The San Bartolo Regional Archaeological Project: Results of the Third Field Season 20041

Total Page:16

File Type:pdf, Size:1020Kb

The San Bartolo Regional Archaeological Project: Results of the Third Field Season 20041 The San Bartolo Regional Archaeological Project: Results of the Third Field Season 20041 WILLIAM A. SATURNO MÓNICA URQUIZÚ The first two field seasons of our project in 2002 and located further areas with mounds, chultuns, and 2003 disclosed the importance of San Bartolo and its terraces, which will be investigated in future years. cultural value to Guatemala. Continuing investigations in the current season have provided further details on Reconnaissance chronology, architecture, and artwork, reinforcing many of the findings of the previous year. This year’s reconnaissance team was directed by Thomas In this season, work continued on the Pinturas Garrison. The site map of San Bartolo was expanded to and Ventanas pyramids and the Tigrillo palace, while include new areas, like the Jabalí group, while previously new excavations were begun in the Main Plaza and the mapped sections were corrected following excavations, Las Plumas group, located southeast of the Causeway. as in the Las Plumas group, as well as the Ventanas and The Jabalí group to the northeast of the site was Tigrillo structures. also investigated for the first time, as well as a lithics A second area of interest for the reconnaissance team was the intersite zone between San Bartolo and workshop located in a residential area northeast of 2 Ventanas (Figure 1). Xultun. In this 25 km area, a ten percent sample is being mapped. Using satellite images from NASA, a series of 250 m2 quadrangles have been plotted and designated Excavations in Chaj K’ek’ Cue for detailed reconnaissance using high-resolution GPS This year the regional component of the San Bartolo and a total station. The team, consisting of students from project included excavations at the site of Chaj K’ek’ various universities in the U.S. and Jose Garrido López Cue. While ground-testing satellite imagery in the of Guatemala, mapped 25% of the sample area this 2003 field season, the reconnaissance team mapped the season. These efforts will be followed up in the future majority of this site, which is located on the shore of the with a more intensive mapping. The goal of the intersite Bajo Azúcar, three kilometers southeast of San Bartolo. study is to understand population dynamics during the The site has the potential to provide information on Preclassic–Classic transition, using reconnaissance data ancient adaptations to the regional landscape. and test pitting. Excavations in Structure A revealed a floor with a Finally, specialists in mapping and satellite imagery level of remodeling without fill. The east and west walls at NASA verified the data obtained in the field, were located, as well as a small plaza to the east of the comparing it to their satellite images. structure. The majority of the ceramics were dated to the Late Classic but also included some Late Preclassic Ceramic Analysis sherds. It seems that the structure was built in the Late Classic using Late Preclassic materials in some of the fill. This was undertaken by Patricia Rivera. The site’s Concurrent with this excavation, GPS reconnaissance occupation begins in the Middle Preclassic and extends to the Terminal Classic. Preliminary analysis identified 1 17 complete vessels, eight from excavations and nine This article is a translation of Mónica Urquizú and William A. Saturno, 2005, Proyecto Arqueológico Regional San Bartolo, Petén: from reconnaissance. From the first group, six were resultados de la tercera temporada de campo 2004, in XVIII Simposio assigned to the Late Preclassic and two to the Late de Investigaciones Arqueológicas en Guatemala, 2004, edited by Juan Classic, while all of the vessels from reconnaissance date Pedro Laporte, Bárbara Arroyo, Héctor L. Escobedo, Héctor E. to the Late Classic. Mejía, v. 1, pp. 283-290. Ministerio de Cultura y Deportes; Instituto The ceramic sample obtained shows a different de Antropología e Historia; Asociación Tikal; Foundation for the surface finish in the three largest structures investigated, Advancement of Mesoamerican Studies, Guatemala. Pinturas, Ventanas, and the Palace. Late Classic material 4 The PARI Journal 13(3), 2013, 4-11. 