Not necessarily so. He sits there, glued to the television set. drawing. This is an excellent storyboard that includes original drawings She pouts, feeling neglected. She consoles herself with chocolates, by Mr. Sendak of two different Wild Thing characters.Federal romance novels, and the thought that she is a pretty little thing whose deregulation of the telecommunications market in 1996, along with tiny pink foot slips easily into the treasured glass slipper. Elizabeth emerging technologies, resulted in a series of seven short television 'Grandma' Layton (1909-1993), color lithograph, pencil signed 'Grandma commercials for Bell Atlantic -- here promoting their new Internet Layton 1986' to lower right, edition number 68/100 lower right center. services -- designed by Mr. Sendak and using for the first time his "Wild Depicts an elderly couple, woman wearing a 'Cinderella' tiara, with a Thing" characters for advertising purposes. It was called "Wild Things pedestal and jeweled shoe, plus a Harlequin romance paperback; man Are Happening," and each episode had a particular name and focus. wearing princely coat over a Kansas City Royals uniform - with a This program ran from early 1997 to the end of 1998 and won the highly KC-crowned head, and watching a baseball game through a stone coveted Effie Award given for excellence and marketing effectiveness in window. Created the year following the Royals' World Series victory. advertising as well as a Clio Award for Mr. Sendak. The animated 22.25x 30.25inch full-sheet print in frame. Elizabeth Layton, a native of cartoons were manufactured by a well-known London-based studio Wellsville, Kansas began drawing in 1977 at the age of sixty-eight when following Mr. Sendak's storyboard drawings that were faxed across the she took a drawing class at a local university. In class she learned to Atlantic and discussed over the telephone. As such, it is a charming use the technique of "blind" countour drawing in which the artist looks at pictorial manuscript registered as #2272 in the artist's digital image the paper only for points of reference, concentrating on the subject database register to forever authenticate it reflected in the mirror rather than the line being drawn on the paper. 1A Maurice Sendak BILL CLINTON 1993 INAUGURAL PRINT Signed By Every day Layton worked at creating self-portraits that reflect her Artist *See Description For More Info On This Piece* response to contemporary social issues. That fall, a local newspaper Autographed Clinton 1993 Inaugural Print shown in the corresponding reporter, Don Lambert, was searching for an interesting subject for an image(s). Entitled "A Jubilant Welcome for Our New President and His article, and stumbled upon the class display at the college. Upon Family! From the Children of America, Maurice Sendak and Harper discovering the drawings of this old woman from small-town America, Collins Publishers, January 20, 1993," this original two-color image print Don became her biggest fan and promoter - and to this day continues was commissioned as an official greeting to welcome in the Clinton era. to tirelessly promote her drawings and her story. Layton comes from a The picture was also published in major national newspapers and sent family of writers and journalist and was herself managing editor of her selectively to leading bookshop clients who promote HarperCollins titles, hometown newspaper, The Wellsville Globe. The editorial content of her and possibly given out as a keepsake souvenir at one of the Washington drawings reveals the influence of her journalism background. Following DC inaugural parties. The exact limitation is unknown. The actual a divorce she raised five children, which perhaps explains her empathy image appears to be a duotone from graphite, with red and blue single for those who find themselves in situations beyond their control. She rules surrounding the image area. Caption containing title appears also suffered from bouts of depression for much of her life, which below. This work measures approximately 12 1/2" x 13". This is Mr. caused her to identify with those