88 A 87 A 89 B 86 85 90 N Ventanas Grou p 92 83 84 91 C 20 D B 81 E 82 C C A 79 B 19 21 22 78 B 14 15 Contour Interval: 2m 80 D 23 B D 77 A 76 26 A 0 50 100m 70 69 25 24 A Pinturas Group 74 75 66 67 13 30 28 73 68 71 27 72 29 A 65 M. 5 St. 1 Ag. 2 10 St. 3 33 60 St. 2 31 32 9 Ag. 1 35 6 Ag. 3 8 M. 3 Ag. 4 34 12 61 M. 2 M. 4 7 M. 1 5 64 62 63 59 4 36 37 1 58 57 Sinkhole 38 3 39 41 Ag. 5 2 40 42 11 43 56 C B 44 D A E B M. 6 A 94 93 55 96 A C B C B 95 16 D A A 45 E 47 A 50 A St. 4 97 48 51 49 98 46 52 17 M. 7 A B Limestone Quarry 99 53 18 101 100 102 C B 103 54 D A Figure 1. Map of the San Bartolo archaeological site. was not found in these structures, only in the residential Excavations in the Jabalí Group areas. Here a broad typological pattern extends from The Grupo Jabalí is located 470 m west of the Ventanas the Late Preclassic to the Late Classic. It is hoped that pyramid. This is an architectural complex of the Triadic an investigation focused on technological function form, with a Late Classic occupation. It was discovered and raw materials will lead to an understanding of through NASA satellite photographs in 2003. Its the development and specialization of the artisans architectural characteristics are similar to those of other manufacturing these ceramics. contemporaneous sites like Group H at Uaxactun, the Figure 3.Ð Plan of San Bartolo, illustrating the V entanas Northand Pinturas Acropolis Groups at Tikal, . and the Danta complex at El Study of Lithic Artifacts Mirador. During the 2004 field season the study of San Bartolo’s This work was carried out by Mónica Pellecer. The lithic artifacts was initiated by Joshua Kwoka, who group comprises a platform with inset stairways on its discovered a lithic workshop in the vicinity of Structure east side supporting three structures with a central patio. 86, about 150 m north of the Ventanas pyramid. The building with the biggest dimensions (Structure A) Excavations concentrated on a trash deposit next to is found on the west, on top of an elongated platform Structure 86. Analysis of this material should throw light with a central stairway and corners formed by lateral on the manufacture of tools as well as the quantity of stairways. The structure and its platform are oriented lithic artifacts produced at the site. Future investigations east-west. Its northern and southern sectors underwent will focus on the excavation of Structure 86 and the a series of remodelings, probably during the Classic platform beside it (designated Structure 87), as well as period. the low, L-shaped Structure 85, also in this group. One of the most interesting finds in this group 5 Saturno and Urquizú N 0 5 m Figure 2. North-south profile of the of the Ventanas pyramid. resulted from an excavation in which Mónica Pellecer covered with a thick coating of stucco, which remains in was assisted by Julio Cotón. It involved a ritual deposit a good state of preservation. composed of two stuccoed walls sloped like taluds, The alfarda of the pyramid’s stairway was partially with a slight depression in the central space between uncovered and observed to be similar to that of Structure them. E-VII-Sub at Uaxactun. Masks that had once decorated the second terrace of the building were found to be Test Pitting in the Central Plaza destroyed (Figure 3). In addition to the work of filling in looters’ tunnels, A program of test pitting was undertaken in the various test pits were sunk in order to find the second Central Plaza to obtain ceramic material in order to and fourth construction phases. The interior of a determine its chronology, as well as to identify the looters’ tunnel in the middle of the pyramid’s base was different construction phases and remodelings and the investigated. There tunnels were excavated on east– plaza’s association with the different structures and west and north–south axes in order to find the second their function. This work was done by Boris Beltrán construction phase of the pyramid. with the assistance of Hugo Ortiz. The test pits were Other test pits were sunk to locate the building’s initially oriented to the cardinal directions, digging near corners and a portion of the stairway of the final each of the structures which surround the plaza. The construction phase. The presence of lateral stairways investigation located thirteen distinct levels of plaza flanking the central stairway was verified. And flooring on average, of which eight were remodelings. the building’s corners were found to have insets. The preliminary analysis of the majority of the material Investigation will continue in the future in order to recovered from the excavations pertains to the Late completely understand the architecture of the final Preclassic. phase and probe for other masks within earlier versions of the facade. Ventanas Pyramid There excavations were conducted by Mónica Urquizú Tigrillo Palace in collaboration with Orlando Moreno (Figure 2). Test This year saw continuing investigations of the Tigrillo pits detected the presence of architecture comprising palace complex, located along the west side of the a platform with apron molding, without a temple on Great Plaza to the southeast of the Ventanas pyramid.
Recommended publications
  • Universidad De San Carlos De Guatemala Escuela De Historia Carrera De Arqueología
    UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA CARRERA DE ARQUEOLOGÍA “Hunahpu, un complejo conmemorativo del Preclásico Medio del sitio arqueológico San Bartolo, Flores, Petén” BORIS FERNANDO BELTRÁN MORÁN Nueva Guatemala de la Asunción, Guatemala, C.A. Septiembre de 2015 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA CARRERA DE ARQUEOLOGÍA “Hunahpu, un complejo conmemorativo del Preclásico Medio del sitio arqueológico San Bartolo, Flores, Petén” T E S I S Presentada por: BORIS FERNANDO BELTRÁN MORÁN Previo a conferírsele el título de ARQUEÓLOGO En el grado académico de: LICENCIADO Nueva Guatemala de la Asunción, Guatemala, C.A. Septiembre de 2015 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AUTORIDADES UNIVERSITARIAS RECTOR: Dr. Carlos Guillermo Alvarado Cerezo SECRETARIO: Dr. Carlos Camey AUTORIDADES DE LA ESCUELA DE HISTORIA DIRECTOR: Dra. Artemis Torres Valenzuela SECRETARIO: Licda. Olga Pérez CONSEJO DIRECTIVO DIRECTOR: Dra. Artemis Torres Valenzuela SECRETARIO: Licda. Olga Pérez VOCAL I: Dra. Tania Sagastume VOCAL II: Licda. María Laura Jiménez Chacón VOCAL III: Licda. Zoila Rodríguez Girón VOCAL IV: Amalia Judith Tzunux Sanic VOCAL V: Byron Anderson Chivalán ASESORA DE TESIS Licda. Mónica Claudina Urquizú Sánchez COMITÉ DE TESIS Dr. Héctor Escobedo Lic. Héctor Mejía “Los autores serán responsables de las opiniones o criterios expresados en su obra”. Capítulo V, Arto. 11 del Reglamento del Consejo Editorial de la Universidad de San Carlos de Guatemala. Dedicatoria A mis Padres Fernando Beltrán y Reginalda Morán (+) por guiarme en la vida, enseñarme a dar sin esperar recibir, de hacer cosas buenas porque a la postre vendrán cosas buenas y a disfrutar de lo maravilloso que es compartir la vida sin importar la situación.
    [Show full text]
  • Architecture at San Bartolo, El Peten, Guatemala: Object and Subject
    Originalni nauni rad UDK: 72.031.2(=821.173)(728.1) 1 Sanja Savki& Belgrade, Serbia ARCHITECTURE AT SAN BARTOLO, EL PETEN, GUATEMALA: OBJECT AND SUBJECT Abstract: Certain ancient Maya architectural patterns had multiple meanings and symbolic functions. They were designed not simply as static monuments to demon- strate the power of their patrons, but as places for the performance of transcendent events that linked those rulers to their constituencies – ancestors and gods likewise. Moreover, when ritually activated, they could acquire existential status, by providing the object with agency, meaning, and its own point of view, thus annulling the su- bject-object dichotomy, which is in accordance with the magical-mythic beliefs of their makers. At San Bartolo, located in the north-east of the Guatemalan state El Pe- ten, around the year 100 BC there was an architectural complex that incarnated some Maya ideas regarding the universe, its cosmogony, and the role of the human beings. Key words: San Bartolo, Maya architecture, existential status of images, mountain- cave complex, quatrefoil motif. The objective of this paper2 is to substantiate that the sixth architectural pha- se3 (of eight in total) of Las Pinturas Pyramid4 or Structure 1 (ca. 100 BC) at San Bartolo, located in Guatemalan state of El Peten, can be interpreted as a co- smogram which displays the ancient Maya conceptualization of space materiali- zed in a particular architectural pattern. This cosmogram refers to the spatial or- dering of the universe in three levels (as seen vertically), perceived as the under- world, the Earth’s surface, and the upper or celestial world.