tormented by the pressures of modern Sendaks only political poster, with portraits of the First Family along with society. Her work dispels the myths and misconceptions of old age. She characters from his yet to be published "We Are All in the Dumps with examines personally and unexpectedly painful subject matter that Jack and Guy" issued later that year. No copies were ever available for rejects the stereotypical image of a grandmother. These drawing reveal commercial sale, nor were prints ever issued autographed, except for the expectations of the wide-eyed child, the young girl filled with vitality, the copy sent to the White House. Maurice Sendak has SIGNED his full the wife and lover, the nurturing parent, and a strong-willed and name in full ink just below the blue printed boarder. The work is in opinionated social activist. Elizabeth Layton was struggling with bi-polar excellent condition. To inspect and acquire more detailed information illness and profound depression when she began contour drawing, and about this lot, please attend our live preview before the auction. art became more than therapy for this Wellsville, Kansas, Native - it 2 Roger Medearis (1920-2001) "Vines and Stone", 1947 Egg Temptura Oil saved her life. Her drawings and writings have enriched the lives of Panel, ORIGINAL SIGNED PAINTING BY MEDEARIS, Framed 15.25 x countless others and have been exhibited at the Smithsonian's National 13.25" Museum of American Art, and in more than 200 art museums and Roger Medearis was a student of Thomas Hart Benton at the Kansas centers throughout the U.S. City Art Institute. The frame was designed by Medearis and has been completely restored by a professional conservator. 3 Hunt Diederich (1884-1953) Matador & Bull or Bullfight, c. 1930's, Cut Paper, 3.25" x 5.5", Signed Lower Right, Framed N/A 4 Frankart Silhouette Lamp L245 Dancing Nude Holds 10'' Disc of Heavy Frosted Glass Which Shields a Light, Green Finish, Marked, Some Nicks to Finish N/A 5 Frankart Art Deco Figural Lamp, L233- Two Nymphs Guard Skyscraper In Amber Glass, Black Finish, Marked, Some Nicks To Finish 13'H N/A 6 Frankart Art Deco Lamp, L229- Nude Holds Round Cylinder of Frosted Crackled Glass With Light Within, Nicks and Some Loss on Metal Finish, Marked N/A 7 Frankart Art Deco Lamp, L211- Two Figureal Nudes Hold 8'' Amber Glass Shade, Marked, Some Nicks to Finish. 20"H N/A 8 Frankart Art Deco Lamp, L271- Nude Gazes Into 5'' Rose Glass Bubble Globe, Marked, Some Marks to Finish. 8 1/2''H N/A 9 Waylande Gregory (1905-1971) Polar Bear Terra Cotta Sculpture, Original Prototype For Gregory Porcelain Bear, Repair To One Ear , 9"H Provenance: Private collection -Ruby Trouw Norman.Trouw purchased directly from the artist. Page 1 Auction - Historic Fine Art Auction 03/24/2015 10:14 PM CDT Lot Title/Description Lot Title/Description 13 Elizabeth "Grandma" Layton (1909-1993) "Censored" Lithograph 25/85 14 Elizabeth "Grandma" Layton (1909-1993) "Now I Can Read" Color SIGNED and Dated 1989 Lithograph 14/38 SIGNED and Dated 1992 "This old woman is bound and gagged and can no longer draw. Her This is one of Elizabeth's social-commentary images, this time on the principles have been X-ed out. I guarantee you she feels like a zilch. In subject of illiteracy. It depicts a woman before and after learning to read. the background, from top left, counter-clockwise; Interstate 70 billboard She is surrounded by pertinent quotes and statistics about literacy. art by Tillie Woodward, of a Nazi soldier hanging two Russian resistance Elizabeth 'Grandma' Layton (1909-1993), pencil signed 'Grandma fighters, which was censored and plastered over June 5, 1985; the Layton '92' to lower right corner, edition number 14/38. 33.25 x 24inch Goddess of Liberty falling broken in China's Tianemen Square; a pile of image field, then framed. Elizabeth Layton, a native of Wellsville, the old woman's drawings torn up and censored; quotation, "The first Kansas began drawing in 1977 at the age of sixty-eight when she took a exception (to the First Amendment) will not be the last"--Ira Glasser; drawing class at a local university.
Load more

Recommended publications
  • Crystal Anniversary: Nmai Celebrates 15 Years with Gala and Catalog Of
    PREVIEWING UPCOMING EXHIBITIONS, EVENTS, SALES AND AUCTIONS OF HISTORIC FINE ART AMrICAN ISSUE 22 July/August 2015 FMAGAZINEI AFA22.indd 2 6/2/15 10:30 AM EVENT PREVIEW: NEWPORT, RI Crystal Anniversary National Museum of American Illustration celebrates 15 years with gala and catalog of Norman Rockwell and His Contemporaries exhibition July 30, 6 p.m. National Museum of American Illustration Vernon Court 492 Bellevue Avenue Newport, RI 02840 t: (401) 851-8949 www.americanillustration.org o commemorate the 15th anniversary of the National TMuseum of American Illustration (NMAI), the museum will host a gala and live auction July 30 in connection with its current exhibition Norman Rockwell and His Contemporaries, running through October 12. The gala features cocktails, dining, dancing and celebrity appearances, while the auction includes work by Rockwell, Maxfield Parrish, and Howard Chandler Christy, among others. An auction highlight is a portrait of former President John F. Kennedy by Rockwell. The illustration was completed for the cover of The Saturday Evening Post and was done during the Cuban missile crisis. By using a three-quarter portrait pose with Kennedy’s chin resting on his hand and a dark background, the artist was able to express the heaviness Norman Rockwell (1894-1978), Portrait of John F. Kennedy, The Saturday Evening Post cover, April 6, of the president’s decisions to the 1963. Oil on canvas, 22 x 18 in., signed lower right. Estimate: $4/6 million viewer. “We lived through it. It was a big The portrait was the second and last Phoebus on Halzaphron, a short story by deal for us.
    [Show full text]
  • Kolenuour Voice Slow the Circles Down Bonim B'yachad
    K olenu Our Voice THE BI-MONTHLY NEWSLETTER OF PENINSULA TEMPLE BETH EL Slow the Circles Down Rabbi Dennis J. Eisner In the last few weeks or days how their countless activities keep us busy beyond Tevet/Shevat/Adar many of us have uttered the words belief. It is no wonder that days, months, and 5778 “I cant believe it is already 2018,” years go by at a blistering pace. “It seems like just yesterday we . January/February (you fill in the blank),” or “Where As my son turned 18 and my daughter started 2018 did the time go”? high school I, too, found myself asking where has the time gone and am trying harder and With the advancement of age harder to slow the circle of life down. It is Inside this Issue and technology the hands on blatantly clear to me that if I don’t, I will turn 3 President's our watches and the days on our around one day and my kids will be heading off Message calendars are moving faster and to college, Mandy and I will be contemplating faster and we are having a tougher an empty nest, and the next thing we know we 3 Schedule of and tougher time slowing them down. will be downsizing and preparing for retirement. Shabbat Services Sometimes I just want to yell, “Stop the ride I & Jason Mesches If you are anything like me your datebook want to get off!” Concert is filled months and even sometimes a year in advance. Business trips, lifecycle events, Joni Mitchell sang it best in her iconic song, 4 Shabbat at PTBE holidays, social and work events, caring for 5 Adult Studies aging parents, and schlepping our children to See Rabbi
    [Show full text]
  • 2001 Great Plains Prairie
    2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S.
    [Show full text]
  • The Illustration Game: Quotes & Notes
    Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background.
    [Show full text]
  • The High Life in Early Twentieth Century America Vintage Magazines List from Oldimprints.Com June 2013
    THE HIGH LIFE IN EARLY TWENTIETH CENTURY AMERICA VINTAGE MAGAZINES LIST FROM OLDIMPRINTS.COM JUNE 2013 Glimpse the high life and fixations of the first decades of twentieth century America as depicted within the pages of numerous publications featured in our current listing of Vintage Magazines. Titles include Country Life in America, Harper's Bazaar, Vogue, Shadowland, and Modern Packaging. Become enthralled as you visit "Characteristic Pasadena Homes" in the scarce 1909 magazine- format New Year's Number published by the Pasadena Daily News; the seven page article features black and white images of Pasadena's Arts and Crafts homes and the surrounding landscapes, many with their blue-chip owners duly noted. View the elegant fashions and cars splashed before readers of Harper's Bazaar, luxuries still being consumed in Depression-era America by many of the magazine's tony readers. Explore the advertising pages of Country Life in America , a formidable resource for trends in architecture and the rural life-style of the wealthy (think dogs, horses, and electrical novelties) . _____________________________________________________________________ [49767] McIntosh, Frank (cover illus). Asia. 1926 - 06 (June). June 1926 issue of the magazine, black and white illustrations and ads, 478-575pp, 12 1/4 x 9 inches, pictorial wrappers as issued. Covers lightly worn with vertical creases; interior very good. Asia Magazine. Concord, New Hampshire. 06- 1926. Volume XXVI, Number 6. Articles include "In Red Canton", "New Women of Old Canton", "Veiled Men of the Sahara", etc. Cover illustration "The Princess Badoura" by Frank McIntosh. $45.00 Click here to view this item, with images, on our secure website [49973] ASIA / ENGLAND - LONDON) Ridley, M.