    [Show full text]
  • High-Precision Radiocarbon Dating of Political Collapse and Dynastic Origins at the Maya Site of Ceibal, Guatemala
    High-precision radiocarbon dating of political collapse and dynastic origins at the Maya site of Ceibal, Guatemala Takeshi Inomata (猪俣 健)a,1, Daniela Triadana, Jessica MacLellana, Melissa Burhama, Kazuo Aoyama (青山 和夫)b, Juan Manuel Palomoa, Hitoshi Yonenobu (米延 仁志)c, Flory Pinzónd, and Hiroo Nasu (那須 浩郎)e aSchool of Anthropology, University of Arizona, Tucson, AZ 85721-0030; bFaculty of Humanities, Ibaraki University, Mito, 310-8512, Japan; cGraduate School of Education, Naruto University of Education, Naruto, 772-8502, Japan; dCeibal-Petexbatun Archaeological Project, Guatemala City, 01005, Guatemala; and eSchool of Advanced Sciences, Graduate University for Advanced Studies, Hayama, 240-0193, Japan Edited by Jeremy A. Sabloff, Santa Fe Institute, Santa Fe, NM, and approved December 19, 2016 (received for review October 30, 2016) The lowland Maya site of Ceibal, Guatemala, had a long history of resolution chronology may reveal a sequence of rapid transformations occupation, spanning from the Middle Preclassic period through that are comprised within what appears to be a slow, gradual transi- the Terminal Classic (1000 BC to AD 950). The Ceibal-Petexbatun tion. Such a detailed understanding can provide critical insights into Archaeological Project has been conducting archaeological inves- the nature of the social changes. Our intensive archaeological inves- tigations at this site since 2005 and has obtained 154 radiocarbon tigations at the center of Ceibal, Guatemala, have produced 154 ra- dates, which represent the largest collection of radiocarbon assays diocarbon dates, which represent the largest set of radiocarbon assays from a single Maya site. The Bayesian analysis of these dates, ever collected at a Maya site.
    [Show full text]
  • 59 San Bartolo, Petén: Late Preclassic Techniques Of
    59 SAN BARTOLO, PETÉN: LATE PRECLASSIC TECHNIQUES OF MURAL PAINTING Heather Hurst Keywords: Maya archaeology, Maya art, Guatemala, Petén, San Bartolo, mural painting, artistic techniques, painters, artists, Late Preclassic period Like the artist in charge of drawings for the San Bartolo Archaeological Project, the murals of San Bartolo have been documented as faithfully as possible through scale drawings and watercolor paintings. The illustration process presented me with the opportunity to conduct a very detailed observation of both the pictorial technique and the style of the San Bartolo artists. Just like modern artists copy the works of Rembrandt and Michelangelo to get acquainted with their techniques, in the San Bartolo murals every line, color, figure and even paint drops were copied, providing an opportunity to study the Maya masters of the Late Preclassic period. Now, all observations will be presented in regard to the preparation of walls, the design, the composition, the pictorial technique and the style of the San Bartolo murals. PREPARATION OF WALLS Structure Sub-1 in Las Pinturas was conceived and built as a unitary addition to the east side of the mound (Figure 1). The structure was specifically designed to be painted with murals and intended to be easily seen. Las Pinturas Sub-1 is a single, open room with three main doorways in the façade and two secondary ones at the sides. The walls climb until they form a curvature similar to the springing of a vault, but it is known that this room was not vaulted. Instead, the walls continue climbing vertically until they form a frieze that protrudes slightly from the walls and surrounds the four sides of the room, and on which the murals were painted.
    [Show full text]
  • Forests, Fields, and the Edge of Sustainability at the Ancient Maya City of Tikal
    Forests, fields, and the edge of sustainability at the ancient Maya city of Tikal David L. Lentza,1, Nicholas P. Dunningb, Vernon L. Scarboroughc, Kevin S. Mageeb, Kim M. Thompsona, Eric Weaverb, Christopher Carrb, Richard E. Terryd, Gerald Islebee, Kenneth B. Tankersleyc, Liwy Grazioso Sierraf, John G. Jonesg, Palma Buttlesh, Fred Valdezi, and Carmen E. Ramos Hernandezj aDepartment of Biological Sciences, bDepartment of Geography, and cDepartment of Anthropology, University of Cincinnati, Cincinnati, OH 45221; dDepartment of Plant and Wildlife Sciences, Brigham Young University, Provo, UT 84602; eEl Colegio de la Frontera Sur, Unidad Chetumal Herbario, Chetumal, AP 424 Quintana Roo, Mexico; fLa Escuela de Historia, Universidad de San Carlos de Guatemala, Guatemala City, 01012 Guatemala; gArchaeological Consulting Services, Ltd., Tempe, AZ 85282; hSoftware Engineering Institute, Carnegie Mellon University, Pittsburgh, PA 15213; iDepartment of Anthropology, University of Texas, Austin, TX 78712; and jDepartamento de Monumentos Prehispanicos, Instituto de Antropología e Historia de Guatemala, Guatemala City, 01001 Guatemala Edited by B. L. Turner, Arizona State University, Tempe, AZ, and approved November 7, 2014 (received for review May 9, 2014) Tikal has long been viewed as one of the leading polities of the Superimposing the Voronoi Diagram over satellite images of ancient Maya realm, yet how the city was able to maintain its modern Tikal (2, 3) (Fig. 1), which is mostly forested today, substantial population in the midst of a tropical forest environ- reveals that ∼850 km2 is upland tropical forest habitat and 250 † ment has been a topic of unresolved debate among researchers for km2 is seasonal wetland or bajo (4).