    [Show full text]
  • History That Moves You Forward
    HISTORY THAT MOVES YOU FORWARD ANNUAL REPORT 2014 LEADERSHIP The Dallas Holocaust Museum/Center for Education and Tolerance celebrated its 30th CONTENTS anniversary in 2014. We have accomplished so much in the last three decades: moving into our larger space in the West End, preserving the memories of Holocaust survivors and The Dallas Holocaust Museum/Center for Education welcoming more than a million visitors through our doors. and Tolerance is dedicated to preserving the memory Now we enter a new and exciting phase in our history as we prepare to build a permanent facility that will quadruple our space and allow us to accommodate 200,000 visitors annually. of the Holocaust, and to teaching the moral and ethical In 2014, we took a large step forward in reaching this vision through fundraising, expansions in programming and continued attendance growth. More than 65,500 guests visited the response to prejudice, hatred and indifference, for the Museum, representing a 14 percent increase from the previous year. Many of these visitors benefit of all humanity. were drawn by new events such as the Upstander Speaker Series, which brings notable experts from across the world to speak about human rights to our community. We also designed and curated a special exhibit for the first time, ushering in a new era in which our Museum not only teaches the dangers of hate but also contributes to our community's understanding of human rights. Drawn to Action: The Life and Work of Arthur Szyk brought together the works of the great political cartoonist and an analysis of their impact that illustrated how powerful the pen can be in fighting intolerance.
    [Show full text]
  • World War I Posters and the Female Form
    WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER Bachelor of Arts in English John Carroll University January, 2003 submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2008 This thesis has been approved for the Department of ART HISTORY and the College of Graduate Studies by ___________________________________________ Thesis Chairperson, Dr. Samantha Baskind _________________________ Department & Date ____________________________________________ Dr. Marian Bleeke ________________________ Department & Date _____________________________________________ Dr. Elizabeth Lehfeldt ___________________________ Department & Date WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER ABSTRACT Like Britain and continental Europe, the United States would utilize the poster to garner both funding and public support during World War I. While war has historically been considered a masculine endeavor, a relatively large number of these posters depict the female form. Although the use of women in American World War I visual propaganda may not initially seem problematic, upon further inspection it becomes clear that her presence often served to promote racial and national pretentiousness. Based on the works of popular pre-war illustrators like Howard Chandler Christy and Charles Dana Gibson, the American woman was the most attractive woman in the in the world. Her outstanding wit, beauty and intelligence made her the only suitable mate for the supposed racially superior American man. With the onset of war, however, the once entertaining romantic scenarios in popular monthlies and weeklies now represented what America stood to lose, and the “American Girl” would make the transition from magazine illustrations to war poster with minimal alterations.
    [Show full text]
  • NGA | 2017 Annual Report
    N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M.