    [Show full text]
  • MAYA MURALS When These Extremely Detailed Murals Were Preservation
    MAYA MURALS When these extremely detailed murals were Preservation. Although less than 5 percent of the BONAMPAK, MEXICO panions to the jungle-shrouded ruins they knew are the most complete Maya wall paintings from who dedicated themselves to maintaining the ritu- himself—who were privileged enough to sit upon a new, modern, “people’s art” garnered interna- RECORDING THE uncovered, scholars found that both the art of murals had been exposed by the looters when to house ancient paintings. Photographs of the the late Classic period (600–900 c.e.), and they al calendar. But the Bonampak artists painted a the benchlike thrones. tional attention and inspired the Chicano Mural SAN BARTOLO, GUATEMALA painting and the Maya’s complex creation story, Saturno found them, the tunnel the looters dug Nestled deep within the forests of Chiapas, murals soon appeared in newspaper articles and provide an unparalleled view of courtly life and different picture: one that emphasized a politically Movement of the 1960s and 1970s, particularly MURALS which justifi ed the king’s divine right to rule, severely undercut the paintings, causing some Mexico, the small Maya site of Bonampak is home in the pages of Life magazine, causing a world- military practice among the ancient Maya, pre- savvy and militarily accomplished society. Preservation. Since Giles Healey’s fi rst visit to the in southern California, Arizona, and Texas—and Archaeologists are using new and traditional While exploring in the Guatemalan rainfor- were well-established centuries earlier than previ- painted plaster to fall from the walls. Saturno, col- to one of the most magnifi cent artistic creations wide sensation.
    [Show full text]
  • Early Maya Writing at San Bartolo, Guatemala William A
    Early Maya Writing at San Bartolo, Guatemala William A. Saturno,1* David Stuart,2 Boris Beltrán3 1Department of Anthropology, University of New Hampshire, Durham, NH 03824, USA. 2Department of Art and Art History, University of Texas at Austin, Austin, TX 78712, USA. 3Escuela de Historia, Universidad de San Carlos, Guatemala City, Guatemala. *To whom correspondence should be addressed. E-mail: [email protected] The ruins of San Bartolo, Guatemala, contain a sample of the Sub-V phase. The approximately 4-m high Sub-V Maya hieroglyphic writing dating to the Late Preclassic platform extends 28 x 12 m at its base and supported three period (400 BC to 200 AD). The writing appears on separate masonry rooms. The 2005 excavations established preserved painted walls and plaster fragments buried that its central room was richly decorated and painted with within the pyramidal structure known as “Las Pinturas,” polychrome murals. The surviving doorjamb bears a colorful which was constructed in discrete phases over several image of the Maize God, who is a central character in the centuries. Samples of carbonized wood that are closely mythological scenes of the later Room 1 murals (4). The line associated with the writing have calibrated radiocarbon of script was possibly associated with this religiously themed dates of 200 to 300 BC. This early Maya writing implies scenery, but its original placement within the room is that a developed Maya writing system was in use uncertain. centuries earlier than previously thought, approximating We obtained accelerator mass spectrometry (AMS) a time when we see the earliest scripts elsewhere in radiocarbon dates on five charcoal samples from sealed Mesoamerica.