    [Show full text]
  • PRINTS, DRAWINGS, PAINTING and OTHER WORKS on PAPER August 2014
    PRINTS, DRAWINGS, PAINTING AND OTHER WORKS ON PAPER August 2014 1. (1948 Campaign Poster) Henry A. Wallace, Glen Taylor and Rockwell Kent. LABOR! VOTE LABOR. American Labor Party Poster for the Presidential campaign of 1948, including the candidacies of Henry A, Wallace for President, Glen Tayor for Vice President and Rockwell Kent for Congress. 17 x 11 inches. Letterpress reading as follows: "LABOR!/Vote Labor/Wallace for President/Taylor for Vice Presdident/Rockwell Kent for Congress/VOTE ROW C/American Labor Party." The candidates were running on the Progressive Party ticket, which was supported by the American Labor Party. Wallace had been Vice President under FDR, Glen Taylor was the incumbent Senator from Idaho (and a former country singer), and Rockwell Kent was, of course a well known artist and author with extremely liberal politcal views; Kent had a dairy farm in AuSable Forks, NY at the time of this campaign, and presumably ran for Congress in the district in which the farm was located. In nice condition, with minor browning at the edges. Very rare. $1500.00 2. Abeles, Sigmund. PHILOSOPHY STUDENT. Wood engraving, not dated. Inscribed "artist proof" and signed in pencil. 9 x 12 inches. In excellent condition. $300.00 3. Abramovitz, Albert (American, born Latvia, 1879-1963). STRIKE. Linoleum cut on wove paper, c. 1930s. Signed in pencil, and monogrammed "AA" in the block. Edition size not known. 11 5/8 x 9 7/8 inches, 321 x 252 mm., plus wide margins. This print is likely one that Aramovitz did for the WPA Federal Arts Project between 1935 and 1939.
    [Show full text]
  • Women of the Bible La Salle University Art Museum
    La Salle University La Salle University Digital Commons Art Museum Exhibition Catalogues La Salle University Art Museum 10-1984 Women of the Bible La Salle University Art Museum Daniel Burke F.S.C., Ph.D. La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/exhibition_catalogues Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation La Salle University Art Museum and Burke, Daniel F.S.C., Ph.D., "Women of the Bible" (1984). Art Museum Exhibition Catalogues. 73. http://digitalcommons.lasalle.edu/exhibition_catalogues/73 This Book is brought to you for free and open access by the La Salle University Art Museum at La Salle University Digital Commons. It has been accepted for inclusion in Art Museum Exhibition Catalogues by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. I I WOMEN OF THE BIBLE La Salle University Art Museum October 8th - November 30th, 1984 cover illustration: "Jael" by Jan Saenredam (1597-1665), Dutch Engraving Women of the Bible The Old Testament heroines depicted here in prints and paint­ ings were (with the exception, of course, of Bathsheba and Delilah) faithful and patriotic women of strong religious conviction. As wives, mothers, prophetesses, or soldiers, they raised new genera­ tions for the fledgling nation of Israel, provided good management and diplomacy in peace, inspiration and leadership in war. Their strength and courage were awesome, at times even barbaric. But it is clear, that for their contemporaries, their ends— to provide for the family, serve God and his people, build the nation of Israel against tremendous odds— justified their means, even though those might on occasion include assassination, seduction, or deceit.
    [Show full text]
  • Lessons in and out of School Mary K
    Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Fall 2013 Lessons In and Out of School Mary K. Maloney Johnson [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the Art and Design Commons, and the Art Education Commons Recommended Citation Maloney Johnson, Mary K., "Lessons In and Out of School" (2013). Master of Liberal Studies Theses. 57. http://scholarship.rollins.edu/mls/57 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Lessons In and Out of School A Project Submitted in Partial Fulfillment Of the Requirements for the Degree of Masters of Liberal Studies By Mary K Maloney Johnson December, 2013 Mentor: Dr. Joseph Siry Reader: Dr. Sharon Carnahan Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida 1 Lessons In and Out of School Figure 1 Making Friends on the Beach. Watercolor (no date) MK Maloney Johnson 2 Chapters: Thanks… 3 1) Introduction… 4 2) Maloney Life… 7 3) Most Pretentious Inclinations…18 4) Art Teacher… 21 5) Picture Books… 25 6) Antique Examples of Educational Artwork… 30 7) “Collect Them All!”… 36 8) Duchamp and Blindsight… 41 9) Visual Education and the Commercial Ethos… 46 10) Why Art Exists… 49 11) The Miraculous Psyche: Representing the Invisible… 59 12) How to?... 63 13) Why do I paint with vibrant color?..
    [Show full text]
  • SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
    SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939).
    [Show full text]