    [Show full text]
  • University of Cincinnati
    ! "# $ % & % ' % !' !" # $ %# & '() ' "# ' '% $$(' %"& *#+* (" $",+* * -$!.+* Locating Aguadas in Northern Guatemala Using Remote Sensing A thesis submitted to the Division of Graduate Studies of the University of Cincinnati In partial fulfillment of the requirements for the degree of Master of Arts In the Department of Geography Of the College of Arts & Sciences by Benjamin Thomas B.S. University of Cincinnati, 2007 Dr. Nicholas Dunning, Chair Abstract Water management is critical in the Maya Lowlands due to the karst landscape and seasonal wet-dry climate. To ensure that a reliable source of water was available year-round, the ancient Maya constructed aguadas, which are reservoirs of varying dimensions capable of holding water throughout the dry season. The goal of this research was to develop a method of detecting aguadas using remote sensing in the vicinity of Tikal National Park in northern Guatemala. While it is known that many aguadas exist, their distribution is poorly documented. In this study, high resolution satellite remote sensing data are used to determine aguada locations using a tasseled cap image transformation developed specifically for IKONOS images, a laplacian edge enhancement filter to detect their circular shape, a target detection algorithm and a high resolution digital elevation model. Key words: Maya, aguadas, remote sensing iii iv Acknowledgements First, I would like to thank my family for supporting me while I was pursing higher education. There were times when I thought I would not make it to graduation but my family’s encouragement carried me to the end. For this, I am eternally grateful. Second, I want to thank the graduate students in the department for making life in graduate school interesting, in particular, Yongming Cai, Teri Jacobs, Jessica Jelacic, Peter Kimosop, Kevin Magee, Carmen McCane, Andrew Miller, Thushara Ranatunga, Andrew Rettig, Yu Sun, and Barry Winston.
    [Show full text]
  • The PARI Journal Vol. XIII, No. 4
    ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIII, No. IV, Summer 2013 The Further Adventures of Merle1 MERLE GREENE ROBERTSON In This Issue: The Further Adventures of Merle by Merle Greene Robertson PAGES 1-7 • A Late Preclassic Distance Number by Mario Giron-Ábrego PAGES 8-12 Joel Skidmore Editor [email protected] Marc Zender Associate Editor [email protected] Figure 1. On the Usumacinta River on the way to Yaxchilan, 1965. The PARI Journal 202 Edgewood Avenue “No! You can’t go into the unknown wilds birds, all letting each other know where San Francisco, CA 94117 of Alaska!” That statement from my moth- they are. Evening comes early—dark by 415-664-8889 [email protected] er nearly 70 years ago is what changed my four o’clock. Colors are lost in pools of life forever. I went to Mexico instead, at darkness. Now the owls are out lording it Electronic version that time almost as unknown to us in the over the night, lucky when you see one. available at: U.S. as Alaska. And then later came the But we didn’t wait for nightfall to www.mesoweb.com/ pari/journal/1304 jungle, the jungle of the unknown that I pitch our camp. Champas made for our loved, no trails, just follow the gorgeous cooking, champas for my helpers, and a guacamayos in their brilliant red, yellow, ISSN 1531-5398 and blue plumage, who let you know where they are before you see them, by 1 Editor’s note: This memoir—left untitled by their constant mocking “clop, clop, clop.” the author—was completed in 2010, in Merle’s 97th Mahogany trees so tall you wonder if, year.
    [Show full text]
  • E L C Amino De Las Palabras De Los Pueblos
    El Camino de las Palabras de los Pueblos Iniciativa para la Reconstrucción y Recuperación de la Memoria Histórica http://resistenciadlp.webcindario.com/ [email protected] Colectivo Memoria Histórica - CODPI Primera Edición, entregado en Nebaj, Quiché, septiembre de 2013. Distribuido a comunidades del norte del departamento de Quiché. ISBN: Editorial: Magna Terra editores 5a avenida 4-75, zona 2, ciudad de Guatemala (502) 22380175, 22514048 www.magnaterraeditores.com APOYA: COFINANCIA: EL CAMINO DE LAS PALABRAS DE LOS PUEBLOS RESISTIR PARA AVANZAR PARA RESISTIR LOS CUATRO RUMBOS VIVIR PARA RESISTIR ESTA HISTORIA YO SI LA ENTIENDO PORQUE ES LA HISTORIA QUE YO VIVÍ PUEBLOSDE GUERRAY TIERRAS ALCANZADA PAZ LA NUESTROS ACUERDOS COLECTIVOS Que sea un libro colectivo. Que contenga las palabras y los entendimientos de todas y todos. Que no borre la memoria hablada de los pueblos, sino que ayude a fundamen- tarla y profundizarla. Que recoja la historia de la resistencia histórica de los pueblos en Quiché. Que sea el ABC de la historia de la resistencia. Que sea un libro redondo como nuestro tiempo, como nuestro calendario, que en donde comienza termina y donde ter- mina comienza otra vez. Porque la resistencia no ha terminado, ni terminará. Que todo el desarrollo del trabajo de este libro sea participativo. La pita delgada representa la his- toria narrativa de los pueblos. La pita gorda describe los hecho épicos de lucha y resis- tencia de los pueblos. En nuestra metodología de trabajo de reconstrucción y recupera- ción de la memoria, cada persona ha escrito en masking tape, momentos importantes de su vida y su historia personal, familiar y comunitaria.
    [Show full text]
  • ASHLEY E. SHARPE Research Archaeologist Smithsonian Tropical
    ASHLEY E. SHARPE Research Archaeologist Smithsonian Tropical Research Institute Center for Tropical Paleoecology and Archaeology Balboa Ancón, Panamá, Republic of Panamá Email: [email protected] Education 2016 Ph.D., Anthropology, University of Florida. Dissertation: A Zooarchaeological Perspective on the Formation of Maya States 2011 M.A., Anthropology, University of Florida Master’s Thesis: Beyond Capitals and Kings: A Comparison of Animal Resource Use among Ten Late Classic Maya Sites 2009 B.A., Archaeology, Minor in Biology, Magna cum Laude, Boston University Senior Honors Thesis: From Ritual to Rubbish: The Maya Zooarchaeological Record from San Bartolo, El Petén, Guatemala Academic Awards and Honors 2018 National Geographic Society Grant, Project Title: Socio-Ecological Landscapes of the Guaimoreto Lagoon, Northeast Honduras (PI: Leslie Reeder-Myers) #NGS-197R-18 2017 Smithsonian Institution Research Equipment Award ($2000) 2016 Delores A. Auzenne Dissertation Award, University of Florida ($12,000) 2016 Charles H. Fairbanks Award, Department of Anthropology, University of Florida ($1000) 2015 University of Florida Department of Anthropology and Land Use Environmental Change Institute Travel Grant ($350) 2015 University of Florida CLAS Graduate Student Travel Award ($300) 2015 University of Florida Office of Research Travel Grant ($200) 2015 Latin American Studies Research Clinic Poster Award, University of Florida 2014 National Science Foundation Doctoral Dissertation Improvement Grant, Project Title: A Zooarchaeological Perspective
    [Show full text]
  • Daily Life of the Ancient Maya Recorded on Murals at Calakmul, Mexico
    Daily life of the ancient Maya recorded on murals at Calakmul, Mexico Ramo´ n Carrasco Vargasa, Vero´ nica A. Va´ zquez Lo´ pezb, and Simon Martinc,1 aInstituto Nacional de Antropología e Historia, Calle 59 #44, Col. Centro Histo´rico, C.P. 24000, Campeche, Campeche, Me´xico; bUniversidad Nacional Auto´noma de Me´xico, Facultad de Filosofía y Letras Divisio´n de Estudios de Posgrado. Circuito interior, C.U., Coyoaca´n CP 04510, Me´xico, D.F. Me´xico; and cUniversity of Pennsylvania Museum, American Section, 3260 South Street, Philadelphia, PA 19104 Edited by Michael D. Coe, Yale University, New Haven, CT, and approved September 25, 2009 (received for review April 21, 2009) Research into ancient societies frequently faces a major challenge in accessing the lives of those who made up the majority of their populations, since the available evidence so often concerns only the ruling elite. Our excavations at the ancient Maya site of Calakmul, Mexico, have uncovered a ‘‘painted pyramid:’’ a struc- ture decorated with murals depicting scenes of its inhabitants giving, receiving, and consuming diverse foods, as well as display- ing and transporting other goods. Many are accompanied by hieroglyphic captions that describe the participants, and include spellings of key subsistence items. Collectively, they offer insights into the social mechanisms by which goods were circulated within major Maya centers. archaeology ͉ hieroglyphic writing ͉ nanoparticles rchaeological remains always present a skewed image of the Ahuman past, supplying bountiful information about some aspects of ancient societies but a dearth about others. Many of the issues that most concern scholars—the social processes, behaviors, and relationships integral to living communities—fall into the latter category and leave little or no physical trace.
    [Show full text]